This Wasp-Inspired 3D-Printer Is Making Homes To Tackle The Housing Deficit Problem In Colombia

Dubbed the CRANE WASP, this 3D printer is also known as “the infinity 3D printer”. The impressive printer utilizes locally sourced clay, mud, or cement to 3D-print affordable homes. The printer even uses agricultural waste as aggregate to build homes. Currently, this system is being employed to construct some much-needed housing in Colombia.

Designer: United Nations Development Program (UNDP)

The United Nations Development Program (UNDP) recently purchased a Crane WASP to build affordable and effective homes in Colombia. The homes are built using local soil and resources. The printer is priced at around US$180,000, which is no small amount. Currently, more than a quarter of Columbian households are suffering from a lack of decent housing – an estimated 3.7 million. Two of three families who do have homes aren’t in great condition either, since the dwellings are subpar and need structural improvements. By utilizing locally sourced soil, the UN won’t need to bring in expensive materials from other lands. This tactic is bringing down costs significantly.

The Crane WASP ( World’s Advanced Saving Project) draws inspiration from the Mason Wasp – a little yet hard-working insect that uses mud to make its own nests. The UNDP intends to install the printers in challenging terrains, where it is difficult to set up expensive and conventional equipment. This equipment would have limited access as well. The Crane WASP is complemented by the local soil, and both work excellently to build homes for the impoverished or homeless.

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This WWII Bunker In Hamburg Was Converted Into Hotel & Restaurant Space With A Rooftop Park

Named the St. Pauli Bunker, this mammoth building was constructed during WWII to protect the Hamburg residents from the Allied bombing raids. The imposing structure was once a representation of the Nazi ideology, but it has now been transformed into a unique-looking green hotel and restaurant space, and a big park and “mountain path”.

Designer: Matzen Immobilien KG

The St. Pauli Bunker was originally called the Flakturm IV and was constructed by forced laborers in 1942. The building had an official capacity of 18,000 people, but it protected and offered shelter to almost 25,0000 Hamburg residents. When the war ended, the Allies wanted to blow up the building but didn’t because it was unsafe on account of the bunker’s thick walls and central location. In the postwar years, the building was used as an art and cultural hub, and a music venue and events center. In addition, a massive extension has now been included which weighs as much as 60 AirBus A380s and is offered support by 16  steel pillars. This extension consists of five floors and elevates the bunker’s height from 35 m to 58 m above ground. The new extension includes a hotel, restaurant, cafe, and social spaces.

“The public recreational space combines a number of ecological, cultural, and historical aspects,” said the press release. “This is because, in addition to the spectacular urban garden, there are spaces for district culture, exhibition areas, urban gardening facilities, accommodation for scholarship holders and artists, a modern three-field hall for school sports and cultural events, and a hotel. In addition, the historic site has for the first time a memorial and information center: in the former control center and at other locations in the existing building, an initiative commemorating the victims of the Nazi regime and World War II.”

The interior includes almost 23,000 trees and plants, forming a lovely rooftop park that measures around 1 hectare. The park can be entered free-of-charge for visitors, although to reach it you need to climb 335 steps or walk on a 560-m “mountain path” around the exterior, which allows visitors to enjoy the views of the city.

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Porsche is Building its First Residential Tower in Bangkok with 22 Luxury Duplex Apartments

A car is simply a room on wheels, right? Or that’s what the oversimplified definition of a car is… by that very standard, all car companies might as well be architecture firms; and it seems like Porsche may be taking that theory rather seriously. The automotive marque has unveiled plans for a residential building in Bangkok, its first in Asia, following previous ventures in Miami, USA and Stuttgart, Germany. This new development is a collaborative effort between Porsche Design (carmaker’s luxury goods sub-brand) and Ananda Development, with the aim of creating an ultra-luxury living experience in the heart of Thailand’s bustling capital. Standing 95 meters tall, the 21-story tower is set to feature 22 exclusive duplex and quadplex apartments, each promising to embody the essence of Porsche’s design philosophy.

Designer: Porsche Design

The tower’s design is as striking as one would expect from a brand synonymous with cutting-edge automotive design. The building’s facade is sleek and modern, with a spiral ramp at its center, reminiscent of the winding roads often navigated by Porsche’s high-performance vehicles. This ramp not only serves as a striking architectural feature but also leads to communal garages within the building, which Porsche has aptly named “passion spaces.” These garages are designed to be more than just parking spaces; they are envisioned as social hubs where residents can display their car collections and interact with fellow automobile enthusiasts.

