Author Archives: JC Torres

Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers

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Most gaming setups lean on either a soundbar under the monitor or a headset clamped to your head. Soundbars are convenient but flatten the sense of space, especially when games and films are mixed for surround and height. Headsets can isolate better, but they get warm after a few hours and cut you off from the room entirely. Thunder Duo Max tries to bring full Dolby Atmos to a desk or living room without turning the space into a speaker warehouse.

Thunder Duo Max is the top configuration in a modular series, built around a pair of compact bookshelf speakers that handle the front channels and height effects. The system is a true 5.1.2-channel Dolby Atmos rig, not a virtual surround bar, and the bookshelf format unlocks larger drivers, fuller bass, and a flexible layout that can expand or tighten the soundstage depending on how you arrange it, making it comfortable on a desk or beside a TV.

Designer: OXS

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The dual upward-firing Sky Channels built into each speaker send sound toward the ceiling to create a real overhead layer. That matters in games where helicopters, rain, or footsteps above you become easier to place, and it adds a vertical dimension to films and music that most desktop setups ignore. This is certified Dolby Atmos performance, with decoding handled by one of the system’s two dedicated DSPs, so height effects come from actual audio processing rather than software tricks.

1

The 5.1.2-channel layout breaks down into front left and right from the speakers, a phantom center between them, a low-frequency channel anchored by the main drivers and sub, and rear channels handled by a wireless satellite neck speaker. The neck speaker solves the usual problem of rear-speaker placement in small rooms, putting true rear channels on your shoulders instead of mounting boxes behind your chair or running cables across the floor.

1

The low end gets handled by the wireless Thunder Sub, using a 5.25-inch driver and 80 W RMS output to extend bass down to 35 Hz. The full Thunder Duo Max system delivers 110 W RMS and 270 W peak, with total harmonic distortion under 0.5 percent, so explosions, engines, and music cues hit hard without turning into muddy rumble. The goal is to feel weight and impact without sacrificing the clarity that makes dialogue and footsteps legible.

1

Thunder Duo Max plugs into different parts of a setup without picking favorites. HDMI 2.1 and HDMI eARC handle PS5, Xbox Series consoles, and high-frame-rate PC output at 4K 120 Hz. USB-C connects Switch, Steam Deck, and mobile devices. Bluetooth 5.3 adds low-latency wireless audio. Input switching happens on the system itself, so you can move between PC, console, and streaming without re-cabling every time you sit down or swap between desk and couch modes.

1

The system uses dual DSP architecture, combining Dolby Atmos decoding with OXS’s own Xspace spatial algorithm, and it has been tuned in a dedicated acoustic lab for a studio-level frequency response. The software side includes per-channel EQ, six-ring RGB lighting with multiple motions and 50 colors, and a desktop app that lets you dial in both sound and lighting, so the system fits the room rather than shouting over it with blinking lights you cannot turn off.

Living with a system like this changes how games, films, and music feel. Instead of sound sitting in a flat line in front of the screen, it wraps around you, with height, rear, and sub channels giving every explosion, ambient loop, and soundtrack a real sense of space. The neck speaker and wireless sub make full surround possible in spaces that could never handle a traditional 5.1.2-channel layout. For people who care about audio as much as frame rates, Thunder Duo Max reads less like a peripheral and more like a small, flexible sound studio that happens to sit next to a monitor.

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The post Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers first appeared on Yanko Design.

Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers

Posted on by

Most gaming setups lean on either a soundbar under the monitor or a headset clamped to your head. Soundbars are convenient but flatten the sense of space, especially when games and films are mixed for surround and height. Headsets can isolate better, but they get warm after a few hours and cut you off from the room entirely. Thunder Duo Max tries to bring full Dolby Atmos to a desk or living room without turning the space into a speaker warehouse.

