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5 Super Clever Accessories That Every Industrial Designer Has on Their Desk — and Why You Should Too

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What a designer keeps on their desk is actually quite revealing. Every object has been considered, tested, and kept for a reason. Nothing sits there by accident. Industrial designers think about tools the way they think about products: function first, form as a close second, and longevity as the quiet measure of what’s worth keeping. The result is usually a desk that looks sparse but works hard, where each item earns its place daily.

These five accessories show up on those desks because they solve real problems well, and because they’re made with enough craft that reaching for them feels better than it strictly needs to. You don’t have to be a trained designer to benefit from that kind of thinking. Each one brings a quality of intention that makes the hours spent at a desk more considered, more comfortable, and more genuinely productive than the tools they quietly replace.

1. Everlasting All-Metal Pencil

Every designer has been stopped mid-sketch by a blunt pencil. The momentum breaks, the hand reaches for a sharpener, and the thought softens. The Everlasting All-Metal Pencil is engineered to make that sequence impossible. Built with a special alloy core inside an aluminum body, it leaves marks exactly like a traditional pencil: soft enough to erase, expressive enough to sketch with, and responsive enough to carry across a full page. The core never wears down, which means no sharpening, no snapping lead under pressure, and no reason to stop.

Where this pencil earns its place is in mixed-media work. The alloy core doesn’t bleed when you layer watercolor or water-based markers directly over it, so a sketch moves straight into a render without switching tools or waiting. It erases cleanly with a standard eraser, removing the usual objection to non-graphite alternatives. A new pocket-sized variant is now available, making the case for carrying this well beyond the desk even easier to argue. Work with one for a week, and reaching for anything else starts to feel like a step backwards.

Click Here to Buy Now: $19.95

What We Like

  • Never needs sharpening, keeping creative momentum intact from the first mark to the last
  • Works directly under watercolor and water-based markers without bleeding or running

What We Dislike

  • The alloy mark feels subtly different from traditional graphite, which takes some adjustment for those with strong pencil preferences
  • The upfront cost is higher than that of a standard pencil, even if it pays off considerably over time

2. MEMO

The best ideas don’t always arrive at your desk. They hit mid-conversation, on a train, in a corridor between meetings. The MEMO from New Things Lab is a bifold wallet whose inside panels are a fully functional dry-erase whiteboard — two surfaces that wipe clean and start over, with a built-in removable marker tucked into the fold. For an industrial designer, it replaces the back-of-receipt sketch with something you actually carry on purpose.

What makes it earn a place in this list isn’t the novelty — it’s the honesty. It acknowledges that capture tools need to live where ideas do, not just where work happens. The outside handles up to six cards, keeping it functional as a wallet without compromise. The design is deceptively simple: open it to reveal a whiteboard, close it to have a wallet. No app, no sync, no battery. Just a surface that’s always ready and always on you – you can use it on your desk, or on the go!

What we like

  • Dry-erase surface lets you capture and clear quick sketches without wasting paper
  • Combines two things you’re already carrying into one object with real daily utility

What we dislike

  • Six-card capacity is lean for anyone who carries more than the essentials
  • The whiteboard surface requires the bundled marker — losing it means the whole concept stalls

3. Horizon Helvetica® Ruler and Titanium S Mechanical Pencil

The Helvetica® Max doesn’t look like it should do this much. Credit card-sized and machined from 304 stainless steel using a Swiss-made Bystronic laser cutter, it measures up to 6 inches and 15 centimeters, carries a 180-degree protractor, includes both imperial and metric compasses, offers quick circle guides from 3mm to 10mm, and sports an isometric grid for 3D sketching. The bold Helvetica® Neue typeface keeps every marking legible at speed, and the absence of sharp edges means it clears airport security without a second thought.

The 2025 lineup adds Byzantine Purple, Irish Green, and Classic Blue colorways to both rulers, alongside upgraded silk-screen coating and UV-protected layering across all models, ensuring markings hold up visually over years of heavy use. The standout new release is the Horizon Titanium S mechanical pencil, which costs more and demands pocket space but earns both through material honesty and build quality. Team Horizon also released the Hypatia A5 Notebook to pair with the full lineup, turning a collection of individual tools into one cohesive sketching system worth building around.

What We Like

  • Packs a protractor, compass, circle guides, and isometric grid into a single credit card-sized stainless steel tool
  • UV-protected layering on 2025 models keeps silk-screen markings legible and intact through extended daily use

What We Dislike

  • The Titanium S pencil sits at a premium price point that requires deliberate budget consideration
  • Credit card-sized rulers have a natural ceiling when longer straight-edge measurements are part of the workflow

4. Magboard Clipboard

Notebooks make decisions for you before you’ve started working. They impose page order, dictate margins, and commit you to a format before a single idea is on the page. The Magboard Clipboard works without those constraints. A magnet and lever mechanism holds up to 30 sheets and lets you add, remove, and rearrange them in any order without disturbing what’s already there. Grid paper beside blank paper beside a printed reference sheet, clipped together in whatever configuration actually serves the work at hand.

