Tag Archives: Arts & Entertainment

Spotify expands its audiobook library via a deal with publisher Bloomsbury

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Spotify is expanding its audiobook selection thanks to a deal with publisher Bloomsbury, adding over 1,000 books from authors like Sarah J Maas, Alan Moore and Ann Patchett. The new titles are arriving just a day after Spotify introduced new tools for audiobooks, like playlists, visual accompaniments and a sleep timer. 

Some of the new audiobooks include fantasies for adults like Jonathan Strange & Mr. Norrell (Susanna Clarke), award winners including Cuddy by Benjamin Myers and kids adventure books like Katherine Rundell's Impossible Creatures. The new collection also includes non-fiction titles by historians like Peter Frankopan and Want, an anthology collected by Gillian Anderson. Narration will be performed by high-end talent like Meryl Streep, Emilia Clarke, Adjoa Andoh, and Jamie Lee Curtis. 

Spotify started offering audiobooks in the US a year ago, with Premium subscribers gaining access to 15 hours of content per month (that can be topped up with an additional 10 hours for $12.99). With the average audiobook being about 8-12 hours, subscribers to the $11 Premium tier will be able to listen to about a book per month. Spotify said today that it has paid "hundreds of millions of dollars to publishers on an annualized basis." 

Bloomsbury already offers its audiobooks on Amazon's Audible, with many of the titles mentioned above already available on that platform (Want, Cuddy and others). Depending on the audiobook, it may be cheaper to just buy it outright than topping up your Spotify account, if want to listen to multiple titles in a month. 

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/spotify-expands-its-audiobook-library-via-a-deal-with-publisher-bloomsbury-130100585.html?src=rss

Spotify drops a bunch of new tools for audiobooks, including a sleep timer

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The Spotify audiobook experience has been lacking when compared to rivals like Audible, but it looks like that’s beginning to change. The streaming platform just announced a bevy of updates for audiobook listeners and some are downright useful.

Perhaps the biggest one for me is the addition of a sleep timer. Audiobooks are great for lulling people to sleep, but it sucks when you sleep through a hundred pages and can’t remember where you left off. The built-in sleep timer lets users set how long the content will play. This sleep timer already exists for podcasts and music.

Spotify users can also now make audiobook-specific playlists, helping people keep track of what they want to read or, uh, listen to. The platform says this tool will “help you keep your library organized” and that playlists will “be a place for you to aggregate the audiobooks on your reading list.” In addition to traditional playlists, the streamer will publish curated playlists from the audiobook editorial team.

There are new Countdown Pages, which are splash pages for forthcoming audiobooks. These let people save a book prior to the release date, making it easy to find once it actually comes out. Spotify says this feature can be used by authors, publishers, and narrators” to “help promote their upcoming titles ahead of launch.”

An author page.
Spotify

Speaking of promotions, Spotify’s new Author Pages display biographical information on specific writers and will allow perusal of their entire catalogs. This is in a pilot program for now, with only a “select number of authors” having access to the tool. There’s also a new video player specifically for audiobooks, that lets "select authors and publishers submit a short video about a specific title.” The platform likens this to a book’s jacket, offering a “taste of an audiobook before pressing play.”

Finally, some audiobooks are getting a follow-along feature. This is described as an “immersive visual experience” akin to a music video that displays illustrations, photos and graphics as the audiobook is being read. Look for this in the “extras” section of eligible audiobooks.

Last year, Spotify began offering 15 hours of audiobook listening to Premium subscribers. There’s also a subscription specifically for audiobooks that costs $10 per month that provides 15 hours of listening. The Premium subscription, however, costs $12 per month and adds ad-free music to the mix. It’s good to know that humanity’s collective musical output is worth $2 per month.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/spotify-drops-a-bunch-of-new-tools-for-audiobooks-including-a-sleep-timer-173327861.html?src=rss

William Shatner’s Captain Kirk returns one last time in an eight-minute short film

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William Shatner, who once sparred with Engadget over Twitter’s verification policy, has finally reprised his most famous role. Captain Kirk is back in the short film 765874 - Unification. This eight-minute story is live now on YouTube and follows the events of Star Trek: Generations, which was the last time Shatner donned his Starfleet uniform.

The short was made by a graphics company called OTOY, along with Paramount and Shatner himself. It technically exists to honor the 30th anniversary of Generations, but it also acts as a proper send-off to the first Star Trek captain.

