Off-beat JLab Blue XL headphone speakers can be worn around the neck

Move over Boomboxes, TWS earbuds, and Clip-On headphones, as JLab has just revealed a bizarre audio accessory fit for the giants of planet earth. These are the Blue XL headphone speakers that overshadow any chunky pair of headphones with their large presence. So how would you put these huge pair of cans on your head, at least they would not even stick to my face even for a second?

Well, they are not meant to be sported as a normal pair of headphones, rather you wear them around the neck to function as a pair of Bluetooth speakers. However bizarre or cool they might look, implementing such an offbeat idea is a bold step. Having made their debut at the Birmingham Bowl, the oversized speakers are touted as the MVP of victory moments. JLab thinks these will have many takers for $99, but we believe only a few will fancy them wearing comfortably out in public.

Designer: JLab

These speaker headphones come with dual 2.5-inch drivers and passive radiators to beam 30 Watts of audio. According to JLab, the speakers can play immersive sound for almost 20 hours on a stretch. The 10W fast charging refills the battery in three hours flat, while a quick charge of 15 minutes will make them good to go for another couple of hours. Given the size of this audio accessory, it’s not surprising that it can play for such a long time, almost a day nonstop at full blast. Though listening to your playlist on the local commute on the Blue XL is going to raise some eyebrows.

If you’re not that bold enough to sport them around the neck, you can use them as normal desk speakers, as one earcup rests on the surface, and the other one sits on top of it vertically. Blue XL speaker headphones support SBC and ACC audio codecs, which should play seamlessly with most of the audio streaming services and offline media players. With the JLab Signature EQ settings, you can adjust the sound to your preference. The speaker headphones are going to be available in a limited number, and that’s not surprising.

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These Chairs Are Made From the Steel That Holds Up Buildings

There’s something beautifully rebellious about taking the skeleton of a building and turning it into something you’d actually want in your home. That’s exactly what designer Marquel Williams has done with his Beams collection, a furniture series that proves industrial components can have serious aesthetic game.

Williams built this entire collection around one specific element: the I-beam. You know, those steel supports that hold up skyscrapers and warehouses. The same component that was patented back in 1849 by Alphonse Halbou and has been refined over nearly two centuries to become the gold standard for structural efficiency. But instead of leaving these beams to do their usual heavy lifting in the background, Williams pulled them into the spotlight and transformed them into chairs, lamps, desks, and lounge seating.

Designer: Marquel Williams

The collection includes five distinct pieces, each one using the I-beam as its structural foundation alongside metal sheets and black leather upholstery. What makes this approach so compelling is how Williams managed to create such diverse pieces from a single standardized part. Each item has its own personality despite sharing the same DNA.

Take the Beam Chair, for instance. It’s monochromatic metal at its finest, with precisely angled I-beams and laser-cut aluminum sheets. The whole thing is treated with a waxed finish that balances rigid industrialism with actual functionality. Looking at it, you might think it would be uncomfortable with all that sharp geometry and metal, but there’s an intentional restraint in its design that makes it striking.

Then there’s the Chaise Longue, which takes an entirely different approach. While the chair feels rigid and precise, the chaise has this relaxed, almost delicate equilibrium going on. The leather upholstery softens the whole vibe, making it feel more approachable while still maintaining that industrial edge.

But the real showstopper might be the Floor Lamp. This piece gets technical in the best way possible, featuring adjustable height shades with a cantilever system. Here’s the kicker: the electrical cord isn’t hidden away like usual. Instead, it’s framed right inside the beam as a visible design detail. It’s that kind of thoughtful touch that shows Williams isn’t just using industrial materials for aesthetic novelty; he’s actually thinking about how to integrate every functional element into the design language.

Williams’s philosophy here is all about standardization and what you can do when you commit to a single industrial component as your foundation. The I-beam represents nearly 200 years of industrial production refinement, the absolute peak of standardized structural efficiency. By using it in unexpected ways, Williams subverts its typical purpose and transforms it into a vehicle for creativity and self-expression.

