Tag Archives: Events

When Loss Becomes Something You Can Touch

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There’s a particular kind of quiet that settles after a wildfire. Not peaceful, not comfortable, just a heavy stillness where something used to be. In January 2025, the Eaton Fire burned through Altadena in the foothills of Los Angeles for twenty-five days, taking nineteen lives and destroying more than 9,000 structures. It became the second most destructive wildfire in California history, leaving behind charred earth and the skeletal remains of trees that once shaded neighborhoods and backyards.

A year later, at Marta gallery in Los Angeles, 22 local artists and designers are doing something quietly radical with what’s left. The exhibition “From the Upper Valley in the Foothills” transforms salvaged wood from those burned Altadena trees into chairs, stools, benches, bowls, and other functional objects. Curated by sculptor Vince Skelly with material support from Angel City Lumber, the show runs through January 31st and offers a different kind of memorial.

Designer: Vince Skelly (curator)

This isn’t your typical tribute. There are no plaques, no somber photographs, no distance between you and the disaster. Instead, you’re invited to sit on it, hold it, contemplate it. The wood itself, sourced from species like Aleppo pine, cedar, coastal live oak, and shamel ash, carries visible traces of fire damage, smoke marks, and irregular grain patterns. Each piece holds a kind of double existence: both the tree it was and the home it might have shaded.

Skelly wanted the exhibition to feel like a true community response, so he focused on local designers and artists who each had their own experiences with the fires. The resulting collection is remarkably varied. Some pieces lean sculptural and contemplative, others embrace pure functionality. There’s Doug McCollough’s decorative bowl, Tristan Louis Marsh’s floral stool, and Base 10’s Watari bench, each handling the material’s history differently.

What makes this work compelling is the tension between destruction and creation. Angel City Lumber, a local mill that sources downed trees for community projects, collected the wood cleared from Altadena after the fire. By transforming debris into design objects, the exhibition reframes devastation not as an ending but as an uncomfortable, complicated beginning. The burned wood becomes a vessel for memory, loss, and whatever regeneration might look like.

Function here isn’t just practical. It’s conceptual. These chairs and benches aren’t simply places to rest, they’re propositions about how devastated spaces might once again support everyday life. The act of sitting on a stool made from fire-damaged oak becomes a small gesture of reclamation, a way of saying that what was lost can still hold weight, still serve a purpose, still matter.

The exhibition also raises quieter questions about the role of artists and designers during climate instability. Is it enough to make beautiful objects from catastrophe? Does craft honor the loss or aestheticize it? The show doesn’t offer easy answers, but it does suggest that making something useful from what remains is its own kind of resistance. There’s dignity in refusing to let devastation be the final word.

Marta’s presentation feels particularly resonant because it acknowledges that these objects are meant to be touched and experienced, just like the forests they come from. In an era when wildfires are becoming annual events and California’s landscape is increasingly defined by cycles of burning and rebuilding, this direct engagement feels necessary. The wood doesn’t let you forget what happened, but it also doesn’t let you look away.

What stays with you after visiting “From the Upper Valley in the Foothills” isn’t any single piece but the cumulative effect of seeing 22 different responses to the same material. Each designer grappled with the same scarred wood and found their own way through it. Some leaned into the damage, others smoothed it away. Some made monuments, others made chairs. Together, they create a portrait of a community trying to process an event that reshaped not just the landscape but the psyche of an entire city.

The exhibition is both memorial and workshop, grief and pragmatism sitting side by side. It suggests that sometimes the best way to honor what’s lost is to build something from the wreckage, to take what the fire left behind and give it a second life. Not as a replacement for what was, but as a reminder that even in the aftermath, there’s still wood to work with, still hands to shape it, still a future that needs furniture.

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Satechi’s Thunderbolt 5 CubeDock Is A Minimalist Dock With Maximum Bandwidth

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Satechi’s Thunderbolt 5 CubeDock with SSD Enclosure is built to look as sophisticated as the devices it serves. The compact 5 x 5 x 2-inch footprint mirrors the proportions of Apple’s Mac mini, so the two stack neatly into a clean, monolithic tower on your desk rather than a cluttered pile of hardware. The solid aluminum body and soft, rounded corners pick up Apple’s visual language in a way that feels intentional, making the CubeDock read like an extension of a modern Mac setup instead of an aftermarket add‑on.

Designer: Satechi

That design focus does not mean the dock is only for Mac users, though. Satechi is positioning the CubeDock as a cross‑platform, Thunderbolt 5‑first hub for creative professionals and power users on both Windows and macOS. Built on Intel’s Thunderbolt 5 technology, it doubles the bandwidth of previous generations, delivering 80 Gbps of bi‑directional bandwidth and up to 120 Gbps with Bandwidth Boost for external graphics and multi‑display configurations. On supported Windows machines, it can drive triple 8K displays at 60 Hz or triple 4K panels at 144 Hz, while on newer Apple silicon systems, it supports dual 6K at 60 Hz, all from a single cable.