Now it’s time to get into spoiler territory, for those who haven’t seen a 30-year-old movie. Captain Kirk is dead. He died on an uninhabited planet after trying to stop Malcolm McDowell from unleashing an extra-dimensional time ribbon called the Nexus on an unwitting solar system of innocent folks. You know the drill. It’s Star Trek!

Anyways, the short follows Kirk after dying on that planet. Is it the after-life or maybe the residual effects of the Nexus? We don’t know. There’s no dialogue to help us along. Instead, a de-aged Kirk, sometimes played by Sam Witwer, wanders an otherworldly realm until he eventually finds an old friend. It’s surprisingly touching, particularly for die-hard Trek fans.

The emotional depth is enhanced by the soundtrack, which is helmed by veteran Star Trek composer and MCU director Michael Giacchino. I knew it was him in like five seconds. The music reminded me of Lost, which was another show scored by Giacchino.

Barring some new life extension technology, this is likely the last time we’ll see Shatner’s Kirk. The man is 93 years old. Paul Wesley has stepped into Shatner’s space boots to portray a younger version of the captain on Star Trek: Strange New Worlds. Despite his advanced age, Shatner did manage to go to space a few years back.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/youtube/william-shatners-captain-kirk-returns-one-last-time-in-an-eight-minute-short-film-180607202.html?src=rss

Day of the Devs livestream will showcase indie titles a day before the Game Awards

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On December 12, The Game Awards will reveal some of the biggest upcoming games and honor the industry's achievements yet again. The day before it's set to take place, however, a Day of the Devs event will put a spotlight on indie developers and titles in a livestream that fans everywhere can watch online. This Game Awards Edition showcase will feature quite a lengthy list of developer partners, including Heart Machine, which is best known for 2D action role-playing game Hyper Light Drifter and Solar Ash, a 3D platformer set against a neon-colored landscape. 

Panic, the developer behind Untitled Goose Game, will also participate in the event, along with Annapurna, a publisher whose games include What Remains of Edith Finch. There's also Riffraff Games that debuted its first title, Sleight of Hand, a "noir stealth sim" game about a former occult detective who must track down and defeat her former coven earlier this year. The event will showcase 19 indie titles in all and will feature seven world premieres, title reveals and release date announcements throughout. Indie games fans can watch it on the official Game Awards YouTube and Twitch channels on December 11, starting at 9AM PT/12PM ET. 

The Game Awards recently announced this year's nominees, with Final Fantasy 7 Rebirth and Astro Bot leading the pack with seven nominations each. Metaphor: ReFantazio, a fantasy Japanese RPG from the same team behind Persona 5, got six noms. Silent Hill 2 and the poker/roguelike game Balatro aren't far behind, each with five nominations. All of those games, aside from Silent Hill 2, are shortlisted for Game of the Year, along with Black Myth: Wukong and Elden Ring: Shadow of the Erdtree.

This article originally appeared on Engadget at https://www.engadget.com/gaming/day-of-the-devs-livestream-will-showcase-indie-titles-a-day-before-the-game-awards-170002009.html?src=rss

Star Wars: Visions Volume 3 is coming in 2025

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Yesterday, at the Disney APAC Content Showcase in Singapore, the company revealed Volume 3 of Star Wars: Visions. This anthology of nine short animations from nine separate anime studios is set to release next year. In keeping with tradition from prior volumes, each studio is allowed considerable creative freedom and will likely produce shorts with distinctive art styles that fans will recognize instantly.

Based on the Star Wars website’s blog post, we can immediately see four returning studios: Kamikaze Douga, Kinema citrus Co., Production I.G and TRIGGER. These studios are responsible for anime adaptations of JoJo’s Bizarre Adventure, Made in Abyss, Haikyu!! and Kill la Kill, respectively.

To improve the diversity of styles, Disney invited five new studios to create the remaining shorts. They are ANIMA (collaborating with Kamikaze Douga), David Production, Polygon Pictures, Project Studio Q and WIT Studio.

ANIMA is an animation studio specializing in 3D CG movies, and you may know it as the studio behind cutscenes from Xenoblade 3, certain Fire Emblem Heroes movies and Pokemon Unite. David Production animated Fire Force and Undead Unluck, among many other anime. Some Star Wars: The Clone Wars episodes and Tron: Uprising were Polygon Pictures’ work.

Project Studio Q is a less-known name, but it’s responsible for some 3D animation in DARLING in the FRANXX episodes. As for WIT Studio, it’s of Spy x Family and Attack on Titan (the first three seasons) fame.