This approach isn’t entirely new in the design world. Italian designer Enzo Mari explored similar territory with his own I-beam experiments (called “putrella” in Italian), creating bowls and trays for dining tables by simply bending the extremities upward. Mari’s research into semi-finished products aimed to highlight the formal worth of industrial components and transform them into contemporary design icons. Williams is working in that same tradition but pushing it further by creating an entire cohesive furniture system.

The collection is handcrafted by Caliper in Spain and produced in very limited quantities, which makes sense given the level of craftsmanship required. These aren’t mass-produced pieces; each one requires careful fabrication and finishing to achieve that balance between industrial rawness and refined design.

What Williams has ultimately created is a collection that makes you rethink the materials around you. Those structural supports holding up buildings? They have untapped aesthetic potential. That standardized industrial component? It can be the basis for something truly unique. The Beams collection proves that creativity isn’t about reinventing the wheel; sometimes it’s about looking at the wheel differently and imagining what else it could become.

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Substack CEO informs users of a data breach

The digital publishing platform Substack has told some of its users that their data was stolen in a security breach. The affected account holders had their email addresses and phone numbers scraped in a hack that occurred in October 2025.

In an email posted on Bluesky, Substack CEO, Christ Best, said the company became aware of the breach on February 3, which involved an "unauthorized third party to access limited user data without permission." While internal metadata was also shared in the hack, Best said that credit card numbers and other financial details were not. No passwords were obtained either.

As well as apologizing to Substack users, the company’s CEO also said in the email that the security vulnerabilities have now been addressed. "We are conducting a full investigation, and are taking steps to improve our systems and processes to prevent this type of issue from happening in the future," he said. Best added that there is no evidence that any of the stolen data is being "misused," but advised the affected account holders to be wary of suspicious emails or text messages they may receive. 

The newsletter platform has not disclosed how many accounts were hacked, but Bleeping Computer reported that a database allegedly containing 697, 313 stolen data records from Substack was leaked on the hacking forum BreachForums.

This article originally appeared on Engadget at https://www.engadget.com/cybersecurity/substack-ceo-informs-users-of-a-data-breach-151113809.html?src=rss

Fallout 4 and Indiana Jones and the Great Circle get Switch 2 release dates

Todd Howard made a surprise appearance at the end of Thursday’s Nintendo Direct Partner Showcase to share updates about a few Bethesda Game Studios that are coming to Nintendo Switch 2 this year. The first of those is Fallout 4: Anniversary Edition, which will hit the console on February 24.

This version of Fallout 4 debuted on PC, Xbox and PlayStation in November. It includes the base game and all DLC, as well as Creation Club mods. It’ll land on Switch 2 just a few weeks after the second season of the Fallout TV show wrapped up. A Switch 2 version was previously announced, but we didn’t have a release date until now.

In a few months — on May 12, to be exact — you’ll be able to play the fantastic Indiana Jones and the Great Circle on your Switch 2 (a port of that game for Nintendo’s system was also announced last year). And then, later this year, The Elder Scrolls IV: Oblivion Remastered will arrive on the console. Let’s just hope Bethesda has properly optimized that for Switch 2.

Of course, these aren’t the first Bethesda games to land on Nintendo systems. The Elder Scrolls V: Skyrim has long been available for the Switch. A Switch 2 version arrived in December.

This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/fallout-4-and-indiana-jones-and-the-great-circle-get-switch-2-release-dates-150023624.html?src=rss

Apple Ring Could Redefine Apple Health

Apple Ring Could Redefine Apple Health

Apple is reportedly developing a new wearable device, the Apple Ring, which could redefine how you monitor your health and interact with technology. This smart ring is expected to focus heavily on health tracking while introducing innovative features that seamlessly integrate into Apple’s ecosystem. Designed as a lightweight and discreet alternative to smartwatches, the Apple […]

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A potential Starlink competitor just got FCC clearance to launch 4,000 satellites

Aspiring Starlink competitor Logos Space Services has secured FCC clearance to launch more than 4,000 broadband satellites into low Earth orbit by 2035, as reported by Space News. Under FCC regulations, the company must deploy half of the approved amount within the next seven years.

