Tag Archives: turntable

Tiny Vinyl’s $50 record player makes collecting mini vinyl more accessible

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Tiny Vinyl is the industry leader when it comes to, well, you guessed it right, tiny vinyl records. These records can be played on most 33⅓rpm turntables and are pure joy simply for their cute quotient. The company introduced its 4-inch records (one-third the size of a standard vinyl record) last year, which can be played on a standard manual turntable. These records store two songs – one on each side – and the audio community has taken these pocket records pretty seriously. Most of these vinyls are officially licensed by big artists who choose their best two songs to go on the vinyl. The miniature records are highly collectible but can only play on a seemingly bigger platter, so where is the fun in that?

After selling their millionth Tiny Vinyl in just a year, the fans and Target wanted the brand to come up with a versatile and small record player. For this reason, the company has now introduced a dedicated TINY Vinyl Player to play music from those tiny records. No bigger than a shoebox, the turntable is built from the ground up, given its small size. Everything, right from the tone arm and platter to the control panel, was designed from scratch. The only two components from standard component manufacturers are the cartridge and needle.

Designer: Tiny Vinyl

What we see here is a turntable that’s ultra-portable, specifically designed to play 4-inch vinyls, and definitely a conversation starter. According to co-founders Jesse Mann and Neil Kohler, the shrunk-down turntable opens up the possibility of owning a record player for the music-loving community who otherwise cannot afford to buy the traditional decks. According to  Jesse Mann, “These new products give music fans and collectors everything they need to build out their own little Tiny Vinyl universe, a setup as fun and personal as the music they love.”

The only downside, though, is that they can only play the tiny vinyl records, and if we’re all in for the complete album collections, they are a bit of a handful. Another major consideration is the slight compromise in audio quality coming from the small speakers. That said, the duo from Nashville has access to the pro music industry peers, and they’ve used this to build the Tiny Vinyl Turntable for maximum user satisfaction. Once they got past the initial drawings, the next big challenge was to design the built-in speakers and Bluetooth sync. But the biggest of them all was to calibrate the revolutions per minute to 33⅓rpm to play the music at perfect speed.

The portable turntable can stream music to Bluetooth speakers or headphones if the built-in speakers don’t tingle your senses. You could go for the wired option as well for better audio dynamics. Tiny Vinyl has gone a step further by integrating a storage slot beside the platter to hold up to five records of choice. For those planning to expand the collection of Mini Vinyls, there’s also the option of getting the vinyl storage cabinet called Crate, which sits right underneath the turntable. There’s a third accessory in the mix as well, dubbed Frame, which can be used to display four Tiny Vinyl albums on the wall. The Tiny Vinyl Turntable available at Target costs $50, while the Crate and Frame are priced at $20 and $15, respectively. The UK launch is slated for Autumn, so better watch out!

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A Design Student Just Imagined the Perfect Vinyl Turntable

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Sungwoo Choi is an industrial design student with one question: what if Nothing made a turntable? The answer is Turntable (1), a personal concept project with no official ties to the brand, and it’s been circulating online as exactly the kind of render that makes you briefly annoyed it doesn’t actually exist.

If you’ve spent any time in the vinyl revival conversation, you know most turntables fall into two camps: the warm, retro-wood-and-brass kind that lean hard into nostalgia, or the cold, purely utilitarian kind that audiophiles swear by but would never put on display. Very few designs ask the question that good industrial design should always ask. Can this be both beautiful and functional, without being precious about either? Choi’s concept does exactly that, in a visual language drawn directly from Nothing’s aesthetic, and it reads more resolved than many products that actually ship.

Designer: Sungwoo Choi

The design is clean in a way that reads as deliberate rather than sparse. The chassis is white with silver-tone aluminum accents, flat and rectangular with gently rounded module insets that divide the deck into distinct functional zones. The platter is rimmed in a transparent acrylic ring that catches light in a way that makes the whole unit feel alive without being showy. The tonearm is machined and substantial, seated on a circular mount encircled by concentric transparent rings, a detail that looks pulled from a scientific instrument. Nothing has built its entire reputation on making the internal visible, on transparency as both a literal and conceptual design choice, and Choi translates that language fluently into a format where seeing the mechanics only deepens the ritual of listening.

