Apple is reportedly preparing to make its debut in the foldable smartphone market with the highly anticipated iPhone Fold. Currently in the trial production phase, this device has the potential to reshape the foldable technology landscape. Known for its meticulous attention to detail and innovation, Apple is expected to deliver a product that combines innovative […]
The post The iPhone Fold Delay: Is Apple’s First Foldable Really Pushed to 2027? appeared first on Geeky Gadgets.
After its history-making trip around the Moon, NASA's Artemis II mission is set to return to Earth later today. The Orion spacecraft carrying astronauts Reid Wiseman, Christina Koch, Victor Glover and Jeremy Hansen is scheduled to splash down off the coast of San Diego at approximately 8:07PM ET. NASA will stream the landing on YouTube and its NASA+ website, as will Netflix and HBO Max. The official broadcast will begin at 6:30PM ET.
After leaving Earth on NASA's super heavy-lift SLS rocket and spending nine days in space, the most dangerous part of the Artemis II mission still lies ahead. It will take approximately 13 minutes for the Orion spacecraft to complete re-entry. During that time, it will be subject to temperatures of up to 5,000 degrees Fahrenheit (2,760 degrees Celsius).
Reentry is dangerous for any crewed spacecraft, but is of particular concern here because of a "skip reentry" during the Artemis 1 mission. At that time, the Orion crew vessel briefly used its own lift to "skip" back out of Earth's upper atmosphere before re-entering for the final descent, suffering excess charring in the process. NASA spent months investigating and determined the craft was safe to fly, but Artemis II will take a more gradual approach back to Earth in hopes of reducing its exposure to excess heat.
Still, this is the first time in 53 years that NASA will need to guide a human crew back from the Moon. Once all is said and done, however, the Artemis II crew will have traveled 695,081 miles (1,118,624 km), captured amazing images along the way and reminded the world what’s possible when nations work together.
This article originally appeared on Engadget at https://www.engadget.com/science/space/how-to-watch-the-artemis-ii-landing-145344873.html?src=rssAfter its history-making trip around the Moon, NASA's Artemis II mission is set to return to Earth later today. The Orion spacecraft carrying astronauts Reid Wiseman, Christina Koch, Victor Glover and Jeremy Hansen is scheduled to splash down off the coast of San Diego at approximately 8:07PM ET. NASA will stream the landing on YouTube and its NASA+ website, as will Netflix and HBO Max. The official broadcast will begin at 6:30PM ET.
After leaving Earth on NASA's super heavy-lift SLS rocket and spending nine days in space, the most dangerous part of the Artemis II mission still lies ahead. It will take approximately 13 minutes for the Orion spacecraft to complete re-entry. During that time, it will be subject to temperatures of up to 5,000 degrees Fahrenheit (2,760 degrees Celsius).
Reentry is dangerous for any crewed spacecraft, but is of particular concern here because of a "skip reentry" during the Artemis 1 mission. At that time, the Orion crew vessel briefly used its own lift to "skip" back out of Earth's upper atmosphere before re-entering for the final descent, suffering excess charring in the process. NASA spent months investigating and determined the craft was safe to fly, but Artemis II will take a more gradual approach back to Earth in hopes of reducing its exposure to excess heat.
Still, this is the first time in 53 years that NASA will need to guide a human crew back from the Moon. Once all is said and done, however, the Artemis II crew will have traveled 695,081 miles (1,118,624 km), captured amazing images along the way and reminded the world what’s possible when nations work together.
This article originally appeared on Engadget at https://www.engadget.com/science/space/how-to-watch-the-artemis-ii-landing-145344873.html?src=rss
For most people, saying something as simple as “good morning” to a stranger or asking for directions takes no effort at all. For the tens of millions worldwide who live with speech impairments or are completely mute, those same moments can be frustrating or simply inaccessible. The tools that exist to help, from apps to letter boards, tend to make communication slower rather than simpler.
That’s what designer Ivana Nedeljkovska set out to change with Your Voice, an assistive communication concept built on a simple premise: the body already tries to speak, even when no sound comes out. Rather than adding yet another screen or typing interface to the equation, the system works with what the body naturally does, turning the attempt to communicate into communication itself.