The CubeDock’s compact size hides a serious amount of connectivity. It boasts Thunderbolt 5 downstream ports, multiple 10 Gbps USB‑C and USB‑A ports, UHS‑II SD and microSD card readers, and 2.5 Gb Ethernet. For photographers, filmmakers, and 3D artists, that means fast card ingestion, wired networking, and external drives all plug into one cube that visually recedes into the background. A 180 W smart power supply delivers up to 140 W back to the host laptop, plus 30 W of Power Delivery for phones and tablets, so the dock can replace multiple separate chargers on the desktop.

One of the most thoughtful touches is the integrated NVMe SSD bay. Instead of forcing users to add yet another external enclosure, Satechi has built a PCIe 4×4 slot into the CubeDock itself, supporting up to 8 TB of storage at speeds up to 6000 MB per second. That turns the dock into both a visual anchor and a primary working drive, ideal for 4K and 8K video, large RAW photo libraries, or CAD files. Adaptive active cooling keeps the cube whisper‑quiet even under heavy workloads, maintaining performance without adding fan noise to your workspace. For anyone building a refined, minimal workstation around a Mac mini or modern laptop, yet wanting the flexibility to move between platforms, the CubeDock offers a rare combination of industrial design, raw bandwidth, and integrated storage in one small aluminum cube.

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Codeebots Brings Physical Coding Blocks from the Classroom to the Maker’s Bench

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Code education has a reputation problem. For a lot of kids, it means more screen time, more syntax errors, and more worksheets that feel nothing like the robots they care about. For many adults, it is too many tools, too much boilerplate, and not enough time to get from idea to working prototype. Codee, from Codeebots, tries to redraw that picture by turning code into something you pick up, snap together, and watch come alive, whether you are six or sixty.

At the heart is a set of magnetic tiles that behave like physical lines of code. Each tile carries a clear label and icon, MOTOR POWER, MOTOR SPEED, LIGHT COLOR, LIGHT BRIGHTNESS, SOUND VOLUME, or PLAY MUSIC, along with small number wheels for setting values. You lay them out on a table in order, snapping them together so the arrows line up. Instead of typing IF, LOOP, or DELAY, you drop in tiles that embody those concepts.

Designer: Codee

For younger learners, that shift is huge. Kids from about four to twelve can create code with their own hands, without staring at a tablet. The base unit sends power and data through the snapped‑on tiles, and LEDs under the surface trace the program’s flow. When something goes wrong, the light trail stops at the problem block, making debugging as simple as seeing where the chain breaks, tangible logic training that feels closer to building with bricks.

There is also an AI layer behind the scenes. Codee talks about GPT tutors that act as a personal guide, explaining what a block does, suggesting what to try next, and celebrating small wins. For a child working through their first conditional or loop, that means there is always a patient voice ready to rephrase or nudge. For parents and teachers, it lowers the barrier to running robotics sessions without being a programmer.

The same hardware becomes different in adult hands. On the Codee for Adults side, the language shifts from classrooms to workshops. The tiles drive 3D‑printed prototypes, finalize complex LEGO builds, or wire up smart lights and sensors. Instead of opening an IDE, you sketch behavior on the table, using the MOTOR, LIGHT, and SENSOR blocks. An AI pair programmer, again powered by ChatGPT, suggests improvements, helps debug, and translates that physical logic into traditional code when needed.

This makes Codee feel like a bridge between toy‑like kits and serious prototyping platforms. A weekend project can start with a handful of tiles and a motor, then grow into a more complex robot with distance sensors, displays, and multiple outputs, without abandoning the snap‑together language. Because the system is LEGO compatible and offers expandable robotics IO, it slots into existing maker habits rather than demanding a clean slate.

For budding makers and veterans alike, the appeal is in that continuity. Codee is not just another coding toy for kids or another dev board for adults. It is a physical grammar for behavior that scales from first experiments to surprisingly capable machines, with AI acting as a gentle translator between intuition and implementation. It is a reminder that sometimes the best interface for code is still the table.

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AtomForm Palette 300 3D Prints in 36 Colors With 12 Dedicated Nozzles

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Desktop 3D printing has always promised “anything you can imagine,” but in practice, that usually means single-color PLA, lots of tinkering, and a trash bin full of purge towers. The gap between colorful renders and what actually comes out of most desktop printers has been wide enough to make many designers quietly give up on FFF for anything beyond simple prototypes. AtomForm’s Palette 300 shows up at CES 2026, trying to close that gap.

