Oppo and Vivo Are Both Building Gimbal Cameras To Take On DJI’s Osmo Pocket Series

Somewhere inside BBK Electronics, two product teams are independently building the same camera. Oppo has a pocket gimbal codenamed “Fuyao” in development. Vivo has the “Vivo Pocket,” reportedly fitted with a 200MP Sony sensor, headed for a late 2026 launch. Whether BBK’s leadership views this as healthy internal competition or an organizational blind spot depends entirely on your read of how the conglomerate actually operates. What’s undeniable is that both devices are aimed squarely at the same target: DJI’s Osmo Pocket series, the device that has owned the pocket gimbal category for years.

The timing, whether coordinated or coincidental, lands at a genuinely vulnerable moment for DJI. Regulatory pressure in the US has made retailers and creators skittish about long-term investment in the DJI ecosystem, and Insta360, the most credible challenger until now, is going aggressively upmarket with its Leica-partnered Luna Ultra. That leaves a real gap in the premium-but-accessible bracket, and BBK, intentionally or otherwise, has two horses racing toward exactly that gap simultaneously.

Designers: Oppo & Vivo

AI Representational Concept

Oppo’s Fuyao centers on a 3-axis stabilized gimbal in a compact form factor, with the brand leaning heavily on its AI-driven video computational technology to bridge the gap between high-end smartphone imaging and dedicated vlogging hardware. That’s a credible pitch. Oppo’s Find X9 Ultra stuffed two 200MP cameras and a sophisticated computational pipeline into a phone chassis, so the engineering muscle is demonstrably there. The question is whether that expertise translates cleanly when the form factor constraints change and the buyer’s expectations are shaped by years of DJI’s famously polished shooting experience.

Vivo is taking a more overtly spec-aggressive approach, with its prototype packing a 1/1.1-inch Sony LYT-901 sensor capable of 200MP stills, a significant departure from the current gimbal camera standard of 1-inch sensors with lower megapixel counts. That sensor is the same one powering Vivo’s current flagship phones, which means the lossless zoom headroom and low-light performance should be genuinely competitive. Vivo is targeting DJI-level hardware quality, suggesting a premium build rather than a budget-friendly entry point, and content creators are reportedly already getting early units for testing.

The deeper strategic story here is what BBK is actually betting on. DJI’s regulatory headaches in the US aren’t going away quietly, and Insta360’s Luna Ultra, co-developed with Leica and priced accordingly, is drifting toward a buyer profile that everyday creators can’t comfortably afford. That middle ground, premium imaging credentials at a price that doesn’t require a business justification, is exactly where Oppo and Vivo are parking. Whether BBK planned this pincer movement or stumbled into it, the instinct is sound. The execution is all that’s left to prove.

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This Flat Textile Transforms Into a Sculptural Cap With Steam

The TYPE-O CAP by A-POC ABLE ISSEY MIYAKE is not just a cap; it is a small, wearable study in transformation. At first, it begins as something surprisingly simple: a flat woven textile. But through the application of heat and steam, the fabric contracts, expands, and reshapes itself into a sculptural three-dimensional form. What was once flat becomes structured. What looked quiet becomes expressive. The result is a cap that feels both technical and poetic, sitting somewhere between fashion, material research, and soft architecture.

At the center of the cap is Steam Stretch, an innovative textile technique developed by A-POC ABLE ISSEY MIYAKE. The fabric is woven using heat-reactive yarns that respond to steam by shrinking in specific areas. This contraction is not random. It is carefully planned through data-driven jacquard weaving, where thousands of threads are arranged to create a structure before the object even visibly takes shape. Once steam is applied, the hidden logic of the weave is activated, allowing the cap to rise from a flat surface into a dimensional form.

Designer: Yoshiyuki Miyamae

This is what makes the TYPE-O CAP so compelling. Its shape is not created by cutting multiple panels and stitching them together in a conventional way. Instead, the structure is embedded into the textile itself. The pleats, curves, and volume emerge from the behavior of the material. The fabric almost seems to remember what it is supposed to become.

Created in collaboration with Nature Architects, the cap is part of a larger exploration into how textiles can transform through programmed material behavior. Nature Architects studied the contraction properties of the Steam Stretch yarn and developed algorithmic methods to generate weave patterns that control how the fabric changes shape. In the case of the cap, this results in a geometric pleated structure that expands around the head, adapting to the wearer while maintaining its sculptural character.

