Tag Archives: side tables

This Side Table Tricks You Into Thinking Books Are Holding It Up

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Side tables have always been one of the harder pieces of furniture to make genuinely interesting. They’re functional by nature, meant to hold a drink, a remote, or that ever-growing stack of books. Most designs take the easy route: a flat surface, four legs, and nothing more. A few try to add storage or visual flair, but the table and whatever sits on it rarely share anything deeper than proximity.

Deniz Aktay’s Delusion Table turns that relationship on its head. The Stuttgart-based designer has crafted a side table concept where books aren’t just accessories resting on the surface; they become part of the table itself, or at least appear to. The idea is simple but arresting: a purpose-built metal framework connects the tabletop to the base, and once books are loaded onto it, the metal structure all but disappears.

Designer: Deniz Aktay (dezinobjects)

The trick borrows from a principle already used in certain bookmarks and floating wall shelves, where a thin metal channel slides between a book’s pages and disappears behind the covers. Aktay applies the same logic vertically: the table’s central stem has integrated clips that hold books upright against the structure. Slot a few thick art or design volumes in, and the metal seems to dissolve quietly into the spines.

What results is a table that looks as if a small stack of books has somehow defied physics to hold an entire surface aloft. It’s a visual gag, but an elegant one. The books aren’t floating or leaning on something concealed behind them. They’re gripping the structure, pages pressed against the clips, covers facing outward, spines reading clearly, creating something that looks accidental but is actually very deliberate.

That deliberateness extends to the books themselves. The volumes you choose to insert don’t just support the illusion; they become part of the design statement. A stack of oversized architecture monographs communicates something entirely different from a row of photography books or a handful of paperbacks. The table changes with whoever assembles it, which is a quiet but genuinely meaningful layer of personalization built right into the concept.

It’s also worth considering where a table like this fits most naturally. A reading nook, a home office corner, or a bedside setup for someone who always has a few books in rotation: in any of these settings, the Delusion Table doesn’t need anything extra to feel complete. The books it needs to function are probably already nearby, waiting to serve a purpose they weren’t originally designed for.

Aktay has made a habit of designing furniture that asks questions as much as it answers them, and the Delusion Table is no exception. It’s a concept that works on two levels: as a functional object that holds books and a tabletop, and as something that quietly unsettles your perception. You look at it, pause a moment, and find yourself genuinely unsure of what’s doing what. That’s exactly the point.

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The Side Table That Holds One Book Right in Its Legs

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Most furniture design is an exercise in addition. More drawers. More shelves. More compartments to fill with things we forget we own. It is refreshing, then, to come across a piece that does the exact opposite and still lands somewhere quietly brilliant.

Meet the Notch Side Table, designed by Liam de la Bedoyere of Bored Eye Design. It is a flat-pack side table made of wood, clean-lined and minimal in the way that good, thoughtful furniture tends to be. From certain angles, it looks almost unremarkable. Two sets of paired legs, a flat top, honest grain. Then you look between the legs and notice the cutout, a precisely carved notch sized to hold a single book suspended between the panels, spine facing out, held steady by the tension of the slot. That is it. That is the entire idea. And somehow, it is one of the more satisfying design moves I have seen in a while.

Designer Name: Liam de la Bedoyere (Bored Eye Design)

The designer’s own framing says it best: material is removed to add use. Rather than building up, de la Bedoyere carved away. By taking wood out, he created a dedicated slot that functions as a book holder without adding any extra hardware, brackets, or fussy mechanisms. The notch is load-bearing in the most elegant sense of the word. It is structural and functional all at once, and it costs the table almost nothing to include. That kind of efficiency is harder to achieve than it looks.

Bored Eye Design is a one-person independent studio, and the Notch feels like the kind of piece that could only come from someone working without a committee. There is a specificity to it, an opinion embedded in the design, that bigger furniture brands tend to sand down in favour of mass appeal. De la Bedoyere has been quietly putting out thoughtful concepts through his Instagram, and the Notch is the one that feels most resolved. It has a clear point of view.