AtomForm Palette 300 is a 12-nozzle, enclosed 3D printer built to combine up to 36 colors and 12 materials in a single print. It uses a rotating OmniElement automatic nozzle-swapping system, where each nozzle stays dedicated to one filament. AtomForm claims that the approach cuts filament waste by up to 90% by avoiding constant purging, while still hitting 800 mm/s print speeds and 25,000 mm/s² acceleration in a 300 × 300 × 300 mm enclosed cube.

Designer: AtomForm

Most multi-material printers either swap entire toolheads or force a single nozzle to purge every time you change color, which costs time and plastic. The Palette 300’s turret of 12 filament-dedicated nozzles can jump from one to another without constant reloading, so complex color and material changes do not feel like a penalty. That means a product prototype can have brand-accurate colors and soft-touch grips in one pass.

The 350°C hotend and 300mm cube volume give headroom for engineering filaments and larger pieces, not just small decorative figures. A prototype sneaker with flexible soles and rigid eyelets, or an architectural mock-up that mixes translucent windows with textured facades, can happen in one job instead of several glued-together prints. That kind of integration changes how much iteration fits into a day and how confident you can be that parts will actually fit together.

Reliability is where the AI and sensing layer come in. The Palette 300 uses more than 50 sensors and four AI-powered cameras to watch the print in real time. Those systems automatically calibrate nozzle alignment across all 12 extruders and look for defects before a long job is ruined. For complex, multi-hour prints, that is the difference between trusting the machine to finish and spending the afternoon hovering nearby.

The studio-friendly details matter just as much. The fully enclosed design, ≤48 dB noise rating, and built-in air filtration make it plausible to run the Palette 300 in a shared office or classroom instead of a back room. It can connect to up to six RFD-6 filament boxes that keep 36 spools dry and ready, so a full color and material library can stay loaded instead of living in cardboard boxes.

AtomForm Palette 300 is an attempt to move multi-color FFF from novelty into something designers can rely on. It is a first-generation machine from a new brand, so long-term reliability and software polish still have to be proven. But the combination of 12-nozzle hardware, AI-assisted oversight, and a thought-through filament ecosystem makes it one of the more interesting 3D printers to come out of CES 2026, especially for people tired of choosing between detail, color, material diversity, or speed.

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DuRoBo Krono Brings an AI-Powered Pocket ePaper Focus Hub to the US

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Trying to read or think on a phone never quite works. Notifications interrupt articles halfway through, feeds wait one swipe away from whatever you were concentrating on, and even long reads become just another tab competing for attention. E‑readers tried to solve this, but most stopped at books and stayed locked into one ecosystem. DuRoBo, a Dutch e‑paper specialist, is bringing Krono to CES 2026 in Las Vegas with a different ambition, treating focus, reflection, and idea capture as equally important.

Krono is a pocket‑sized smart ePaper focus hub that has made waves in Europe and is now entering the US market. It wraps a 6.13‑inch E Ink Carta 1200 display with 300 PPI clarity into a minimalist, mechanical‑inspired body that measures 154 × 80 × 9 mm and weighs about 173 g. It is for capturing and shaping thoughts with on‑device AI, ambient audio, and a Smart Dial that feels more tactile than tapping glass.

Designer: DuRoBo

The paper‑like screen, anti‑glare etching, and dual‑tone frontlight make it comfortable for long reads, whether books, saved articles, or PDFs. The compact body feels closer to a large phone than a tablet, which encourages carrying it everywhere as a dedicated space for slower content. The display mimics paper well enough that you can read for hours without the eye strain from backlit screens.

The Smart Dial and Axis bar are the main interaction story. The dial lets you flip pages, adjust brightness or volume, and, with a long‑press, open Spark, Krono’s idea vault. The Axis along the top rear houses eight breathing lights that glow subtly while you read or work, reinforcing the sense of a calm, separate device. The dial and lights give Krono a more analog feel, turning navigation and focus into something you do with your hand.

Spark is where AI enters. Press and hold the dial to dictate a thought, meeting note, or passing idea, and Krono records it, transcribes it with speech‑to‑text, and runs an AI summary that turns it into a structured note. Text Mode lets you refine that note on the e‑paper screen. The whole process happens on‑device, keeping ideas private and the interface calm.

Libby AI is the on‑device assistant that answers prompts and helps with outlines or clarifications without dragging you into a browser. Krono runs Android 15 with full Google Play Store access, powered by an octa‑core processor, 6 GB of RAM, and 128 GB of storage, so it can run Kindle, Notion, or other tools. DuRoBo’s own interface keeps the experience geometric and minimal.

The built‑in speaker and Bluetooth audio are part of the focus story. You can listen to music, podcasts, or audiobooks while reading or writing, turning Krono into a self‑contained environment for commutes or late‑night sessions. The 3,950 mAh battery and tuned refresh algorithms support long stretches of use, not constant app‑hopping, which is what you want from a device that is supposed to be a reprieve from the usual screen.

