Another day, another subscription price hike, this time for YouTube Premium. Every plan for YouTube’s ad-free tier is going up, and depending on which one you have, you could be paying as much as $4 per month more.
As reported by 9to5Google, YouTube has started emailing subscribers about the price changes, rather than announcing them publicly, and some Reddit users have posted screenshots of the emails they’ve received. The emails say that the increases will kick in during the June 2026 billing period. Individual plans are now $16 per month, up from $14, so a $2 hike. If you’re on a YouTube Premium family plan, you’ll now pay $27 per month, a $4 increase from the previous price of $23.
As a reminder, YouTube Premium unlocks ad-free viewing and listening on YouTube (including YouTube Kids) and YouTube Music, as well as offline viewing and the ability to continue listening in the background with other apps open. A family plan allows up to six accounts to enjoy all of the same benefits.
Both the Lite — which allows ad-free viewing and downloads for most, but not all, YouTube videos, and excludes music — and Music Premium plans are getting $1 increases, so the former now costs $9 per month, while the music streaming service is up to $12 per month from $11 before, according to 9to5Google. This makes it more expensive than Apple Music when taken on its own (YouTube Music Premium is also bundled with the YouTube Premium individual and family plans at no extra cost).
YouTube Premium last raised its prices (also rather quietly) in 2023, also by $2 for the regular plan. The latest price hikes follow Spotify putting its prices up by comparable amounts back in February. Netflix also jacked up the cost of all of its plans last month.
This article originally appeared on Engadget at https://www.engadget.com/social-media/youtube-premiums-us-pricing-is-going-up-132121683.html?src=rss
Did you ever think to yourself, what if I had a bag made from an extinct million-year-old animal? I mean, people do have bags made from cows, sheep, goats, and even crocodiles, snakes, and lizards. So why not have something from a really exotic animal that doesn’t exist anymore?
Well, apparently there are people, specifically those from techwear label Enfin Levé, who did think of that and have now come up with the world’s first ever T-Rex Leather Handbag. And obviously, this time around, no actual animals were harmed in making this one-of-a-kind luxury handbag.
What they used to actually make the bag is lab-grown material that scientists engineered using reconstructed dinosaur collagen. They reconstructed collagen sequences from 66-million-year-old T.Rex fossils that were eventually turned into real leather and now into a luxury handbag that collectors (with money) will probably rush to add to their cabinet (and maybe not actually use). Design-wise, the bag has a sleek and angular silhouette in a striking deep teal color. There are even three decorative incisions in the design that look like dinosaur scratch marks, to add a bit of “realism” to the bag. There is also a DNA helix-styled hardware connecting the strap to the bag.
Now, what makes this more than just a wild concept is actually what went into the leather itself. The T-Rex Leather isn’t some glorified synthetic material trying to pass as the real thing. It was developed by three collaborators: creative agency VML, genomic engineering company The Organoid Company, and biotech pioneer Lab-Grown Leather Ltd., and the result is a material that is apparently structurally identical to traditional leather. It’s durable, biodegradable, repairable, and fully traceable. So not only are you carrying something from 66 million years ago, but you’re also carrying something that is arguably better for the planet than your average luxury leather good. No animal slaughter, no deforestation, no heavy-chemical tanning process involved. In a weird twist of fate, the most ancient leather is also the most future-forward.
Enfin Levé’s founder and lead designer, Michal Hadas, put it perfectly when he said the goal was never to force the material into “familiar codes of luxury.” Instead, he let the T-Rex leather speak for itself, figuring out where it resists, how it holds tension, and letting all of that shape the final design. Which honestly? That kind of design philosophy is exactly why this bag feels so different from anything else out there.
The bag is currently on display at the Art Zoo Museum in Amsterdam and is displayed alongside a colossal life-size T. Rex skeleton cast from the Naturalis Biodiversity Center in Leiden, Netherlands. It will be there until May 11, in case you’re in town. But in case you thought there would be a slew of people carrying the T-Rex bag around, there is actually only one that exists in the world. It will be auctioned off to the highest bidder with the bid starting at around $663,000.
As for whether T-Rex leather will ever make it to the mass market, don’t hold your breath just yet, but don’t completely give up hope either. The plan is to eventually make the material available to luxury brands, starting with high-end accessories before expanding into other industries like automotive. So who knows, a T-Rex leather interior in your next car might not be as far-fetched as it sounds. For now though, this bag belongs to the world of the rare and extraordinary, right where it should be. Whether you’re a serious collector, a fashion obsessive, or someone who just really, really loves dinosaurs, there’s no denying that the Enfin Levé T-Rex Leather Handbag is genuinely unlike anything that has ever existed before. And at $663,000, well, some things truly are one of a kind.
