Tag Archives: Luxury

A Walnut and Brass Desktop PC That Still Runs an RTX 5090

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The PC industry has spent decades optimizing for a buyer who tolerates ugly hardware. Not a buyer who wants it, necessarily, but one who accepts it as the cost of performance. The tradeoff between raw computing power and the aesthetic quality of the object sitting on a desk has been so consistent for so long that it’s stopped feeling like a compromise. Most high-performance desktop computers look like something between a server rack and a concept car that got stuck in the concept phase, and they live under desks partly because there’s no reason to keep them visible.

The Nocturne is a desktop PC built in direct opposition to that assumption. Its chassis is sub-11L, which makes it compact enough to actually sit on a desk rather than beneath one, and its materials are a considered departure from the standard palette of tempered glass and injection-molded plastic. The side panel is a single plank of American Black Walnut, laser cut, hand finished, and polished with organic beeswax, a finish that deepens naturally with age rather than fading or yellowing. The front face is walnut as well. The feet, badge, buttons, and screws are turned from solid brass. The top panel is individually airbrushed per unit.

Designer: Ren Zhen (Optimist)

Every Nocturne is assembled and tuned by the same small team at Optimist’s shop in North Carolina before it ships. That includes a photography session for each unit, which is both a quality step and a signal that the people building these take the object seriously as a designed thing rather than a configured product. Nothing in the process is shared with mass production. The Optimist emblem is laser-etched directly into the walnut, not applied as a sticker or decal.

The hardware inside doesn’t make any concessions to the visual restraint outside. The Nocturne supports configurations up to an AMD Ryzen 9 9950X3D2 processor and an NVIDIA GeForce RTX 5090 GPU with 128GB of DDR5 memory available at the top end. The acoustic performance matches: the system runs at sub-decibel levels, which matters as much for the room it sits in as for the person sitting in front of it. A machine that sounds like an appliance disappears into a space in a way that a machine with a fan you can hear from across the room never does.

The warranty structure reflects the relationship the company expects to have with buyers after the sale. Parts are covered for two years and labor for six, and if a repair is needed, the unit can be shipped back for in-house service without conditions. That’s a longer commitment than most pre-built PC companies offer, and it makes more sense when the object in question is hand-finished wood and brass rather than standard black plastic.

The Nocturne first appeared in 2024 and garnered quite the attention. Optimist keeps no more than five designs available at any time, retiring past builds as new hardware and new aesthetics arrive. The Nocturne has persisted through multiple cycles. That’s a harder thing to maintain in a market that typically treats last year’s chassis as obsolete the moment a new one appears.

The post A Walnut and Brass Desktop PC That Still Runs an RTX 5090 first appeared on Yanko Design.

Rolls-Royce Firmament Concept Turns the Hood Into a Meteor Shower Chasing the Spirit of Ecstasy

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Every shooting star you have ever wished on was actually dying. What looks like a streak of pure light tearing across the sky is a rock disintegrating, burning up in its final seconds, and yet we treat that death as a gift, a wish granted. Stars carry the same contradiction. The calcium in your bones and the iron in your blood were forged inside a star that had to die violently to scatter those elements across the universe. Creation and destruction run on the same fuel line, not as metaphor but as literal astrophysics. French design student Gaspard Deveugle built an entire Rolls-Royce concept around that exact paradox.

Called Firmament, the concept deletes the vertical Pantheon grille that has anchored every Rolls-Royce face for a century. A low, pointed nose takes its place, tapering to a blade like a ship’s hull. Streaks of light rain across the hood and glass roof, dense near the windshield and scattering into faint dust toward the tip, the way a meteor burns brightest right before it disappears. The pattern converges on the Spirit of Ecstasy, as if she is the one point catching everything falling from the sky. It is the loudest thing on the car, and everything else has been quieted to let it read clearly.