You wouldn’t expect a company like Porsche to simply build a residential complex without flexing a bit of innovation and engineering, right? Well, arguably one of the most innovative features of the Porsche Design Tower Bangkok is its fully automated terrace door system. This system is inspired by the retractable roof mechanism of the Porsche 911 Targa and allows for a seamless blend of indoor and outdoor living. The doors fold and hinge open from the top, creating an expansive terrace space that effortlessly extends the living area of each apartment. This feature is not only a nod to Porsche’s heritage but also a practical solution for enhancing the living experience in a tropical climate.

In addition to the unique architectural and design elements, the tower will also offer a range of luxurious amenities. Residents will have access to a 25-meter swimming pool, a state-of-the-art fitness center, a spa, and both social and business lounges. These amenities are designed to cater to the lifestyle needs of Porsche’s discerning clientele, providing them with spaces to relax, socialize, and conduct business without ever having to leave the building.

The Porsche Design Tower Bangkok is set to break ground in early 2025, with completion expected by the end of 2028. This project is part of a growing trend among luxury car brands to expand their influence into the real estate market, offering their customers not just a product, but a complete lifestyle experience. It does fall in line with an overall trend to move away from just mobility and focus on different aspects of life too, like with Tesla and its Powerwall, solar-panel roof tiles, etc.

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Nintendo Museum to showcase 132 years of the company’s gaming history

At one point in most people’s lives, they have probably played with or interacted with a Nintendo gaming device. Now what device that is is of course depends on the generation but with more than a hundred years of experience in creating games, there are a lot of things to choose from. And if you’re a die-hard fan of their various games and consoles, then you’ll want to book a ticket to what will surely be the hottest thing in town in a couple of months.

Designer: Nintendo

Yes, we are finally getting a Nintendo Museum opening this October and built on the very space where they started creating hanafuda playing cards in 1889. Because this company has gone through many evolutions since then, you can expect a fun and interactive history lesson spanning a century of family entertainment. There will be various exhibits as well as a cafe and of course, an extensive merchandise shop that will celebrate all kinds of games and technology. There will also be arts and crafts and workshops section where you can do things like create your own hanafuda cards.

The first floor of the Exhibition Building 1 has eight interactive play experiences. Each visitor will get a card that contains ten digital coins to be able to try out the exhibits. They did not specify it but you will probably be able to top up the card if you want to try out everything. The Shigureden SP lets you explore Hyakunin Isshu poems using your smart device and viewing it on the giant screen. The Ultra Machine SP rooms lets you hit balls pitched by a machine and hit items in the room that will react. The Zapper & Scope SP gives you a shooting experience in the world of Mario while the Ultra Hand SP lets you grab balls rolling down lanes and dropping them in pipes. You can also play Nintendo games in areas like the Game & Watch SP, Nintendo Classics, and Big Controller with giant game consoles. There’s even a Love Tester SP where you can see if you and your loved one are compatible.

On the 2nd floor is the museum part where there are exhibits of everything that Nintendo has created throughout the years. This includes the era before they created gaming devices and it includes copying machines, baby strollers, and of course the hanafuda cards and various board games. But of course the highlight would be all the gaming consoles and games that have made them arguably the most popular entertainment company in the world. The Nintendo Museum opens in October but you can already buy your tickets, although if you’re familiar with Japan ticketing, you know that it’s via a randomly selected drawing.

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Heatherwick Studio’s Hanwha Galleria Redefines Urban Shopping with its Glorious Waved Glass Facade

In the heart of Seoul, amid the vibrant chaos of the city’s dense urban landscape, an architectural marvel is poised to rise, a structure that promises to captivate every pedestrian and commuter who crosses its path. This is the Hanwha Galleria shopping center, a visionary project designed by Heatherwick Studio, known for pushing the boundaries of architectural design and redefining spaces in ways that engage both the eye and the soul.

Designer: Heatherwick Studio and Haeahn Architecture

Nestled at a major intersection near the Han River, this new shopping center is not just a place to shop; it’s a bold reimagining of what a department store can be in the 21st century. Gone are the days of insular, windowless retail boxes that isolate themselves from the life of the streets outside. Instead, the Hanwha Galleria opens itself up to the city, inviting everyone in, whether they’re there to browse luxury goods or simply to soak in the atmosphere.