Krono’s CES 2026 appearance is more than just another e‑reader launch. It is DuRoBo’s attempt to give US readers and thinkers a pocketable device that treats focus, reflection, and idea capture as first‑class design problems. The specs matter, but the real promise is a small, quiet object that can sit between a book and a phone, borrowing the best of both without inheriting their worst habits.

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2026 ROG Zephyrus Duo, ASUS Zenbook DUO: Versatility You Can Use Today

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We have seen quite a number of laptops bearing mind-blowing flexible screens that fold or roll, and while they do help push the envelope of laptop design, they might be the future, but it is definitely not yet here. Foldables still scratch easily and are expensive, rollables are at a concept stage, and both rely on technology that is impressive in a demo booth but nerve-wracking when you actually need to get work done and cannot afford downtime or repair bills.

At CES 2026, ASUS and its gaming brand Republic of Gamers are offering two designs for people who need to get stuff done here and now. Although less spectacular than a screen that folds like paper, the ROG Zephyrus Duo 2026 (GX561) and the ASUS Zenbook DUO 2026 (UX8407) promise a more versatile and more reliable experience, using two rigid OLED panels, conventional hinges, and software layouts that treat dual screens as a workflow multiplier instead of a party trick.

Designer: ASUS

Dual Screens, Multiple Possibilities

With a foldable laptop, you get a large screen that folds down to the size of a normal laptop, or a laptop-sized screen that folds down to half its size. A rollable laptop, on the other hand, starts with a normal size and then expands for more real estate. They both try to offer more screen space with a manageable footprint, but it is still a single panel with a limited set of poses. You can fold it like a book or lay it flat, but you cannot flip one half around into a true tent or dual-monitor arrangement, and the panel itself stays soft and fragile under your fingertips.

The dual-screen design sported by the new Zephyrus Duo and Zenbook DUO uses two independent but connected screens, practically dual monitors connected by a hinge. They are conventional, rigid OLED panels, so none of the soft, scratch-prone flexible displays of foldables. It feels almost like a normal laptop, just one that has a second monitor permanently attached, hinged, and ready to be stood up, laid flat, or folded back into tent mode for sharing across a table.

More importantly, however, this design offers more versatility in terms of how you actually use the machine throughout the day. You can use only a single screen in laptop mode if space is a constraint or if you want to stay focused. You can flip the whole thing into tent mode to share your screen with someone sitting across from you. You can detach the keyboard entirely and stand both panels up as a tiny dual-screen desk, with the keyboard floating wherever your hands are most comfortable. ASUS brings this design to two different kinds of laptops, really just two sides of the same coin, offering the same core idea with the flexibility you can use today.

ROG Zephyrus Duo 2026 (GX561): Not Just a Gaming Laptop

This is not the first Zephyrus Duo, but the first one launched nearly six years ago was more of a one-and-a-half-screen laptop. There was a smaller touchscreen right above the keyboard that offered some space for tool palettes and chat windows, but it was still very much a secondary strip. This 2026 redesign, in contrast, is a bold new direction, going full dual-screen with two large OLED panels and a detachable keyboard like no other gaming laptop has dared to go.

It is a true gaming laptop, of course, and the specs show its pedigree. An Intel Core Ultra 9 processor, paired with up to an NVIDIA GeForce RTX 5090 Laptop GPU pushing up to 135W TGP, backed by up to 64GB of LPDDR5X memory and up to 2TB of PCIe Gen5 SSD storage with easy swap access. The 90Wh battery supports fast charging, hitting 50% in 30 minutes.

The main display is ROG Nebula HDR, a 3K OLED panel running at 120Hz with 0.2 ms response time, HDR 1100 nits peak brightness, 100% DCI-P3 coverage, and ΔE below 1 color accuracy, protected by Corning Glass DXC. All of that is cooled by ROG’s Intelligent Cooling system, with liquid metal on the CPU, a vapor chamber, graphite sheets, and 0 dB Ambient Cooling mode for silent operation when you are not rendering or fragging.

At 6.28 lb and just 0.77 inches thin, it is heavy enough to remind you there is serious silicon inside, but still portable enough to live in a backpack. The machine includes Wi-Fi 7, Thunderbolt 4, HDMI 2.1, USB 3.2 Gen 2 Type-A, and an SD card slot, plus a six-speaker system with two tweeters and four woofers running Dolby Atmos, so you can actually enjoy game audio without always reaching for headphones.

Where the ROG Zephyrus Duo 2026 really shines is in versatility. Because a laptop that can run AAA games can practically do anything as well, including content creation, programming, video editing, and 3D work. Designers and creatives will definitely love the freedom such a design offers, paired with powerful hardware that does not compromise just to fit two screens. You can keep After Effects timelines on one panel while the preview lives on the other, or split code and output, or run a game on the main screen with Discord and guides on the second, all without alt-tabbing or shrinking windows.