The hardcover design makes writing while standing feel natural rather than effortful. Whether you’re on a site visit, in a client meeting, or moving away from the desk to think differently, the board provides the resistance your pen needs to move cleanly across the page. The cover is water-resistant and easy to wipe clean, which matters when the environment includes markers, paint, and the occasional spill. It doesn’t pretend your thinking is linear. It holds whatever you put in it and lets you decide the rest entirely on your own terms.

Click Here to Buy Now: $45.00

What We Like

  • The magnet and lever mechanism holds up to 30 sheets, giving complete freedom to add, remove, and rearrange pages at any point
  • Water-resistant hardcover makes it practical across studio, client, and field environments without any special handling

What We Dislike

  • The loose sheet format requires a separate system for organizing and archiving pages over time
  • Those who prefer the structure of a bound notebook may find the open format takes a brief adjustment to settle into

5. Grovemade Matte Studio Pad

Most desk pads do one thing and ignore everything else. They protect the surface, or they look good, or they’re cheap enough to replace without a second thought. The Grovemade Matte Studio Pad takes a different approach. Its matte surface is smooth and comfortable underhand, fingerprint resistant, and steady enough that paper doesn’t drift while you write or sketch. It’s inviting in the way good materials always are: you notice it immediately, understand why it works, and then stop noticing it because it never gets in the way.

Underneath the surface is where the engineering becomes clear. A brushed aluminum chassis keeps the pad flat and stable without flex. A cork underlayer cushions the desk from scratches and softens the whole assembly from below. A full-length hardwood tray runs along one edge, providing a tactile and visually grounded place to keep pens, a stylus, or a ruler within reach without cluttering the writing surface. Three materials, three problems solved, one object that feels deliberate in every direction. For anyone spending long hours at a desk, the quality of the surface beneath your hands matters more than most people realize until they’ve worked on something this well-made.

What We Like

  • Matte, fingerprint-resistant surface stays visually clean and composed through heavy daily use without any extra maintenance
  • Layered aluminum, cork, and hardwood construction addresses stability, desk protection, and tactile comfort all at once

What We Dislike

  • Premium materials place it well above budget desk pad options, making the initial purchase a deliberate decision
  • The full-length hardwood tray extends the pad’s overall footprint, which may not suit smaller or tighter desk setups

The Desk You Build Reflects How You Think

The best designer desks don’t impress people who visit them. They just make the work easier and the hours more worth spending. None of these tools announces itself or tries to be more than they are. What they share is a quality of being fully thought through, made by people who considered every detail and removed whatever didn’t need to be there. That discipline is what makes them worth having, whether you design for a living or not.

Good tools have a way of quietly changing how you work. You reach for them without thinking, trust them without checking, and after a while, you stop remembering what you used before. These five accessories earn that kind of invisible loyalty not through novelty but through honesty. They do exactly what they’re supposed to do, they do it well, and they keep doing it long after the first impression has worn off.

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FLIR iXX: An App-Based Thermal Camera for the Deskless Office

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Traditional thermal inspections are messy. Technicians capture images, transfer them from SD cards to laptops, manually enter notes into spreadsheets, and spend hours back at the office generating reports. Around 60% of maintenance teams report a shortage of skilled thermographers, which makes the problem worse. Reporting alone can eat up half a technician’s time, turning straightforward inspections into documentation marathons.

FLIR’s iXX-Series is a response to that reality. It’s a handheld thermal imaging camera that behaves more like an app-enabled platform than a single-purpose tool. Built on FLIR’s ACE operating system, the iXX combines high-performance thermography with smartphone-style connectivity and an open app ecosystem. It’s designed for what FLIR calls the “deskless office,” where technicians need their camera to be rugged and smart.

Designer: FLIR

From Camera to App-Driven Platform

The iXX-Series comes in four models, i34, i35, i64, and i65, with thermal resolutions up to 480 × 640. Sensitivity sits under 40 mK at 30 °C, and accuracy hits ±2 °C or ±2%. Those specs matter as the foundation for structured, cloud-connected workflows that didn’t exist on older cameras.

According to the FLIR team, the focus is on “the importance of the deskless office, making sure data can flow in a seamless and customized way according to our customer needs.” That shift from hardware-first to workflow-first changes what the device is for. It’s about getting usable data into the right systems immediately.

The iXX integrates directly with FLIR Assetlink and Ignite, cloud systems that link thermal images to specific assets. Capture an anomaly on a motor, and it tags to that motor in your system, complete with trend data and inspection history. Reporting time, which traditionally consumes up to 50% of a technician’s day, can drop to nearly zero.

One electrical testing company using the iXX with the Condoit app cut their reporting from eight to 12 hours down to under five minutes for large jobs. That’s the kind of time savings that changes how teams actually work.

Designed for the Deskless Office

The hardware is built to survive. IP54 rating, 2 m drop test, 0.8 kg body, and a 5-inch touchscreen that works with gloves. Operating range runs from -15 °C to 50 °C. The battery lasts around four hours with quick charging. It’s industrial-grade housing with a consumer-grade interface layered on top.