Designer: Ivana Nedeljkovska
Your Voice consists of two components. A flexible patch worn on the neck detects the muscular movements the body makes during attempted speech, even when the vocal cords produce no sound at all. Those signals are transmitted in real time to a small, spherical robotic unit, which converts them into audible speech. The patch reads the intention; the robot gives it a voice.
What that means in practice is the removal of the pause that defines most assistive communication right now. Someone with a speech impairment attending a meeting doesn’t have to look away from the conversation to type out a response. A child who can’t speak can call for a parent without reaching for a device first. The thought and the response happen almost simultaneously.
The robotic unit’s form was guided by Nedeljkovska’s early inspiration from an orange, its rounded shape steering the design away from anything clinical. The polished sphere, embedded display panel, and mesh speaker grilles give it a refined look that doesn’t betray its purpose at a glance. It’s something you’d carry without self-consciousness, which matters more in assistive technology than it’s often given credit for.
The display panel on the robot unit adds another layer to the audio output. It shows transcribed words in real time so conversations can continue even in noisy environments or when someone nearby can’t quite hear what was said. The neck patch is designed to sit against the skin comfortably for extended wear, and the robot is compact enough to be held in hand or placed nearby.
Most assistive communication tools are designed around output: a screen to tap, an app to navigate, a board to point at. Your Voice flips that logic by making the body the input. That shift in thinking is arguably the most significant thing the concept offers, more so than any single feature, because it treats a physical limitation as a starting point rather than a constraint.
It’s still a concept, and turning neck muscle signals into reliable speech at scale is a complex engineering challenge. But the direction Nedeljkovska points toward, communication that asks nothing extra of the person trying to be heard, is one that the assistive technology field sorely needs. The ambition isn’t simply to build a better device; it’s to stop making communication feel like work.
The post Your Voice Wearable and Robot Hear the Words Mute People Can’t Say first appeared on Yanko Design.
Samsung is poised to make a significant impact on the foldable smartphone market in 2026, with reports suggesting the release of up to four new devices. These include the Galaxy Z Fold 8, Z Flip 8, Galaxy Z Fold 8 Wide, and a possible third model, the Galaxy Z Fold 8 FE. Industry speculation and […]
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Not everyone needs a $1,000 soundbar. It’s easy to argue the sonic superiority of those flagship models from Samsung, Sonos and Sony, but for some people a simple boost to their TV speakers can provide a world of difference. As part of its 2026 soundbar lineup, Sony debuted the Bravia Theater Bar 5: a $350 entry-level model that covers the basics and comes with a wireless subwoofer in the box. The real question here is how many features are you willing to live without.
The Theater Bar 5 is the most compact soundbar among Sony’s new models, measuring just 35.5 inches wide. For comparison, that’s still about 10 inches wider than the second-gen Sonos Beam, but nearly 16 inches smaller than Sony’s flagship Theater Bar 9. This stature makes the Bar 5 well-suited for smaller spaces with smaller TVs. In fact, Sony says the soundbar will fit between the legs of Bravia TVs with multi-position stands. Plus, the Bar 5 is just over 2.5 inches tall, slightly shorter than the Beam, so it won’t block the bottom edge of most TVs.
Despite its small size, the Bar 5 cranks out some excellent sound. There’s plenty of crisp, clear audio from the 3.1-channel configuration, and the included subwoofer provides an ample amount of booming bass. The Bar 5 supports Dolby Atmos and DTS:X, but it doesn’t have up-firing drivers. Instead, the soundbar relies on Sony’s Vertical Surround Engine and S-Force Pro Front Surround tech to virtualize much of the directional and overhead audio. More on that in a bit.
While watching Netflix’s Drive to Survive, I experienced the excitement of F1 cars zooming around various circuits as the Bar 5 does well with general movement. The soundbar’s wide soundstage, excellent detail and booming bass provide some degree of immersion that doesn’t rely on audio projected overhead. That overall clarity and powerful bass are also great for listening to music, as the Bar 5 can handle a range of genres with ease.
From Kieran Behden & William Tyler’s acoustic/electronic 41 Longfield Street Late ‘80s to Thursday’s screamo masterpiece Full Collapse, the soundbar performs admirably. Although with heavier genres, I preferred to dial down the bass slightly. Tucker Rule’s kick drum on Full Collapse, for example, was a bit much for the standard tuning here.
