Material Matters 2024: Shaping the Future of Design & Sustainability Through Materials Innovation

As part of the iconic London Design Festival, Material Matters 2024 promises to be a cornerstone for material enthusiasts, designers, and innovators. Set in the historic Bargehouse, Oxo Tower Wharf, from September 18-21, the fair will spotlight groundbreaking work across material disciplines, showcasing how innovative thinking can shape the future of sustainable design. This year’s lineup includes some of the most compelling projects and collaborations that fuse creativity with sustainability. Let’s take a closer look at five standout exhibitions that demonstrate the show’s thematic diversity and material brilliance.

1. Locally Grown: Harnessing Human Hair as a Material

In an unexpected and captivating twist, Studio Sanne Visser is showcasing Locally Grown, an installation that explores human hair as a regenerative material. Visser, known for pushing the boundaries of material design, has transformed what many consider waste into a valuable resource. Visitors can not only experience the journey from haircuts to yarn but can even contribute to the process by offering their own hair for transformation.

Hair spun into yarn, is showcased in products like ropes and even wearable garmets like hats, developed in collaboration with various designers. This project underscores the versatility of unconventional materials and opens up conversations around waste and resourcefulness. The exhibit is backed by the Dutch Embassy and reflects a strong commitment to material reuse​.

2. Suru: Blending Craftsmanship with Circular Innovation

Barcelona-based Suru is a standout in Room 12, bringing a fusion of local craftsmanship and a commitment to sustainable living. The brand’s philosophy is rooted in circular innovation, with a focus on integrating recycled and biodegradable materials into its modular furniture and lighting designs. At Material Matters 2024, Suru is launching new products, including the Carta Lamp 001, a portable light made from a single sheet of paper that can be disassembled easily for repair, embodying their lifecycle approach. They’re also showcasing established pieces like the Niu Armchair 001, crafted from ethically sourced, VOC-free beech wood and featuring a cushion made from recycled coconut shells and PET fabric. Each piece exemplifies Suru’s dedication to sustainability without compromising on style or functionality​​.

3. BIOTEXFUTURE: Revolutionizing Textiles Through Biotechnology

The future of textiles is bio-based, and nowhere is this more evident than in Fibre Futures, an exhibition led by BIOTEXFUTURE in collaboration with Adidas and RWTH Aachen University. This installation delves into innovations in bio-manufacturing and alternative resource streams, with a focus on high-performance textiles that could revolutionize the fashion and sportswear industries. The combination of scientific research and cutting-edge design makes this one of the more technical but no less intriguing exhibits​.

This exhibit offers visitors a look into how biotechnology is shaping the next generation of materials, proving that high-performance doesn’t have to come at the expense of sustainability. Expect alternative fibers and spinning techniques that push the boundaries of what textiles can do.

4. Rootfull: Nature’s Hidden Potential

Rootfull, an innovative project turning to nature’s unseen power, focuses on creating sustainable designs using tree roots. This unique approach explores the raw beauty and versatility of roots in product design. At Material Matters 2024, Rootfull showcases a range of lamps crafted from roots, highlighting their natural durability and the aesthetic appeal of light leaking through the fibrous network of roots. By using a material that’s typically overlooked or discarded, Rootfull not only opens up new possibilities for biomaterials but also taps into the innate connection between nature and design, offering a fresh perspective on how we can reimagine organic waste as functional, beautiful art.

5. Mushlume Lighting: Lighting the Way with Mycelium

Continuing the biomaterials theme, Mushlume Lighting by Danielle Trofe uses mycelium—the root structure of mushrooms—to create an eco-friendly line of lighting. Each piece is biofabricated, grown rather than made, illustrating the potential of mycelium as a scalable, renewable material. Trofe’s work is an outstanding example of how fungi can move beyond the realm of the kitchen and into the living room, lighting up spaces with minimal environmental impact​.

6. Peel Fabric Lamp: Illuminating Waste with Alkesh Parmar

Designer and researcher Alkesh Parmar has long been known for his innovative use of materials often regarded as waste, particularly citrus peel. At Material Matters 2024, Parmar showcases his Peel Fabric Lamp, an extraordinary piece crafted from orange peel, a material that behaves much like leather when treated. Parmar’s practice of blending craft and critical design questions the impact of globalization and champions local, sustainable materials. His unique approach not only transforms everyday waste into functional art but also pushes the boundaries of material innovation. The Peel Fabric Lamp exemplifies his belief in the potential of overlooked resources, offering a striking visual reminder of how waste can be reimagined into objects of beauty and practicality.