Thunder Duo Max is the top configuration in a modular series, built around a pair of compact bookshelf speakers that handle the front channels and height effects. The system is a true 5.1.2-channel Dolby Atmos rig, not a virtual surround bar, and the bookshelf format unlocks larger drivers, fuller bass, and a flexible layout that can expand or tighten the soundstage depending on how you arrange it, making it comfortable on a desk or beside a TV.

Designer: OXS

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The dual upward-firing Sky Channels built into each speaker send sound toward the ceiling to create a real overhead layer. That matters in games where helicopters, rain, or footsteps above you become easier to place, and it adds a vertical dimension to films and music that most desktop setups ignore. This is certified Dolby Atmos performance, with decoding handled by one of the system’s two dedicated DSPs, so height effects come from actual audio processing rather than software tricks.

1

The 5.1.2-channel layout breaks down into front left and right from the speakers, a phantom center between them, a low-frequency channel anchored by the main drivers and sub, and rear channels handled by a wireless satellite neck speaker. The neck speaker solves the usual problem of rear-speaker placement in small rooms, putting true rear channels on your shoulders instead of mounting boxes behind your chair or running cables across the floor.

1

The low end gets handled by the wireless Thunder Sub, using a 5.25-inch driver and 80 W RMS output to extend bass down to 35 Hz. The full Thunder Duo Max system delivers 110 W RMS and 270 W peak, with total harmonic distortion under 0.5 percent, so explosions, engines, and music cues hit hard without turning into muddy rumble. The goal is to feel weight and impact without sacrificing the clarity that makes dialogue and footsteps legible.

1

Thunder Duo Max plugs into different parts of a setup without picking favorites. HDMI 2.1 and HDMI eARC handle PS5, Xbox Series consoles, and high-frame-rate PC output at 4K 120 Hz. USB-C connects Switch, Steam Deck, and mobile devices. Bluetooth 5.3 adds low-latency wireless audio. Input switching happens on the system itself, so you can move between PC, console, and streaming without re-cabling every time you sit down or swap between desk and couch modes.

1

The system uses dual DSP architecture, combining Dolby Atmos decoding with OXS’s own Xspace spatial algorithm, and it has been tuned in a dedicated acoustic lab for a studio-level frequency response. The software side includes per-channel EQ, six-ring RGB lighting with multiple motions and 50 colors, and a desktop app that lets you dial in both sound and lighting, so the system fits the room rather than shouting over it with blinking lights you cannot turn off.

Living with a system like this changes how games, films, and music feel. Instead of sound sitting in a flat line in front of the screen, it wraps around you, with height, rear, and sub channels giving every explosion, ambient loop, and soundtrack a real sense of space. The neck speaker and wireless sub make full surround possible in spaces that could never handle a traditional 5.1.2-channel layout. For people who care about audio as much as frame rates, Thunder Duo Max reads less like a peripheral and more like a small, flexible sound studio that happens to sit next to a monitor.

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The post Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers first appeared on Yanko Design.

Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers

Posted on by

Most gaming setups lean on either a soundbar under the monitor or a headset clamped to your head. Soundbars are convenient but flatten the sense of space, especially when games and films are mixed for surround and height. Headsets can isolate better, but they get warm after a few hours and cut you off from the room entirely. Thunder Duo Max tries to bring full Dolby Atmos to a desk or living room without turning the space into a speaker warehouse.

Thunder Duo Max is the top configuration in a modular series, built around a pair of compact bookshelf speakers that handle the front channels and height effects. The system is a true 5.1.2-channel Dolby Atmos rig, not a virtual surround bar, and the bookshelf format unlocks larger drivers, fuller bass, and a flexible layout that can expand or tighten the soundstage depending on how you arrange it, making it comfortable on a desk or beside a TV.

Designer: OXS

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The dual upward-firing Sky Channels built into each speaker send sound toward the ceiling to create a real overhead layer. That matters in games where helicopters, rain, or footsteps above you become easier to place, and it adds a vertical dimension to films and music that most desktop setups ignore. This is certified Dolby Atmos performance, with decoding handled by one of the system’s two dedicated DSPs, so height effects come from actual audio processing rather than software tricks.