The FLIR team explains that “with ergonomics and usability in focus as always for FLIR, it is a balance to address multiple different customer needs and applications with different levels of expertise.” You can hand this to a senior thermographer or a junior tech, and both will find it usable, just configured differently.

You also get an 8 MP visible camera, MSX image enhancement, a work light, and a laser pointer. These let a technician capture context and document conditions without juggling three devices. The touchscreen and app model make the iXX feel closer to a field computer than a traditional instrument.

Open Apps and Tailored Workflows

Where the iXX really diverges is the app ecosystem. It supports FLIR apps, third-party apps, and private apps built by customers. According to FLIR, “having the open approach is critical… now making sure it is easy for anybody to develop something tailored for their use case is a success factor.”

No two plants or facilities run inspections the same way, so the camera should adapt to the team. Apps can guide inexperienced technicians step by step, auto-link images to asset hierarchies, generate work orders with one tap, or enforce security policies. There’s definitely flexibility built into the platform.

A technician walking through a data center can scan electrical distribution gear, flag temperature anomalies, and sync everything to the cloud before leaving the room. By the time they’re back in the truck, the office team already has the data and dashboards updated automatically.

Always-Connected Inspections

Connectivity is built in via Wi-Fi across the line, and certain models, the i35 and i65, include LTE. The FLIR team notes that “a safer and more stable connection is key for having all the data at hand out in the field for taking correct and quick decisions, which can be time critical where cellular connectivity is crucial.”

Many outdoor or industrial sites don’t have Wi-Fi, making LTE the only option. With LTE, technicians can send images, messages, and video calls directly from the device. A junior tech scanning a substation can loop in a senior engineer via video without leaving the site. Office teams see data appear in dashboards in real time.

Inspections stop being isolated tasks and start looking more like live, collaborative workflows. That’s a pretty significant shift for teams used to working solo in the field.

Growing with the Platform and Closing the Skills Gap

Longevity is baked into the design. FLIR emphasizes that it’s “very important in our design decisions, from material choices to how to assemble and disassemble for service purposes… with the capability of growing with the platform and constantly increasing functionality through software updates and also with the app ecosystem where new functionality and features will be added by FLIR and others.”

The camera you buy today isn’t frozen. It’s a platform that keeps evolving through firmware updates and new apps. That also helps close the skills gap through app-guided workflows, onboarding tools, and configurable interfaces.

“With the ability to tailor for any customer needs, the data collections are made easier… and the fact that you as a user can choose what apps to download or even develop yourself makes it suitable for anyone, no matter the level of experience,” FLIR explains. A senior thermographer can load advanced apps while a junior tech follows a guided workflow.

The iXX-Series represents a shift in how handheld inspection tools are designed. It’s a connected, app-driven platform built for the deskless office, where technicians need their tools to be rugged, smart, and collaborative. If this is the future of inspection devices, hardware and software are finally being designed together from the start.

The post FLIR iXX: An App-Based Thermal Camera for the Deskless Office first appeared on Yanko Design.

Sintesi by Artemide Brings Ernesto Gismondi’s 1975 Tool Lamp Back to the Desk

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Artemide is celebrating its history, and Sintesi, introduced in 1975, was the first lamp signed by founder Ernesto Gismondi. His background was engineering and manufacturing, and he approached lighting like a system problem rather than a single object. The reissued Sintesi table lamp revisits that mindset, showing how a few bent-metal parts and a standard socket can still feel relevant in a world of sealed LED fixtures.

Sintesi was conceived as an intelligent system built around simple, shared components that could become table, floor, wall, or clamp versions. The new edition focuses on the table version, the core from which the rest of the family evolved. Its appeal lies in how a few bent-metal profiles and a standard E27 head can cover a surprising range of uses, from low reading light to taller task light, without complex joints or hidden mechanisms.

Designer: Ernesto Gismondi (Artemide)

The structure is two C-shaped steel profiles of different lengths hinged together to form a Y-shaped support. Opening and closing that scissor-like frame raises or lowers the head and changes the angle in one motion. The geometry is minimal, yet it gives enough adjustment to move from a low, horizontal reading beam to a taller, more directional light without adding slides, springs, or counterweights.

The head is a simple frame that holds an E27 socket, a reflector, and a protective grid. The standard socket means you can use different bulbs over time, from warm LED globes to smart lamps, keeping the lamp adaptable as light sources change. The reflector shapes the beam, while the grid protects the bulb and adds a technical, almost industrial character that fits the rest of the structure.

Sintesi can fold in on itself for compact packaging, the Y-frame collapsing so the lamp becomes a flat bundle of metal and a head. That foldability reflects Gismondi’s interest in production efficiency and logistics, making it easier to store, transport, and service the lamp, and aligning with contemporary concerns about material and shipping footprints that were less visible in 1975 but feel urgent now.