The company is headed by its founder, Milo Medin, a former project manager at NASA as well as a former vice president of wireless services at Google. The company has been raising money since it opened its doors in 2023 and reportedly hopes to deploy its first satellite by 2027. Logos’ planned low Earth orbit constellation would beam high-speed broadband internet to customers worldwide, including government and enterprise users, much like Starlink.

While the satellite broadband market is growing, Starlink remains the biggest player by far. The European Space Agency estimates there are just over 14,000 functioning satellites currently in orbit and we know that roughly 9,600 of them are a part of the Starlink constellation. The SpaceX subsidiary recently asked the FCC for clearance to launch a million satellites, though in reality, the FCC will likely trend closer to the 7,500 it approved on the last go-around. The ESA says it expects 100,000 satellites to be in orbit by 2030.

This article originally appeared on Engadget at https://www.engadget.com/science/space/a-potential-starlink-competitor-just-got-fcc-clearance-to-launch-4000-satellites-143905076.html?src=rss

How to watch the Opening Ceremony at the 2026 Milan Cortina Winter Olympics rebroadcast tonight

A general view of the Olympic Rings during the opening ceremony of the Milano Cortina 2026 Winter Olympic Games at the San Siro stadium in Milan, northern Italy, on February 6, 2026. (Photo by Gabriel BOUYS / AFP via Getty Images)
The Opening Ceremony for the 2026 Winter Games will re-air tonight on NBC. (Gabriel BOUYS / AFP via Getty Images)
GABRIEL BOUYS via Getty Images

The 2026 Milan Cortina Winter Olympics Opening Ceremony has concluded. The festivities featured performances from Mariah Carey and Andrea Bocelli, 3,000 athletes walking in the Parade of Nations, and not one but two Olympic cauldrons being lit. (One at Milan's Arco della Pace, since Milan is serving as the main hub for this year's Games, and the other in the Alpine city of Cortina d’Ampezzo, where events like skiing are taking place.) If you missed out on watching live, the Opening Ceremony will re-air in primetime tonight on NBC. Here's what you need to know. 

Date: Friday, Feb. 6

Time: primetime re-air from 8-11 PM ET

Location: San Siro Stadium, Milan

TV channels: NBC

Streaming: Peacock, DirecTV, NBC.com, and more

There will be two broadcasts of the 2026 Milan Cortina Winter Olympics Opening Ceremony this Friday. You can tune in live from 2PM - 5PM ET on Friday afternoon, or catch the encore broadcast from 8PM - 11PM ET that night. Both broadcasts will air on NBC, which is available with DirecTV, Hulu + Live TV, and more.

With a live TV streaming service subscription or cable package, you can also catch all of NBC and Peacock's Olympics coverage on NBC.com and via NBCOlympics.com or the NBC App, just by logging in with your provider.

You can watch the Opening Ceremony live or on-demand on Peacock. If you already subscribe to a live TV streaming service or cable package, you should also be able to catch all of Peacock's Olympics coverage on NBC.com, NBCOlympics.com and the NBC app.

Sportscaster Terry Gannon hosted coverage of the 2026 Winter Games Opening Ceremony. Former Olympic snowboarder Shaun White also made an appearance. NBC Olympics primetime host Mike Tirico also participated remotely from San Francisco, where he's pulling double duty covering the Olympics and prepping to call Super Bowl LX. 

Mariah Carey, iconic Italian tenor Andrea Bocelli, actress Sabrina Impacciatore (The Paper, The White Lotus) and pianist Lang Lang performed at the Opening Ceremony.

The 2026 Winter Olympics Opening Ceremony was held at Milan's San Siro Stadium, home to football clubs AC Milan and Inter Milan. The Opening Ceremony will actually be one of the final events held at San Siro Stadium, which is set to be demolished sometime after the Games end.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/how-to-watch-the-opening-ceremony-at-the-2026-milan-cortina-winter-olympics-rebroadcast-tonight-143529231.html?src=rss

When the Forest Sings Back: Human Perches in Quebec

Picture yourself standing on a small platform in the middle of a Quebec forest, balancing on what feels like an oversized bird perch. The moment your weight settles, something magical happens. A bird call rings out, blending seamlessly into an ethereal soundtrack that seems to rise from the forest itself. Welcome to Human Perches, the latest installation from Montreal design studio Daily tous les jours that’s making us rethink how we experience nature.