OpenClaw is an AI assistant designed to simplify task management and enhance productivity through automation. With features like persistent memory and dual modes—“Plan” for organizing tasks and “Do” for executing them—it adapts to your preferences over time, making it a versatile choice for both personal and professional use. In a detailed guide by Howfinity, you’ll […]
Apple is reportedly preparing to make a significant shift in its design philosophy with the upcoming iPhone 18 Pro series, expected to debut in September 2026. For the first time, the Pro lineup may feature a striking deep red finish, signaling a departure from the company’s historically conservative approach to color. This bold move […]
Anthropic’s latest upgrade to Claude Code introduces AI-powered desktop automation, a feature that enables native computer control for macOS users. This enhancement allows tasks like mouse and keyboard navigation, screen recording and remote task execution to be automated directly on the desktop. For example, users can organize files in Finder, automate repetitive workflows in legacy […]
Phillip Im explains the process of producing thousands of realistic AI videos while making sure character consistency, a common challenge in large-scale video creation. By using platforms such as Higgsfield Al, which incorporates features like Nano Banana 2 for rendering and Angles 2.0 for dynamic character generation, he demonstrates a structured approach to achieving professional […]
Microsoft has rolled out a Notepad update for Windows Insiders that removes the Copilot branding and icon from within the app, Windows Central has reported. The old Copilot menu has been replaced with “writing tools,” but it’s worth noting that the tools are still powered by AI and are pretty much identical to the selection found in the old menu. Microsoft has just replaced the Copilot button with a pen icon. In addition, the company has removed mentions of AI in the Settings menu and has placed the option to disable the AI-powered writing tools within the “Advanced features” section.
The company first announced that it was dialing back its Copilot branding last month, most likely in response to all the criticisms against the AI assistant. It’s not very well-liked, with people complaining that Microsoft is forcing them to use the assistant inside all its apps and that Copilot doesn’t provide a consistent experience across different applications. “You will see us be more intentional about how and where Copilot integrates across Windows,” said Windows and Devices EVP Pavan Davuluri. Microsoft also promised to remove “unnecessary Copilot entry points,” starting with Notepad, Snipping Tool, Photos and Widgets. According to The Verge, Microsoft has already stopped showing the Copilot button when selecting areas to capture with the Snipping Tool, as well. Clearly, the company has been making good progress on yanking at least the visual reminders of Copilot from its apps.
This article originally appeared on Engadget at https://www.engadget.com/ai/microsoft-starts-removing-unnecessary-copilot-buttons-in-windows-11-120346728.html?src=rss
Samsung continues to push the boundaries of its flagship smartphone lineup with the Galaxy S27 series, introducing significant changes to cater to evolving user preferences. Among the most notable updates is the debut of the Galaxy S27 Pro, a model that eliminates the S Pen to optimize internal space. This strategic decision provides users with […]
Modern voice AI systems focus on how machines interpret and generate human speech, balancing quality, speed and computational efficiency. According to Trelis Research, one significant challenge lies in processing high bitrate voice data, which encodes not only words but also tone, emotion and rhythm. Continuous models like Piper and Style TTS2 treat voice as an […]
A good desk doesn’t happen by accident. Not one loaded with gadgets or overrun with branded accessories, but a workspace where every object earns its place. The stationery you choose sets the tone for how you think, write, and create. When a pen, tray, or ruler is designed with real intention, it stops being background noise and starts becoming an active part of the process itself.
The five pieces collected here share a common thread: they solve real problems without announcing themselves. Each one sits at the intersection of craft, function, and restraint. Whether you’re sketching, drafting, or writing longhand, these objects won’t compete for your attention. They’ll quietly make you better at whatever you’re doing. That’s the standard every great piece of stationery should meet, and these five clear it with ease.
1. Inseparable Notebook Pen
A pen that stays with its notebook sounds like a small idea, but the execution here is anything but minor. Built around a magnetic clip that secures directly to the cover, this piece eliminates the quiet, persistent frustration of reaching for a pen that isn’t there. The minimalist form is unobtrusive, the grip comfortable, and the ink flow smooth enough that writing feels less like a task and more like a reflex you’ve always had.
What makes this pen genuinely useful for daily writing is the built-in silencer, a detail that turns something mechanical into something refined. When you attach or detach it from the notebook, there’s no sharp click, just a quiet, satisfying motion. For anyone who writes regularly, that kind of sensory attention matters more than it should. The pen becomes an extension of the notebook rather than a companion to it, which means your ideas and the tool to capture them are always in the same place.
The magnetic clip keeps the pen fixed to the notebook cover at all times, so losing your writing tool mid-session is no longer a possibility
The built-in silencer makes attaching and detaching feel considered and refined rather than mechanical
What We Dislike
The design works best when paired with its intended notebook, which limits its versatility as a standalone pen
The minimalist form may reduce compatibility with notebooks of varying cover thickness or material
2. Solid Copper & Brass EDC Clutch Pencils
Nicholas Hemingway’s clutch pencils are machined from solid metal bar stock, not hollow tubes or plastic wrapped in metallic finishes, and that distinction matters from the first time you hold one. Copper weighs 8.96 grams per cubic centimeter, and brass sits at around 8.5. Hemingway has built his entire design philosophy around those densities. The mass of the metal body reduces the pressure you need to apply to the page, a concept he calls gravity-feed, making longer creative sessions far less fatiguing on the hand.