The design features two near-identical, hourglass-shaped volumes formed from curved glass. These aren’t just any glass structures, they ripple and undulate as they rise, creating a dynamic play of light and shadow that changes with the time of day and the angle of the sun. By day, the facades shimmer, reflecting the city’s energy and by night, they transform into canvases for projections, turning the buildings into glowing beacons that light up the Seoul skyline.

But these buildings are not merely beautiful to look at, they’re designed to be experienced. At ground level, the two volumes are separated by the busy intersection, but an updated subway station lies beneath, connecting them with a seamless flow. This underground passageway doesn’t just serve as a practical link between the buildings; it’s an extension of the city itself, drawing people in from all directions and inviting them to explore what lies above.

As you ascend from the subway into the buildings, you’re greeted by light-filled entrances and landscaped plazas. These spaces are designed to be more than just entryways, they’re vibrant public areas where people can gather, relax, and enjoy the greenery. The hourglass silhouettes of the buildings create recessed middle levels that are transformed into open-air gardens, cafes, restaurants, and shops. These spaces are not just solely for shopping, they’re places to linger, to meet friends, and to take a break from the hustle of the city.

Rising above, the rooftop gardens offer a different perspective, both literally and figuratively. Here, amidst lush greenery, you can take in sweeping views of the Han River and the city beyond. The buildings’ unique contours frame these vistas in ways that make you see the city anew, each angle offering a fresh perspective.

But the Hanwha Galleria is more than just a visual or social experience; it’s a statement about the future. The double-layered glass facade isn’t just about aesthetics, it’s an environmentally conscious design that enhances the buildings’ sustainability. It’s part of a broader vision to create spaces that are not only beautiful but also responsible, offering natural elements throughout the year with carefully selected native plants that thrive in all seasons.

Heatherwick Studio’s design is a response to Hanwha’s ambition to breathe new life into these structures, transforming them into something more than just a shopping destination. The goal is to create a silhouette that serves as a gateway to the city while providing Seoulites with new, garden-like spaces where they can meet, shop, and enjoy their urban environment.

This project is a bold reflection of South Korea’s rising status as a global cultural leader. It’s no coincidence that this design comes as Thomas Heatherwick is set to take on the role of General Director for the Seoul Biennale of Architecture and Urbanism in 2025. The Hanwha Galleria is more than just a building, it’s a symbol of a city that is looking to the future, embracing change, and redefining what it means to live, work, and play in an urban environment.

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What is Postmodern Architecture?

Postmodern architecture emerged as a significant architectural style of the late 20th century that blends classic and modern styles to create unconventional architectural designs. This style of architecture is eclectic and colorful and emerged in the late 1960s and early 1970s as a reaction against the belief that architecture could address societal issues. Architect Robert Venturi is the founding father of Postmodernism and his 1966 book, “Complexity and Contradiction in Architecture,” signaled the shift towards a new style and celebrated classicism, color, and pop-cultural references in the design of postmodern building design.

Designer: The Crystal Cathedral Philip Cortelyou Johnson

Some of the notable postmodern architects include Philip Johnson, Charles Moore, Terry Farrell, James Stirling, Helmut Jahn, Frank Gehry, and Michael Graves. In essence, postmodernism embodies fresh perspectives on architecture. To illustrate this, Robert Venturi famously countered Mies van der Rohe’s “Less is more” with “Less is a bore,” a telling anecdote that encapsulates the essence of this architectural style.

Key Features of Post-Modern Architecture Buildings

The primary difference between modern and postmodern buildings is that modern architecture introduces modern elements into the design while postmodern buildings infuse an element of uniqueness into the design. Another difference is that while modern architects rejected ornamentation, postmodern architects had an affinity towards classical architecture and integrated it with modern design elements to create a unique look.

• Postmodern architecture is driven by the desire to utilize architecture as a means of cultural expression. In contrast to rigid rules, Postmodernism encourages architects to embrace creativity and intricate designs and transform the building into an interesting composition.