1

The 5.1.2-channel layout breaks down into front left and right from the speakers, a phantom center between them, a low-frequency channel anchored by the main drivers and sub, and rear channels handled by a wireless satellite neck speaker. The neck speaker solves the usual problem of rear-speaker placement in small rooms, putting true rear channels on your shoulders instead of mounting boxes behind your chair or running cables across the floor.

1

The low end gets handled by the wireless Thunder Sub, using a 5.25-inch driver and 80 W RMS output to extend bass down to 35 Hz. The full Thunder Duo Max system delivers 110 W RMS and 270 W peak, with total harmonic distortion under 0.5 percent, so explosions, engines, and music cues hit hard without turning into muddy rumble. The goal is to feel weight and impact without sacrificing the clarity that makes dialogue and footsteps legible.

1

Thunder Duo Max plugs into different parts of a setup without picking favorites. HDMI 2.1 and HDMI eARC handle PS5, Xbox Series consoles, and high-frame-rate PC output at 4K 120 Hz. USB-C connects Switch, Steam Deck, and mobile devices. Bluetooth 5.3 adds low-latency wireless audio. Input switching happens on the system itself, so you can move between PC, console, and streaming without re-cabling every time you sit down or swap between desk and couch modes.

1

The system uses dual DSP architecture, combining Dolby Atmos decoding with OXS’s own Xspace spatial algorithm, and it has been tuned in a dedicated acoustic lab for a studio-level frequency response. The software side includes per-channel EQ, six-ring RGB lighting with multiple motions and 50 colors, and a desktop app that lets you dial in both sound and lighting, so the system fits the room rather than shouting over it with blinking lights you cannot turn off.

Living with a system like this changes how games, films, and music feel. Instead of sound sitting in a flat line in front of the screen, it wraps around you, with height, rear, and sub channels giving every explosion, ambient loop, and soundtrack a real sense of space. The neck speaker and wireless sub make full surround possible in spaces that could never handle a traditional 5.1.2-channel layout. For people who care about audio as much as frame rates, Thunder Duo Max reads less like a peripheral and more like a small, flexible sound studio that happens to sit next to a monitor.

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The post Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers first appeared on Yanko Design.

Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers

Posted on by

Most gaming setups lean on either a soundbar under the monitor or a headset clamped to your head. Soundbars are convenient but flatten the sense of space, especially when games and films are mixed for surround and height. Headsets can isolate better, but they get warm after a few hours and cut you off from the room entirely. Thunder Duo Max tries to bring full Dolby Atmos to a desk or living room without turning the space into a speaker warehouse.

Thunder Duo Max is the top configuration in a modular series, built around a pair of compact bookshelf speakers that handle the front channels and height effects. The system is a true 5.1.2-channel Dolby Atmos rig, not a virtual surround bar, and the bookshelf format unlocks larger drivers, fuller bass, and a flexible layout that can expand or tighten the soundstage depending on how you arrange it, making it comfortable on a desk or beside a TV.

Designer: OXS

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The dual upward-firing Sky Channels built into each speaker send sound toward the ceiling to create a real overhead layer. That matters in games where helicopters, rain, or footsteps above you become easier to place, and it adds a vertical dimension to films and music that most desktop setups ignore. This is certified Dolby Atmos performance, with decoding handled by one of the system’s two dedicated DSPs, so height effects come from actual audio processing rather than software tricks.

1

The 5.1.2-channel layout breaks down into front left and right from the speakers, a phantom center between them, a low-frequency channel anchored by the main drivers and sub, and rear channels handled by a wireless satellite neck speaker. The neck speaker solves the usual problem of rear-speaker placement in small rooms, putting true rear channels on your shoulders instead of mounting boxes behind your chair or running cables across the floor.