The 10th anniversary collection includes three pencils: the 5.6mm Copper and Brass Hybrid at 58 grams for shading and life drawing, with a built-in lead sharpener in the push button, and the 2mm Precision series in both brass and copper at around 30 grams each for technical drafting and fine-line illustration. Hemingway ships each version with a specific lead grade matched to its intended use, so you’re never mid-workflow having to swap. Both formats are fully compatible with any lead brand, making them as practical as they are beautifully crafted.
The gravity-feed approach uses the weight of the metal body to reduce hand fatigue across long drawing or writing sessions
Each pencil ships with a lead grade selected to match its intended use, removing the guesswork entirely from setup
What We Dislike
The solid metal construction makes these significantly heavier than standard options, which won’t suit every hand or working style
The price point of hand-machined tools will be a barrier for casual or occasional users
3. KNOB. Pen Tray
Changho Lee’s KNOB. Pen tray is one of those rare desk accessories that rewards both looking at and actually using. The form is clean and minimal with rounded edges, but the real story lives in the knobs, borrowed from the design language of gas burner controls and reimagined as adjustable dividers inside the tray. Those knobs let you reconfigure the interior space in any direction, depending on what you’re organizing and how you want to arrange it on a given day.
For anyone who cycles between different tools, the KNOB. tray removes the need for multiple organizers competing for desk space. One tray handles everything because you can reshape its interior for whatever you need at any given moment. That kind of adaptable functionality is genuinely rare in desk accessories, which tend to be fixed in their layouts and unforgiving when your needs shift. The visual result is a tray that always looks intentional, regardless of what’s inside it or how the internal dividers have been reconfigured.
What We Like
The adjustable knobs let you customize the internal layout in any direction without tools, additional parts, or a second organizer
The minimal aesthetic keeps the tray from visually cluttering the desk, no matter how it’s currently configured
What We Dislike
The knob-based adjustment mechanism may feel fiddly for users who reorganize their setup frequently throughout the day
The compact footprint may not comfortably accommodate larger or unusually shaped stationery items
4. Eco-Friendly Pencil Sharpener
Wang Cheng’s Eco-Friendly Pencil Sharpener is a Red Dot Design Concept Award winner built around one precise and clever observation: pencil stubs don’t need to be discarded. With three sharpening zones, the sharpener handles conventional sharpening but also threads and taps pencils, turning them into wooden screws that connect end to end. A stub that would otherwise be thrown away becomes usable again the moment you screw it into a larger pencil, extending its life without any additional materials or waste.
That mechanism is genuinely satisfying to use, and it shifts how you think about pencils entirely. Threading one end and screwing two together feels intuitive after the first attempt, and the result is a longer, more comfortable writing instrument that has a second act built in from the start. For anyone who goes through pencils regularly, whether sketching, drafting, or writing by hand, this sharpener reframes the stub not as the end of something useful but as the beginning of another productive session.
What We Like
The threading and tapping mechanism extends the life of pencil stubs meaningfully, reducing material waste without requiring anything extra
Winning the Red Dot Design Concept Award confirms that the idea is executed as well as it is inventive
What We Dislike
The three-zone sharpening system introduces more complexity than most casual users will need or ever explore
Screw-together pencils may feel slightly uneven in the hand compared to a single, uniform pencil body
5. Quiver Ruler
Tunir Maity’s Quiver is an anodized aluminum ruler built for people who actually cut with one, not just measure. It has a clip mechanism that holds paper in place, a blade slit that guides your cut in a straight line, and a weight distribution that favors the cutting end so you don’t have to press down as hard. Made for over 300 cuts with recyclable plastic components, Quiver doesn’t treat shaky hands or imprecise cuts as user failures. It treats them as design problems worth solving properly.
Beyond its cutting functionality, Quiver includes a carabiner attachment for clipping to a bag, which makes it genuinely portable rather than just theoretically so. The anodized aluminum finish gives it a premium presence on any desk, and the minimal profile means it stores flat without consuming unnecessary space. For designers, architects, or anyone who works regularly with physical materials, Quiver is the kind of tool that makes you quietly wonder why rulers weren’t designed this way from the very beginning.
What We Like
The blade channel and clip mechanism make precise, straight cuts achievable without pressing hard or manually holding paper in place
The carabiner attachment makes it easy to carry wherever the work actually happens, rather than leaving it behind on the desk
What We Dislike
Quiver is currently a concept, so availability for purchase has not been confirmed
The emphasis on cutting functionality may feel overbuilt for users who only need a ruler for basic measuring
The Desk You Actually Want
Minimalism isn’t about owning less. It’s about owning better. Each piece on this list earns its place not through novelty or surface-level aesthetics alone, but through how well it understands the person using it. A pen that stays with your notebook, a ruler that guides your blade, a tray that reorganizes itself around your tools. These are objects designed around behavior, not the other way around.
The best stationery doesn’t ask for your attention. It earns your trust slowly, through repeated use, through a grip that feels right after the third session, through a cut that lands exactly where you planned it. The five pieces here share that quality. They’re not trying to be beautiful. They are beautiful because they work, and that’s a distinction worth remembering the next time you’re building a workspace from scratch.
Handbag. And obviously, this time around, no actual animals were harmed in making this one-of-a-kind luxury handbag.