Image courtesy of: Nehrams2020

Designer: One American Plaza by Helmut Jahn

• Postmodern architecture is an Eclectic fusion of architectural styles that are borrowed from history and different eras. For instance, classical architectural features like arches and columns were mixed with materials like steel and glass.
• The postmodern buildings incorporate sculptural elements and forms over rigid and clean lines. Some of the postmodern buildings include curves and asymmetrical angles in an unusual combination of materials.
• These buildings embrace vibrant colors, including ceramic tiles and colored glass which were contrasted with natural hues of sandstone or marble. Some architects incorporated pastel shades and bright neon colors.
• There is a liberal utilization of classical ornamental motifs from historical architectural movements, often combined with unconventional design features.
• Postmodern buildings emphasize abstraction.
• These buildings are also marked by playfulness, whimsy, humor, and irony.
• Some building designs use unconventional forms that challenge the strict doctrines of Modernism.
• The use of trompe l’oeil techniques made flat surfaces look multidimensional and added an element of whimsy to the building design.

Top Ten Examples of Post-Modern Architecture

Some of the notable examples of postmodern architecture include:

1. Neue Staatsgalerie in Stuttgart, Germany

Designer: James Stirling

The Neue Staatsgalerie Museum in Stuttgart combines traditional and modern architecture, using vibrant colors and classical elements on a sloping site. Its entrance features a blue steel trellis, glass roof, and orange doors, leading to a green-floored space with curved steel components. The atrium features classical elements while the museum blends past and future architecture.

2. Team Disney Building, Orlando

Designer: Arata Isozaki

Disney’s corporate office is a renowned example of postmodern architecture where its external façade blends geometry and colors, inspired by a wristwatch, with a central sundial surrounded by Tennessee River rock. Harmonized colors were used inside the building to create a tranquil working space that contrasts with its chaotic exterior to achieve a balance of conflict and calmness.

3. City of Wine Complex Marques De Riscal Hotel, Spain

Designer: Frank Gehry

This building is a museum and luxurious hotel that is nestled amidst a lush vineyard and its seamless, wine-like appearance is achieved through the support of three super columns. Frank Gehry’s postmodernist approach pays homage to both 19th-century and contemporary architecture, incorporating free-flowing elements. The structure primarily comprises two distinct components where over twenty titanium canopies are suspended above large sandstone blocks that constitute the front facade, while a vibrant pink hue, reminiscent of wine, enlivens the surface when the sun shines, creating a vibrant atmosphere. The contrasting surfaces of the stone exterior and wooden windows foster a connection with the traditional surroundings.

4. Ting1 in Ornsköldsvik, Sweden

Designer: Gert Wingårdh

Ting1 is a residential project in Sweden that was constructed in 1961, using a concrete courthouse as its foundation, and the new design intentionally contrasts with the old concrete structure. Inspired by painter Bengt Lindstrom’s art, the building spans the width of the old courthouse’s courtyard and creates a connection between the two.

5. Groninger Museum, Netherlands

Designers: Philippe Starck, Alessandro Mendini, Coop Himmelb(l)au

This building houses collections from the 16th Century to Contemporary Art, featuring multiple levels for visitor enjoyment. It connects three exhibition halls with notches and recesses. The elevation displays abstract art, appearing random and chaotic, akin to an artist’s palette explosion with scattered shapes, embodying postmodern architectural traits. The structure is constructed with double-wall steel plates and hardened glass that barely touch, and some rooftop portions extend over the surrounding water, beckoning the entire city to the museum. Employing deconstructivism, the architects imbued the structure with emotions, making walls serve as ceilings, windows, or floors.

6. Piazza d’Italia, New Orleans

Designers: Charles Moore, Perez Architects

Piazza d’Italia in New Orleans was designed by Charles Moore and Perez Architects and embodies Moore’s belief in inclusive and site-specific architecture. Unlike modernists seeking a universal architectural language, this monument celebrates the city’s Italian influence with vivid classical elements. Initially controversial, it became a “Postmodern ruin” due to nearby project failures but was later restored and is now appreciated as a unique and enjoyable public space.

7. Portland Municipal Services Building, Oregon

Designer: Michael Graves

The Portland Municipal Services Building is a prominent example of Postmodern architecture, designed by Michael Graves. The vibrant colors and playful geometric shapes on the facade distinguish it, deviating from universal design rules and adding a unique, recognizable element to the skyline. The triangular facade prioritizes enjoyment over adherence to “form follows function,” diverging from the building’s internal program or function. For Postmodernists, fun and distinctiveness take precedence.

8. M2 (Mazda) Building

Designer: Kengo Kuma

Kengo Kuma, renowned for his distinct style, notably diverged from it with the M2 Building. Unlike his typical work, it exemplifies the collage style often associated with Postmodern architecture and serves as an iconic “duck.” Originally designed as a Mazda showroom in Tokyo, it has since been repurposed as a funeral hall.