With such a stacked roster of studios, Disney is sparing no expense on this anthology. The wait might be long, but Volumes 1 and 2 are still available on Disney+.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/star-wars-visions-volume-3-is-coming-in-2025-164557738.html?src=rss

Comcast is spinning out Rotten Tomatoes and cable networks into a separate company

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Comcast is spinning out Rotten Tomatoes, Fandango and a bunch of NBCUniversal (NBCU) cable networks into a separate company. That means USA Network, CNBC, MSNBC, Oxygen, E!, SYFY and Golf Channel will soon have a new home. Comcast is hanging onto other NBCU operations, namely NBC, Peacock, film and TV studios, Telemundo and theme parks. Bravo is also sticking around to help keep feeding Peacock’s ever-hungry reality TV maw.

Comcast says the new entity will be a “tax-free spin-off” and the step is "expected to be accretive to revenue growth at Comcast and approximately neutral to Comcast’s leverage position." In other words, it's to do with money — and perhaps laying the groundwork for further consolidation between major media companies. The spun-out properties pulled in around $7 billion between them over the last year or so, while their future parent will still have a partnership with NBCU. Comcast is aiming to complete the transition within the next year.

In its press release, Comcast calls the spin-off company "SpinCo," which is a placeholder and surely won't be the business' actual name. After all, having "SpinCo" as their parent company's moniker wouldn't exactly be great optics for CNBC and MSNBC journalists. 

This article originally appeared on Engadget at https://www.engadget.com/big-tech/comcast-is-spinning-out-rotten-tomatoes-and-cable-networks-into-a-separate-company-151153285.html?src=rss

The Morning After: DOJ wants Google to sell Chrome

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The Department of Justice is reportedly planning to make Google sell its Chrome browser to address its search monopoly. It’s in response to a 2020 lawsuit filed by the DOJ and several US states that was finally ruled upon in August. Google has, naturally, said such a sale would be a terrible idea and would harm American competitiveness in the tech industry. I’m more curious about how much inherent value Chrome has without the backing of its parent company.

— Dan Cooper

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News in Brief

Image of a proposed Minecraft Theme Park
Merlin Entertainments

The company behind Legoland is teaming up with Mojang to build Minecraft theme parks in the US and UK. Both locations will have interactive attractions based on the game, as well as rides, gift shops and restaurants designed to milk cash out of weary parents. The announcement came on the same day as the first full trailer for A Minecraft Movie, another sign of the game’s growing cultural dominance. Given I can’t move in my own home without hearing famous Minecraft YouTuber Aphmau screech-shouting at the top of her lungs, I can’t wait to grind my teeth into powder taking my kids to enjoy both.

Continue Reading (Theme Parks)

Continue Reading (Trailer)

Image of the PlayStation Portal held aloft.
Devindra Hardawar for Engadget

Someone at Sony has finally noticed the PlayStation Portal was shipped without its raison d’être: cloud streaming. The company is pushing a software update for users to test the feature with more than 120 PS5 Plus games. It only took them a whole damn year to get around to it.

Continue Reading.

Over the weekend, two undersea data cables in Europe were cut, with one German politician claiming sabotage. Defense Minister Boris Pistorius has gone public with his belief the two lines were deliberately cut, but admits he has no proof to support his claim. Both Germany and Finland, two of the countries affected, say a thorough investigation is in progress.

Continue Reading.

Sonos
Sonos

Sonos hasn’t had a great year, but one highlight has been the Arc Ultra soundbar, the first model to debut its Sound Motion technology. Now, I bet you’re wondering what that tech is and what it does, which is why Engadget’s audio expert Billy Steele has cooked up this guide. He’ll talk you through what it’s good for, why Sonos spent $100 million to own it and what it means for the future of your home audio.

Continue Reading.

Snippet from the cover art from Warcraft
Blizzard Entertainment

I’ve got fond memories of playing Warcraft II as a kid, with “They’re destroying our city!” a regular rallying cry in me and my friend Shane’s playground games. Engadget’s Igor Bonifacic has a similar love for the series and leapt in to play the recently released remaster. Sadly, it looks like Blizzard phoned this one in, prompting Igor to look a little closer at what’s going on.

Continue Reading.

This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-engadget-newsletter-121538152.html?src=rss

X adds Twitch to its advertising boycott lawsuit

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Twitch is now on the docket for X’s lawsuit against companies that stopped advertising on the social media site. X amended its lawsuit on Monday to include Twitch as a defendant in its lawsuit in a federal court in Wichita Falls, Texas, according to Reuters.