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The reissue keeps the painted-steel structure and aluminium reflector, offered in colours like green, red, white, and blue. The exposed hinges, visible screws, and open cage around the bulb make no attempt to hide how the lamp works. It feels closer to a piece of technical equipment than a decorative object, which is exactly what makes it interesting on a desk or workbench where function matters more than mood lighting.

A 1975 design can sit comfortably next to laptops and LED strips today because Sintesi’s reliance on a standard socket, its adjustable geometry, and its foldable, efficient structure all speak to ideas that are even more relevant now: repairability, adaptability, and honest construction. The bent-metal tool lamp from Gismondi feels quietly timeless because it was never trying to chase fashion, only to solve a problem with the fewest parts and the most flexibility.

The post Sintesi by Artemide Brings Ernesto Gismondi’s 1975 Tool Lamp Back to the Desk first appeared on Yanko Design.

Blocky Wi-Fi router concept is inspired by smokestacks factory

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Usually, we don’t really think of where to place WiFi routers since they just look like ordinary devices. It doesn’t matter where they are placed as long as it does what it’s supposed to do. They’re also not that well-designed anyway so it’s better to hide them away. But what if the router’s design is actually well thought out and can actually be part of your decoration?

Designer: In Je Lee

This is the idea for the Wi-Fi router concept called Complex ‘1’ which has found inspiration in the most unlikely places: a factory smokestack. The designer says that just like the chimney diffuses the smoke, the antenna of this router spreads the Wi-Fi signal throughout your space. There is really no direct correlation between the two of course except that he got the cylindrical shape inspiration from the smokestacks.

Instead of the usual slim antennas that you see on routers, this one actually looks like a lego piece, with the square body and the two cylindrical and asymmetrical antennas. It also comes in a bright, yellow color so if you display it on your desk or shelf, you can get a spot of color in your space. It also has a clock on it so you can use it for another purpose. There’s a small, orange button at the back for resetting or toggling the clock on and off.

This is an interesting take on the common router, which is usually hidden under or behind stuff because it’s not that aesthetic. This way, since you’ll display it in the open, there’s no interference with the signal reception. Well, hopefully there will also be other colors since not everyone is fond of this kind of yellow.

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Library Lamp puts a sleek modern spin on a classic lighting fixture

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It might be a foreign concept to those born in the age of the Internet and smartphones, but libraries were once the only place where you could get voluminous amounts of correct information. Of course, these institutions still do exist, especially in schools and universities, but the image of a quiet room with shelf after shelf of books might seem odd and even eerie to some. There are aspects of this imagery that have almost become iconic over the decades, such as the archetypal metal-encased lamp used not just in libraries but even in banks. Those lamps would naturally look antiquated on modern desks, so this design reinterprets that classic concept into something that pays homage to the past while also embracing the aesthetics of the present.

Designers: Ben Kicic, Emilio Halperin

The Library Lamp or Banker’s Lamp had a singular purpose: to illuminate the reading material or papers in front of the user without disturbing or distracting others nearby. As such, it often has a softer, less glaring glow than most desk lamps would have today, while still offering enough brightness, especially at night. Of course, these lamps reflected the design trends of that period, which were often more ornate than practical. It would make for a good decorative desk piece, but would still look out of place in today’s workplaces.

This redesign takes the spirit of the library lamp and inserts it in a form that embodies more modern industrial aesthetics, particularly the use of simple shapes and curves as well as unpainted milled aluminum. Instead of a single elaborate stand, the trapezoidal lamp shade is held aloft by two slim arms that also serve to hide the lamp’s internal wiring from plain sight. These parts stand on a horizontal block of metal that has a subtly concave surface that serves not only to diffuse the light but also to hold small objects like keys, pens, and other knickknacks.

In addition to its sleek modern appearance, the Library Lamp also incorporates modern technological conveniences. In particular, the base, arms, and even the lampshade itself are touch-sensitive, providing physical controls without the need for disruptive buttons and switches. Just like its forebear, the lamp gets the job done with minimal fuss and confusion. It also looks quite striking as a representative of the dominant design trend of its period, adding a touch of beautiful minimalism and industrial design to any desk, workspace, or shelf.

The post Library Lamp puts a sleek modern spin on a classic lighting fixture first appeared on Yanko Design.

Library Lamp puts a sleek modern spin on a classic lighting fixture

Posted on by

It might be a foreign concept to those born in the age of the Internet and smartphones, but libraries were once the only place where you could get voluminous amounts of correct information. Of course, these institutions still do exist, especially in schools and universities, but the image of a quiet room with shelf after shelf of books might seem odd and even eerie to some. There are aspects of this imagery that have almost become iconic over the decades, such as the archetypal metal-encased lamp used not just in libraries but even in banks. Those lamps would naturally look antiquated on modern desks, so this design reinterprets that classic concept into something that pays homage to the past while also embracing the aesthetics of the present.