Material Matters 2024 offers a breathtaking view of the future, where materials are no longer just functional but integral to the conversation on sustainability and innovation. Whether it’s furniture crafted from orange peel, lighting grown from mushrooms, or yarn spun from human hair, the exhibits at this year’s fair challenge us to rethink our relationships with the materials that surround us. With each installation, visitors are reminded that the future of design doesn’t just lie in creating new products, but in reimagining the materials that shape them.

Expect the unexpected at Material Matters 2024—and don’t be surprised if you leave with a new appreciation for the chair you sit on or the light that illuminates your room.

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Juicy Booth lets you have a cathartic, multi-sensory confessional session

One of the hardest emotions for people to deal with is shame. We are afraid to admit it, confront it, and figure out a way to live with it. The healthiest way would be to talk to someone especially professionals. But if you’re not yet ready to take that step and you’re in London until December, there’s a pretty interesting art installation that may help you have a cathartic experience with your secret shame.

Designer: Annie Frost Nicholson

The Juicy Booth is an installation at the Coal Drops Yard as part of London Design Week which lets people have a 10-minute multi-media confessional session. Created in collaboration with K67 Berlin (a company that restores historical K67 booths) and The Loss Project (a social enterprise that creates spaces for communities to deal with grief and loss), artist Annie Frost Nicholson wanted to have a space for people to release their shame and have a quick healing session through colour, light, and music.

When you enter the booth, a refurbished K67 booth, you’ll see a retro 80’s keyboard where you can type out the thing that you’re currently ashamed of. Your confession will be spelled out on an LED monitor for your eyes only of course (unless you brought someone in with you there). Based on what particular emotion you’re dealing with, the system maps it out with their “carefully conceived colour spectrum”. You then get a light and sound show that will hopefully take you on a cathartic journey.

The whole experience will take you just 10 minutes but hopefully that is enough to start you on a journey to healing. You will also get to scan and access additional resources that can support you after your Juicy Booth session. The installation will be there until December 9 so if you have the chance to visit it and have a mini-confessional session, go ahead and do it.

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BLOND LABORATORY at London Design Festival 2024 revives old designs in unexpected ways

There are plenty of wise sayings about how the past guides our future, and nowhere is that perhaps more evident than in the design and fashion industries. “Retro” might seem like a passing fad, but this isn’t the first time that the design pendulum has swung back to the past for inspiration. This homage to the designs of our predecessors may be the guiding spirit behind famed London-based design studio BLOND’s ARTEFACT initiative, taking objects that are no longer in production or even in use and reimagining them in a completely different light. At the London Design Festival this week, the BLOND LABORATORY challenged a stellar roster of international designers and studios with this quest, and here are the responses that give these “offline” products a new kind of life in this modern world.

Designer: BLOND

From Us With Love: Mallet Flashlight

Opening wine bottles today is as easy as turning a cap, but true connoisseurs still prefer the classic cork that is just as difficult to remove as in the old days. Of course, we have it easy today as well with more modern tools, but the traditional corkscrew and its menacing metal spiral has always been the weapon of choice for that task. Even older designs used a single bent rod of metal, which is probably not as comfortable to use as those with wooden or even plastic handles.

Designer: From Us with Love

Turning something crude into an art object is the feat that From Us With Love accomplished. Taking a single rod of metal, flattening its top, and cutting out a hole in the middle resulted in a simple yet functional bottle opener. It embraces the functional minimalism of the old-school corkscrew and imbibed with the elegance of modern tools, a true retro design if there ever was one.

Hirotaka Tako: Marking Gauge Ikebana Lamp

We enjoy a lot of convenient tools today that make it trivial to do things like measuring pieces of wood. In the old days before measuring tapes and meters, however, people had to make use of rather complicated tools that involved a wooden rod sliding inside a a block. This measuring gauge, though crude, created a rather interesting form that was not that different from a piece of art, which is exactly what inspired this rather geometric lamp design.