9. The Guggenheim Museum, Spain

Designer: Frank Gehry

Frank Gehry, a prominent architect, is renowned for the iconic Guggenheim Museum in Bilbao. His designs represent a contemporary evolution of Postmodernism, giving rise to the Deconstructivist sub-movement. These designs break away from Modernism’s rationality by incorporating unconventional, non-rectilinear forms and shapes that seemingly deform the building’s exterior.

10. MI6 building, UK

Designer: Terry Farrell

The SIS (MI6) building in London has served as the UK’s secret service headquarters since 1994. Designed by Terry Farrell in the late 1980s, the architecture draws inspiration from industrial structures like power stations and incorporates elements reminiscent of Aztec and Mayan temples. These contrasting influences harmoniously blend to create a distinct and unique structure.

Postmodernism thrived during the economic prosperity of the 1980s, extending into the 1990s, and leaving behind a collection of bold and unconventional architectural landmarks. Initially taking root in the United States, its impact spread globally to regions such as Europe, Japan, and Australia. Postmodernism continues to influence contemporary architecture to this day.

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Portable & Easily-Towable Tiny Home With A Space-Saving Layout Is Perfect For A Life On The Road

France has pretty tough towing laws, which probably explains why French tiny homes are smaller and more compact as compared to the ones made in the US. French tiny homes are known to be little and portable, but the Tiny house du Lac by Plume takes that portability to a whole new level. Measuring a length of 17.8 feet, the home accommodates two people, or even a family of three – though that could be a bit of a tight fit.

Designer: Plume

As you enter the home, you truly understand how compact it is. Most of the floor space is occupied by one large room. You are instantly welcomed by the kitchen, which is pretty compact, but includes an induction stove, small fridge, sink, and some cabinetry. Although the available floor space is limited, the home includes a living room as well. The living room holds a two-person sofa and a small drop-down wall-mounted dining table that seats two people. Wooden furniture and light hues dominate the space, creating a living environment that is soft and warm, making one feel instantly at ease.

The opposite end of the home contains the bedroom, which is quite an interesting room, as it is arranged like a loft bed, instead of a conventional mezzanine bedroom. You can access the double bed via some wooden steps, and the space beneath the bed is used as a storage space. Plume also recommends that the space below can be used for a child’s bed or as a cozy reading nook. The adorable and comfortable home is a perfect fit for those who like a life on the go. The home is well-equipped with essential furniture and has enough space for a small family of three. The tiny home is currently up for sale, although we are unaware of the pricing. Interested parties can contact Plume directly for more information!

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Snøhetta Builds A Timber School In Norway with 90% Energy Self-Sufficiency

Kautokeino is located in Norway, north of the Arctic Circle, and suffers from extremely cold temperatures that can hit – 45 °C. Snøhetta was commissioned to build a brand-new cultural and education hub in this difficult location. A lot of thinking and attention to detail went into building this sturdy wooden structure which is supposed to be 90% self-sufficient in heating and cooling. Named, this building was constructed in collaboration with Joar Nango and 70°N arkitektur. The word ‘Čoarvemátta’ is derived from the Sami words for horn and root, which are the strongest parts of the reindeer’s antler. The hub is inspired by the local Sami culture and will be hosting the Sami National Theatre Beaivváš and the Sami High School and Reindeer Herding School.

Designer: Snøhetta

The structure occupies around 77,500 sq ft and is constructed mainly from wood. It features an impressive 53,000-sq-ft sloping roof that slowly moves towards the ground. The exterior was built using the slate from a previous school which has been demolished. The hub has a branching shape which creates surreal outdoor spaces. The south-facing space functions as the main entrance, and is protected by the dipping roof. The interior is equipped with theater and school areas, as well as a cool skylight inspired by a traditional Sami smoke hole. The interior is subtle yet beautiful, letting the natural beauty of the wood truly shine. The interior is also amped with traditional art by respected Sami artists. These pieces add hints of red and blue to the space, livening it up.

“The building is 90% self-sufficient in energy to heating and cooling thanks to 40 geowells drilled about 250 meters [820 ft] into the ground,” said Snøhetta. “The wells supply two heat pumps that both heat and cool the building, while exchangers for the energy wells dump surplus heat back again. On the coldest winter days, the system is supplemented with an electric boiler.”