Designers: Ben Kicic, Emilio Halperin

The Library Lamp or Banker’s Lamp had a singular purpose: to illuminate the reading material or papers in front of the user without disturbing or distracting others nearby. As such, it often has a softer, less glaring glow than most desk lamps would have today, while still offering enough brightness, especially at night. Of course, these lamps reflected the design trends of that period, which were often more ornate than practical. It would make for a good decorative desk piece, but would still look out of place in today’s workplaces.

This redesign takes the spirit of the library lamp and inserts it in a form that embodies more modern industrial aesthetics, particularly the use of simple shapes and curves as well as unpainted milled aluminum. Instead of a single elaborate stand, the trapezoidal lamp shade is held aloft by two slim arms that also serve to hide the lamp’s internal wiring from plain sight. These parts stand on a horizontal block of metal that has a subtly concave surface that serves not only to diffuse the light but also to hold small objects like keys, pens, and other knickknacks.

In addition to its sleek modern appearance, the Library Lamp also incorporates modern technological conveniences. In particular, the base, arms, and even the lampshade itself are touch-sensitive, providing physical controls without the need for disruptive buttons and switches. Just like its forebear, the lamp gets the job done with minimal fuss and confusion. It also looks quite striking as a representative of the dominant design trend of its period, adding a touch of beautiful minimalism and industrial design to any desk, workspace, or shelf.

The post Library Lamp puts a sleek modern spin on a classic lighting fixture first appeared on Yanko Design.

Industrial Design Trends: From Past Innovations to Future Possibilities

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The field of Industrial Design (ID) revolves around crafting products and services that are intuitive for users worldwide. Industrial designers prioritize aesthetics, functionality, and ease of manufacture, striving to enrich daily interactions. Whether for personal or commercial use, every item undergoes this transformative process, aimed at enhancing lives through thoughtful design.

Designer: Tamarit Motorcycles

Lets delve into the history of Industrial Design:

What historical factors and practices contributed to the evolution of industrial design as a distinct field?

Designer: Allbirds

• Before industrialization, product design was primarily determined by individual craftsmen’s skills, client requirements, and experience.
• The division of labor was evident in pre-industrial times, with specialized workshops producing standardized goods.
• In the 16th century, pattern books emerged, providing decorative designs for a variety of products, and fostering competition.
• Drawing became a method for specifying construction details during the Italian Renaissance.
• By the 17th century, centralized monarchies like France were backing large government-operated manufacturing facilities such as the Gobelins Manufactory. This patronage extended to court porcelain factories in the 18th century, but with the scale of production increasing, individual craftsmanship often suffered.

Who is the founding father of Industrial Design?

Image courtesy of: Linnean Society of London

Christopher Dresser (1834-1904) is considered the pioneer of industrial design. He was the first independent industrial designer, recognizing the potential of the Industrial Revolution before his German counterparts in the Modern Movement. Dresser’s groundbreaking journey to Japan, appointed by the British Government, reshaped his design approach and inspired the Anglo-Japanesque style in England. His diverse portfolio spanned furniture, textiles, ceramics, glassware, and metalwork, showcasing his versatility and forward-thinking mindset. Despite the conservative Victorian society, Dresser’s courage and vision propelled him to success, establishing him as a design icon with tastes beyond his time.

This silver teapot was created by Christopher Dresser and crafted by Hukin & Heath in Birmingham, with its design registered on May 6, 1878, and the production took place between 1878 and 1879.

Images courtesy of: Daniella on Design

The teapot, designed by Christopher Dresser and produced by James Dixon & Sons in Sheffield, South Yorkshire. Created around 1879, it features electroplated nickel silver and ebonized wood.

The glazed earthernware bowl, envisioned by Christopher Dresser and crafted by the Linthorpe Art Pottery in Middlesbrough, North Yorkshire was produced between 1879 to 1882.

What is the history of Industrial Design?

Industrial design’s roots stretch to the early 1900s amid the industrial revolution’s onset. The 1920s witnessed flourishing design across sectors like automotive engineering and electrical appliances, with artists enlisted to elevate aesthetics. The term “industrial design” may have originated in The Art Union journal in 1839. Make a note that the Industrial Revolution, originating in late 18th century Britain, rapidly spread worldwide, transforming agrarian societies into industrialized economies marked by mechanization and urbanization

Designer: Ludwig Mies van der Rohe (Weissenhof Estate)

The Deutscher Werkbund, founded in Munich in 1907, united architects, artists, industrialists, and designers. It aimed to boost German companies’ global competitiveness by integrating mass-production techniques with traditional craftsmanship. Hermann Muthesius, a German architect, is credited with conceiving the idea.

Designer: Walter Gropius (Bauhaus building, Dessau)

The Bauhaus, founded by Walter Gropius in 1919, was a pioneering school in Germany that fused fine arts and crafts education. It significantly influenced industrial design, typography, interior design, and architecture, emerging as a dominant force in modern design. Operating in Weimar (1919-1925), Dessau (1925-1932), and Berlin (1932-1933), it left an indelible mark on creative disciplines.