Designer: Hirotaka Tako

Taking inspiration from both this outdated tool as well as a Japanese art of floral arrangement, Hirotaka Tako designed a table lamp that similarly used the concept of inserting a long thin stick into something bigger. He likened the wooden rods to a flower stem inside a vase, exactly like an Ikebana arrangement. The result is a table lamp that is both functional and artistic, inspired by a tool that was anything but.

James Melia: Timber Basket Pendant Lamp

We take for granted the materials used to create modern products these days, not to mention the methods for making them. Today, we have machines that can print almost any shape imaginable, but past generations had to do things by hand, using stubborn and difficult materials. The rope patterns used to keep a timber basket together, for example, offered not only structural stability but also an interesting visual, one that can add a bit of a flair to an otherwise normal object.

Designer: James Melia

James Melia takes a hanging lamp’s power cord and stitches it along the length of its shade, creating a row of diagonal stripes that turns a plain lamp into an art object. That same cord is used to actually hang the lamp from a ceiling, reducing the number of parts involved in designing the lamp and creating a simpler and more sustainable design.

John Tree and Neal Feay: Tea Ladle Turntable

The Japanese are famed for their minimalist tools which are an art form in their own right. A simple scoop for tea powder, for example, takes the form of a bamboo ladle with a distinct charm. Though today’s tea lovers will probably use different tools, this traditional object still remains a staple in Japanese culture today as well as practices that recreate it. To some extent, it’s almost like the venerable turntable that has seen a renaissance and is getting some use even today.

Designer: John Tree x Neal Feay

This optical turntable takes that delicate-looking bamboo tea ladle and transforms it into a turntable arm that preserves that spirit of gentleness. Rather than using a sharp pin to read the grooves of the platter, it uses light to avoid any physical contact and help preserve the vinyl material. It’s a gentle and delicate spin on a classic retro design, no pun intended.

Jon Marshall: Whisk Candelabra

Today’s whisks are light, compact, and handy tools that use a few loops of bendable wire or plastic, a design that’s so far removed from the coiling iron wires of much older versions of the kitchen tool. Looking more like springs or even weapons, this antique whisk form isn’t very efficient at what it’s meant to do, but it admittedly looks novel and interesting to our modern eyes.

Designer: Jon Marshall

It might not make scrambled eggs, but this candelabra will definitely bring a bit of delight to your dinner table. The spiraling form of the base and the tight coils of the candle holder make for an interesting visual, but it’s when the candles are lit and the shadows dance that this rather luxurious-looking light fixture truly comes alive.

Julie Richoz: Balance Bird Balancing Lighter

Kids tend to find science and math lessons boring until they encounter puzzles and feats that really blow their minds. Something as simple as a perfectly balanced eagle held up only by its beak is sure to pique curiosity, even those of adults. This ingeniously disguised pendulum is not an uncommon toy or desk ornament, but the same principles can be used to the same effect for other objects, including more utilitarian ones.

Designer: Julie Richoz

A lighter standing only one of its corners is definitely going to make you the talk of the party, and it provides not only an entertaining piece of decoration but also practical use. It will be easy to see if the lighter is missing from its base, and people who use it will be more likely to put it back on its perch just to marvel at its balancing act. It’s a very simple twist to a simple object but one that has a nontrivial effect on those who see it, all thanks to some inspiration from old objects we have taken for granted.

Maddalena Casadei: Mallet Flashlight

Most of us who have done any sort of handiwork may have used a hammer at one point in time or another. There are different kinds of hammers, of course, and one such type is the mallet. Often made with a heavy head to pound things flat, some old-school mallets would reverse the typical hammer design and use a steel rod handle with a wooden block for the head.

Designer: Maddalena Casadei

Maddalena Casadei took that raw-looking industrial metal handle to turn it into a cylindrical flashlight with similarly brutalist aesthetics. Instead of the wooden head, it has a small removable cone that serves as a diffuser for the light. On the opposite end is a flattened section with a hook that serves the same purpose as the hammer from decades ago: hanging the tool from walls or rods. It’s a rather interesting depiction of a flashlight that sheds off all the sleek and luxurious designs of its modern equivalents, embracing the utilitarian character of its inspiration.