Designer: Gaspard Deveugle

Deveugle is a 3D design student based in Valenciennes, France, with internship experience across BMW, Kingfisher, and RealNum, and Firmament sits inside a portfolio built almost entirely on reinterpreting storied marques. He has rendered a Bentley Speed 8 tribute, sketched a Bugatti Type 52, built cafe racer studies off Harley Davidson and Moto Guzzi platforms, and designed a yacht concept called Arcane. Firmament arrives as an internship project rather than a factory commission, posted on Behance alongside a companion breakdown of the sketch and modeling process behind it. That distinction matters here. Nobody at Goodwood signed off on deleting the grille, which frees the concept to treat Rolls-Royce’s most sacred design element as raw material rather than untouchable heritage.

Rolls-Royce has already flirted with turning night sky into physical form, just never on the outside of the car. The Ghost introduced its fiber-optic Starlight headliner in 2014, a swath of black leather stitched with over a thousand tiny points of light, and Spectre pushed that further with more than five thousand illuminated points woven into the dashboard fascia. Both live entirely inside the cabin, visible only to whoever paid for the seat. Firmament takes that same instinct and turns it inside out, moving the starfield from the headliner to the hood where anyone on the street can see it. That single move reframes a private luxury detail as the entire visual identity of the car.

The mood board Deveugle built around the idea, titled Power of Duality, leans on real astrophysics rather than loose poetry. Stars manufacture heavy elements inside their cores through nucleosynthesis, then have to die violently to scatter that material across the universe, meaning creation and destruction share the same fuel line by necessity, not metaphor. His reference imagery pairs a comet’s frozen tail with a supernova’s radial burst and a single meteor reflected over open water, the visual grammar he then translated onto sheet metal. That grounding shows in how the streak pattern behaves on the car itself. It thickens where energy would concentrate and thins where it would dissipate, following a logic borrowed from physics rather than instinct.

The rest of the surfacing supports that reading without competing for attention. A raised black spine splits the rear deck into twin fenders that taper to points, a quiet nod to Rolls-Royce’s own boat-tail coachbuilding, though it plays a supporting role here rather than the headline. Dark, turbine bladed wheels replace the static hubcaps Rolls-Royce is known for, hardware that stays upright on its axle no matter how fast the wheel spins, trading serenity for something closer to a hypercar’s stance. There are no visible door handles or shutlines anywhere in the renders, just one continuous poured surface running from nose to tail. Every panel gap that would normally interrupt a Rolls-Royce silhouette has been resolved into a single, unbroken skin.

None of this is destined for Goodwood’s production line, and that is fine. Firmament works precisely because it is unburdened by the things a real Rolls-Royce has to solve, crash structures, pedestrian safety, a grille that still needs to cool something even on an EV. What it offers instead is a sharp piece of brand thinking from a student still building his portfolio, taking a hundred-year-old grille and a hood ornament everyone stopped truly looking at and making both feel dangerous again. Rolls-Royce spends real engineering effort making its cars feel weightless and silent. Deveugle’s answer is to make one look like it just survived a meteor storm, closer to what the Spirit of Ecstasy was always chasing.

The post Rolls-Royce Firmament Concept Turns the Hood Into a Meteor Shower Chasing the Spirit of Ecstasy first appeared on Yanko Design.

Blackwing’s $400 Crate Is Every Writer’s Dream Gift Set

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Pencils don’t usually make people emotional. But Blackwing pencils have always been a little different. The brand, which revived the legendary Blackwing 602 after its original discontinuation in 1998, has spent years building something that goes beyond the pencil itself. It’s a whole philosophy about the act of writing by hand. And with the new Blackwing Crate Gift Set, priced at $400, they’ve essentially packaged that philosophy into a matte black box and sent it out into the world.

Let’s talk about what’s inside, because it’s genuinely a lot. The Crate includes 24 Blackwing pencils housed inside a walnut gift box, a One-Step Long Point Sharpener, a desktop sharpener, replacement erasers, a handheld eraser, three point guards, a pencil extender, a notebook clip, a Medium Slate Notebook in dot-grid, and an A4 spiral notebook in blank. If you’ve ever casually shopped the Blackwing site and found yourself adding one thing after another to your cart, this is essentially that cart, but curated and given a walnut home.