1

The low end gets handled by the wireless Thunder Sub, using a 5.25-inch driver and 80 W RMS output to extend bass down to 35 Hz. The full Thunder Duo Max system delivers 110 W RMS and 270 W peak, with total harmonic distortion under 0.5 percent, so explosions, engines, and music cues hit hard without turning into muddy rumble. The goal is to feel weight and impact without sacrificing the clarity that makes dialogue and footsteps legible.

1

Thunder Duo Max plugs into different parts of a setup without picking favorites. HDMI 2.1 and HDMI eARC handle PS5, Xbox Series consoles, and high-frame-rate PC output at 4K 120 Hz. USB-C connects Switch, Steam Deck, and mobile devices. Bluetooth 5.3 adds low-latency wireless audio. Input switching happens on the system itself, so you can move between PC, console, and streaming without re-cabling every time you sit down or swap between desk and couch modes.

1

The system uses dual DSP architecture, combining Dolby Atmos decoding with OXS’s own Xspace spatial algorithm, and it has been tuned in a dedicated acoustic lab for a studio-level frequency response. The software side includes per-channel EQ, six-ring RGB lighting with multiple motions and 50 colors, and a desktop app that lets you dial in both sound and lighting, so the system fits the room rather than shouting over it with blinking lights you cannot turn off.

Living with a system like this changes how games, films, and music feel. Instead of sound sitting in a flat line in front of the screen, it wraps around you, with height, rear, and sub channels giving every explosion, ambient loop, and soundtrack a real sense of space. The neck speaker and wireless sub make full surround possible in spaces that could never handle a traditional 5.1.2-channel layout. For people who care about audio as much as frame rates, Thunder Duo Max reads less like a peripheral and more like a small, flexible sound studio that happens to sit next to a monitor.

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The post Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers first appeared on Yanko Design.

Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers

Posted on by

Most gaming setups lean on either a soundbar under the monitor or a headset clamped to your head. Soundbars are convenient but flatten the sense of space, especially when games and films are mixed for surround and height. Headsets can isolate better, but they get warm after a few hours and cut you off from the room entirely. Thunder Duo Max tries to bring full Dolby Atmos to a desk or living room without turning the space into a speaker warehouse.

Thunder Duo Max is the top configuration in a modular series, built around a pair of compact bookshelf speakers that handle the front channels and height effects. The system is a true 5.1.2-channel Dolby Atmos rig, not a virtual surround bar, and the bookshelf format unlocks larger drivers, fuller bass, and a flexible layout that can expand or tighten the soundstage depending on how you arrange it, making it comfortable on a desk or beside a TV.

Designer: OXS

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The dual upward-firing Sky Channels built into each speaker send sound toward the ceiling to create a real overhead layer. That matters in games where helicopters, rain, or footsteps above you become easier to place, and it adds a vertical dimension to films and music that most desktop setups ignore. This is certified Dolby Atmos performance, with decoding handled by one of the system’s two dedicated DSPs, so height effects come from actual audio processing rather than software tricks.

1

The 5.1.2-channel layout breaks down into front left and right from the speakers, a phantom center between them, a low-frequency channel anchored by the main drivers and sub, and rear channels handled by a wireless satellite neck speaker. The neck speaker solves the usual problem of rear-speaker placement in small rooms, putting true rear channels on your shoulders instead of mounting boxes behind your chair or running cables across the floor.

1

The low end gets handled by the wireless Thunder Sub, using a 5.25-inch driver and 80 W RMS output to extend bass down to 35 Hz. The full Thunder Duo Max system delivers 110 W RMS and 270 W peak, with total harmonic distortion under 0.5 percent, so explosions, engines, and music cues hit hard without turning into muddy rumble. The goal is to feel weight and impact without sacrificing the clarity that makes dialogue and footsteps legible.