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Exploring The Best Of London Design Festival 2024: Top 5 Exhibits You Can’t Miss

This year we got a chance to experience the London Design Festival! Currently, in its 22nd edition, the festival takes place on 14-22 September in London. It celebrates London as a design capital of the world while presenting a series of exhibitions and installations that explore design through different mediums such as light, materials, sounds, and more. Designers and creators from around the world showcased dynamic and fluid installations such as ‘Light in Motion’, where light was explored, or the Materials Matter fair where the importance of materials, and how they impact us was focused upon. We’ve picked out the Top 5 installations and designs from the London Design Festival that we loved experiencing. We hope you love them too!

1. Light In Motion by Acrylicize

This stunning inaugural exhibition by Acrylicize is called ‘Light in Motion’ and it is running at the London Design Festival this year. It celebrates the fluid and dynamic interplay of light and form, diving deep into its bond with space, time, and movement. Twelve artists, designers, and engineers showcased their work, manipulating light to adopt a sculptural form, allowing it to move across walls and rejuvenate spaces. The displayed works are an effort to bring focus on the quality of light, and how it can be moved and perceived. “Each practitioner has approached light and motion from a unique perspective and with a different relationship to time. Yet there is a sense of continuity between the works,” said the curators.

The installation ‘10,000 Tiny Suns’ by Generative Optics experiments with light as a medium and subject. It includes an intricate and impressive assembly of compound lenses, interconnected through a fibrous framework, which ushers and manipulates the path of light. It is made using advanced 3D-printed lenses, caustics, and algorithms. Designed by Relative Distance, a London-based studio, Phase is a long-form timepiece that showcases the details of the moon’s surface, via an artful use of light and glass. The surreal installation replicates natural moonlight, forming a unique and immersive experience.

2. Design You Can Feel by ASUS

ASUS’s Design You Can Feel Exhibition is open to the public till 22nd September, and it is one to check out. Centered around the material ‘Ceraluminim’, which was used by ASUS to develop its Zenbook laptops, the exhibit explores not only this material but also intricate topics such as craftsmanship and artificial intelligence. Ceralumin boasts a light and durable tactility, merging the qualities of both aluminum and ceramics, making it a one-of-a-kind material with a surreal nature-inspired aesthetic. Six product and industrial design studios were selected to express the various qualities of Ceralumin through furniture, lighting, and installation design.

British designer Giles Miller built a stunning floor-to-ceiling sensory installation comprising 1800 pieces. Thick timber petals were positioned astonishingly and artfully, allowing them to rotate, and resulting in seamless rhythmic patterns. South Korean design studio Niceworkshop created the Aluminum Formwork (AL-FORM) series – a collection of solid seating and tables built from old skyscraper formwork. The collection’s lounge chair was ceramized by ASUS, making it one of the first products to feature Ceralumin, besides the Zenbook laptops.

3. SPECTRUM by 2LG Studio

Jordan Cluroe and Russell Whitehead teamed up to form the 2LG studio, and this year they’re completing 10 years of collaboration. To celebrate their years of creation and innovation together, they partnered up with the London-based hotel Hart Shoreditch to present the immersive exhibition ‘SPECTRUM’. Through Spectrum they are creating a sensory journey within the hotel, setting up a series of vibrant and colorful interventions. They are “exploring human and personal connections to color, evoking memories and inviting conversations.”

The hotel is based on a theme of ‘joyful minimalism’, and various products have been reimagined intriguingly and colorfully. The creations include a reincarnation of a rug by Floor Story in the form of a large-scale moiré using AI filters in a rainbow spectrum. Other pieces involve an eight-minute soundscape written with the composer Quentin LaChapele and a wraparound video piece by digital artist Lucy Hardcastle.

4. Material Matters

50 acclaimed brands, designers, makers, and organizations have contributed to creating the Material Matters fair on the iconic Bargehouse, Oxo Tower Wharf on London’s Southbank. The fair attempts to celebrate the significance of materials, and the myriad ways in which they shape and affect our lives. It includes five floors flooded with products, installations, curated exhibitor spaces, and an extensive talks program too. It dwells deeply into how the design world can address problems regarding the circular economy, and how material intelligence makes a difference to our lives.