The new complaint claims that the gaming stream site owned by Amazon stopped purchasing ads on X at the end of 2022. X alleges that Twitch and other companies conspired with the World Federation of Advertisers (WFA) network’s Global Alliance for Responsible Media (GARM) initiative to withhold “billions of dollars in advertising revenue” from Elon Musk’s social media company. 

The plaintiff alleges the boycott violated federal antitrust laws and is demanding a jury trial to settle the matter. GARM also announced its discontinuation two days after X filed its lawsuit.

X Corp.’s joint lawsuit first filed in August also includes the WFA, the global food manufacturer Mars Incorporated, the drugstore chain CVS and the Danish energy company Ørsted A/S over the advertising boycott. X also has a lawsuit against the media watchdog group Media Matters for publishing a report showing X displayed ads next to antisemitic content on the platform.

This article originally appeared on Engadget at https://www.engadget.com/social-media/x-adds-twitch-to-its-advertising-boycott-lawsuit-215540775.html?src=rss

First trailer for A Minecraft Movie delivers on iconic in-game moments

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A Minecraft Movie has dropped its first full-length trailer today, expanding on the blocky world hinted at by the teaser released in September. While the game Minecraft gives players only the barest sense of direction, there will be a traditional story driving A Minecraft Movie.

Jack Black provides a voiceover about how his character, Minecraft mascot and stock avatar Steve, was drawn to the mines as a child and discovered the Overworld. He teams up with four other people, seemingly from the real world we know, to protect the Overworld from "dark forces" with their inventiveness and creativity. This all sounds like pretty standard fare for a video game movie — rag-tag group of misfits band together and learn the power of friendship. It's unclear whether their foes will be baddies from the Nether or the End, because while those can be a pain, they canonically don't seem interested in world domination.

But I'm not here for a clever, compelling plot. The trailer is a sizzle reel of familiar in-game experiences, and that's exactly what I want. Taming a wolf with a bone, making a chicken-roasting redstone machine and nighttime coming way faster than you want it to all get their due. The team certainly did their homework on that front. The art style they've chosen doesn't speak to me, but I'm also willing to admit to some bias after hundreds of hours spent looking at the original source material. I'm also not sure if they'll stick the landing on the humor and emotion or whether it'll fall flat like an elytra that's run out of juice. We'll find out when A Minecraft Movie releases on April 5, 2025.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/first-trailer-for-a-minecraft-movie-delivers-on-iconic-in-game-moments-210252851.html?src=rss

OpenAI will pay DotDash Meredith at least $16 million per year to license its content

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OpenAI is paying the digital media company Dotdash Meredith at least $16 million per year to license its content, according to public financial documents reviewed by Adweek. We already knew about this burgeoning partnership, but we didn’t have a financial figure. Now we do.

The actual payout could rise above $16 million per year, as it only reflects the “fixed” component of the payment. The “variable” component will be calculated in the future, according to a recent earnings call led by the chief operating and financial officer of Dotdash Meredith’s parent company IAC.

“If you look at Q3 of 2024, licensing revenue was up about $4.1 million year over year. The lion’s share of that would be driven by the OpenAI license,” CFO Chris Halpin said. “So that’s — on a quarterly basis — a good proxy for the revenue we’re recognizing. And then the variable components will be calculated and recognized in the future.”

Dotdash Meredith will license its content for OpenAI to train ChatGPT, but the publisher will also use the AI company’s models to boost its in-house ad-targeting tool. As part of this arrangement, ChatGPT will display content and links attributed to the various publications under the Dotdash Meredith umbrella.

These publications include stuff you likely already read, like Food & Wine, InStyle, Better Homes & Gardens, Lifewire and Investopedia, among others. Dotdash Meredith also owns and publishes the eco-conscious site Treehugger and we all know how great AI is for the environment. 

As a side note, I have written for multiple Dotdash Meredith publications throughout the years. Can a lowly copywriter get a taste of that $16 million please? Actually, never mind. Huge payouts are for overpaid executives and not for the people who actually make the thing that people click on. Silly me.

On the plus side, at least OpenAI is paying some companies to use content now. The entity has been sued by everyone from The New York Times to comedians like Sarah Silverman, all accusing it of using content without permission or any kind of payout.

Dotdash Meredith is just the latest publisher to offer its content to AI companies to help create our glorious shared future in which nobody makes anything except pithy messages on social media sites. The Financial Times entered into a similar arrangement with OpenAI. Book publisher HarperCollins is also getting in on the act.

This article originally appeared on Engadget at https://www.engadget.com/ai/openai-will-pay-dotdash-meredith-at-least-16-million-per-year-to-license-its-content-191756662.html?src=rss