Designer: Blackwing

The walnut box alone is something worth pausing on. It has a cork-lined interior and a satisfying magnetic closure. It’s the kind of object you want to leave on your desk not because it needs to be there, but because it makes the desk look like it belongs to someone who takes their work seriously.

Blackwing’s four core pencils are all represented here: the 602, the firm-graphite original that built the brand’s reputation and was beloved by creatives from John Steinbeck to Stephen Sondheim; the Matte, which shares the same soft and expressive formula as the very first Blackwing; the Pearl, with its smooth and balanced Japanese graphite; and the Natural, a stripped-back version with an uncoated cedar body for a rawer, more honest feel. Each one writes differently. That variety isn’t just a marketing point. It means the set can genuinely work for a writer, an artist, a student, or someone who just wants their notes to feel a little more intentional.

I’ll admit there’s a case to be made that $400 is a lot for what is, technically, a pencil set. But I think that argument misses the point of what Blackwing has always been doing. These aren’t pencils in the same way a yellow No. 2 is a pencil. The brand occupies the same space as a well-made fountain pen or a leather-bound notebook: objects that are ordinary in function but considered in execution. When you buy something from Blackwing, you’re buying into a certain idea of how writing should feel, and the Crate makes that idea as complete and giftable as it’s ever been.

The packaging itself shows thought. The outer box is matte black with the Blackwing name in white. Clean, confident, minimal. It doesn’t shout. It doesn’t need to. The layered reveal inside, with a pull-out drawer for the notebooks, feels like the kind of unboxing experience that design enthusiasts and stationery lovers will genuinely appreciate. Gift sets at this price point need to justify themselves beyond just the contents, and the presentation here does a lot of that work.

What makes the Crate feel special rather than just expensive is how it covers every phase of the writing process. You have your pencils, your sharpeners for both at-desk and on-the-go use, your erasers, protection for your pencil tips when they’re not in use, and actual notebooks to write in. Nothing feels like filler. Everything has a job.

If you’re shopping for someone who already loves Blackwing, this is a clear yes. If you’re introducing someone to the brand for the first time and want to do it properly, this is also the move. And if you’ve been slowly accumulating Blackwing products one purchase at a time and wondering when you’ll finally have it all, the Crate is the answer to that question in one very satisfying delivery. The Blackwing Crate Gift Set is available now at blackwing602.com for $400.

The post Blackwing’s $400 Crate Is Every Writer’s Dream Gift Set first appeared on Yanko Design.

Bang & Olufsen Finally Made a Power Bank Worth Showing Off

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Power banks are among the most purchased tech accessories around, yet they’re rarely something anyone is proud to pull out in public. Most are plastic rectangles with LED indicators and brand names that read like Wi-Fi passwords. Even among the better-designed ones, the focus has always been on capacity and wattage, leaving the physical object as an afterthought. The result is a category full of capable but thoroughly forgettable hardware.

That’s an unusual entry point for Bang & Olufsen. The Danish brand isn’t known for accessories you’d stash in a drawer; it’s known for objects you’d set on a shelf and admire. So when it announced its first power bank, questions about specs felt almost secondary. What mattered was whether B&O could apply the same design conviction to something this ordinary. Going by what’s been revealed, the answer is yes.

Designer: Bang & Olufsen

The B&O Powerbank combines a glass surface with an aluminum frame, finished with diamond-cut edges and pearl-blasted textures. It’s the kind of hardware that feels deliberate in the hand, each surface treated with the same attention typically reserved for consumer electronics that cost a great deal more. It comes in two colorways, Infinite Black and Hourglass Sand, both chosen to match the Beoplay H100 headphones.

That pairing with the H100 isn’t incidental. The Powerbank was designed as a companion to B&O’s flagship headphones, a way to keep them running through long travel days without having to negotiate with airport power sockets. The colorway matching is no accident; the two pieces are meant to feel like a coordinated set rather than a spare part someone remembered to design at the last minute.