After struggling with the setup on LG’s Sound Suite, I was thankful that configuring the Bar 5 was super easy. It’s very much a plug-and-play situation, and the Bravia Connect app guides you through the initial steps. It takes about five minutes to get up and running and I’d wager even the least tech-savvy person in your life can probably figure this out. You can also opt for Night mode (less bass), Sound Field (enhanced audio) and Voice mode (louder dialogue) in the Bravia Connect app.
All of this certainly makes the Bar 5 a solid option for someone who doesn’t need a lot of features, but stands to benefit from augmenting the sound from their TV alone.
While the Bar 5 supports Dolby Atmos and DTS:X immersive audio, Sony’s virtualization tech was a disappointment. There’s some side-to-side directional sound, but I noticed almost no simulated overhead noise. The Bar 5’s sonic clarity makes it a solid option for boosting living room audio, just don’t expect the enveloping effects that more robust (and more expensive) soundbars would offer.
There are several features you won’t find on the Theater Bar 5, starting with the lack of onboard controls. I’m well aware that those buttons on top of soundbars don’t get used much, but if you’re like me, you still reach for them occasionally. There were several times during my testing when I tried to blindly tap the non-existent volume controls on the Bar 5. Other than a power button on the right side, your options for controlling this soundbar are a remote and the Bravia Connect app.
You also won’t find a Wi-Fi connection on the Bar 5. This means that AirPlay and Google Cast aren’t available to easily beam audio from your devices to the soundbar. There is Bluetooth 5.3, so you do have an option for music and podcasts from your phone or laptop if you need it. However, pairing your devices to the soundbar via Bluetooth isn’t as quick as selecting the soundbar in your streaming app when AirPlay or Cast are on the spec sheet.
Lastly, Sony doesn’t offer any type of room calibration on Theater Bar 5. Sure, a smaller soundbar like this is better in smaller spaces, but it would still be nice to have the system dial in the audio for the aspects of the room. After all, not every living room is a perfect rectangle. I can understand why the company left this feature out of a $350 model, since the tool would require extra components like microphones. This is certainly one of the more noticeable trade-offs for saving some money.
Sometimes the basics are all you need. Sony’s Bravia Theater Bar 5 provides an entry-level boost to TV audio that will be fine for people looking for just that. While there is support for immersive audio, the soundbar’s 3.1-channel setup isn’t the best for Dolby Atmos and DTS:X performance, and that’s really the biggest knock against the Bar 5. However, this model's excellent audio quality, especially the powerful bass, will suffice for customers just looking to hear their TVs better.
If you want a compact soundbar that provides respectable Atmos performance, the second-gen Sonos Beam is your best bet. Sure, it’s more expensive at $499 and it doesn’t come with a subwoofer, but its additional drivers, tweeter and passive radiators offer more robust audio from the soundbar alone. You also get Trueplay room calibration and Wi-Fi connectivity there.
The Theater Bar 5 will certainly improve your living room audio compared to your TV speakers alone, but with a few more features and improved Atmos virtualization, Sony could’ve had a real winner.
This article originally appeared on Engadget at https://www.engadget.com/audio/speakers/sony-bravia-theater-bar-5-review-a-basic-tv-sound-booster-140000192.html?src=rssAnother day, another subscription price hike, this time for YouTube Premium. Every plan for YouTube’s ad-free tier is going up, and depending on which one you have, you could be paying as much as $4 per month more.
As reported by 9to5Google, YouTube has started emailing subscribers about the price changes, rather than announcing them publicly, and some Reddit users have posted screenshots of the emails they’ve received. The emails say that the increases will kick in during the June 2026 billing period. Individual plans are now $16 per month, up from $14, so a $2 hike. If you’re on a YouTube Premium family plan, you’ll now pay $27 per month, a $4 increase from the previous price of $23.
As a reminder, YouTube Premium unlocks ad-free viewing and listening on YouTube (including YouTube Kids) and YouTube Music, as well as offline viewing and the ability to continue listening in the background with other apps open. A family plan allows up to six accounts to enjoy all of the same benefits.
Both the Lite — which allows ad-free viewing and downloads for most, but not all, YouTube videos, and excludes music — and Music Premium plans are getting $1 increases, so the former now costs $9 per month, while the music streaming service is up to $12 per month from $11 before, according to 9to5Google. This makes it more expensive than Apple Music when taken on its own (YouTube Music Premium is also bundled with the YouTube Premium individual and family plans at no extra cost).