That point of view, as far as I can read it, is about intentionality. The notch holds exactly one book. Not a stack, not an assortment of odds and ends, just one. That constraint is a feature, not a limitation. It asks you to choose. It reminds you, every time you walk past it, that you had a book you were reading, that you actually meant to pick it back up. The book is not tucked away out of sight. It is displayed between the legs of the table like a small personal exhibit.

That is a subtle but genuinely interesting cultural statement about how we relate to the things we claim to care about. Books are increasingly used as decor, stacked artfully on coffee tables in colours that match throw pillows. The Notch does not stack them. It slots one in at midpoint, visible and accessible, in a way that feels more honest than a colour-coordinated pile ever could.

Practically speaking, the flat-pack construction means the table ships flat and assembles without tools that would make your Sunday miserable. The joinery is clean, and the interlocking parts are visible in the design in a way that feels deliberate rather than accidentally exposed. Looking at the disassembled photos, there is a puzzle-like quality to the whole thing that makes it more interesting, not less.

The material is ash wood with a warm, pale grain, and the photos styled with what appears to be a Dieter Rams monograph slotted in the notch feel entirely on brand. That orange spine against the pale timber is doing real editorial work, and it is hard not to appreciate the faintly meta quality of a design book being cradled by a well-designed table.

Whether the Notch moves into full production beyond its current personal project status, I genuinely hope it does. Furniture that nudges you toward more thoughtful habits without being preachy about it is rare. The Notch does not lecture you about slowing down. It just makes it a little easier to do exactly that, by doing less with considerably more conviction.

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Mililab Made a Dining Table, Got Distracted, and Made a Better Stool

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Modern furniture design has been quietly shifting priorities. Smaller homes and more deliberate interiors have created real demand for pieces that do more without taking up more space or sacrificing how they look. Stools and side tables are easy targets for this kind of dual-purpose thinking, but most of them still feel like a workaround, a compromise dressed up as a solution, rather than a genuinely well-considered object.

The Ishi stool from Japanese studio Mililab isn’t that kind of compromise. It came out of a separate project entirely, one that had nothing to do with stools, and it ended up as something that’s equal parts furniture object and quiet design statement. That accidental origin is actually central to understanding why it looks the way it does, and why it works as well as it does.

Designer: Mililab

The story starts with the studio’s own Maru dining table. While developing it, founders Livert Lim and Mengfei Wu kept drifting back to the legs, almost despite themselves. Those legs tapered inward along one unbroken curve, giving them a presence that had little to do with the tabletop above. As Mililab described it: “A shape that didn’t need the table above it.” So they separated it and let it stand alone.

Working with collaborator Djordje Cebic, they developed Ishi into a form that’s both monolithic and unexpectedly soft, something like a river-worn pebble given volume. From across the room, it appears impossibly thin; up close and under your hand, it’s substantial. That tension between visual lightness and physical solidity isn’t accidental. It’s the result of curves computed in Tokyo and then realized by hand in the workshop.

The material process behind that solidity gets genuinely obsessive. The stool is made from North American white oak, selected for grain consistency, kiln-dried, hand-shaped, then kiln-dried again, because the glue introduced during assembly brings moisture back into the wood. Most workshops skip that second drying. Mililab doesn’t. It’s sealed immediately after, locking in a 10% moisture content, the exact point at which white oak is most dimensionally stable.

The cushion on top, available in Kvadrat Savanna, Dedar fabric, or Italian leather, looks fully integrated with the oak base. It isn’t, of course, which is the point. Pull it off, flip it over, and the flat underside becomes a surface, turning the stool into a side table. It works just as well beside a sofa at home as it does in a hotel lobby or a studio apartment. At 430mm, the height was chosen deliberately. It’s low enough to pair with a lounge chair, yet also tall enough to sit beside a dining table or vanity desk.