ASUS Zenbook DUO 2026 (UX8407): Dual-Screen Goes Lux

The ASUS Zenbook DUO 2026 shaves off some of the gaming hardware to offer a dual-screen laptop that is slimmer, lighter, and a little more stylish. It is no slouch, though, and carries plenty of muscle to handle any productivity task you might throw at it. That also includes content creation, with a bit of light gaming on the side when you want to unwind between meetings or deadlines and do not need RTX power for every session.

The Zenbook DUO 2026 runs a next-gen Intel Core Ultra processor with up to 50 TOPS NPU for AI workloads, paired with Intel Arc integrated graphics, up to 32GB of memory, and up to 2TB of SSD storage. It supports up to 45W TDP with a dual-fan thermal solution, keeping the machine stable during sustained loads without the heavy cooling overhead of a discrete GPU, which helps keep the chassis thin and light.

The main display is an ASUS Lumina Pro OLED with 1000 nits peak brightness, and both screens are treated with the same level of care, making them equally usable for productivity, media, and light creative work. What differentiates this next-gen dual-screen from its predecessor is the new hinge design that puts the screens closer together. With thinner bezels, they now sit just 8.28mm apart, a 70% reduction, and they almost look like a single continuous piece.

ASUS has adopted its Ceraluminum material for the Zenbook DUO 2026’s laptop lid, bottom case, and kickstand, making it not only look and feel more luxurious but also be a bit more resilient to accidents and daily wear. The Zenbook DUO weighs just 1.65kg and has a 5% smaller footprint than previous generations, which makes it easier to carry and fit on smaller desks or café tables.

It is packed with ports, including two Thunderbolt 4 connections, HDMI 2.1, USB 3.2 Gen 2 Type-A, and an audio jack, plus six speakers with two front-firing tweeters and four woofers for surprisingly rich audio from a thin chassis. The keyboard connects via magnetic pogo pins or Bluetooth, and the machine supports ASUS Pen 3.0, turning both screens into writable surfaces for notes, sketches, or annotations during video calls or brainstorming sessions.

Like the Zephyrus Duo, the Zenbook DUO 2026 can be used in multiple orientations. Laptop mode with the keyboard on top of the lower screen for traditional clamshell use. Desktop mode with both screens stacked or side-by-side, the detachable keyboard placed separately, and the built-in kickstand propping the whole thing up like a tiny dual-monitor workstation. Tent mode for presentations or sharing content across a table without needing an external display or awkward screen mirroring. The flexibility is the point, and it works without asking you to trust a flexible panel not to crease or scratch under normal use.

Trade-offs and Potential

Dual-screen laptops are not perfect, of course. You need to keep track of a separate keyboard you hope you will not lose, though that is also the case for some foldable laptops anyway, and the detachable keyboard is also what lets both the Zephyrus Duo and Zenbook DUO behave like tiny dual-monitor desks in tent or desktop modes. These machines are easily heavier than single-screen laptops with equivalent specs, and they will likely be priced firmly in premium territory, though still far below the stratospheric costs of early foldables.

There is also that unavoidable divider between the two screens, though ASUS has gotten it down to 8.28 mm on the Zenbook DUO, and at that point it starts to feel more like a subtle pause than a major interruption. The hinge is still visible, the gap is still there, but it is less about accepting compromise and more about acknowledging that two rigid, high-quality OLED panels with a small gap are more practical than one fragile foldable panel with no gap at all.

Despite those limitations, these designs offer a kind of versatility that neither conventional laptops nor foldable laptops can match. You get to decide how to use the laptop, unrestricted by a single panel or a prescribed set of folds. You can boost your productivity with two screens for timelines and tools, or save space with just one when you are working in a tight spot. You can stand them up for presentations, lay them flat for collaborative work, or use them as a traditional clamshell when muscle memory takes over.

Maybe someday, we will have foldable laptops that can bend both ways, support multiple modes, and will not easily scratch with a fingernail or develop a permanent crease after a few months of daily folding. But if you want to be productive and create content today, the ROG Zephyrus Duo 2026 and ASUS Zenbook DUO 2026 could very well be among the most productive and most versatile laptops of 2026, delivering the dual-screen promise without the fragility, the expense, or the anxiety that comes with carrying a piece of still-experimental tech into the real world.

The post 2026 ROG Zephyrus Duo, ASUS Zenbook DUO: Versatility You Can Use Today first appeared on Yanko Design.