On the technical side, the Powerbank holds 5,000 mAh and supports Qi2 magnetic wireless charging at up to 15W, alongside a 20W USB-C output for wired devices. It accepts up to 18W via USB-C to recharge itself. Those aren’t record-breaking figures for the category, but it works cleanly with most Qi2-compatible devices, including the iPhone 17 series and the Google Pixel 10.

The more revealing figure is what B&O highlights for H100 owners specifically: five minutes of charging delivers up to 3.5 hours of additional playback. For someone wearing those headphones through a long-haul flight or an extended studio session, that’s a meaningful top-up that doesn’t require a hunt for an outlet. Snap the Powerbank on, keep listening, and put it away when you’re done.

There is, however, the price. At €145 in Europe and £125 in the UK, the Powerbank sits well above most Qi2-certified alternatives in this capacity range. Comparable 5,000 mAh magnetic chargers from brands like Anker and Ugreen come in at around $50 to $60. B&O is clearly charging a premium tied to design and heritage rather than specs, and buyers who understand the brand won’t be surprised.

B&O has spent decades building a reputation around objects that earn their place in a room, not just on a spec sheet. The Powerbank extends that same sensibility to the pocket. Pull it out at an airport lounge, and it won’t look like something that came bundled in a blister pack, which, for a certain kind of buyer, is precisely the point.

The post Bang & Olufsen Finally Made a Power Bank Worth Showing Off first appeared on Yanko Design.

The Sculptural Speaker Concept That Sounds Good From Every Spot in the Room

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Most wireless speakers look like speakers. They announce themselves with grilles and ports and branding, and they tend to disappear into a corner or a shelf where the acoustic compromise of their placement gets quietly accepted. The room works around the speaker rather than the other way around. For a category that has grown enormously in the past decade, the design ambition behind most of what’s on the market hasn’t quite kept pace with the technology inside.

The Mirage Onda concept comes at that problem from two directions at once. On one side is a five-decade-old Canadian audio brand whose reputation was built on omnidirectional sound, long before the concept became a selling point for portable speakers. On the other is a design studio that has treated the speaker not as a functional box but as a sculptural object with genuine presence in a room.

Designer: Andrea Ponti (Ponti Design Studio)

The brand history matters here. Mirage introduced the world’s first bipolar speaker in 1987, and spent the following decades developing omnipolar technology, the idea that sound should radiate in all directions as it does in a live space, rather than being aimed at a single listening position. That philosophy is what the Onda is built around. The speaker delivers a true 360-degree audio experience through its acoustic architecture: four woofers at the base produce warm, rounded bass that fills the room with depth and body, while an upward-facing midrange driver with a diffuser ensures even sound distribution, and a tweeter paired with a dedicated diffuser handles crisp high frequencies.

The result is a speaker that doesn’t ask you to position yourself relative to it. A discreet backlit touch interface sits between the lower body and the upper platform, while the removable magnetic upper grille lifts away to reveal the tweeter in Mirage’s signature deep purple. That upward-firing arrangement, coupled with the diffusers above and below, is what sends sound outward into the room in all directions rather than toward a fixed sweet spot.

Four polished aluminum pillars connect the lower body to the upper platform in a striking suspended configuration, while the distinctive rounded-square footprint, softened edges, and monolithic silhouette give the speaker a timeless character that integrates effortlessly into modern environments. The fabric grille wraps the body in a dual-color textile that adds warmth to what could otherwise be a purely hard-edged industrial form. Three colorways are available, ranging from a warm sand tone to charcoal and all-black, each one giving the Onda a different character while keeping its proportions unchanged.

Put it in the center of a room, and it works. Put it on a side table or near a sofa, and it still works, because the sound isn’t dependent on where you happen to be sitting relative to the driver. That’s the practical promise of omnidirectional audio at the room scale, and it’s something that most mainstream speakers, regardless of price, simply don’t attempt.

Onda builds on Mirage’s legacy, blending heritage with minimalism and contemporary sophistication. The design reflects clarity, balance, and sculptural presence, which is a rare combination in an audio product that still has to justify its place in a room by actually sounding good. Both sides of that equation matter here, and the Mirage Onda takes both of them seriously.