There’s something refreshing about a piece of furniture that arrived this way, not from a brief or a market gap, but from genuine distraction. Lim and Wu were supposed to be designing a dining table and kept staring at the legs instead. It’s not a narrative most furniture studios would lead with, but it does explain why the Ishi stool feels like something they simply couldn’t help making.

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These Ceramic Lamps Look Like 90s Caramel Candy and Stack Any Way

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The interiors most people aspire to these days tend to share a common trait: they’re clean, restrained, and almost aggressively neutral. Scandinavian minimalism, Japandi aesthetics, and muted palettes have dominated home design for years, and while there’s nothing wrong with a well-curated beige room, a lot of modern spaces have started to feel emotionally flat, like showrooms rather than places where people actually live.

That’s where the Caramel collection comes in. Designed by Moscow-based product designer Maxim Tatarintsev in collaboration with Russian brand Svoy Design, this new series of ceramic lighting and furniture takes a very different approach to interior objects. Rather than adding another understated piece to a polished shelf, it reaches back to a simpler, sweeter time, asking whether a lamp or a side table can carry something as intangible as joy.

Designer: Maxim Tatarintsev

Tatarintsev’s inspiration came from a period of deep personal reflection. Amid what he describes as the noise of contemporary life, he looked inward and found his answer in childhood, specifically in the candy that practically every kid growing up in the 90s and early 2000s would recognize. That small, glossy, jewel-toned caramel sweet became both his muse and his design vocabulary, shaping everything from the forms to the color palette.

The collection spans pendant lights, ceiling fixtures, and wall-mounted lamps, all crafted from semi-porcelain, as well as a low-profile side table made from a proprietary composite material. What stands out is the modular approach: each ceramic unit can be combined and reconfigured, letting you stack or cluster them into different lighting arrangements depending on the mood or corner of the room you’re working with.

Think of it like assembling your own arrangement from a jar of sweets. One configuration might call for a single pendant above a kitchen island; another might cluster a few units along the ceiling of a reading nook. The point isn’t to follow a prescribed layout but to put that creative decision in the hands of the person actually living in the space, not just the designer who furnished it.

The craftsmanship behind the lighting is traditional and deliberate. Each piece starts as a slip-cast semi-porcelain form, drying for several days before being fired at 1,100°C inside a muffle furnace. A coat of glaze and paint follows, giving the finished modules their signature smooth, candy-like sheen. It’s a fairly labor-intensive process for what might look like a simple geometric shape, but that’s precisely what gives each piece its quiet depth.

The side table takes a different manufacturing route altogether. Made from a proprietary composite rather than ceramic, it’s significantly more durable and comes in two versions, one for indoor use and one for covered outdoor settings. At first glance, it reads as a low, rounded ottoman, and people will probably be unable to resist using it as a delicious seat instead.

None of that is accidental. Tatarintsev’s stated goal wasn’t to produce pretty objects but to create what he calls “emotional anchors,” pieces capable of sparking a genuine reaction in whoever encounters them. A set of lamps you can rearrange on a whim, a table that moonlights as a seat, and a color palette borrowed from childhood treats make for a collection that gives any room a personality it actually earned.

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SwitchBot Air Purifier Table includes a wireless charger for health and convenience

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Air quality at home has become a key concern among homeowners in the past few years, finally raising awareness that the air we breathe indoors might be just as bad as the pollution-filed air outdoors. Pet owners have it especially bad, with fur and pet hair adding to their list of worries. While air purifiers are becoming more popular because of that situation, very few of them can be considered to have the same aesthetic maturity as more common appliances that have been around for decades. Many are not only uninspiring but also take up space that could have been otherwise given to more functional and appealing furniture. Venturing into the home appliances market, SwitchBot is launching an air purifier that looks a tad more interesting and definitely more useful thanks to its multi-functional design, doubling as a table you can also use as a phone charger.

Designer: SwitchBot

Many air purifier take on a cylindrical shape that maximizes air intake and output, but that means putting their less than attractive bodies in the middle of spaces where they stick out like a sore thumb. The new SwitchBot Air Purifier Table admittedly does have that cannister design, but it takes steps to set itself apart from the crowd and elevate your living space as well.

