Tag Archives: chess

This 4-Player LEGO Chessboard Turns The Game Into Strategic Chaos

Posted on by

Four-player chess is not some internet-era gimmick dreamed up for group game nights. Variants of it have existed for centuries, from Indian Chaturaji played with dice, to Victorian England’s fascination with elaborate cross-shaped boards designed specifically to seat four rivals at once. The format never quite dethroned standard chess in popularity, mostly because building a proper four-sided board was always a pain, and because the rules needed serious rethinking to keep games from spiraling into total mayhem. It is a format that rewards ambition and punishes anyone who tries to wing it.

That is precisely the gap LEGO Ideas creator CozyBuildingBlocks7126 decided to fill, with a physical, brick-built four-player chessboard that revives the format for a new generation of players, dice optional. The design leans into a cross-shaped layout, four full armies in distinct colors, and, most interestingly, a scoring system engineered specifically to make four-way chess feel less like chaos and more like calculated risk. It is a smart, tactile answer to a format that has always deserved better hardware.

Designer: CozyBuildingBlocks7126

The board itself is the first thing that grabs you, a cross-shaped slab built from 852 pieces and measuring a generous 51.2 by 51.2 centimeters, large enough to comfortably seat four full armies without anyone’s rooks bumping elbows. Blue, yellow, green, and red pieces line up along their respective arms of the cross, and the notched corners where each arm meets the central board are a genuinely clever piece of structural design, letting four ranks sit flush against each other without any awkward diagonal overlap. It reads almost like a plus sign built out of chessboard, which is exactly the kind of geometric problem-solving that separates a thoughtful MOC (my own creation) from a simple recolor job.

My favorite detail, though, is the scoring system, because this is where the design stops being a novelty and starts being a genuine strategic rethink. Pawns promote at the eighth rank instead of the fourteenth, landing them mid-board rather than at the enemy’s doorstep. Bishops are worth five points instead of three, queens born from promoted pawns are quietly capped at just one point, and a checkmate alone is worth a hefty twenty points. Captured kings leave their armies “dead” on the board, meaning their pieces can still be captured but no longer award points to whoever takes them. The result is a game where getting checkmated does not necessarily mean losing, since a well-timed capture can vault you into first or second place even after your king falls. That is a wonderfully devious wrinkle for a build that could have coasted on novelty alone.

The set is still early in its LEGO Ideas run, sitting at 105 supporters with 424 days left on the clock to reach the first milestone of 1,000. It has a long runway ahead before the official 10,000-vote threshold that triggers a LEGO review, but for anyone who has ever wanted to drag chess off the screen and back onto a real table, four opponents included, this is a build worth rallying behind. You can head to the LEGO Ideas page and cast your vote here.

The post This 4-Player LEGO Chessboard Turns The Game Into Strategic Chaos first appeared on Yanko Design.

The Titanium Chess Set That’s Also the Best EDC Object We’ve Seen

Posted on by

Chess has had a genuine cultural resurgence lately, finding its way into cafés, offices, and living rooms that wouldn’t have bothered with it a decade ago. But for all the renewed enthusiasm, the portable chess set hasn’t really evolved. Most options are flimsy plastic affairs that feel like an afterthought, with the same old problem of pieces scattering the moment you set the bag down.

BESIDAR’s Victory approaches the problem differently, treating the portable chessboard as an engineering challenge rather than a sizing exercise. It’s built entirely from titanium, uses a mechanical folding structure that collapses the board into something genuinely pocketable, and relies on magnets to keep all 64 pieces organized and secure. It also happens to support several other games on the same set of pieces, which we’ll get to.

Designer: BESIDAR

Click Here to Buy Now: $69 $130 (50% off). Hurry, 128/1000 left! Raised over $111,000.

The defining feature is the board itself. Victory’s playing surface consists of multiple hinged titanium panels that interlock mechanically, letting you fold and unfold them endlessly without resistance or wear. It sounds like a gimmick until you have it in your hands, because the action is satisfying in the way a good infinity cube is. You’ll end up folding it between moves or absentmindedly during a thinking pause.

1

1

All 64 pieces attach magnetically to the board’s surface, staying in place during play and holding firm when the board is folded for transport. The two board halves also connect to each other magnetically, so the whole set becomes one compact, integrated unit. There’s nothing loose rattling around, no separate case to hunt for, and no tedious piece-sorting ritual before you can sit down and actually start playing.

1

The two-sided pieces also give the set a wider range of use than expected. One face carries a surface pattern while the other is a solid contrasting color, and that choice alone supports chess, Go, Gomoku, international checkers, and Othello. That’s five strategy games from one set of 64 pieces, with the folding board itself counting as a sixth mode when you just want something satisfying to fidget with.

1

What makes Victory feel genuinely premium is the material. Both board and pieces are CNC-machined from titanium, giving the set a density and tactile precision that plastic travel versions can’t replicate. It’s cool to the touch, holds its finish, and doesn’t feel like something you’d toss carelessly into a bag. Left on a desk between games, it reads less like a board game and more like a well-made EDC object.