The control layout is where the concept gets genuinely interesting. Size (7/12) and Speed (33/45) dials are housed in a recessed rounded module, labeled with a matter-of-fact clarity that feels more like precision calibration than consumer product design. The volume knob is large and satisfying, surrounded by a clear acrylic trim ring and a small dot-matrix display panel marked “MUSIC-AR,” presumably a nod to some form of augmented reality integration. A flush-mounted speaker sits directly in the deck surface, making Turntable (1) a genuinely self-contained system. A Play/Stop button and a power button occupy the front-facing panel with quiet authority, like the designer knew exactly which controls needed physical presence.

The naming is the detail that does the most work quietly. Turntable (1). Choi borrows Nothing’s signature naming convention deliberately: Phone (1), Ear (1), Ear (stick). The convention carries a specific kind of promise. The (1) implies a (2). It implies a roadmap, a lineage, a commitment to return. By applying it here, Choi isn’t framing this as a one-off fan exercise. He’s imagining an entire product category for a brand that has already proven it can take commoditized consumer electronics and make people genuinely want to look at them.

The vinyl market argument practically makes itself. Records have been in cultural resurgence for well over a decade now, and the market is robust enough to support a premium, design-forward turntable aimed at people who care as much about what sits on their shelf as what comes out of their speakers. Nothing’s core audience, younger buyers who are design-literate and culturally engaged, are the exact crowd that has been rediscovering vinyl. The overlap isn’t a stretch. In retrospect, it feels like an obvious move for the brand.

Choi’s Turntable (1) is a concept, not a product, and carries no official connection to Nothing. That distinction matters. But the best concepts are the ones that make you slightly resentful they don’t exist yet. The work is confident, cohesive, and rooted in a genuine understanding of both the format and the brand he chose to draw from. It’s built on the logic of Nothing’s identity rather than just borrowing its aesthetic surface. It isn’t the spectacle of the render that earns attention. It’s the quality of the thinking behind it. Someone at Nothing should be paying attention.

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Wilson Benesch’s $130,000 Greenwich turntable arrives at HIGH END Vienna this June for audiophiles seeking sonic perfection

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For more than four decades, the global high-end audio industry revolved around one annual ritual in Munich. Every May engineers, and audiophiles gathered at HIGH END Munich to witness the future of analog playback. In 2026, that tradition changes dramatically as the show relocates to the Austria Center Vienna for its first-ever Austrian edition, running from June 4–7.

Among the most anticipated debuts at the event is the Greenwich Turntable, a carbon-composite flagship deck from British manufacturer Wilson Benesch. After an initial preview at Audio Show Deluxe in the UK and a showcase at AXPONA in April, Vienna will host the record player’s first major European public appearance.

Designer: Wilson Benesch

HIGH END Vienna 2026 is more than a venue change; it is effectively a stress test for the future of ultra-premium audio. Munich had become synonymous with the global hi-fi industry, and moving the world’s most influential audio exhibition to Vienna introduces uncertainty about audience reach and the broader economics of high-end analog playback. Wilson Benesch appears ready to embrace that moment as the company has confirmed that the Greenwich Turntable will make its European debut during the exhibition, giving visitors their first opportunity to experience the new GMT platform in a live listening environment outside earlier preview events.

Rather than launching a retro-inspired belt-drive deck, Wilson Benesch is doubling down on advanced engineering and modular architecture. That approach aligns with the increasingly technical direction of ultra-high-end vinyl playback, where innovation now competes as aggressively as nostalgia.

Carbon-Composite Engineering Meets Modular Analog Design

Wilson Benesch has long been associated with carbon-fiber construction and advanced composite materials, and the Greenwich continues that philosophy. The turntable becomes the foundation model within the company’s GMT Collection, sitting below the Prime Meridian and GMT One systems while sharing the same ALPHA–OMEGA drive architecture.