The post The Sculptural Speaker Concept That Sounds Good From Every Spot in the Room first appeared on Yanko Design.

C Seed’s Sculptural Bugatti N1 folding TV carries dynamic flair of the Tourbillon supercar

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Modern display technologies have come a long way in the last couple of decades, and so have the viewing experiences. Talking of the latter, no one does it better than C Seed, even though at a steep price. The Austrian high-end design brand has awed us with the 165-inch 4K MicroLED TV that disappears into the floor when not in use, and later with a TV that folds into itself within a metallic structure.

Anything new coming from them is deemed to be at the epitome of modern tech design, and that’s what the C Seed x Bugatti collaboration has materialized into. This is the Bugatti x C Seed N1 TV designed for purists who swear by the Tourbillon hypercar’s magnetism. The very same dynamic flair and emotional connection are now reflected in this sculptural C Seed folding TV.

Designer: C SEED x Bugatti

The car’s flowing contours and the precise measurements bring this colossal display into a league of its own. But it’s the calming Sierra of the display folding down into the Tourbillon’s distinct shape and then sliding off horizontally into the stand’s nest that sets this thing apart. It virtually turns into an architectural marvel in this configuration, and then when it’s time for a movie night, the N1 can open up over the course of 45 seconds with the push of a button. Depending on the sitting arrangement in the room, the TV can rotate 180 degrees like a smooth operator. Everything is effortless and creates an emotional connection, both when it is not in use and when it’s time for some cinematic entertainment with friends and family.

C Seed Bugatti N1 requires no structural integration and sits in your living room just like a luxury furniture piece. According to C Seed, the TV is “shaped by a commitment to precision engineering and uncompromising craftsmanship.” Every single detail, right from the silently unfolding MicroLED technology to the aluminum body in its finest form, is designed keeping in mind elegance, performance, and precision reminiscent of the world of automotive engineering. To keep the overall weight down, C Seed turned to carbon fiber, which speaks volumes about the ultimate refinement of the design.

The classy form of the TV is complemented by the sound system designed by Wisdom Audio. The housing has planar magnetic speakers that target a specific frequency range for perceived depth and clarity, no matter where the listener is positioned. Since we are talking about C Seed wizardry here, the speakers also retract into the sculptural housing when not in use. The display is also top of the line, incorporating the latest and greatest 4K MicroLED tech. Along with the Adaptive Gap Calibration for seamless panel transition for the perfect final unified picture, the stunning visuals match the audio for an immersive experience as a whole.

N1 TV is offered in either 110-inch or 137-inch size, and the patented folding display panel tech creates a single continuous screen even with multiple folding cycles. C Seed very rhetorically describes it as an engineered multi-stage movement that turns technical performance into a choreographed visual experience.”

There is no word about the pricing of this tech-infused kinetic sculpture for your living room, but coming from C Seed, it should carry an eye-watering price tag. One thing is clear: the folding display will come in bespoke colors and sizes for demanding users.

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ROG Just Made Gaming Peripherals You’d Actually Put on Display

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Gaming peripherals have gradually crossed from purely functional tools into design objects that enthusiasts keep, display, and collect alongside their builds. Limited-edition anniversary hardware has become part of that culture, giving manufacturers a chance to honor their history while reminding the community why certain names still carry weight. Making those commemorative pieces feel genuinely worthy of the occasion, however, is always the trickier part.

ROG, short for ASUS’ Republic of Gamers brand, is marking 20 years of gaming innovation with an anniversary lineup centered on a gold-and-black design identity it calls the Edition 20 colorway. Three peripheral additions sit at the heart of it, namely the Azoth Extreme Edition 20 keyboard, the Harpe II Extreme Edition 20 mouse, and the Keycap Mystery Box Edition 20, each making the case that high-performance hardware and collector-worthy design don’t have to live separately.