Satechi Slim EX Wireless Series Has Replaceable Batteries, Not E-Waste

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Most people no longer live on a single machine. A MacBook for creative work, a Windows desktop for heavier tasks, an iPad for meetings, and a phone for everything in between. The awkward dance of swapping keyboards, re-learning shortcuts, or tolerating cramped laptop layouts becomes daily routine, and most wireless sets still assume you are loyal to one OS and one device at a time, which feels increasingly out of step with how people actually work.

Satechi’s Slim EX Wireless Series, the EX3 and EX1 keyboards, plus the Slim EX Wireless Mouse, is an attempt to make that juggling act feel natural. All three are designed to work across macOS, Windows, Android, and iPadOS, connect to multiple devices, and use USB-C rechargeable, user-replaceable batteries so they do not become e-waste the moment the original cell starts to fade after a few years of daily charging cycles.

Designer: Satechi

A desk-based setup is where the Slim EX3 Wireless Keyboard lives under a monitor, handling most of the day’s typing. Its full-size layout includes a numeric keypad and navigation keys, quiet scissor-switch keys, and automatic OS-specific key mapping that flips modifiers when you jump from a Mac to a Windows machine. Up to four devices can stay paired over Bluetooth or a 2.4 GHz USB-C dongle, so switching does not mean re-pairing every time you close one laptop and open another.

A smaller table, a shared workspace, or a café is where the EX3 feels too wide. The Slim EX1 Wireless Keyboard steps in with a more compact layout that still keeps the same quiet scissor switches and cross-platform brain. It drops the numeric keypad to save space but keeps the ability to talk to four devices, making it easier to travel light or reclaim desk space without giving up a familiar typing feel.

Both keyboards promise up to five weeks of use on a single charge, depending on how hard you hammer them, and when that internal battery eventually loses capacity, you can replace it instead of replacing the whole board. Charging over USB-C fits into the same cable ecosystem as laptops and phones, which keeps the desk cleaner and the routine simpler, with one fewer proprietary cable to remember when packing a bag.

The Slim EX Wireless Mouse is the low-profile aluminum companion that glides between platforms just as easily. It supports Bluetooth and 2.4 GHz wireless, uses quiet click switches, and has a precision-machined scroll wheel that feels more deliberate than generic plastic. Like the keyboards, it runs on a USB-C rechargeable, user-replaceable battery rated for millions of clicks and scrolls, so it is built for the long haul instead of the upgrade cycle.

The Slim EX series quietly pushes back against disposable accessories and single-platform thinking. Instead of buying one set for each machine or tossing a keyboard when the battery gives up, you get a trio that moves with you between devices and years. For hybrid workers and students who live in that in-between space, having peripherals that are as flexible and long-lived as their setups feels like the right kind of upgrade.

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GameSir Pocket Taco vs. 8BitDo FlipPad for Game Boy Gaming

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Almost every mobile controller assumes you want to play in landscape, snapping your phone into a wide handheld that feels great for modern shooters and racing games. This works for most titles, but when you fire up Game Boy-era platformers or vertical arcade classics, the experience feels slightly off, like forcing old games into a shape they were never meant to inhabit, holding them sideways while your thumbs reach for controls that never land right.

GameSir’s Pocket Taco leans into portrait play instead of fighting it, turning your phone into something closer to a classic handheld. It first appeared as the Pocket 1 at Tokyo Game Show, then resurfaced as Pocket Taco just as 8BitDo teased its own vertical FlipPad, setting up a clash of design philosophies aimed at people who want to hold their phones the way they held Game Boys.

Designer: GameSir

The rebrand to Pocket Taco fits the design; the controller clamps to the bottom of your phone like a taco shell. The foldable front accommodates different phone sizes, and soft silicone pads line the clamp area so you are not grinding plastic against glass every time you snap it on, which matters when you pull it out multiple times a day for quick sessions between meetings or commutes.

The control layout separates Pocket Taco from 8BitDo’s FlipPad. Pocket Taco gives you a traditional D-pad, ABXY face buttons, and actual triggers and bumpers on the back. FlipPad keeps everything on the front in a row of circular buttons, which is clever for compactness but less like the shoulder-button ergonomics many players expect from dedicated handhelds, especially during games with heavy simultaneous inputs.

Pocket Taco uses Bluetooth, so it can talk to Android and iOS phones, tablets, and other devices, and it still works when not clamped. FlipPad plugs in over USB-C, which keeps latency low and removes battery anxiety, but ties it to phones with that port and to a tethered style where the controller must stay attached to function at all.

One practical touch is the large cutout at the bottom that leaves your phone’s charging port accessible while the controller is attached, so you can plug in and keep going during long sessions. FlipPad occupies the USB-C port and does not offer passthrough charging, which is fine for short bursts but less ideal for marathon runs that drain the phone before you finish the dungeon.