Despite its experimental process, the cap remains thoughtfully functional. It is unisex, washable, adjustable, and flat-packable, making it as practical as it is innovative. A drawcord at the back allows the wearer to fine-tune the fit, while the pleated structure gives the cap a flexible, adaptive quality. It can also be dyed in various colors, giving the same material system different expressions depending on finish, tone, and styling.

What is especially interesting about the TYPE-O CAP is how it makes advanced material technology feel approachable. It is not a dramatic runway object that only exists as a concept. It is an everyday accessory, but one that quietly challenges how we think about clothing construction. The cap suggests a future where garments may not need to be assembled from many separate cut pieces. Instead, they could be woven flat, transported efficiently, and transformed into complex forms through heat, steam, or other triggers.

While the cap is the focus here, the possibilities of this material system extend far beyond headwear. The same Steam Stretch and data-driven weaving approach can be used to create other garments with complex pleats, adaptive silhouettes, and reduced sewing requirements. It also opens up possibilities beyond fashion, including furniture, lighting, interiors, and even architectural applications. A textile that can shift from flat to dimensional has enormous potential in a world increasingly interested in compact production, responsive materials, and more efficient design systems.

The TYPE-O CAP captures that potential in a beautifully contained form. It is small enough to be worn casually, but conceptually large enough to suggest a different way of making. It turns fabric into structure, steam into a design tool, and a cap into an object that feels almost alive.

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Why the Leaked iOS 27 Siri is Apple’s Biggest AI Move Yet

Why the Leaked iOS 27 Siri is Apple’s Biggest AI Move Yet iOS 27

Apple is preparing to introduce fantastic updates to Siri and iOS 27, aiming to redefine how you interact with your devices. These enhancements focus on modernizing Siri, addressing long-standing user concerns, and positioning Apple as a leader in the competitive AI-driven digital assistant market. Key updates include a redesigned Siri interface, a dedicated Siri app, […]

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How to Use the Hermes /Goal Command to Streamline Your Projects

How to Use the Hermes /Goal Command to Streamline Your Projects Hermes agent dashboard showing the new goal feature automating tasks

Hermes `/goal` is an advanced AI-driven feature designed to simplify complex workflows by automating tasks with minimal manual input. Highlighted by David Ondrej, this system operates through clearly defined objectives, allowing it to autonomously break down and execute intricate processes. For example, its sub-goal assignment capability allows the AI to dynamically adjust its approach, making […]

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Four Meters by Four Meters: How Tadao Ando Made Constraint Beautiful

Perched on the coast of the Seto Inland Sea in Tarumi-ku, Kobe, the 4×4 House by Tadao Ando occupies a narrow coastal strip that Japanese authorities had not even considered constructible. That is exactly why Ando built there. Completed in 2003, the house rose in the shadow of the Great Hanshin earthquake, a catastrophe that reshaped the region and the consciousness of everyone who lived through it. Ando’s response was not to build bigger or safer in the conventional sense.

It was to build with precision — a four-story reinforced concrete tower with a footprint of just four meters by four meters. Sixteen square meters of floor area, multiplied upward toward the sky. The name is the blueprint.

Designer: Tadao Ando

At 13.4 meters tall, the structure reads less like a residence and more like a sentinel. Its silhouette evokes a watchtower — upright, deliberate, scanning the horizon. Ando sank the foundations deep into the ground to resist lateral forces, and at the base, a square concrete patio disappears beneath the waterline when the tide comes in. The boundary between architecture and ocean is intentionally blurred. Living here means accepting the sea as a roommate.

The interior climbs through a vertical sequence of rooms, each floor stacked with the discipline of a column. What makes the composition unusual is the top floor — a cube shifted slightly off-axis from the floors below, a geometric move that feels almost offhand but transforms the entire silhouette. Light enters in controlled bursts. Views are framed like paintings. Nothing is accidental.

Not long after the first house was finished, a second client commissioned Ando to build an identical tower on the neighboring plot. The result is a pair of concrete twins standing side by side on the coastline, same in form but different in material — a duality Ando had quietly envisioned from the beginning. The two buildings share no physical connection. They stand together, facing the sea, as if in silent conversation.

The 4×4 House is not a comfortable building in the traditional sense. It is a provocation — a proof that constraint, when embraced fully, becomes its own kind of freedom. Ando took a strip of coastline that the city had written off and turned it into one of the most discussed residential structures of the 21st century. Sixteen square meters at a time.