1

Thunder Duo Max plugs into different parts of a setup without picking favorites. HDMI 2.1 and HDMI eARC handle PS5, Xbox Series consoles, and high-frame-rate PC output at 4K 120 Hz. USB-C connects Switch, Steam Deck, and mobile devices. Bluetooth 5.3 adds low-latency wireless audio. Input switching happens on the system itself, so you can move between PC, console, and streaming without re-cabling every time you sit down or swap between desk and couch modes.

1

The system uses dual DSP architecture, combining Dolby Atmos decoding with OXS’s own Xspace spatial algorithm, and it has been tuned in a dedicated acoustic lab for a studio-level frequency response. The software side includes per-channel EQ, six-ring RGB lighting with multiple motions and 50 colors, and a desktop app that lets you dial in both sound and lighting, so the system fits the room rather than shouting over it with blinking lights you cannot turn off.

Living with a system like this changes how games, films, and music feel. Instead of sound sitting in a flat line in front of the screen, it wraps around you, with height, rear, and sub channels giving every explosion, ambient loop, and soundtrack a real sense of space. The neck speaker and wireless sub make full surround possible in spaces that could never handle a traditional 5.1.2-channel layout. For people who care about audio as much as frame rates, Thunder Duo Max reads less like a peripheral and more like a small, flexible sound studio that happens to sit next to a monitor.

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The post Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers first appeared on Yanko Design.

Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers

Posted on by

Most gaming setups lean on either a soundbar under the monitor or a headset clamped to your head. Soundbars are convenient but flatten the sense of space, especially when games and films are mixed for surround and height. Headsets can isolate better, but they get warm after a few hours and cut you off from the room entirely. Thunder Duo Max tries to bring full Dolby Atmos to a desk or living room without turning the space into a speaker warehouse.

Thunder Duo Max is the top configuration in a modular series, built around a pair of compact bookshelf speakers that handle the front channels and height effects. The system is a true 5.1.2-channel Dolby Atmos rig, not a virtual surround bar, and the bookshelf format unlocks larger drivers, fuller bass, and a flexible layout that can expand or tighten the soundstage depending on how you arrange it, making it comfortable on a desk or beside a TV.

Designer: OXS

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The dual upward-firing Sky Channels built into each speaker send sound toward the ceiling to create a real overhead layer. That matters in games where helicopters, rain, or footsteps above you become easier to place, and it adds a vertical dimension to films and music that most desktop setups ignore. This is certified Dolby Atmos performance, with decoding handled by one of the system’s two dedicated DSPs, so height effects come from actual audio processing rather than software tricks.

1

The 5.1.2-channel layout breaks down into front left and right from the speakers, a phantom center between them, a low-frequency channel anchored by the main drivers and sub, and rear channels handled by a wireless satellite neck speaker. The neck speaker solves the usual problem of rear-speaker placement in small rooms, putting true rear channels on your shoulders instead of mounting boxes behind your chair or running cables across the floor.

1

The low end gets handled by the wireless Thunder Sub, using a 5.25-inch driver and 80 W RMS output to extend bass down to 35 Hz. The full Thunder Duo Max system delivers 110 W RMS and 270 W peak, with total harmonic distortion under 0.5 percent, so explosions, engines, and music cues hit hard without turning into muddy rumble. The goal is to feel weight and impact without sacrificing the clarity that makes dialogue and footsteps legible.

1

Thunder Duo Max plugs into different parts of a setup without picking favorites. HDMI 2.1 and HDMI eARC handle PS5, Xbox Series consoles, and high-frame-rate PC output at 4K 120 Hz. USB-C connects Switch, Steam Deck, and mobile devices. Bluetooth 5.3 adds low-latency wireless audio. Input switching happens on the system itself, so you can move between PC, console, and streaming without re-cabling every time you sit down or swap between desk and couch modes.

1

The system uses dual DSP architecture, combining Dolby Atmos decoding with OXS’s own Xspace spatial algorithm, and it has been tuned in a dedicated acoustic lab for a studio-level frequency response. The software side includes per-channel EQ, six-ring RGB lighting with multiple motions and 50 colors, and a desktop app that lets you dial in both sound and lighting, so the system fits the room rather than shouting over it with blinking lights you cannot turn off.