Designer: ASUS

The Azoth Extreme Edition 20 is a 75% gaming keyboard that wears the anniversary theme without being heavy-handed about it. Translucent keycaps reveal the mechanics below, and a detachable 24K-gold-plated nameplate at the front makes the occasion official without being excessive. The extended silicone wrist rest adds completeness to the package, anchored by a gold-toned aluminum-alloy base that ties everything together without introducing anything out of place.

Beneath that exterior, an adjustable gasket mount toggles between Hard and Soft typing modes, useful for anyone who games and types for long hours in the same session. The custom ROG NX Edition 20 mechanical switches are transparent, factory pre-lubed, and hot-swappable, while an OLED touchscreen with a three-way control knob handles quick adjustments. In 2.4GHz wireless mode, battery life stretches to up to 1,600 hours.

The Harpe II Extreme Edition 20 shares the same design language and makes a natural companion to the keyboard. Built on the pro-tested shape of the Harpe II Ace, it houses a 24K-gold-plated metal interior frame inside a crystal-clear shell, with an RGB light guide plate illuminating the components within. A display case ships with the mouse in the box, which feels entirely appropriate given how it looks at rest.

The ROG AimPoint Pro 65K sensor delivers 65,000 dpi with less than 1% CPI deviation and 8,000Hz wireless polling through ROG SpeedNova technology. At 82g with glass mouse feet already included, it’s ready for competitive play immediately. Battery life holds at up to 90 hours over 2.4GHz RF and 98.5 hours in Bluetooth mode, both measured with the lighting switched off.

For those who aren’t swapping out their entire setup, the Keycap Mystery Box Edition 20 is the most accessible entry into the anniversary series. Each box holds a randomly selected keycap in one of seven designs inspired by iconic ROG peripherals and the ROG Fearless Eye logo, built through casting, high-pressure forming, hand-painted finishing, and structural assembly. The obsidian-inspired base and refined detailing make each piece genuinely display-worthy.

The ROG Claymore design is the one most worth watching for, as it includes two interlocking keycaps that reference the original keyboard’s modular layout. A Special Edition crystal-like ROG Logo keycap is also in the pool. Available as a single unit or a six-piece box with no duplicates, the Mystery Box turns 20 years of ROG hardware history into something you can keep in the palm of your hand.

The post ROG Just Made Gaming Peripherals You’d Actually Put on Display first appeared on Yanko Design.

ROG Just Made Gaming Peripherals You’d Actually Put on Display

Posted on by

Gaming peripherals have gradually crossed from purely functional tools into design objects that enthusiasts keep, display, and collect alongside their builds. Limited-edition anniversary hardware has become part of that culture, giving manufacturers a chance to honor their history while reminding the community why certain names still carry weight. Making those commemorative pieces feel genuinely worthy of the occasion, however, is always the trickier part.

ROG, short for ASUS’ Republic of Gamers brand, is marking 20 years of gaming innovation with an anniversary lineup centered on a gold-and-black design identity it calls the Edition 20 colorway. Three peripheral additions sit at the heart of it, namely the Azoth Extreme Edition 20 keyboard, the Harpe II Extreme Edition 20 mouse, and the Keycap Mystery Box Edition 20, each making the case that high-performance hardware and collector-worthy design don’t have to live separately.

Designer: ASUS

The Azoth Extreme Edition 20 is a 75% gaming keyboard that wears the anniversary theme without being heavy-handed about it. Translucent keycaps reveal the mechanics below, and a detachable 24K-gold-plated nameplate at the front makes the occasion official without being excessive. The extended silicone wrist rest adds completeness to the package, anchored by a gold-toned aluminum-alloy base that ties everything together without introducing anything out of place.

Beneath that exterior, an adjustable gasket mount toggles between Hard and Soft typing modes, useful for anyone who games and types for long hours in the same session. The custom ROG NX Edition 20 mechanical switches are transparent, factory pre-lubed, and hot-swappable, while an OLED touchscreen with a three-way control knob handles quick adjustments. In 2.4GHz wireless mode, battery life stretches to up to 1,600 hours.