Amidst the Great Depression of 1929, industrial designers seized an unforeseen chance to demonstrate their abilities. This severe global economic downturn, spanning the late 1920s to the 1930s, brought widespread unemployment, poverty, and a drastic decline in industrial output, along with major disruptions in global trade. In this challenging era, Frederick W. Taylor, a mechanical engineer, played a pivotal role in bolstering industrial efficiency.

What are the current trends of Industrial Design?

The top industrial design trends include:

1. Sustainable Industrial Design

Designer: Ikea

Sustainable design encompasses developing products or services based on economic, ecological, and social sustainability principles. This E3 variable, emphasizing Equity, Economy, and Ecology, sets it apart from eco-design, which focuses solely on environmental sustainability. It involves responsibly using natural resources to meet present needs without compromising those of future generations. Sustainable design plays a crucial role in achieving design strategies that support a high quality of life, sustainable production, and environmental awareness.

2. Technology and Innovation

Advancing technologies like 3D printing, virtual and augmented reality, generative design, and the Internet of Things (IoT) are revolutionizing industrial design. 3D printing enables rapid prototyping and complex designs, while VR and AR enhance visualization and collaboration. Generative design leverages algorithms for innovative solutions, and IoT embeds smart functionality into products. These technologies not only streamline the design process but also foster creativity, efficiency, and sustainability, shaping the future of industrial design across diverse sectors.

3. Human-Centered Design

Designer: Stan Deng

Human-centered design (HCD) is an approach to problem-solving utilized in process, product, service, and system design, focusing on involving the human perspective in all stages of the problem-solving process. It aims to make systems usable and beneficial by prioritizing user needs, and requirements, and applying human factors/ergonomics, as well as usability knowledge and techniques. HCD enhances effectiveness, efficiency, human well-being, user satisfaction, accessibility, and sustainability while mitigating potential adverse effects on human health, safety, and performance. It involves stages like observing the problem within its context, brainstorming, conceptualizing, and implementing solutions.

4. Minimalism

Designer: BKID co

Minimalism has become increasingly popular in industrial design, emphasizing the removal of excess elements to focus on essentials, resulting in intuitive, efficient, and aesthetically pleasing products and spaces. This approach resonates with consumers drawn to the sleek, uncluttered aesthetic. Simplicity defines minimalist designs, making them easy to use and understand. By stripping down designs to their core features, minimalism maximizes impact while reducing clutter and improving functionality. Additionally, this design concept can reduce costs and production time by eliminating unnecessary features.

5. Inclusive Design

Designer: Quantum

Inclusive product experiences are shaped by a thorough understanding of user backgrounds and abilities, promoting a sense of belonging. Inclusive design methodologies aim to cater to diverse user needs, considering factors like accessibility, age, culture, economic situation, education, gender, geographic location, and language. By empathizing with users and adapting interfaces accordingly, inclusive design generates inclusive design patterns, ensuring a more accommodating user experience.

6. Biomimicry

Designer: John Mauriello

Nature serves as a rich source of inspiration for many designers, offering evolved intelligence and innovative solutions. Biomimicry in industrial design involves emulating characteristics or strategies from nature to address various challenges. From materials to systems and technologies, nature provides valuable insights for creating sustainable and efficient designs. By studying natural forms and processes, designers can develop innovative solutions that mimic the efficiency and effectiveness of biological systems. This approach not only offers aesthetically pleasing designs but also promotes sustainability and resilience.

7. AI in Industrial Design

Designer: Shail Patel

AI-generated product design involves leveraging artificial intelligence (AI) to generate novel product designs, presenting a transformative opportunity for designers by streamlining the process of conceptualization. While current technology has its limitations, it proves most beneficial in the initial stages of innovation, enabling rapid visualization and testing of new concepts, thereby expediting the design process.

Industrial design encompasses a transformative process wherein design principles are utilized to conceive products, subsequently manufactured through specific procedures. This multifaceted career field involves crafting a diverse array of globally utilized items, spanning from equipment to objects and services, fostering creativity in the creation and production of goods.

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Screw-shaped table lamp offers a unique and tactile way to control your light

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There are some designs and interfaces that seem to be so intuitive that there’s almost no question about how to use them. Babies have an inborn knowledge on how to breast feed (even if they have no clue why or when), lever-type switches leave no doubt about what to do to turn something on or off, and the grooves on a screw’s body, a.k.a. its “threads,” hint that it’s something that needs to be rotated or twisted. These intuitive interfaces often have a fixed purpose and use, but that doesn’t mean they can’t be applied to something totally unrelated. This industrial-style table lamp, for example, uses not just the metaphor of a screw but even its mechanism to offer a more personal and direct way to dim or brighten your surroundings.

Designer: Jamie Wolfond

Even when it comes to appearances, the Set Table Lamp already sets itself apart from the crowd. Especially when its lampshade is at its lowest point, it looks nothing more than a gigantic screw standing on your table or shelf. Apart from the standard tall body and wide shade composition, it’s not exactly a design you’d expect from a lamp, even one with a striking industrial style. Unlike lamps that just let you look at it to appreciate its design, this one looks like it’s inviting you to interact with it, which is exactly the point of the design.