Living with a system like this changes how games, films, and music feel. Instead of sound sitting in a flat line in front of the screen, it wraps around you, with height, rear, and sub channels giving every explosion, ambient loop, and soundtrack a real sense of space. The neck speaker and wireless sub make full surround possible in spaces that could never handle a traditional 5.1.2-channel layout. For people who care about audio as much as frame rates, Thunder Duo Max reads less like a peripheral and more like a small, flexible sound studio that happens to sit next to a monitor.

Click Here to Buy Now: $569 $849 ($280 off). Hurry, only 105/200 left! Raised over $73,000.

The post Thunder Duo Max Brings 5.1.2 Atmos to Your Desk With Just 4 Speakers first appeared on Yanko Design.

This Monument-Inspired Speaker Concept Stands Tall on Your Shelf

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Most wireless speakers fall into two visual camps: squat cylinders that look like tech, or anonymous black boxes that try to disappear. There is a third path, treating a speaker like a small piece of architecture in the room, something that stands tall and holds its ground even when it is silent. Sonique is a vertical aesthetic speaker that leans into that idea, more road sentinel than soda can, more monument than gadget.

Sonique is a speaker inspired by global monuments, aiming to embody the idea of a road sentinel that seamlessly integrates artistry and functionality. The form language borrows from tall, narrow towers and arches, and the goal is to create an object you would be happy to leave on a shelf even when it is off, because it reads as a small, calm monolith rather than a piece of hardware waiting to be told what to do.

Designer: Eshaan Gupta

The basic form is a tall, rounded-top shell with a recessed fabric front and a small control strip at the bottom. The vertical posture lifts the drivers and makes the speaker feel more like a portal or doorway than a box. The controls are reduced to a simple strip with minus, play/pause, and plus, integrated into the front plane, so they do not break the silhouette or shout for attention when you are not using them.

The inspiration keywords, unbalanced, monolithic, and timeless, show up in how Sonique stands in a room. Unbalanced in its narrow footprint, tall stance, and slight backward lean that creates an asymmetrical, deliberate posture. Monolithic in the continuous outer shell, timeless in the fabric and soft grey palette, avoiding obvious tech trends. The speaker is meant to be a quiet marker in a space, a little tower of sound.

The technical block lists a Class-D amplifier with 2 × 30 W RMS output, a 60 Hz–20 kHz frequency response, splash and dust resistance, and up to 18 hours of playback at moderate volume. This puts it in the realm of a capable, battery-powered home speaker, with enough low-end extension for most music and enough stamina to move around the house without living on a charger or needing to stay tethered to an outlet.

Sonique fits into everyday scenes, on a bookshelf in a reading corner, on a sideboard in a living room, or on a desk as a vertical counterpoint to a monitor. The combination of fabric, soft light, and vertical form makes it feel more like a small lamp or sculpture than a piece of audio gear. The splash resistance hints at kitchen or bathroom use, where a bit of steam or a stray splash should not be a problem or an excuse to hide it away.

Treating a speaker like a road sentinel nudges the object out of the black box category and into the realm of things you curate in a room. Sonique suggests that you can have a plausible, battery-powered Class-D speaker that also behaves like a small monument on your shelf, a reminder that sound hardware does not always have to look like sound hardware to do its job well, and that a speaker can hold space in a room the way architecture does, vertical, quiet, and present.

The post This Monument-Inspired Speaker Concept Stands Tall on Your Shelf first appeared on Yanko Design.

Pebble-inspired Modular Mouse Reconfigures for Left or Right Hands

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Most everyday products, from scissors to mice, are designed around right-handed users, leaving left-handed people to adapt or struggle. That adaptation becomes invisible labor, especially with tools used all day like a mouse. Lor is a vertical mouse concept that takes that critique seriously and tries to design hand dominance out of the equation, treating hand dominance as something you configure through assembly rather than accept as a fixed product trait.

