LEGO’s Mini SEGA Genesis kit lets you relive retro gaming nostalgia right on your work desk

LEGO has previously shown confidence in gaming console remakes in brick versions, including Game Boy, Atari 2600, and NES. However, SEGA has not been a part of LEGO’s scheme of things, that is, until now. The LEGO Group has revealed its first-ever Genesis Console set developed in collaboration with SEGA. This set comes as part of the deluge of Summer 2026 reveals, and retro gaming fans will appreciate owning one.

Unlike the LEGO NES, which was a 1:1 replica of the retro console, this one is a bit scaled down. Perhaps the SEGA console is overshadowed by the sheer number of Nintendo fans, so LEGO decided to keep it smaller and much cheaper at $40. The 479-piece set of the iconic console, also known as the Mega Drive in Japan, Europe and Australia, is coming on 1 June 2026 in online and physical stores.

Designer: LEGO Group

Those who grew up playing Sonic the Hedgehog 2, Gunstar Heroes, Alien Soldier, or Streets of Rage will definitely want to show off the 479-piece set on their display shelf or desk setup as a cool prop. The set is one of the easier ones to build and comes with a hidden Sonic portrait that can be put together with the block pieces. Controllers on this one are not the biggest, measuring 3 inches wide, since the LEGO console itself measures around 5 inches high, six inches wide, and 4.5 inches deep. To keep the theme going, LEGO has included a nostalgic game cartridge featuring Sonic and Tails. Of course, the thing cannot play games and is just for the feel of it. The plate around the cartridge-inserting ridge can be removed for a more raw feel, and the controllers can be plugged into the LEGO console’s ports.

Clearly, the set is not meant for hardcore LEGO collectors, as the console is not life-sized, nor can it function in any way. For that section of the gaming community, the 1:1 Mega Drive Controller replica is the better option. This one is built for SEGA fans who have always wanted a LEGO version of the Genesis console to bring back old memories. Being a miniature version has its own charm, and the small size means it can be one of your desk props without taking up too much space.

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Apple Discontinues the 256GB Mac Mini Amid Growing Chip Supply Constraints

Apple Discontinues the 256GB Mac Mini Amid Growing Chip Supply Constraints 256GB Mac Mini

Apple has officially discontinued the $599 base model of the M4 Mac mini, positioning the $799 version with 512GB of storage as the new entry-level option. This decision reflects broader trends in the tech industry and could significantly influence your purchasing decisions if you’ve been considering a Mac mini. Understanding the reasons behind this move […]

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Deniz Aktay Just Built a Side Table from a Single Tube Bent Twice

Side tables have a bit of an identity problem in furniture design. Most treat them as purely functional afterthoughts, giving you a flat surface at the right height and not much else. The ones that do try to stand out tend to overcorrect, piling on decorative legs, unusual proportions, or materials that compete with everything else in the room. Very few ask whether the structure itself could be the point.

That’s the question Stuttgart-based designer Deniz Aktay explores with the Whisk table, a side table built around a single continuous tube that does all the heavy lifting. Aktay’s work consistently gravitates toward pure lines and the expressive potential of a single well-chosen material. The Whisk is one of his cleaner expressions of that thinking.

Designer: Deniz Aktay

The tube bends into two rounded loops stacked at different heights, forming an S-curve when viewed from the side. One loop reaches the height of a standard side table and cradles the tabletop. The other sweeps back to the floor, forming the base. The whole thing reads as one fluid gesture rather than a frame assembled from parts, which is very much the point.

Where it gets interesting structurally is at the center, where the tube crosses itself. That crossing point isn’t decorative; it’s what keeps the table stable. The two loops work against each other in a way that resists rocking or shifting, so you get a table that looks almost impossibly light while still holding its ground next to a sofa or armchair without wobbling every time you set something down.

The tabletop is designed to stay in the background. It fits within the upper loop and matches its rounded profile, so the two read as a single shape rather than two components joined together. The surface adds just enough contrast to define the functional plane without competing for attention. The tube does the work; the top is simply where you put your coffee, your book, or a small lamp.

As a side table, the Whisk works in less space than you’d expect. Its footprint is compact enough for tight spots beside a lounge chair or at the end of a bed, and the open structure doesn’t crowd the room the way solid-legged tables often do. It comes in a polished silver finish and a warm red option, giving it a bit more personality for spaces that can take it.

The Whisk explores what a single material or fabrication method can do without adding more than it needs to. It’s a single tube, bent twice, crossed once. It’s the kind of idea that sounds almost too simple to work, until you’re actually using it and realize that nothing about it needed to be more complicated.

The post Deniz Aktay Just Built a Side Table from a Single Tube Bent Twice first appeared on Yanko Design.

Deniz Aktay Just Built a Side Table from a Single Tube Bent Twice

Side tables have a bit of an identity problem in furniture design. Most treat them as purely functional afterthoughts, giving you a flat surface at the right height and not much else. The ones that do try to stand out tend to overcorrect, piling on decorative legs, unusual proportions, or materials that compete with everything else in the room. Very few ask whether the structure itself could be the point.

That’s the question Stuttgart-based designer Deniz Aktay explores with the Whisk table, a side table built around a single continuous tube that does all the heavy lifting. Aktay’s work consistently gravitates toward pure lines and the expressive potential of a single well-chosen material. The Whisk is one of his cleaner expressions of that thinking.