The Harpe II Extreme Edition 20 shares the same design language and makes a natural companion to the keyboard. Built on the pro-tested shape of the Harpe II Ace, it houses a 24K-gold-plated metal interior frame inside a crystal-clear shell, with an RGB light guide plate illuminating the components within. A display case ships with the mouse in the box, which feels entirely appropriate given how it looks at rest.

The ROG AimPoint Pro 65K sensor delivers 65,000 dpi with less than 1% CPI deviation and 8,000Hz wireless polling through ROG SpeedNova technology. At 82g with glass mouse feet already included, it’s ready for competitive play immediately. Battery life holds at up to 90 hours over 2.4GHz RF and 98.5 hours in Bluetooth mode, both measured with the lighting switched off.

For those who aren’t swapping out their entire setup, the Keycap Mystery Box Edition 20 is the most accessible entry into the anniversary series. Each box holds a randomly selected keycap in one of seven designs inspired by iconic ROG peripherals and the ROG Fearless Eye logo, built through casting, high-pressure forming, hand-painted finishing, and structural assembly. The obsidian-inspired base and refined detailing make each piece genuinely display-worthy.

The ROG Claymore design is the one most worth watching for, as it includes two interlocking keycaps that reference the original keyboard’s modular layout. A Special Edition crystal-like ROG Logo keycap is also in the pool. Available as a single unit or a six-piece box with no duplicates, the Mystery Box turns 20 years of ROG hardware history into something you can keep in the palm of your hand.

The post ROG Just Made Gaming Peripherals You’d Actually Put on Display first appeared on Yanko Design.

KLH’s $1,000 Floorstanding Speaker Actually Fits in Your Apartment

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Serious hi-fi speakers have long demanded a certain kind of listener, one with a dedicated room, a generously sized space, and the freedom to place enclosures wherever the acoustics dictate. That’s a fine arrangement for a fortunate few, but most people live in apartments, condos, and first homes where the furniture stays where it is, and the speakers need to fit around it, not the other way around.

KLH Audio has spent nearly seven decades building speakers for exactly that reality, and the Model Four is its latest expression of it. Unveiled at High End Vienna 2026, it’s a three-way acoustic suspension loudspeaker designed to fill the gap between the bookshelf-sized Model Three and the fuller Model Five, bringing genuine floorstanding performance into a cabinet compact enough to sit comfortably close to a wall.

Designer: KLH Audio

The technology that makes this possible is acoustic suspension, the sealed-enclosure design that KLH pioneered in the 1950s. Unlike ported enclosures, which become muddy and bloated when pushed against a wall or tucked into a corner, a sealed cabinet performs consistently wherever it lands. The Model Four delivers tight, accurate bass with just a few inches of rear clearance, a freedom that ported designs simply can’t match.

The cabinet measures 26 inches tall and just 8.25 inches deep, making it the shallowest floorstanding speaker in KLH’s lineup. The included 6-degree slanted riser adds the angle needed to align the tweeter and midrange with the listener, bringing the total depth to just under 11 inches. That’s narrower than many bookshelves and considerably thinner than the floor plans most audiophile floorstanders require before they’ll sound right.

Inside the sealed, reinforced MDF enclosure is a three-driver system assembled from the best parts of the broader Model Collection. An 8-inch pulp-paper cone woofer reaches down to 46Hz, a 4-inch pulp-paper midrange handles vocals and instruments with the same clarity that earned Model Five its reputation, and a 1-inch aluminum dome tweeter extends the response to 20,000Hz. Power handling reaches 150 watts, with peaks up to 600 watts.

Not every room sounds the same, which is why KLH carried over its three-position Acoustic Balance Control switch, a feature the brand introduced in the 1960s. It gives listeners a way to adjust the mid and high-frequency character to match their room’s natural acoustics, a practical acknowledgment that the speaker will land in spaces KLH can’t anticipate. Five-way gold-plated binding posts handle connectivity on the back panel.

The visual side of the package is equally considered. KLH’s mid-century modern design language shows up in the knit grilles and wood-veneer cabinetry, available in English Walnut with a Stonewash Knit Grille, Black Ash with a Grey Knit Grille, and White Oak with a Black Knit Grille. The matte black riser stand ships with the speaker, keeping the total out-of-pocket cost honest from the start.