Lor is a vertical mouse that blurs the line between left-handed and right-handed, asking what would happen if flipping a product for the opposite hand was as simple as looking in a mirror. Instead of selling separate left and right models, Lor breaks the mouse into modular parts that can be rearranged, giving both user groups an equal product experience from the same hardware, without forcing anyone into a symmetrical compromise.

Designer: Youngbin Kwon

The main ergonomic idea is a grip that feels like holding smooth pebbles, designed to protect the wrist during long sessions. The mouse uses soft, rounded forms that encourage a more neutral hand posture than a flat mouse, leaning into the vertical-mouse logic without looking like a medical device. The pebble metaphor keeps the form approachable and hints at a more relaxed, natural grip that feels less technical.

Lor is built around a central spherical base and two detachable pebble grips that can be attached on either side. Like assembling toy blocks, users decide the shape and orientation, snapping the grips into a left-handed or right-handed configuration. Mirroring happens at the form level, not just in software, so thumb rests, buttons, and support surfaces end up exactly where each hand expects them to be without remapping or awkward reaches.

This approach benefits more than just left-handed users. Shared desks, studios, or home setups can keep a single mouse that reconfigures in seconds, and people who switch hands to rest a wrist can physically flip the layout instead of fighting a symmetrical compromise. It is a formative way, as the designer puts it, to satisfy both user groups with one product without flattening ergonomics into a one-size-fits-none solution.

A fingerprint unlock sensor is built into one of the grips, letting you log into your computer with a touch. It is a small feature, but it reinforces the notion that the mouse is a personal object that can recognize you, not just a generic input device. It also hints at future possibilities, like per-user profiles that travel with the mouse in shared environments or family workstations.

Lor treats handedness as a design parameter rather than an afterthought. Instead of asking left-handed people to adapt to right-handed tools, it lets the product adapt to them through a simple, understandable act of assembly. In a category where vertical mice are often strongly handed and ambidextrous options are usually ergonomic compromises, the idea of a modular, mirrorable form turns inclusion into something tactile, giving left-handed users the same thoughtful experience that right-handed users have always quietly taken for granted.

The post Pebble-inspired Modular Mouse Reconfigures for Left or Right Hands first appeared on Yanko Design.

Sintesi by Artemide Brings Ernesto Gismondi’s 1975 Tool Lamp Back to the Desk

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Artemide is celebrating its history, and Sintesi, introduced in 1975, was the first lamp signed by founder Ernesto Gismondi. His background was engineering and manufacturing, and he approached lighting like a system problem rather than a single object. The reissued Sintesi table lamp revisits that mindset, showing how a few bent-metal parts and a standard socket can still feel relevant in a world of sealed LED fixtures.

Sintesi was conceived as an intelligent system built around simple, shared components that could become table, floor, wall, or clamp versions. The new edition focuses on the table version, the core from which the rest of the family evolved. Its appeal lies in how a few bent-metal profiles and a standard E27 head can cover a surprising range of uses, from low reading light to taller task light, without complex joints or hidden mechanisms.

Designer: Ernesto Gismondi (Artemide)

The structure is two C-shaped steel profiles of different lengths hinged together to form a Y-shaped support. Opening and closing that scissor-like frame raises or lowers the head and changes the angle in one motion. The geometry is minimal, yet it gives enough adjustment to move from a low, horizontal reading beam to a taller, more directional light without adding slides, springs, or counterweights.

The head is a simple frame that holds an E27 socket, a reflector, and a protective grid. The standard socket means you can use different bulbs over time, from warm LED globes to smart lamps, keeping the lamp adaptable as light sources change. The reflector shapes the beam, while the grid protects the bulb and adds a technical, almost industrial character that fits the rest of the structure.