Designer: Deniz Aktay

The tube bends into two rounded loops stacked at different heights, forming an S-curve when viewed from the side. One loop reaches the height of a standard side table and cradles the tabletop. The other sweeps back to the floor, forming the base. The whole thing reads as one fluid gesture rather than a frame assembled from parts, which is very much the point.

Where it gets interesting structurally is at the center, where the tube crosses itself. That crossing point isn’t decorative; it’s what keeps the table stable. The two loops work against each other in a way that resists rocking or shifting, so you get a table that looks almost impossibly light while still holding its ground next to a sofa or armchair without wobbling every time you set something down.

The tabletop is designed to stay in the background. It fits within the upper loop and matches its rounded profile, so the two read as a single shape rather than two components joined together. The surface adds just enough contrast to define the functional plane without competing for attention. The tube does the work; the top is simply where you put your coffee, your book, or a small lamp.

As a side table, the Whisk works in less space than you’d expect. Its footprint is compact enough for tight spots beside a lounge chair or at the end of a bed, and the open structure doesn’t crowd the room the way solid-legged tables often do. It comes in a polished silver finish and a warm red option, giving it a bit more personality for spaces that can take it.

The Whisk explores what a single material or fabrication method can do without adding more than it needs to. It’s a single tube, bent twice, crossed once. It’s the kind of idea that sounds almost too simple to work, until you’re actually using it and realize that nothing about it needed to be more complicated.

The post Deniz Aktay Just Built a Side Table from a Single Tube Bent Twice first appeared on Yanko Design.

Achieve Cleaner, More Precise AI Images with Midjourney Raw Mode

Achieve Cleaner, More Precise AI Images with Midjourney Raw Mode Colorful hazy cloud formations generated by the nebulous prompt.

Midjourney 8.1 introduces “raw mode,” a feature designed to reduce the AI’s default artistic stylization, resulting in more literal interpretations of user prompts. Thaeyne tested this setting using one-word prompts, keeping the seed fixed at 777 to ensure consistent outputs. The experiment included terms ranging from abstract concepts like “Accretion” to detailed visuals such as […]

The post Achieve Cleaner, More Precise AI Images with Midjourney Raw Mode appeared first on Geeky Gadgets.

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Konstantin Grcic Just Turned Scaffolding Poles Into Public Seating for €98

Temporary seating at public events, pop-ups, and outdoor markets rarely gets much design attention. Most options are folding chairs that feel flimsy, plastic stackers that hurt after ten minutes, or nothing at all, leaving people to lean against walls or perch on ledges. The infrastructure to support proper seating is usually already there, but nobody’s done much with it. Scaffolding poles, for instance, are practically everywhere.

That’s the thinking Konstantin Grcic builds on with THING_04, the latest from his Berlin-based label 25kg. It’s a rotationally moulded seat disc made from 100% post-industrial polypropylene, sized to clamp onto standard scaffolding poles. No floor anchors, no complicated assembly, no special tools required. Clip it on, and it’s ready to sit on. The simplicity is almost disarming for something that solves a problem you didn’t know had a solution.

Designer: Konstantin Grcic

At just 33cm x 33cm x 12cm and 2.1kg, THING_04 is light enough to carry in one hand to wherever you need it. Rotational moulding gives it a seamless, hollow shell tough enough for both indoor and outdoor conditions. Galvanized steel and stainless steel hardware handle the clamping, securing the disc firmly onto a pole without any permanent modifications to the structure it’s attached to.

Think of a weekend street market where vendors have already rigged up scaffolding overhead for shade or signage. THING_04 clips onto those poles and turns them into a row of seats for shoppers who’d otherwise be stuck standing. Or a pop-up event where the rigging doubles as a temporary grandstand. The design doesn’t ask the environment to change. It makes the most of what’s already there.

For spots that don’t have any scaffolding in place, there’s the THING_04.u. It comes as a set with a dedicated galvanized steel tubular frame, available with one seat or two. Grcic calls it raw, freestanding, territorial, which is a surprisingly apt description for a public seat that doesn’t need anything to lean on. A plaza, a lobby, a courtyard: it holds its own wherever you put it.

Then there’s the THING_04.x, which scales the concept into a full modular system. More seats, larger structures, and a wider range of configurations make it suitable for everything from temporary events to permanent public installations. It’s available to buy or rent, in predefined setups or custom arrangements on request. The kind of flexibility that event organizers and architects don’t typically expect from a single seating object.

THING_04 fits squarely into what 25kg was built for. The label is Grcic’s own platform for experimentation, where the brief is to start from raw, industrial materials and see how far design can stretch with minimal intervention. Each release is a THING built from these same principles: the stainless steel stool, the lava stone chair, and now this seat disc. None of them wastes a move.

The individual seat retails at €98, rotationally moulded in Germany to the standard the concept demands. It’s a fair price for a piece of seating you can clip onto a scaffolding pole at a pop-up, then carry to the next one. There are scaffolding poles on practically every street in European cities, and most of them have never had a seat to offer. THING_04 changes that.

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Meta Smart Glasses in 2026: The Features That Finally Make Them Worth the Buy

Meta Smart Glasses in 2026: The Features That Finally Make Them Worth the Buy

Meta Smart Glasses seamlessly blend advanced technology with modern aesthetics, offering a practical and stylish way to incorporate smart features into your daily life. Available in two distinct generations, these glasses cater to a broad spectrum of users, from casual wearers to content creators. With features like hands-free photo and video capture, AI-powered assistance, and […]

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