The Model Four arrives in September 2026 through premium audio dealers and directly from KLH Audio, priced at $999.99 per speaker, or $1,999.98 per pair, with a 10-year warranty and the riser stand already included. For anyone who has spent years making peace with bookshelf speakers because larger alternatives demanded a dedicated room, it’s the kind of offer that closes the argument.

The post KLH’s $1,000 Floorstanding Speaker Actually Fits in Your Apartment first appeared on Yanko Design.

Vertu AlphaFold starting at $6,880 makes the Galaxy Z Fold seem ultra-affordable

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When mainstream smartphone designs became too generic, the next evolution took the form of foldable phones. These devices, targeted towards power users who want the dual utility of a phone and a tablet in one, are quite popular and becoming mainstream, so much so that their look and feel have again come full circle and become boring. We do live in a pace-paced tech world where every next trend is longing for the next exciting evolution.

Making all the other foldables on the market feel boring and obsolete as far as design is concerned, the Vertu’s AI-powered folding smartphone is here for fat-pocketed tech whizzes who are willing to shell out anywhere between $6,880 to $46,880. For a price tag as exorbitant as that, the $3,000 Galaxy Z Trifold or the expected-to-be-pricey iPhone Fold also seems reasonable!

Designer: Vertu

The Hong Kong-based luxury premium smartphone maker has just dropped the Alphafold foldable, which is based on the reskinned Nubia Fold. If bling is your thing, the device goes perfectly well with your lavish lifestyle, even though it doesn’t boast the latest and greatest specifications, considering the eye-watering price tag. In the latter half of 2025, the brand released the AI-powered Agent Q phone, which was equally exorbitant, but this one hits different. The Android foldable comes with a business-oriented AI dubbed Hermes Agent that is tailored for completing productivity tasks thrown at it.

Things like managing workflows, schedules, and business tools, or simply identifying a sudden drop in sales attributed to hidden issues. Hermes can seamlessly interact with a suite of apps like Google’s tools, Amazon Shopping, Expedia, Booking.com, X, Facebook, WhatsApp, and many more. The agent works with the Enterprise Resource Planning (ERP) software, organizing all your business-related activities into a single dashboard.

Vertu’s custom UI on top of the Android 15 layer manages all this for a custom solution. Since you’ll be sharing a lot of personal and professional data with the in-built AI, Vertu promises the device-level security systems via the A5 security chip only process the data locally, and sensitive information like financial transfers or assigning roles still requires the user’s permissions in real time. The maker extends the concierge service beyond the AI agent, offering human managers to handle needs such as booking private jets or gaining access to exclusive events.

Coming on to the hardware, AlphaFold comes with a primary creaseless folding display measuring 8.05 inches (2480 x 2200 pixel resolution), and an external screen that measures 6.53 inches (2748 x 1172 pixel resolution). Both the screens are LTPO OLED’s with a refresh rate of 120Hz, and shielded on the sides with the carbon fiber and titanium hinge that can withstand 650,000 folds. Powering the innards is the Snapdragon 8 Elite Gen 4 processor; however, we wished it had the latest Elite Gen 5 SoC. The CPU is mated to 16GB RAM and has a fixed storage capacity of 1TB. The phone gets a rear triple camera array including a 50-MP primary sensor, a 50-MP ultrawide camera, and a 5-MP telephoto lens. In the mix is a modest 20 MP selfie camera. The device gets a 6,500mAh silicon-carbon battery, which can be fast charged with a 68W wired charger, and wireless charging support.

Talking point of the smartphone is the use of premium materials in the back panel that is handcrafted from Calfskin (priced $6,880), or Italian alligator belly leather (price tag of $8,880 – $13,800), depending on the color and variant chosen. You can also all-in with Himalaya Gold IV or diamond inserts that’ll set you back $46,880. Have that amount of money to spare on a phone without breaking a sweat? Then you can pre-order it right away, globally.

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