Sintesi can fold in on itself for compact packaging, the Y-frame collapsing so the lamp becomes a flat bundle of metal and a head. That foldability reflects Gismondi’s interest in production efficiency and logistics, making it easier to store, transport, and service the lamp, and aligning with contemporary concerns about material and shipping footprints that were less visible in 1975 but feel urgent now.

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The reissue keeps the painted-steel structure and aluminium reflector, offered in colours like green, red, white, and blue. The exposed hinges, visible screws, and open cage around the bulb make no attempt to hide how the lamp works. It feels closer to a piece of technical equipment than a decorative object, which is exactly what makes it interesting on a desk or workbench where function matters more than mood lighting.

A 1975 design can sit comfortably next to laptops and LED strips today because Sintesi’s reliance on a standard socket, its adjustable geometry, and its foldable, efficient structure all speak to ideas that are even more relevant now: repairability, adaptability, and honest construction. The bent-metal tool lamp from Gismondi feels quietly timeless because it was never trying to chase fashion, only to solve a problem with the fewest parts and the most flexibility.

The post Sintesi by Artemide Brings Ernesto Gismondi’s 1975 Tool Lamp Back to the Desk first appeared on Yanko Design.

This Turntable Spins Vinyl Vertically So Records Become Wall Art

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Vinyl has come back as much for the ritual and artwork as for the sound, yet most turntables still hide records flat on a plinth, as if they are shy. People lean records against walls or shelves to show them off, while the deck itself sits in a corner doing its work horizontally. The VS-01 is a vertical Bluetooth turntable that treats the spinning disc as a display piece instead of something to tuck away.

The VS-01 Bluetooth Vertical Turntable is a retro-futuristic record player that stands the platter upright behind a low, mid-century-inspired base. The front is all CNC-machined aluminum grille and vegan-leather-wrapped MDF, with a handcrafted carbon fiber tonearm reaching across the record. The design blends cool metal and warm materials, so the whole thing reads like a small hi-fi sculpture that happens to play vinyl and stream Bluetooth audio when you ask it to.

Designer: CoolGeek

Inside sits a 2.1-speaker system with two 2-inch tweeters and a 4-inch 30 W mid-bass driver, driven by a Hi-Fi-grade amplifier. The desktop reflective acoustic structure uses the surface it sits on to reinforce bass, aiming for layered, expansive sound that can handle vocals and low-end without needing separate speakers cluttering the room or demanding extra cables and shelf space.

The turntable side is a belt-drive platter with 33.3 and 45 RPM speeds controlled by a closed-loop system that keeps rotation stable. A zirconia ceramic spindle and high-precision mechanical design reduce friction and wear over time. The tonearm geometry is carefully specced, with low tracking distortion and adjustable tracking force, so the engineering backs up the visual drama and ensures your records are not getting chewed up while spinning vertically.

Bluetooth 5.3 lets the VS-01 act as a wireless speaker for your phone when you are not spinning records. It can also transmit vinyl audio out to Bluetooth headphones or speakers, turning analog grooves into a private listening session without cables. A line-out port and RCA outputs let you feed an external amplifier or active speakers if you want bigger sound or bypass the integrated drivers.

The vertical format changes the everyday experience. Records become a kinetic art installation you can see from across the room, especially with colored vinyl. The footprint on a shelf is shallower than a traditional deck, which helps in tight spaces. Purists may still prefer a classic horizontal setup, but the visual payoff and integrated speakers will outweigh that concern when your living room needs the turntable to double as decor.

The VS-01 treats vinyl as something to see while you hear it, with a vertical platter that makes every record into spinning artwork. The combination of serious belt-drive mechanics, a 2.1-speaker system, and Bluetooth flexibility wrapped in a retro-modern chassis means it can handle the full range from late-night wireless listening to showing off splattered-vinyl art during a party. Records become the centerpiece of the room, doing their work upright instead of lying flat and being forgettable.

The post This Turntable Spins Vinyl Vertically So Records Become Wall Art first appeared on Yanko Design.