At the center of the design is the patent-pending OMEGA Direct Drive motor, which is a massive 15-inch slotless synchronous motor developed in collaboration with academic engineering partners. Wilson Benesch claims the architecture minimizes torque ripple, eliminates cogging, and removes lateral bearing forces entirely. This allows the bearing to operate under purely axial conditions for lower vibration and quieter playback.

The ALPHA Drive control system manages speed stability using quartz-referenced Class A electronics and supports playback at 33, 45, and 78 RPM. A dedicated control app also allows fine-grained speed adjustments and optional vertical tracking-angle controls with nanometer-scale precision.

Visually, the Greenwich reflects the sculptural design language Wilson Benesch has developed across its high-end systems. The exposed motor architecture, glass upper surface, metallic accents, and carbon-fiber integration create a turntable that looks closer to industrial art than conventional hi-fi equipment.

Between Aspiration And Accessibility

Calling the Greenwich “entry-level” requires context, as the turntable alone is priced at approximately £82,000 ($130,000), placing it firmly in the ultra-luxury category. Yet within the GMT hierarchy, it serves as the gateway into Wilson Benesch’s modular analog ecosystem. Buyers can later upgrade to the Prime Meridian or GMT One while retaining the same core drive platform. That modular strategy differentiates the Greenwich from more traditional audiophile competitors such as Rega or Technics, whose turntables typically exist as standalone products rather than evolving systems.

The Vienna debut will also position the Greenwich in a broader industry conversation. While other brands are expected to reveal new analog products during the show, Wilson Benesch’s deck arrives as a symbolic centerpiece for HIGH END Vienna’s first chapter.

 

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Arduino-powered crane record player brings industrial influence and hands-on controls

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Whether it’s built for serious music enthusiasts, I can’t say. But it has a strikingly inventive design, which deserves a home. This is the crane vinyl record player, which breaks away from conventional streaming and recorded music players, and gives music tactile and engaging controls with industrial aesthetics.

Inspired by construction sites, the vinyl record player is envisioned by Love Hultén, artist-designer renowned for reimaging vintage technology, and features a scaled-down version of a crane in place of a traditional tonearm. The towering, bright red crane, looming over the platter, gives the record player an interesting machine-like appearance, which has a different way of playing the vinyl records.

Designer: Love Hultén

Love Hultén reimagines the record player with an industrial intention and a control system that uplifts the analog music scene with tactile performance. He uses a functional crane system for a tonearm, intensifying the record player’s appearance for a home with industrial aesthetics. The player requires the user to manually manipulate the crane. The user physically navigates the vinyl surface, making it an unusual but exciting way to play the records.

The deliberate tactile control is carried out by a physical control panel on the record player, allowing the user to operate the crane in construction mode, like on a construction site. The crane vinyl player commissioned by Rebin Shah requires the crane tonearm to be controlled manually, where the user guides the stylus left, right, up, and down, turning each listening session into an unexperienced experience.

By taking away the convenience of effortless audio playback and adding the fun of participation into the musical act, the crane vinyl player invites the user to learn how movement translates into sound. The crane’s precise movement is driven by Arduino-powered motors and sensors. The record player itself features a slanted aluminum control panel with color-coded buttons and rotary dials that again remind one of the retro music systems.

The interesting red crane display resides on a contrasting white monolithic speaker base featuring a 2.1 stereo system with Bluetooth, while a ferrofluid visualizer animates the sound in real time. The glass dome and exposed wiring on the record player, conceived by Hultén, display the artist’s internal interest in visual engineering and the art of turning retro for modern adaptation.

This record player that “moves like a machine” and explores the tactile relationship between machines and humans arrives at almost the right time. Vinyl sales are rising and the recorded music of yesteryears is making a resounding comeback. In such an environment, amid the contemporary turntables, this retro-modern option appears as a shining light!

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This 28mm Turntable Is Fully Automatic and Glows Softly Like Mood Lighting

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Vinyl is having a moment that shows no signs of ending. Record sales have been climbing for over a decade, and turntables have found their way into living rooms, bedrooms, and home offices worldwide. The problem is that many still look like they did 30 years ago, big, chunky, and designed to occupy their own dedicated corner. For anyone keeping their space tidy and intentional, that’s a real trade-off.