The Čoarvemátta is in complete accordance with the requirements of the Passive House Standard – a strict green building standard that needs a high level of insulation and air-tightness. The hub also utilizes geothermal heating. The landscaping around the Čoarvemátta has been kept natural since Sami culture does not include creating parks and urban spaces. The soil that was removed from the site has been preserved, stored, and returned, ensuring the safety of the seed stocks.

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The World’s New Tallest Timber Skyscraper With 55 Floors Is Set To Be Constructed In The US

Designed by Micheal Green Architecture (MGA) has unveiled plans for an aspiring and ambitious construction in Milwaukee, Wisconsin. The project is intended to be the world’s tallest timber skyscraper once it is completed! The founder of MGA is a trailblazing pioneer of modern timber construction and has worked fervently to popular large wooden structures in Northern America. This unnamed skyscraper is their next upcoming project, and it is sure to break some boundaries in the arena of timber-based architecture.

Designer: Micheal Green Architecture (MGA)

Currently, we are unaware of the exact height of the structure, but the firm has proclaimed that it will include around 55 floors. Presently, the world’s tallest timber building is also in Milwaukee, but it only features 25 floors, so the upcoming skyscraper will be much taller. The building will include ample greenery and multiple terrace areas.

“The proposed development represents a significant investment of over US$700 million, encompassing multiple mixed-use buildings,” said MGA. “The project, planned in several phases, could include up to 750 residential units, 190,000 square feet [roughly 17,600 sq m] of office space, 40,000 square feet [3,700 sq m] of retail space, 300 hotel rooms, parking spaces, and vibrant public plazas and walkways. MGA, renowned for its leadership in mass timber architecture, will spearhead the design efforts, supported by an experienced team including HGA, Gehl People, C.D. Smith, and Thornton Tomasetti.”

We aren’t sure if the skyscraper will include any concrete in its construction, but considering its height, we do believe some concrete would be included. People may have concerns that a wooden skyscraper could easily catch fire like a tinderbox, but unlike traditional lumber, modern mass timber is a pretty strong and sturdy wooden beam that can withstand fire even better than steel, on account of the way it chars, doesn’t fully burn.

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This ‘Plant-Based’ Cabin In Austin Eliminates Heavily Processed Or Synthesized Materials

Texas-based Moontower Design Build recently created a “plant-based” cabin in Austin equipped with clever cross-laminated timber structural elements and a cork-clad facade. Named the Cross Cabin, the ADU occupies around 93 square meters, in a 743-square meter soling yard. The home provides surreal views of the horizon through the tree canopy. The Cross Cabin was completed in 2023, to build a holistic structure that is in adherence to the AIA Architecture and Design Materials Pledge. It is inspired by Micheal Pollan’s book Food Rules, and hence the studio used plant-based materials that were not very heavily processed.

Designer: Moontower Design Build

The studio formed a fascinating material palette to build a mesmerizing architectural experience. “These natural materials like wood and cork are repeatedly presented throughout the home in ways that are intended to provoke an unconventional sensory engagement with building materials,” said studio co-founder Greg Esparza. The building comprises an elevated cross-laminated timber box “blanketed with plant-based insulation like cork, hemp, and wood fiber.” The cabin has two stories and a geometric rectangular form. If you look closely, the facade of the cabin seems to look like tree bark, amped with changing tones of silver, amber, black, and brown cork cladding, which will weather with time.

The cabin features a single-sloped roof that extends to shade the nooks, a big porch, and protruding windows. The cork-clad exterior of the home slowly converts into a wooden interior, amped with cross-laminated timber, solid-sawn lumber, plywood, and thermally treated Larch floor. The diverse wood finishes are either raw or finished with linseed oil. The interior is also equipped with expanded cork, which is 100% cork bark and a laminated recycled paper called Richlite.

The cabin received compliments on how good it smelled since it completely lacked polyurethane sealants, which is a notable feat. “Thinking about smell, touch, heat, and sound as critical design considerations along with sight helped to guide the design and reinforce the singular advantages of minimally processed, natural materials,” said Esparza.”When you are in an intimately scaled space and you are interacting with materials by touching, holding, pulling, and pushing them there are numerous opportunities to appreciate subtle material qualities like the delicate striations, slight iridescence and rich color variations on the surface of the cork or the pleasing texture of a tree’s growth rings on wood floor or handrail,” he concluded.

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