The lamp’s screw design isn’t just cosmetic but is actually a key part of its function. The light that comes from the lamp’s cylindrical body shines upward toward the lampshade and is bounced off to illuminate your surroundings. The shade’s shape isn’t typical either in that it’s a very flat cone with its tip facing downward instead of the umbrella-like shades of most lamps. This not only reflects light around the lamp rather than just downward, it also mimics the design of a screw head more closely as well.

Most lamps these days have a dimming feature that often requires turning the lamp on and off to cycle through different brightness levels. It’s an unintuitive and tiring method that leaves no room for finer adjustments. In contrast, the Set Table Lamp’s unique design works in its favor because you can simply turn the shade to lower or raise it, thereby dimming or brightening the light it gives off, respectively. And you do this not with a switch but with an easy motion of “screwing” the cap around the body’s grooves.

With today’s smart lighting products, such a design might seem impractical or even obsolete, but how many such smart lamps can boast of such a beautiful and “personal” lamp? The remote and indirect control of smart lamps takes out the human element in designs, somewhat ironic for products made for human living space. Set Table Lamp offers a more tactile experience that gives humans the feeling of agency and control that they are losing little by little to automation and AI.

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Palais de Tokyo artisanal objects are open-ended art and functional pieces

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When it comes to furniture and accessories, most people probably look for things that are functional rather than just decorative. Of course it would be nice if it can be both but for those that are more concerned about budget and usage, then the former is more important. But there are also products that serve more as decoration or art pieces that also has a secondary function as an actual piece of furniture or accessory that you can use.

Designer: Aequo Design

The OBJ Collection from the Palais de Tokyo is one of those that are derivative products that look more like art pieces that belong in an actual museum. They were commissioned to present the essence of the modern and contemporary art museum into miniature artwork that can still serve some function if the user so wishes to use them. But their purpose or function are actually “open-ended” so it’s up to the user to use them whichever way they want, therefore making them part of the creative process.

For example, the travertine stairs sees several blocks put together as “stairs” so you can use them as a candle holder, bookends, or whatever else you can use it for. The Zinc container, which is made from actual zinc pipes, can serve as a flower vase, pen holder, or even just as a design for your desk if you’re into the aluminum aesthetic. There are other things in the collection like concrete columns, powder coated rod, and a stainless steel pin, which you can use whichever way you want.

The design company says that there are two levels of reading the objects in the OBJ Collection. The first is to your “memory of the place”, which probably means how you interacted with the artwork in the Palais de Tokyo. The second level is where the function of the object comes in. It would be interesting how they will actually be used by people who buy these artisanal pieces.

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Industrial Product Design Trends For 2024

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Industrial design is always at the forefront of innovation with a perfect blend of creativity and functionality. As industrial design continues to evolve, here are some developments that are shaping the future of industrial design. Discover how creativity and functionality blend to shape the future of products and experiences.

Designer: ErgonBand

Human-Oriented Design

Human-centric design is driving industrial innovation, with designers prioritizing user needs, emotions, and behaviors. By integrating user perspectives into the design process, industrial designers are brilliantly creating solutions that deeply resonate with consumers. The best part about human-centric design is that it integrates user research, empathy mapping, and testing to create intuitive products. This trend is evident in smart devices, wearables, and adaptable interfaces, enhancing user experiences.

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Wearing watches on wrists is standard, but discomfort can arise, especially with smartwatches. An Apple Watch accessory relocates the device to the back of the hand, reducing wrist strain. Its ergonomic design benefits athletes and those needing frequent wrist movement. However, practical challenges exist, such as the need for alternative screen activation methods. Despite this, the accessory offers a unique solution for individuals seeking a more comfortable way to wear their smartwatch.

Biomimicry

Nature inspires bio-design and biomimicry in industrial design. Bio-design incorporates living organisms into the process, creating innovative materials and structures. Biomimicry emulates nature’s patterns and processes to solve design challenges, resulting in breakthroughs like self-healing materials and sustainable manufacturing.

Designer: Rishikesh Sonawane

Drawing inspiration from the fog-basking beetle, the Fog Smart Hydroponic Planter embodies biomimicry, advanced materials, and smart technology for a sustainable future. It transcends functionality, merging aesthetics with innovation through its modular design. Crafted meticulously from Plexiglas and Lightweight Expanded Clay Aggregate (LECA), it ensures durability and water retention. The aluminum 6063 base provides stability and corrosion resistance.

Sustainable Design

With a focus on environmental concerns, sustainability has become paramount in the design industry as sustainable practices are being adopted to cut waste, reduce carbon footprints, and foster a circular economy. This involves maximizing material and product lifespan through recycling, upcycling, and waste reduction. Designers are exploring eco-friendly materials, energy-efficient manufacturing, and product life cycle analysis. Integrating renewable energy, smart energy systems, and recycled materials showcases industrial design’s role in creating a greener future.