The CoolGeek TS-01 tries to address that without asking you to compromise on either front. Its ultra-slim body measures just 28mm thick, sitting low and clean on virtually any surface you’d want to put it on. It doesn’t look like it’s trying hard to be noticed, which is exactly the point. It’s a turntable designed to feel like a natural extension of the room rather than an intrusion.

Designer: CoolGeek

Click Here to Buy Now: $219 $299 (26% off). Hurry, only a few left! Raised over $152,000.

Part of what makes the TS-01 so comfortable to live with is how little it actually demands of you. It’s fully automatic, so the tonearm drops, plays, and returns on its own from start to finish. For anyone who’s been put off vinyl by manual cueing or the constant worry of a needle dragging across a quiet groove, that’s a genuinely significant shift in how the whole ritual feels.

There’s also a remote in the box, which might sound like a minor detail but changes things more than you’d expect from a turntable. You can play, pause, fast-forward, or rewind without leaving wherever you happen to be. It’s a small but thoughtful addition, especially when you’re settled in with a book, have guests over, or simply don’t want to get up every time a side ends.

Of course, the audio side isn’t an afterthought. The TS-01 runs on a belt-drive system with an aluminum die-cast platter, and sports a tonearm that’s lighter and yet stronger than the standard arms you’d find on most players in this range. It also ships with an Audio-Technica MM cartridge already fitted, so there’s no fiddly cartridge alignment to deal with out of the box.

On top of that, the TS-01 has six selectable lighting modes and a glow vinyl mat, which together do something unexpected for a turntable: they turn it into an ambient object. That might sound more like a lifestyle feature than an audio one, and honestly, it is, but there’s something genuinely pleasant about having your record player cast a soft glow across a room while a side plays out.

Connectivity covers both ends of the spectrum, whichever you prefer. Bluetooth 5.3 lets you pair it with a wireless speaker or headphones without running cables across the room, while the RCA output stays available for anyone already working with an active speaker or a home hi-fi setup. It’s the kind of flexibility that makes the TS-01 easy to fit into a surprisingly wide range of living situations and listening habits.

The TS-01 comes in Black and Light Gray, both neutral enough to blend quietly into most interior palettes. At 2.65kg and 398mm x 350mm x 94 mm, it’s genuinely compact for a full-size turntable. CoolGeek clearly had a certain kind of space in mind, the kind where a record player can sit on a shelf or credenza and look like it was always supposed to be there.

Click Here to Buy Now: $219 $299 (26% off). Hurry, only a few left! Raised over $152,000.

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TechDAS Air Force IV turntable floats vinyl playback on a cushion of precision

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In modern times, where digital convenience dominates listening habits, the persistence of ultra-high-end analog engineering feels almost rebellious. The TechDAS Air Force IV turntable leans fully into that defiance, emerging not merely as a playback device but as a precision instrument designed to push vinyl reproduction beyond its traditional limits.

At the core of the future-forward vinyl player’s signature pneumatic architecture is a system that fundamentally rethinks how a turntable handles vibration and resonance. Instead of relying on conventional mechanical isolation, the design uses an air-bearing mechanism that effectively floats the platter, eliminating friction and drastically reducing unwanted noise.

Designer: TechDAS

Complementing this is a vacuum LP hold-down system that secures the record firmly against the platter surface, ensuring stable playback and minimizing distortions caused by warping or micro-vibrations. Together, these “air” technologies aim to deliver a sound profile that is both exceptionally clean and dynamically expressive, setting a new benchmark for analog playback. The engineering emphasis continues with a precision-machined one-piece platter carved from solid A5056 aluminum alloy. Weighing close to 9kg, this heavy platter plays a crucial role in enhancing rotational stability while extending frequency response and improving overall dynamics.