In addition to its minimalist style, this air purifier puts a flat oval on top that can be used as a table to hold your things while you sit back and relax for a bit. The wood-like finish gives it a bit of visual flair and helps make it match the other furniture in your living area or bedroom. It also encourages you to put the air purifier in places that get a lot of human presence, usually beside couches or beds or maybe even in the middle of the room, allowing it to have a better impact on the quality of the air people breathe.

Its “extra” functionality doesn’t stop there, however. That tabletop is also a wireless charger, supporting 15W charging for Android devices and 7.5W for iPhones. Simply place your phone there and let it charge while you read, watch, or just chill with friends. The Air Purifier Table has configurable lighting between the air purifier itself and the tabletop, allowing you to set the mood you want or be informed when the air quality in its immediate vicinity worsens.

Of course, the SwitchBot Air Purifier Table is an air purifier, first and foremost, and it boasts plenty of street cred for that. It’s also pretty proud of its ability to remove pet hair and prevent it from contaminating the air that humans breathe, all without stressing out the pet in the process. The SwitchBot Air Purifier Table, available now for pre-order, will set you back $269.99, but there’s also a simpler $219.99 version that trades the wireless charging table top for a smaller bowl-like structure that cats might love to sit on.

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Minimalist side table concept uses a single wood sheet with almost no offcuts

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Wood is a favorite among designers, especially furniture designers, because of its innate beauty, unique grains, and sustainability. But although the material is indeed biodegradable and recyclable, most furniture designs still result in a lot of waste. There can be many uses for wood chips, sawdust, and unused wood pieces, but an even better solution would be to reduce the wasted material in the first place. That means making every square inch of a sheet of wood count, leaving very little behind once the piece of furniture has been put together. That’s the idea behind this beautiful minimalist side table, where designing for efficiency has also led to a very interesting organic shape in the process.

Designer: Deniz Aktay

Flat-packed furniture has become trendy, especially with the minimalist designs propagated by the likes of IKEA. But while these designs are indeed space-efficient and economical, most of the time they’re mass-produced in a manner that produces plenty of offcuts and waste by-products. After all, it is also more efficient to cut all the legs of tables from the same batch of wood and all the tabletops from another, even if their shapes mean there will be plenty of scraps literally left on the cutting room floor.

Slide Table is a design concept for a side table that advocates efficiency both in packaging as well as in manufacturing. Every part of the table is actually cut from a single sheet of wood, so even mass-produced versions would have the same qualities. Yes, there will still be some unused parts that are cut off to produce the gaps between parts, but the goal is to minimize this waste as much as possible rather than eliminate them completely.

What makes this efficient use of the material is the rather unique design of the table itself. The tabletop is a disc carved from the middle of a rectangular plank of wood, and the remaining section is split in half to form the legs. The legs themselves “slide” into each other, connecting in the middle and forming a cross shape on which the circular top rests. It’s a simple yet intriguing shape that creates something like an optical illusion when viewed from the side.

While Slide Table does offer a beautiful and more sustainable design, it leaves some concerns about the stability of the furniture itself. There is no clear indication of how the legs stick together, or how the tabletop stays stable. It’s certainly possible that other smaller parts of the wooden sheet can be used as dowel rods to connect the pieces, which would further reduce the amount of wasted materials. This design, however, also has its limits in how big the table can be, as the tabletop will always be proportional to the rest of the sheet that would become its legs.

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Minimalist Side Table Hides a Simple But Effective Cable Management System

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Many of our everyday items find their way to the side tables sides couches, desks, and beds, and some of these items have cables that snake their way down and across the floor. These wires might not always ensnare your feet, but they definitely turn any beautiful interior into a dangling mess of cables. There are some side tables these days with built-in power outlets, but those still show the wires that crisscross each other. Some might even have the uninspiring charging bricks also rearing their ugly heads. This simple side table, on the other hand, has an equally simple solution that makes sure that nothing but your phones or tablets get the spotlight.