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Designer: Fuhua Wang, Weichih Chen

Lamps and lighting fixtures not only illuminate but also shape ambiance, often through their shades or materials. While conventional lampshades are commonly made of glass, metal, or plastic, innovative alternatives exist. The Ondina sustainable pendant lighting utilizes recycled ocean-bound plastics, resembling terrazzo with vibrant specks. Its translucent blue layer, evoking ocean pollution, complements its wavy shape reminiscent of water waves, creating a visually captivating design.

AI Integration

The integration of AI and machine learning in product design opens up new avenues for customization and user interaction. These technologies analyze vast data sets, informing designers’ decisions and facilitating personalized products and experiences. The incorporation of cutting-edge technologies like artificial intelligence (AI), virtual reality (VR), and the Internet of Things (IoT) has profoundly influenced industrial design. These tools are employed to develop highly personalized and interactive products while also enhancing production processes for greater efficiency.

Designer: Joss Fong and Áron Filkey/courtesy Space10

Despite varying opinions on Artificial Intelligence, exploring creativity in this era is captivating. While AI won’t replace creatives, it offers tools for innovation. Space10, funded by Ikea, explores AI, augmented reality, and Web3. Using generative AI, they experimented with futuristic designs based on old Ikea catalogs, potentially inspiring future products. However, human intervention remains crucial for practicality and functionality. Collaborating with generative AI, like Ikea’s partnership with Space10, can inspire new product development while emphasizing human creativity alongside technology.

Designer: Ostloong

Skiing gear has evolved, but there’s still room for augmented reality (AR) and artificial intelligence (AI) to enhance the experience. Zurich-based Ostloong’s Sirius smart goggles integrate AR and AI seamlessly, providing skiers with vital information directly in their field of view. With a full-color AR display designed for outdoor use, the Sirius goggles revolutionize safety and communication on the slopes, showcasing the transformative power of AI in augmented reality.

Celebrates Minimalism

This trend emphasizes minimalist design principles, incorporating clean lines, basic shapes, and subtle aesthetics to produce products that are both timeless and highly functional.

Designer: Julian Topor

Furniture occupies space, often unused. However, designs like the KURVE collection combine aesthetics with functionality by incorporating storage spaces. Utilizing minimalist curved plywood layers, these designs create hollow areas for storing items without complex construction. The KURVE chair features a backless box for its bottom half, all crafted from a single sheet of layered plywood bent to form support structures.

Designer: Addi

Sometimes, finding a place to sit can be a challenge, especially when space is limited. Perching seats offer a solution by providing a brief respite without the commitment of sinking into a full chair. Lumber takes this concept further with its minimalist design, offering style and comfort without monopolizing space. Its flame-proof wool upholstery ensures easy maintenance, while color-matched metal legs add a touch of elegance. With a built-in side table, Lumber enhances both relaxation and functionality in any setting.

Inclusive Design

By prioritizing the full participation of people with disabilities and other marginalized groups in society, inclusive design takes into account the varied needs of users, aiming to create products accessible to all.

Designer: Nick Fitzpatrick

The handle-on-one-end design of kettles poses challenges for disabled individuals or those with reduced strength or dexterity. Nick Fitzpatrick’s ‘Inclusivitea’ kettle addresses these issues by redesigning the traditional shape. Featuring two handlebar-shaped arms, it simplifies both filling and pouring. The kettle comes with a stand for brewing and dispensing tea directly into cups, preventing spills. Each set includes containers for various ingredients and a cup with an extended rim for comfortable gripping.

Personalization

With the increasing demand for personalized and bespoke products, designers are providing more customization choices to cater to individual user preferences.

Designer: Min Soo Kim

This toaster redefines the act of “raising a toast” with its customizable features. Designed by Min Soo Kim, the Home Party Hoaster lets users personalize their toast with pre-engraved messages, images, or emojis. Resembling a Vifa speaker, it features slots for bread and stencil plates, with a touchscreen panel for adjusting toast crispiness. Once toasted, the unique message is reverse-etched onto the bread, offering a novel and personalized start to the day.

Digital Fabrication

Digital fabrication and prototyping technologies, including 3D printers, laser cutters, CNC routers, and robotic arms, allow industrial designers to swiftly create physical models or products from digital data. These tools streamline the experimentation, iteration, and refinement processes, offering faster, more cost-effective, and more accurate results than traditional methods. They also empower designers to develop complex, customized, and innovative solutions tailored to diverse user needs.

Designer: Martin Zampach

Traditional 3D printers have size limitations, hindering the creation of larger designs. However, the LOOPS collection of coffee tables utilizes 3D printing robots to overcome this obstacle. By employing a looping motion, the robot arm constructs intricate layers of composite material, enabling the formation of organic geometric shapes. This innovative approach expands the possibilities of 3D printing beyond conventional boundaries, allowing for the creation of larger and more complex objects.

In conclusion, industrial design is rapidly evolving due to technological advances, changing consumer behavior, and a growing focus on sustainability. Designers must prioritize blending aesthetics with functionality and integrate sustainable practices with the digital revolution.

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