The addition of a specialized damping and anti-static surface further protects records while contributing to a quieter sonic background. The result is an audio presentation marked by a notably low noise floor and refined detail retrieval. Unlike many turntables that integrate all components into a single structure, the Air Force IV separates its motor unit from the main chassis. This external 2-phase, 4-pole AC synchronous motor reduces vibration transfer, allowing the belt-driven system to maintain highly stable rotation. A polished polyester flat belt (borrowed from higher-end models) ensures consistent speed performance, reaching standard playback speeds of 33.3 and 45 RPM with minimal wow and flutter.

Despite its compact footprint compared to other models in the Air Force lineup, the IV incorporates technologies derived from its more expensive siblings, positioning it between the Air Force III and V in the range. The chassis itself is precision-machined from solid aluminum, supported by four specialized suspension feet designed to block external vibrations. Impressively, the design also allows for up to three tonearms, offering flexibility for audiophiles who demand multiple cartridge setups.

The Air Force IV reflects TechDAS’ broader philosophy that analog sound still has room to evolve even after decades of digital dominance. That level of tonal precision by the high-end Japanese audio manufacturer comes at a steep price of £19,998 (approximately $27,140). Obviously, it is only targeted towards audiophiles with fat pockets!

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LEGO Gave Away This Record Player Set: Now It Sells for $50

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There’s a certain kind of person who loves the idea of vinyl records without necessarily owning a turntable. They appreciate the artwork, the ritual of flipping a side, the warm analog aesthetic that streaming services have spent years trying to replicate with album art thumbnails and animated soundwave graphics. For that person, and honestly for plenty of actual vinyl collectors too, LEGO quietly released one of its more charming sets of 2024, and a lot of people missed it entirely.

The LEGO 40699 Retro Record Player wasn’t sold in stores. It was a gift-with-purchase exclusive during LEGO Insiders Weekend in November 2024, meaning you had to spend $250 or more on LEGO.com within a two-day window to take one home. That’s a steep entry point for a 310-piece set that fits in the palm of your hand. Unsurprisingly, it’s now showing up on secondary markets for around $50, which tells you more about how people actually feel about it than the promotional circumstances suggest.

Designer: LEGO

What makes it interesting as a design object isn’t the scarcity. It’s the details LEGO chose to include for a freebie that most buyers would have been happy to receive with far less effort. Every single element in the set is printed, no stickers anywhere, including new tile pieces featuring equalizer bars and musical note graphics that were debuted specifically for this set.

The needle swivels and can be tucked behind a small antenna piece when not in use. Flip it around, and there are printed red, white, and grey ports on the back representing stereo channels, details that nobody asked for and that audio enthusiasts will immediately clock. A hidden gear underneath lets the record actually spin, which is either a delightful touch or a reminder that LEGO designers genuinely cannot help themselves.

The set slots into a growing line of brick-built nostalgia objects LEGO has been developing with some consistency. The Retro Radio, the Typewriter, the Polaroid OneStep Camera, each one picks a specific object from cultural memory and asks whether it still means enough to someone to sit on a shelf. The record player fits that pattern, though its scale is more playful than faithful. Closed, it measures about 1.5 inches high and 6 inches wide, so it’s not pretending to be a replica. It’s more like a knowing nod to the thing, compressed into something you can place next to a real turntable or a stack of records and let it be what it is.

The timing of its renewed attention is interesting. Search interest in record players has spiked noticeably in early March 2025, and the LEGO set has moved with it, picking up momentum in trend data well after its promotional window closed. That’s a pattern worth watching with this category of LEGO set. They’re not designed to chase a specific cultural moment. They’re designed around objects durable enough in people’s memories to stay relevant across multiple ones.

Whether a 310-piece brick turntable that doesn’t play music belongs in the same conversation as the real vinyl revival is a fair question. What’s harder to dismiss is that a set distributed as a promotional freebie is generating genuine collector interest months later, and that LEGO apparently left enough room in the design for people to discover details they weren’t expecting to find.