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Samsung Galaxy Z Fold 8 vs Fold 8 Wide: The Wider Screen Comes With a Major Camera Catch

Samsung Galaxy Z Fold 8 vs Fold 8 Wide: The Wider Screen Comes With a Major Camera Catch Samsung Galaxy Z Fold 8 Wide

The upcoming Galaxy Z Fold 8 and Z Fold 8 Wide represent the forefront of foldable smartphone technology, offering distinct features tailored to varying user preferences. While both devices excel in performance, their camera systems set them apart, catering to different photography needs. The Z Fold 8 stands out with its advanced camera capabilities, making […]

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The Secret to Self-Hosting OpenClaw Without the Headache

The Secret to Self-Hosting OpenClaw Without the Headache The OpenClaw interface displaying active 24/7 AI tasks

Self-hosting OpenClaw with EasyPanel provides a structured approach to managing AI deployments while maintaining control over your infrastructure. Leonardo Grigorio | Build & Ship with AI explains how combining OpenClaw with a Virtual Private Server (VPS) can improve reliability and enable integration with key components like language models and messaging platforms. For instance, EasyPanel streamlines […]

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5 Desk Accessories So Cute They Make Work Feel Less Like Work

For years, professional stationery stayed neutral and invisible. Desks were filled with black pens, muted folders, and purely functional organizers. Utility mattered, but visual pleasure rarely did. That long-standing mindset is now beginning to change as designers rethink what belongs on a modern desk.

Let’s enter the era of playful stationery where cute meets carefully considered design. These pieces are not gimmicks but thoughtfully engineered essentials that elevate everyday work. By combining tactile satisfaction with visual charm, they turn routine tasks into moments of delight. The desk is no longer just a surface but a space for creativity, comfort, and self-expression.

1. Transparent Design Aesthetics

Transparency in stationery is no longer just a visual novelty. It reflects a deeper appreciation for clarity, precision, and the beauty of the machine. Clear materials such as acrylic and resin reveal springs, gears, and ink reservoirs, turning everyday tools into small design showcases. The user is invited to witness how the object functions, creating a stronger connection between form and mechanism.

Beyond aesthetics, transparent design reshapes the visual rhythm of a workspace. Its light presence reduces the sense of bulk and clutter, allowing the desk to feel open and breathable. The effect is subtle yet striking, blending minimalism with a futuristic edge while maintaining full functionality and tactile satisfaction.

Royi Stationery places transparency at the heart of its design philosophy, transforming ordinary office tools into visually honest objects. Their clear staplers, external hard drives, and coin banks expose every internal component, allowing you to witness the mechanics that usually remain concealed. The transparent casing is not simply an aesthetic decision; it symbolises openness and authenticity. When you press the stapler, you see the staple move through paper. When you hold the hard drive, you observe the intricate circuitry protecting your data. This visibility creates a deeper connection between the user and the object.

By removing the outer shell that typically hides complexity, Royi invites you to appreciate function rather than façade. The products celebrate engineering, structure, and process, reminding you that what lies beneath the surface often carries the greatest value.

2. Stationery as Sculptural Art

Stationery is evolving beyond utility, stepping confidently into sculptural art. Contemporary desk accessories are designed to captivate even at rest, with forms inspired by gallery objects rather than traditional office supplies. Tape dispensers resemble smooth metallic pebbles, while paperweights echo abstract statues, transforming ordinary tools into visual statements.

This shift reflects a growing desire for workspaces that feel curated and expressive. Form now holds equal importance to function, allowing these pieces to enhance the environment, whether in use or simply displayed. The desk transforms into a composition where practicality and artistry coexist, adding character, texture, and a sense of intentional design.

There are countless ways to organise a desk, but few solutions approach storage as a sculptural expression. Designed by Subin Song in collaboration with Fountain Studio, Cacty transforms the ordinary desk organiser into a vertical composition inspired by the organic growth of succulents. Rather than concealing clutter inside static compartments, the system rises upward in stacked forms, creating a silhouette that feels architectural and plant-like.

Each module functions as a container and a structural element, connecting through a slot-and-tab mechanism that allows the form to evolve endlessly. The base anchors the composition, while taller and shorter units interlock to create varied proportions, shadows, and depth. As modules accumulate, Cacty becomes a personalised sculptural tower which is an organizer and installation.

3. Architectural Desk Aesthetics

The structural edge in stationery draws heavily from architectural language and industrial design. Influenced by brutalism and modern drafting aesthetics, these pieces embrace sharp geometry, visible structure, and engineered balance. Materials such as concrete, steel, and solid brass introduce weight, texture, and a sense of durability that contrasts with conventional plastic desk tools.

Objects like pen holders shaped as miniature towers or cantilevered desk trays express stability and intention. They communicate permanence while maintaining full functionality. They transform the desktop into a composed landscape of lines and forms that exudes the quiet drama of structural design.