The FIBER FUTURES exhibition showcases eight different approaches to alternative resource streams, innovative spinning techniques, and bio-manufacturing, as well as opening up new pathways for real change. It is led by Adidas AG and RWTH Aachen University. The Locally Grown installation is an interactive one, and it explores hair as a new material, highlighting its great potential. Led by Studio Sanne Visser, this project focuses on the development of human hair as a super-scale regenerative material.

5. Pavilions of Wonder by Nina Tolstrup

Nina Tolstrup designed and set up three immersive pavilions on the Strand as a part of the London Design Festival. The impressive structures are inspired by Barbie Dreamhouses and Palm Springs’ mid-century modern architecture. She teamed up with Barbie creators Mattel and the tourism agency Visit Greater Palm Springs to bring the installation to life. Named the Pavilions of Wonder, the pavilions are a tribute to the whimsical and vibrant design of Barbie’s Dreamhouse, while nudging at the desert modernism of Palm Spring’s architectural style.

The Playful Pauses Pavilion is inspired by the Palm Springs City Hall and Tramway Gas Station. The gas station was taken as a source of inspiration for previous Barbie Dreamhouses as well. It features a simple metal grid, and a pointed roof, accentuated by kaleidoscopic circles which have been crafted from painted drainage tubes. The Design Stories Pavilion is made from CNC-cut plywood connected by a metal scaffold grid system that can be disassembled when needed. The structure merges the design philosophy of straight swimming pools with the geometric signage typically seen in Palm Springs.

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Meticulously-textured Moon Lamp Brings The Charm Of The Lunar Rock Into Your Home


We may not consciously notice but a lot of our time slips away as we mindlessly scroll through our phones, and the Phase lamp from a London-based studio Relative Distance offers a refreshing antidote to the distractions of modern life. Designed to mirror the moon’s real-time orbit around Earth, this ethereal piece of functional art creates a profound connection with our celestial neighbor.

Designer:  Relative Distance

Phase is no ordinary lamp. It’s the result of four years of meticulous design and engineering, capturing the moon’s timeless essence. From the moment the light crosses the glass, it reveals intricate details of the lunar landscape, offering a delicate and almost hypnotic experience. The lamp’s co-founder Roland Ellis notes that Phase allows us to “have a relationship with something that is a monumental part of our existence,” evoking a sense of calm and a deeper awareness of time and space.

The journey of creating Phase began with a stunning image released by NASA in 2014, which mosaics 15,000 wide-angle photographs of the moon’s surface. This image is meticulously applied to smoked glass, framed by a case made from a mineral composite, reminiscent of materials that could one day be used to build on the moon itself. The slim form and minimalist design of the lamp reflect Relative Distance’s philosophy of maximizing impact through a simple, almost magical object.

Phase’s interface is as simple as it is functional. Users can set the date, time, and brightness with just three buttons. It offers three different modes: a full synchronization with the lunar cycle, a fully illuminated moon, or a short animation showcasing the moon’s phases. There’s no need for apps or Wi-Fi, reinforcing the idea of disconnecting from the digital world and reconnecting with nature’s rhythms.

One of the most captivating aspects of the lamp is its attention to detail. The lamp’s caseback is crafted in two tones, Ilmenite and Feldspar, inspired by the minerals found on the moon’s surface. These materials, combined with the innovative lighting and diffusion technology, make Phase an object of both scientific and artistic significance.

What sets Phase apart from typical lighting is its ability to capture the true essence of moonlight. The quality of the light is soft and diffuse, creating a natural, calming glow that stands in stark contrast to the harshness of phone and computer screens. The highly controlled optics and fading technology evoke the subtle gradients of the moon’s light, drawing the viewer into an intimate experience with this celestial body.

The experience of living with Phase is unlike any other. It prompts us to slow down, become more aware of our surroundings, and reflect on the passage of time. The lamp’s slender form and immersive lighting create an almost surreal suspension of disbelief, allowing us to experience the moon as if it were within reach.

Set to debut at the London Design Festival on September 14th, Phase stands as an icon of contemporary design, innovation, and space exploration. Each lamp is handmade to order in Relative Distance’s London studio, with diameters available in 60cm and 120cm, making it a stunning centerpiece in any space.

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