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Electric guitar–shaped Clearaudio Celebrity Al Di Meola Edition Turntable exemplifies functional art

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In the world of high-fidelity audio, certain products move beyond function and enter the realm of art. For instance, the  VS-01 Bluetooth Vertical Turntable, Orbit Turntable, Concrete Stereo, or Memphis-inspired vinyl player are all in a league of their own. For decades, German manufacturer Clearaudio has built a reputation for engineering turntables that prioritize craftsmanship and sonic purity. With its latest release, the brand takes a more expressive turn, blending technical mastery with musical tribute. The Clearaudio Celebrity Al Di Meola Edition turntable is not only a playback device but also a sculptural homage to one of contemporary jazz’s most influential guitarists, Al Di Meola.

Limited to just 1,000 units worldwide, this inaugural model in Clearaudio’s Celebrity series celebrates Di Meola’s virtuosity through both sound and form. The most striking element is its body, shaped in the flowing outline of an electric guitar. Crafted from high-density wood fiber, the chassis is available in either a deep black finish or a real rosewood veneer, reinforcing its visual connection to the instrument that defined Di Meola’s career. The design transforms the turntable into a statement piece, equally suited to a listening room or a curated interior space.

Designer: Clearaudio

Beneath its artistic exterior lies serious engineering. The turntable features a 30 mm high-density platter paired with a precision CNC-machined aluminum sub-platter. A flat belt drive system ensures smooth rotation, while Clearaudio’s Tacho Speed Control (TSC) continuously monitors and adjusts speed in real time. This system compensates for variables such as temperature fluctuations or belt tension changes, automatically recalibrating at startup to maintain accurate playback at both 33⅓ and 45 RPM. The result is stable rotation and faithful sound reproduction, essential for preserving the nuances of analog recordings.

Vibration control plays a central role in the turntable’s performance. Clearaudio incorporates its Innovative Motor Suspension (IMS) system, derived from higher-tier models in its lineup. The decoupled 12V DC motor is isolated from the chassis to minimize unwanted resonance and mechanical interference. This careful separation helps maintain clarity, allowing listeners to experience greater detail and dynamic range from their vinyl collection. Ease of use has also been thoughtfully considered. A multifunction control knob, inspired by a guitar’s volume dial, manages operation. With a single press, users can power the unit on, switch speeds, or place it in standby mode. During calibration, the knob can be rotated to fine-tune speed adjustments. The interface is simple yet tactile, echoing the physical engagement that defines vinyl playback itself.

Each unit comes fully equipped with Clearaudio’s Profiler tonearm and a specially matched Celebrity moving-magnet cartridge, ensuring optimized performance straight out of the box. Adding to its collectible appeal, the package includes a numbered special-release vinyl album by Al Di Meola and a branded guitar pick, reinforcing the personal connection between artist and equipment. Weighing approximately 22 pounds and measuring about 18.1 x 14.2 x 5.5 inches, the turntable has a substantial presence without overwhelming a space. Its construction reflects careful material selection and attention to resonance control, balancing aesthetics with acoustic performance.

In terms of pricing and availability, the artistic vinyl player has a recommended retail price of about €3,950 (approximately $6,000 USD), depending on the retailer. That reflects the vinyl player’s premium design, precise engineering, and most importantly, collector value.

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TEAC’s Turquoise Bluetooth Turntable Is a One-Time Color Drop

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Turntables have crept back into living rooms as much for how they look as for how they sound. The usual palette is black boxes, silver arms, maybe a walnut plinth if you’re lucky. A record player sits in the open on a sideboard or media console, so it has to pull double duty as a hi-fi component and visual anchor, something you notice even when it isn’t spinning.

TEAC’s Special Edition Turquoise Blue TN-400BTX is a manual belt-drive Bluetooth turntable that takes the existing TN-400BT-X platform and wraps it in a glossy turquoise lacquer. It’s a limited-run finish on a high-density MDF plinth, meant to be a one-time color drop rather than a permanent SKU, which immediately nudges it into “object you choose on purpose” territory instead of just another black box.

Designer: TEAC

This deck in a bright apartment would catch light under a clear dust cover while a record spins. The turquoise plinth pushes it away from anonymous gear into something closer to a mid-century accent piece, the kind of thing you notice even when it isn’t playing. It’s still a serious turntable, just one that isn’t afraid to look a little joyful when most vinyl gear pretends color is beneath it.