Designer: Rudolph Schelling Webermann

At first glance, the Charge Table looks like a pretty nondescript side table, albeit one with some elegance thanks to its minimalist design. The body itself is made from sturdy powder-coated steel that provides stability and handsome looks. The top of the table is lined with soft felt that protects your devices from scratches and bumps. It also gives a rough surface for mugs and cups to grip, keeping them from sliding.

This simplicity, however, is deceptive, because that tabletop slides out a bit to reveal a hidden compartment inside. This storage space has one primary function: to house a power strip that can charge your devices. You simply plug in your chargers, slide the tabletop back in, and have the charging cable discreetly coming out from the small gap at the side. And when you need to leave with that charger, simply slide the tabletop out again, unplug the charger, and go. You can also leave as many chargers in there thanks to the compartment’s spacious area.

As for the power strip’s own thick cable, a hole in the middle of that hidden storage for it to pass from beneath the table. Ideally, you’d have it find its way down one of the table’s legs or across to a nearby couch or chair, completely hiding it from view. Admittedly, it’s going to be trickier than keeping devices’ charging cables hidden, but at least there’s only one snake to wrangle.

The Charge Table offers a simple, elegant, yet very effective solution to ensuring that unsightly wires don’t ruin the aesthetics of your interior, though the compact size of the table does present another problem. Given today’s practice of owning more than one device per person, it might not be big enough to charge a phone and a tablet or a combination of multiple devices at the same time. Then again, the very design of the table itself encourages simplicity and frugality, and it might give people pause for thought on what’s really important, at least as far as the devices they keep close are concerned.

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Blown glass side tables look delicious enough to lick

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Glass isn’t often used for tables and even when it is, it’s usually only limited to the tabletop part. Glass is strong yet also brittle, so you would rarely want to have it in something that meets a lot of accidents in daily use. At the same time, however, glass also has an exquisite quality to its appearance that has even made it the favored material for counterfeit jewelry. There’s a certain artistry in glassware, especially when their production involves more traditional methods like glass blowing, embracing imperfections and flaws as unique traits that give the design a personality of its own. These side tables, simple as their shapes may be, are fine examples of how skilled craftsmanship can turn glass into something so beautiful that they might be good enough to eat.

Designer: Sabine Marcelis

Although they are completely functional, side tables often act more as decorative pieces, making them the perfect subject for design experimentation and thinking outside the box. There’s never a scarcity of concepts that explore different forms and functions for side tables, from transforming furniture to tables that serve both humans and pets at the same time. There are also plenty of more artistic renditions of what a side table is, like this collection that looks like tempting gigantic hard candy.

Coming in a variety of sizes, these square and rectangular glass boxes create a playful display of light and color through their translucent materials and even through the imperfections inside that material. The smoky gray and amber hues make the glass look less like jewelry and more like sweet treats that are too big to put in your mouth. Despite what would normally be boring shapes, the Lokum side tables have a certain aura of fun owing to the design’s charming character.

The simple boxy shapes of the side tables would normally be perfect for using mass-produced techniques, but these are instead blown glass into their geometric forms as evidenced by the traces of ripples in the glass. What would normally be seen as flaws actually enhance the glass tables’ playful image, adding a touch of dynamism to a rather static form. It also affects the way light passes through and bounces off, creating shadows and patterns that draw your attention further.

Elegant, entertaining, and ephemeral all at the same time, these blown glass side tables definitely do more than just provide a temporary place for books or cups. They turn imperfections into beautiful impressions, transform plain shapes into mouth-watering forms, and give life to any space through their simple yet eye-catching design. All these, using a technique that’s been around for centuries and a material that is as common as the sand.