Pocket Taco runs on a 600 mAh battery with smart power behavior, open to play, close to rest. The trade-off is one more battery to watch and slightly more bulk. FlipPad stays slimmer and battery-free, but leans on your phone for power, shifting the burden and adding a small drain to your phone’s battery during long play sessions.

Pocket Taco and FlipPad are two paths toward the same fantasy, turning a slab of glass into a dedicated retro handheld. Pocket Taco leans into wireless freedom, proper triggers, and charging-while-playing practicality, while FlipPad bets on wired simplicity and a flatter front. For anyone who grew up holding a Game Boy vertically, it is nice to have options that respect that muscle memory instead of pretending mobile gaming should feel like a miniature Xbox stuck in landscape.

The post GameSir Pocket Taco vs. 8BitDo FlipPad for Game Boy Gaming first appeared on Yanko Design.

GameSir Pocket Taco vs. 8BitDo FlipPad for Game Boy Gaming

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Almost every mobile controller assumes you want to play in landscape, snapping your phone into a wide handheld that feels great for modern shooters and racing games. This works for most titles, but when you fire up Game Boy-era platformers or vertical arcade classics, the experience feels slightly off, like forcing old games into a shape they were never meant to inhabit, holding them sideways while your thumbs reach for controls that never land right.

GameSir’s Pocket Taco leans into portrait play instead of fighting it, turning your phone into something closer to a classic handheld. It first appeared as the Pocket 1 at Tokyo Game Show, then resurfaced as Pocket Taco just as 8BitDo teased its own vertical FlipPad, setting up a clash of design philosophies aimed at people who want to hold their phones the way they held Game Boys.

Designer: GameSir

The rebrand to Pocket Taco fits the design; the controller clamps to the bottom of your phone like a taco shell. The foldable front accommodates different phone sizes, and soft silicone pads line the clamp area so you are not grinding plastic against glass every time you snap it on, which matters when you pull it out multiple times a day for quick sessions between meetings or commutes.

The control layout separates Pocket Taco from 8BitDo’s FlipPad. Pocket Taco gives you a traditional D-pad, ABXY face buttons, and actual triggers and bumpers on the back. FlipPad keeps everything on the front in a row of circular buttons, which is clever for compactness but less like the shoulder-button ergonomics many players expect from dedicated handhelds, especially during games with heavy simultaneous inputs.

Pocket Taco uses Bluetooth, so it can talk to Android and iOS phones, tablets, and other devices, and it still works when not clamped. FlipPad plugs in over USB-C, which keeps latency low and removes battery anxiety, but ties it to phones with that port and to a tethered style where the controller must stay attached to function at all.

One practical touch is the large cutout at the bottom that leaves your phone’s charging port accessible while the controller is attached, so you can plug in and keep going during long sessions. FlipPad occupies the USB-C port and does not offer passthrough charging, which is fine for short bursts but less ideal for marathon runs that drain the phone before you finish the dungeon.

Pocket Taco runs on a 600 mAh battery with smart power behavior, open to play, close to rest. The trade-off is one more battery to watch and slightly more bulk. FlipPad stays slimmer and battery-free, but leans on your phone for power, shifting the burden and adding a small drain to your phone’s battery during long play sessions.

Pocket Taco and FlipPad are two paths toward the same fantasy, turning a slab of glass into a dedicated retro handheld. Pocket Taco leans into wireless freedom, proper triggers, and charging-while-playing practicality, while FlipPad bets on wired simplicity and a flatter front. For anyone who grew up holding a Game Boy vertically, it is nice to have options that respect that muscle memory instead of pretending mobile gaming should feel like a miniature Xbox stuck in landscape.

The post GameSir Pocket Taco vs. 8BitDo FlipPad for Game Boy Gaming first appeared on Yanko Design.

DigiEra OmniCore at CES 2026: NAS That Searches Files Like ChatGPT

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For most designers and filmmakers, storage is the quiet problem that never gets a mood board. Projects start on phones, move through cameras and laptops, and end up scattered across drives and cloud folders that you half remember naming six months ago. CES 2026 is full of AI-driven devices and next-gen connectivity, but DigiEra’s booth is interesting because it treats storage as part of the creative environment, not just a spec to tick off on a spreadsheet.

The lineup tells a single story across four products. OmniCore is the modular, all-flash AI NAS that wants to be the studio’s private brain. Endura is the rugged field drive that can live in a bag without babying. Portable Hub SSD is the tiny block that turns a phone or camera into a serious capture and editing station. The Diamond Magnetic Portable SSD is the piece that lives on the back of an iPhone, turning storage into something closer to jewelry than IT gear.

Designer: DigiEra

OmniCore: AI NAS as a Private Studio Brain

The pain of hunting for assets across old drives and cloud accounts is real. OmniCore is DigiEra’s answer, a modular all-flash AI NAS designed to sit in a studio and quietly index everything. It supports up to 80 TB of SSD storage across eight 2.5-inch SATA bays and two M.2 slots, all hot-swappable, so the box can grow with a studio instead of being replaced every time a project spikes in size or a client asks for all the raw footage from three years ago.