Overhead view of a dark desk with two ribbed metal organizers in silver and rose gold, plus a brown brochure with paper clips and pencils nearby in a modern setup.

Industrial designer Jaekyoung Oh approaches desk organisation through the lens of product architecture rather than mere storage. The Small Town holder is conceived as a miniature built form, defined by a clear base structure and a pitched roof silhouette. The body functions like a compact architectural volume, solid, geometric, and carefully proportioned, while the slanted top incorporates linear grooves that transform pencils into structural elements.

White card with a red curved shape and bold text sits in a green tray, held by paperclips on a dark tiled surface.

White rectangular pencil holder with numerous beige pencils standing upright on a circular marble pedestal.

Row of white rectangular boxes with ribbed corrugated lids in yellow, black, gray, white, green, and blue on a pale surface.

When inserted, the writing instruments complete the roof plane, turning everyday objects into integral components of the design’s framework.
The architectural logic continues in its modular potential. Multiple units can be arranged side by side, forming a cohesive streetscape across the desk. The repetition of gabled forms creates rhythm, alignment, and spatial order, much like a row of townhouses. Even without the pencil roof, the hollow interior operates as a contained volume for smaller stationery, maintaining both structural clarity and functional efficiency.

4. The Zoomorphic Design Trend

Nature-inspired design is embracing a distinctly playful yet sophisticated direction through animal-influenced forms. Rather than producing overtly cute novelties, designers are crafting elegant silhouettes that subtly reference wildlife.

These zoomorphic objects introduce warmth, character, and a sense of gentle storytelling to the workspace. They soften the often sterile mood of digital environments, reconnecting the desk with organic shapes and emotional familiarity.

Two black animal figurines with tangled white hair and red headphones facing each other on a table surface.

White glossy sheep faces a black sheep wrapped in tangled paperclips, with a red collar.

Shearing Magnetic Absorption, designed by Xin Se, is a compact magnetic paper clip organizer shaped like a simplified sheep. The product integrates a magnetic core within its sculpted body, allowing paper clips to attach directly to its surface. Rather than storing clips inside a container, the design uses them as a visible, textural layer that forms the sheep’s “wool.” This surface-based storage system keeps clips consolidated, accessible, and neatly displayed.

Piggy bank wrapped in silver paperclips with a hand dropping another paperclip, symbolizing saving being hindered by clutter or paperwork.

Child smiling while threading a paperclip into a black piggy bank with a tangled nest of white clips on top

The form is minimal and carefully proportioned, avoiding excessive detailing while maintaining a clear and recognizable silhouette. Its small footprint makes it suitable for desks of any size, while the magnetic mechanism ensures functionality without mechanical complexity.

5. Modular Lego Design

Play has reemerged as a powerful design language through Lego-inspired stationery and desk tools. Functional rulers, organizers, and toolboxes now adopt the logic of interlocking systems, encouraging users to assemble and customize their workspace. What once belonged purely to childhood is being reinterpreted with precision, durability, and modern aesthetics.

This approach blends nostalgia with utility. Modular components offer flexibility, adaptability, and a deeply tactile experience. The act of rearranging pieces becomes productive and a satisfying experience.

LEGO toolbox scene showing a red plastic tool box beside colorful color swatches and construction pieces like rulers and gears on a light surface.

Assorted color swatches and LEGO-like construction pieces on a light gradient surface, showing color charts and markers for color matching.

Inspired by the classic minifigure accessory from LEGO, this upscaled toolbox by luc.afol transforms a miniature object into a fully functional builder’s kit. The product retains the recognizable toolbox silhouette but scales it to a practical size, complete with an opening lid and structured internal storage. Designed specifically for AFOLs and MOC creators, it serves as a dedicated toolkit tailored to the precise demands of brick construction.

Red LEGO printer model with open lid revealing rainbow color cartridges inside, set on a light surface

Brick-built red toolbox with a curved carrying handle on top and a smaller matching case beside it on a light gradient background.

Inside, the toolbox houses a curated set of brick-built instruments: a foldable color sampler with labeled LEGO solid colors for accurate selection, a stud-calibrated ruler for precise alignment, and hinged triangle rulers constructed with Technic elements for angular measurement. Each tool is engineered to work within LEGO’s grid system, prioritizing measurement accuracy, portability, and compact storage.

Playful stationery signals a new philosophy of work where function and emotion coexist. These thoughtfully designed objects transform desks into spaces of clarity, creativity, and personal identity. By embracing pieces that balance charm with engineering, productivity becomes more engaging and inspiring within everyday professional routines.

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