Under the paint sits the same proven hardware. The TN-400BTX uses a three-speed belt-drive with a die-cast aluminum platter and a low-resistance spindle riding in a brass bearing for stable rotation. An S-shaped static-balanced aluminum tonearm with adjustable counterweight and anti-skate carries a pre-installed Audio-Technica AT95E MM cartridge, so you can drop the needle straight out of the box and upgrade later if you want.

The built-in phono EQ amplifier uses an NJM8080 op-amp to boost the tiny signal from the stylus without a lot of distortion. That means you can plug the deck straight into a line-level input on an amp or powered speakers, or switch to phono out and use an external stage if you’re picky. Gold-plated RCA jacks and a ground terminal round out the wired side without getting fussy.

The wireless trick is simple but useful. A Bluetooth 5.2 transmitter with SBC, aptX, and aptX Adaptive lets you send your records to Bluetooth headphones or speakers with better quality and lower latency than basic SBC. Pairing is handled with a single button and LED, so you can go from spinning a record through a traditional system to a late-night headphone session without moving the turntable.

This special edition doesn’t touch the mechanics or electronics; it just dresses them in a color that feels more like a mood than a spec. The turquoise lacquer, aluminum hardware, and clear cover turn a competent analog-plus-Bluetooth deck into something you might build a room around. A limited-run splash of color on solid hardware is worth considering when most turntables hide in black, and you actually want to look at the thing while it works.

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Sony releases two new Bluetooth turntables to spark Gen Z’s love for vinyl

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Sony is revisiting the vinyl arena with two new Bluetooth turntables, and for me, it’s resounding confirmation that records have made the comeback we were only speculating about over these years. The new models, the PS-LX3BT and PS-LX5BT, aren’t designed solely for established vinyl audiophiles. With their easy-to-use approach, these Sony turntables are aimed at Gen Z listeners who are just beginning to explore classic record players and CDs.

This is Sony’s first adventure in the vinyl market since the launch of the PS-LX310BT. Released in 2019, the turntable ensured hassle-free Bluetooth connectivity and reliable performance sans complex setups, and the new options are built on the same formula; adding a refined design approach and authentic vinyl sound.

Designer: Sony

Sony PS-LX3BT and the PS-LX5BT do not have biases. Both the turntables are targeted at first-time vinyl listeners and audiophiles, according to the company’s press information. The units thrive on advanced wireless connectivity options and craftsmanship, standing out visually thanks to the transparent dust cover over the platter. This not only protects the gorgeous thing from dust but also protects the components underneath from accidental damage.

Both units, Sony affirms, are intuitive and easy to operate. A single-button automatic playback and Bluetooth connectivity are configured to allow detailed output in both wired as well as wireless connections. For this, the turntables support aptX, aptX Adaptive, and Hi-Res Wireless Audio, which allow users to connect their devices – headphones and speakers – directly to the turntables without requiring a fully-fledged amp setup.

Even though both turntable supports 33⅓ and 45 RPM records (7″ and 12″) and include built-in phono equalizers to work with powered speakers, they differ in positioning. PS-LX5BT is more premium of the two. It features a slightly more refined look with a unibody design, rubber mat and an aluminum tonearm, offering a premium sound experience. “Engineered to suppress unwanted vibration and preserve audio purity,” it comes with a high-grade cartridge. Priced at a competitive $500, the PS-LX5BT offers audiophile-level wireless audio and features a gold-plated audio jack for wired connections.

The PS-LX3BT, on the other hand, offers “warm analogue sound with smooth tracking” for those enjoyable everyday moments that are rare to create with the turntable,s otherwise cumbersome to use. The turntable is equipped with an audio cable and phono equalizer to be used straight out of the box, no real setup required, even for those just starting out with vinyl. This unit is priced comparatively lower and is available for preorder at $400. Interestingly, both of Sony’s new turntables will be sold in recycled packaging, reflecting Sony’s commitment to sustainability.

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