OmniCore is not just a fast box of drives. A Rockchip RK3588 CPU, 16 GB of LPDDR5 RAM, and a 6 TOPS NPU let it run AI tasks locally, from automatic image tagging and semantic search to transcription, document analysis, conversational chat, and clip generation. That means a designer can type “blue packaging concept with foil logo” and have the NAS surface relevant shots, instead of scrolling through folders named final underscore final underscore v3.

The privacy-first angle matters here. OmniCore is designed to work fully offline, with no cloud dependency, which is important when client work, unreleased campaigns, or personal archives cannot leave the building. Dual LAN ports, including 2.5 GbE, and Wi-Fi 6 support let it serve multiple editors or designers at once without feeling like a bottleneck, and Docker support means it can host custom tools alongside its own AI engine for people who need more than a basic file server.

The physical experience is part of the design. The cube-like form factor with front-loading SSD modules makes storage feel tangible and approachable, more like a card catalog than a server rack. Drives slide in and out on small trays, so expanding from a few terabytes to tens of terabytes is a matter of minutes, not a weekend migration project where everything has to stop. For small studios, that kind of modularity is as much a design decision as a technical one.

Endura Portable SSD: Rugged Speed with a Material Story

Endura is the drive that lives in the camera bag and follows people to shoots. DigiEra bills it as the world’s first portable SSD with an aluminum–carbon-fiber shell, rated IP65 for water, dust, and shock resistance. That combination of materials gives it a technical, motorsport-like feel, while also signaling that it can handle being tossed into a backpack, clipped to a rig, or dropped on a sidewalk without needing a protective case wrapped around a protective case.

Under the shell, Endura uses USB 3.2 Gen 2×2 over USB-C, delivering up to 2,000 MB/s read and 1,800 MB/s write speeds in capacities from 512 GB to 4 TB. For photographers dumping RAW stills between locations or filmmakers backing up cards on set, that means less time watching progress bars and more time shooting, with a drive that looks like it belongs in a design-conscious kit and can survive the environments where most shoots actually happen.

Portable Hub SSD: One Block to Replace the Dongle Pile

The Portable Hub SSD is the antidote to the usual tangle of hubs, drives, and chargers. It wraps the same 20 Gbps SSD core in a compact aluminum block that also acts as a hub, combining high-speed storage, PD fast charging, and extra USB-C connectivity. Plug it into a phone, tablet, or laptop, and it becomes both a scratch disk and an expansion port, turning one cable into a complete mobile workstation.

The fold-out USB-C plug and side ports make it particularly friendly to iPhones and USB-C cameras. Instead of hanging a drive and a hub off a gimbal or handheld rig, one block adds space for ProRes or LOG footage and passes power through to keep the phone or camera alive. For designers who sketch on tablets or edit on ultraportables, it is the kind of object that quietly simplifies the everyday carry, handling data and power from a single point without adding bulk or visual noise.

Diamond Magnetic Portable SSD: Storage as Visible Accessory

The Diamond Magnetic Portable SSD is the piece that never leaves the phone. It snaps magnetically to the back of an iPhone 15 or 16 Pro and records 4K 60 FPS ProRes video directly to external storage, lifting the ceiling on how long you can shoot without cages, rigs, or bulky battery grips. For content creators who rely on their phone as a primary camera, that is a big shift in what is possible with a pocket-sized setup.

The diamond-encrusted, circular design makes the drive look closer to a compact mirror or piece of jewelry than a tech accessory. Underneath, it still runs USB 3.2 Gen 2×2 over USB-C at up to 2,000 MB/s read and 1,800 MB/s write, in capacities up to 4 TB. That mix of performance and visual polish means it can stay on the phone in a meeting, a shoot, or a café without feeling out of place, turning storage into something you actually want to show rather than hide in a pocket until needed.

DigiEra at CES 2026: Turning Storage into a Creative Toolkit

OmniCore anchors the studio as a private, AI-enabled brain that knows where every file lives and can answer questions in natural language. Endura and Portable Hub SSD handle the messy middle, moving data safely and quickly between cameras, phones, and laptops, with materials and form factors that feel deliberate rather than generic. The Diamond Magnetic SSD lives on the phone, turning storage into something you actually want to show. That is DigiEra’s real story at CES 2026: storage treated not as an afterthought or a cloud subscription, but as a set of designed objects that respect the way creative work actually moves through the day, from the pocket to the field to the desk and back.

The post DigiEra OmniCore at CES 2026: NAS That Searches Files Like ChatGPT first appeared on Yanko Design.