Located at Chouette à voir!, a bird of prey sanctuary in St-Jude, Quebec, this permanent installation transforms a 55-meter elevated boardwalk into an interactive musical journey through the seasons. Ten aluminum perching stations punctuate the path, each one waiting for a human visitor to activate its hidden soundscape. The design is brilliantly simple: step onto a green perch, and you become part of the forest’s symphony.

Designer: Daily tous les jours

What makes this project so captivating is how it flips our usual relationship with wildlife. We’re used to being the noisy intruders, the reason birds fall silent when we approach. Here, we become the activators of sound. When humans aren’t present, the artwork stays quiet, mirroring the behavior of the sanctuary’s winged residents. It’s a poetic reversal that makes you acutely aware of your presence in the ecosystem.

The experience unfolds like a sonic story as you move along the boardwalk. Each perch represents a different season, with soundscapes that capture winter’s vigilance, spring’s courtship, summer’s protection, and autumn’s migration. The genius lies in the layering. Juno Award-winning composer Keiko Devaux crafted an evolving dialogue between abstract base compositions and actual bird calls from local species. Sometimes the bird voices appear as themselves. Other times, they’re transformed into ethereal textures or rhythmic elements that pulse beneath the surface.

Daily tous les jours, led by co-founders Mouna Andraos and Melissa Mongiat, has spent fifteen years creating participatory urban experiences, from musical swings to interactive light installations. But Human Perches marks a shift in their practice. Instead of focusing purely on human-to-human connection, they’re exploring the delicate interfaces between species. It’s part of a broader investigation into how sound vibrations can stimulate growth and communication within ecosystems, a thread that runs through their concurrent Forest Mixer project on Hornby Island as well.

The physical design is minimal but thoughtful. The aluminum perches create a striking contrast against the organic textures of the red cedar and spruce boardwalk, highlighting the intentionality of human presence in wild spaces. Each station includes sensors that detect when someone steps up, triggering both a soft light and the corresponding bird call. The act of perching itself becomes meaningful. You’re balancing, aware of your body, suspended between the marsh below and the forest canopy above. It demands a different kind of attention than simply walking through.

There’s an educational dimension here too. The sanctuary is home to various bird species, including vulnerable ones, and the installation serves as both attraction and conservation tool. “Conservation efforts to preserve our precious wildlife also involve education and enchantment,” Andraos explains. The project received significant support from Quebec’s Ministry of Culture and Communications, reflecting recognition that these kinds of immersive cultural experiences can reach audiences in unexpected ways.

What resonates most about Human Perches is how it heightens awareness without being preachy. You’re not being lectured about biodiversity or habitat loss. Instead, you’re invited to listen differently, to tune into layers of sound you might have walked past before. After experiencing the installation, visitors report hearing the forest with new ears, imagining the hidden life thrumming all around them even after they’ve left the perches behind.

In our increasingly screen-saturated world, projects like this offer something rare: a reason to be fully present in a physical space, to engage your whole body in the act of listening. It’s technology in service of slowness, design that creates space for wonder rather than distraction. The forest has always been singing. Daily tous les jours just gave us a way to finally hear it.

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Yann LeCun Argues Robots Need World Models, Not More Datasets or Polished Demos

Yann LeCun Argues Robots Need World Models, Not More Datasets or Polished Demos

What if everything you thought you knew about robotics was just smoke and mirrors? TheAIGRID explains how Yann LeCun, one of the most influential voices in artificial intelligence, has sparked a fiery debate by calling out the robotics industry for its overreliance on polished demonstrations and brute-force data training. According to LeCun, many humanoid robots […]

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Capturing Every Heartbeat: Why the Xtra Muse is the Ultimate Valentine’s Day Companion

Capturing Every Heartbeat: Why the Xtra Muse is the Ultimate Valentine’s Day Companion

Valentine’s Day is more than just a date on the calendar; it is a celebration of connection, a day dedicated to the shared glances, spontaneous laughter, and the quiet, romantic moments that define a relationship. In an era where digital memories are our most cherished keepsakes, the tools we use to capture these moments matter. […]

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