YouTube Premium last raised its prices (also rather quietly) in 2023, also by $2 for the regular plan. The latest price hikes follow Spotify putting its prices up by comparable amounts back in February. Netflix also jacked up the cost of all of its plans last month.
This article originally appeared on Engadget at https://www.engadget.com/social-media/youtube-premiums-us-pricing-is-going-up-132121683.html?src=rssDid you ever think to yourself, what if I had a bag made from an extinct million-year-old animal? I mean, people do have bags made from cows, sheep, goats, and even crocodiles, snakes, and lizards. So why not have something from a really exotic animal that doesn’t exist anymore?
Well, apparently there are people, specifically those from techwear label Enfin Levé, who did think of that and have now come up with the world’s first ever T-Rex Leather
Handbag. And obviously, this time around, no actual animals were harmed in making this one-of-a-kind luxury handbag.
Designer: Enfin Levé
What they used to actually make the bag is lab-grown material that scientists engineered using reconstructed dinosaur collagen. They reconstructed collagen sequences from 66-million-year-old T.Rex fossils that were eventually turned into real leather and now into a luxury handbag that collectors (with money) will probably rush to add to their cabinet (and maybe not actually use). Design-wise, the bag has a sleek and angular silhouette in a striking deep teal color. There are even three decorative incisions in the design that look like dinosaur scratch marks, to add a bit of “realism” to the bag. There is also a DNA helix-styled hardware connecting the strap to the bag.
Now, what makes this more than just a wild concept is actually what went into the leather itself. The T-Rex Leather isn’t some glorified synthetic material trying to pass as the real thing. It was developed by three collaborators: creative agency VML, genomic engineering company The Organoid Company, and biotech pioneer Lab-Grown Leather Ltd., and the result is a material that is apparently structurally identical to traditional leather. It’s durable, biodegradable, repairable, and fully traceable. So not only are you carrying something from 66 million years ago, but you’re also carrying something that is arguably better for the planet than your average luxury leather good. No animal slaughter, no deforestation, no heavy-chemical tanning process involved. In a weird twist of fate, the most ancient leather is also the most future-forward.
Enfin Levé’s founder and lead designer, Michal Hadas, put it perfectly when he said the goal was never to force the material into “familiar codes of luxury.” Instead, he let the T-Rex leather speak for itself, figuring out where it resists, how it holds tension, and letting all of that shape the final design. Which honestly? That kind of design philosophy is exactly why this bag feels so different from anything else out there.
The bag is currently on display at the Art Zoo Museum in Amsterdam and is displayed alongside a colossal life-size T. Rex skeleton cast from the Naturalis Biodiversity Center in Leiden, Netherlands. It will be there until May 11, in case you’re in town. But in case you thought there would be a slew of people carrying the T-Rex bag around, there is actually only one that exists in the world. It will be auctioned off to the highest bidder with the bid starting at around $663,000.
As for whether T-Rex leather will ever make it to the mass market, don’t hold your breath just yet, but don’t completely give up hope either. The plan is to eventually make the material available to luxury brands, starting with high-end accessories before expanding into other industries like automotive. So who knows, a T-Rex leather interior in your next car might not be as far-fetched as it sounds. For now though, this bag belongs to the world of the rare and extraordinary, right where it should be. Whether you’re a serious collector, a fashion obsessive, or someone who just really, really loves dinosaurs, there’s no denying that the Enfin Levé T-Rex Leather Handbag is genuinely unlike anything that has ever existed before. And at $663,000, well, some things truly are one of a kind.
The post The World’s First T-Rex Leather Handbag Will Cost You $663,000 first appeared on Yanko Design.
OpenClaw is an AI assistant designed to simplify task management and enhance productivity through automation. With features like persistent memory and dual modes—“Plan” for organizing tasks and “Do” for executing them—it adapts to your preferences over time, making it a versatile choice for both personal and professional use. In a detailed guide by Howfinity, you’ll […]
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Apple is reportedly preparing to make a significant shift in its design philosophy with the upcoming iPhone 18 Pro series, expected to debut in September 2026. For the first time, the Pro lineup may feature a striking deep red finish, signaling a departure from the company’s historically conservative approach to color. This bold move […]
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