1

1

At 5.24 inches (133.20 mm) across and just 7 mm thick when folded, Victory fits in a pocket without creative gymnastics. The two-board structure means each player’s pieces are already arranged on their own half, so you unfold, connect the two sections, and you’re ready in seconds. Whether it’s a café table, a park bench, or a few spare minutes between meetings, there’s no setup ritual to slow things down.

1

What you end up with is a chess set that’s genuinely interesting to own, even if you’re not a serious player. The mechanical folding keeps your hands busy, the titanium build makes it worth displaying, and the magnets mean you can bag it and go without a second thought. It won’t replace the full-sized board on your shelf, but for everything else, it’s the set that actually comes with you.

Click Here to Buy Now: $69 $130 (50% off). Hurry, 128/1000 left! Raised over $111,000.

The post The Titanium Chess Set That’s Also the Best EDC Object We’ve Seen first appeared on Yanko Design.

This Architect Built a Chess Set Where the Hardware Is the Design

Posted on by

Chess has been around for roughly 1,500 years, and in that time, the chess set has been reimagined in almost every conceivable way. You’ve seen the hand-carved wooden sets passed down through generations, the marble ones that live on coffee tables as decor, the kitschy themed sets with medieval knights and castle towers. Every few years, someone tries to reinvent the most iconic board game in history, and most of those reinventions end up looking like a design school project that got a little too excited. Christian Borger’s CS-01 is different, and I think it matters that it’s different in the quietest possible way.

Borger, an architect and industrial designer based in New York, approaches furniture and objects the way an engineer approaches a problem: with an obsession over materials, weight, and structural honesty. His portfolio, if you haven’t gone through it yet, is worth a slow afternoon. It’s full of lightweight furniture experiments, chairs built from tensioned fabric and skeletal frames, tables that look like they’re barely touching the ground. CS-01 follows that same design instinct, just compressed into a 14 x 14 x 5-inch object that you play chess on.

Designer: Christian Borger

The set is built from aluminum, stainless steel hardware, rubber bumpers, and enamel paint. Powder-coated aluminum surfaces contrast against exposed stainless steel, and that word “exposed” matters here. Nothing about the assembly hides from view. The hardware isn’t tucked away or finished into invisibility. It’s right there, part of the aesthetic, because Borger seems to believe that a well-made object shouldn’t have to be embarrassed about how it’s put together. That kind of structural honesty doesn’t show up in chess sets often enough, and it’s genuinely refreshing to see it applied somewhere so unexpected.

The pieces sit at five inches tall, which keeps the whole set compact enough to live on a desk, a shelf, or a credenza without demanding too much space or attention. It integrates into a room rather than dominating one. That restraint is intentional. The design privileges clarity and permanence over decoration, which is a principle worth sitting with. Not because it’s some kind of grand manifesto, but because it’s a genuinely difficult thing to execute. Decoration is the easy default. Clarity requires real decisions.

I’ll be upfront: there’s a legitimate conversation to be had about whether chess sets even need to be redesigned. The traditional Staunton set, which has been the global standard since the 1800s, is already a near-perfect solution. It’s legible, tactile, and elegant in its conventionality. Reinventing it for the sake of reinventing it usually results in something beautiful but unplayable, or worse, something that’s more display piece than game. CS-01 seems fully aware of that tension. It doesn’t abandon functionality to make a statement. The pieces are still readable by proportion and hierarchy. The board is still a board.

Where it distinguishes itself is in how it asks you to notice the object itself, not just the game being played on it. The cold touch of powder-coated aluminum. The small, deliberate weight of a piece lifted and placed. The hardware that catches light at the corner of your vision while you’re thinking three moves ahead. It turns the physical act of playing into something worth paying attention to, which is a pretty ambitious ask from a chess set, and one that CS-01 quietly delivers on.

Borger describes it as a prototype, and it still carries that energy of something being actively worked out rather than finished and packaged. That’s part of what makes it compelling. It reads less like a product and more like a point of view, one that argues you shouldn’t have to choose between an object that performs well and one that rewards close attention. That’s a harder case to make than it sounds. The most interesting design objects are the ones that make you rethink something you assumed was already solved. A chess set, of all things. Here we are.

The post This Architect Built a Chess Set Where the Hardware Is the Design first appeared on Yanko Design.

Georgia Is Building a Chess Palace That Looks Exactly Like a Chessboard

Posted on by

Georgia has a claim on chess culture that goes deeper than most countries appreciate. The nation has produced grandmasters at a rate disproportionate to its size, and the game is woven into its educational and cultural identity in ways that feel genuinely foundational rather than ornamental. Given that context, the decision to build a dedicated Chess Palace in Batumi reads as overdue rather than extravagant, the kind of civic investment that a country with this relationship to the game probably should have made a generation ago.