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Quirky wooden side tables bring delight with geometric holes like a kid’s game

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Almost all tables have tops that are flat and horizontal mostly because of the function they serve. You wouldn’t want your glass to tilt over or your phone to slide down just because of an uneven or inclined surface, right? But as long as you are able to place things down on the table without having them wobble, fall, or roll off to the side, then the tabletop can almost be open to any design or shape. That seems to be the reasoning behind these fun-looking side tables that, at first glance, don’t look reliable or functional, at least until you realize that using them is almost like playing that educational game of fitting shapes inside the right holes.

Designer: Chien Yuoning

Many parents or even kids might be familiar with that toy where you have holes in a geometric shape and you’re supposed to drop matching geometric blocks inside them. This side table collection might immediately remind people of those toys and, unfortunately, might also give them the wrong impression of the practicality of such a design. Fortunately, it isn’t just a whimsical decision as these geometric holes can actually act as helpful organization aids in addition to being quite interesting to look at.

The Designated Table collection has geometric shapes like circles, squares, rectangles, and even pills cut out from the tabletop. While they might look like a loss in terms of usable space, they act as designated containers for things like glasses, phones, books, or whatnot. These compartments let you separate different things while also providing a bit of support to some extent. It’s harder for a glass to topple over if its area is constricted.

At the same time, the shapes add a playful character to the tables, especially since the shapes have a different color from the natural finish of the rest of the wooden table. The tables themselves come in different shapes, including a hexagon and a half circle, doubling the fun factor of each side table. That, however, also determines where some of these side tables can be placed, like the hexagon-shaped side table making a poor fit for a nightstand or anywhere the table needs to be flush against a flat surface like a wall, a couch, or a bed.

Another interesting aspect of the Designated Table’s design is that the legs follow the shape and orientation of those seemingly random shapes. That makes it feel like the wooden legs flow from these geometric indentations or vice versa, giving the tables an almost whimsical flavor that doesn’t sacrifice their stability. The gaps between the legs can even become a place for magazines, taking advantage of the narrow space. The geometric design of the Designated Table feels jovial and delightful but still makes the side tables completely functional and, perhaps, even more effective in keeping your things in their proper places.

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Terrazzo side table concept seems to tempt fate and defy the laws of physics

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Tables come in all shapes and sizes, but regardless of the design, they all need to have a single critical trait: they have to be stable. No matter how breathtaking a table might be, it is nothing but a piece of art if it comes crashing down under the lightest of weights. Stability can be achieved through many means, but for something like a coffee table or even a side table, that mostly means having a flat surface that doesn’t wobble or, more importantly, doesn’t tip over. That’s the behavior that people have come to expect from even the most beautiful table, which is why this side table concept is striking both for its elegant looks as well as its rather worrying composition that precariously balances the tabletop on a curved surface, or at least it would seem like it.

Designer: Stuart Cole

Objects that boggle the mind and seem to defy the laws of physics have always been a fascination for us, which is probably why balancing toys or levitating speakers have always been popular products. That, however, doesn’t apply to furniture, especially ones that we expect to be stable or fixed. Seeing a table that’s about to topple over is enough to give some people a heart attack, but fortunately, that’s not the case for the aptly named “Balance” side table design concept.

The table’s form is actually pretty simple, utilizing basic geometrical shapes like a disc and cups. It’s the tension between these shapes, however, that gives Balance its dynamic and rather unstable appearance. It’s almost as if the circular tabletop would topple and fall off the upside-down bowl shape of its base, or that the cup would similarly fall over the edge and break. Of course, it’s all just an illusion because all three parts are joined using interlocking mechanisms that prevent them from falling apart, at least not without much effort.

Balance’s appeal doesn’t stop at its eye-catching shape. Its unique appearance is due not only to the use of terrazzo but also from employing recycled materials. This gives the side table not only a distinctive visual character but also a sustainable narrative that will surely be a topic of conversation for envious visitors. You might even be tempted to use it as a coffee or center table, rather than just leaving it off to the side, though that temptation might also be tempered by unfounded worries that the table will eventually become unbalanced and send your cups and books crashing down.

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