What makes the Batumi Chess Palace architecturally compelling is that Irakli Emiridze of Alpha Architecture refused to treat chess as mere decoration. The entire building is organized around the game’s visual logic. Its form references an unfolded chessboard, its facades use perforated solar shading to animate a black and white grid pattern with real-time light and shadow, and a dramatic sculptural installation marks the entrance as both functional threshold and symbolic statement. The two-story, 60-meter-deep structure is due for completion in 2027, housing a tournament hall, chess library, hotel rooms, exhibition spaces, a gym, and study rooms.

Designer: Irakli Emiridze, Alpha Architecture

Perforated solar shades wrap all four elevations in a dense, pixelated black and white grid that shifts in depth and shadow as the sun moves across it. In still photography, the building reads as a graphic object, clean and immediate. Experienced over the course of a day, the surface behaves more like a living board mid-game, its apparent pattern changing with conditions outside any designer’s control. That quality, the way the building changes without changing, separates a strong concept from a merely clever one. The HPL panel system that underlies the shading adds durability to what could have been a purely cosmetic gesture.

Emiridze has extended the chessboard geometry across the entire site rather than limiting it to the elevations. From above, the rooftop alternates planted green squares against glazed skylights in a grid that mirrors the facade pattern. The ground plane continues in oversized alternating light and dark paving squares that push the building’s visual field outward into the surrounding landscape. Every vantage point, aerial, street level, interior looking out, returns the same binary rhythm, a level of conceptual commitment that most thematic buildings abandon the moment it becomes structurally inconvenient.

Rather than placing a literal chess piece at the entrance, Emiridze commissioned a tall, twisting corten-steel installation, two interlocking curved fins spiraling upward into a form that hovers between abstraction and figuration. It suggests a chess piece without depicting one, which is the more intelligent move. A literal rook or knight would have read as theme-park signage. This form reads as architecture, and the warm oxide tone of the corten against the monochrome facade gives the building’s street presence a focal point that earns its scale.

The program signals serious ambition for chess tourism. Beyond the tournament hall and study rooms, the building incorporates a chess library, exhibition space, conference facilities, a sports shop, a food facility, hotel rooms with two adapted for disabled visitors, and a gym. That breadth positions Batumi as a potential international destination for the chess world, a place where a grandmaster could arrive, compete, study, eat, and sleep without leaving the building. Alpha Architecture won this commission through a governmental competition, which means the Chess Palace carries public accountability alongside its conceptual ambition. The real test arrives in 2027, when Batumi either gets a landmark that genuinely serves its chess community, or a building that performed better on screen than on the ground. The bones are strong enough to be optimistic.

The post Georgia Is Building a Chess Palace That Looks Exactly Like a Chessboard first appeared on Yanko Design.

Chess Hasn’t Looked Like This in a Thousand Years

Posted on by

Chess has been redesigned hundreds of times. Most attempts stay within the same visual vocabulary: carved figures, medieval references, stylized horses and crowns. The king still wears his crown, even when the designer strips everything else away. That iconography is stubborn. It follows the game everywhere it goes. Seoul-based designer Lee Jinwook decided not to follow it.

His Chess Matt Edition doesn’t borrow from that history. It doesn’t nod to it, deconstruct it, or pay ironic homage to it. Each piece is reduced to its essential geometric form, differentiated only by the minimal cuts and angles that distinguish one from another. The king wears a notched crown-like geometry, but it reads more like a Brutalist building than a monarch. The bishop has a diagonal slice through its block. The knight, traditionally the most ornamental piece on any board, is just a rectangle with a curved indent. You’d know each piece by its shape, and you’d know each shape by nothing but itself.

Designer: Lee Jinwook

That restraint is genuinely hard to achieve, and it’s rarer than it looks. Plenty of minimal chess sets still carry the weight of nostalgia by leaning on proportions that echo traditional forms. Lee’s approach feels more rigorous, like the design equivalent of starting with a blank document and refusing to import anything from a previous draft.

The Matt Edition is part of a series, each version produced in a different material. This one uses powder-coated pieces with brushed metal accents along the base. The contrast between the matte surface and the slim metallic band at the bottom of each piece is subtle, but it matters. It gives the set a quiet luxury without announcing it. The board itself doubles as the case cover when flipped, and the entire set packs down into a 115mm cube. That last detail sounds like a footnote but it’s actually the whole point. It means you can take it somewhere. It means the design serves life, not the other way around.

When the pieces are set up and no one is playing, the board looks like a miniature city. A grid of black and white geometric forms at different heights, each one casting its own small shadow. The intention was for the set to read as sculpture between moves, and it absolutely does. The photograph of it mid-game is more compelling than most things sold specifically as decorative objects.

I’ll admit I’m skeptical of design objects that prioritize aesthetics at the cost of function. A beautiful chair that isn’t comfortable is just a sculpture with pretensions. But this set doesn’t ask you to choose. The geometric forms are readable. The scale feels right for actual play. The packaging is considered down to the way the board flips over. The aesthetics and the utility are working in the same direction, which is what good design is supposed to do, and which a lot of objects in this category fail to deliver.

What Lee has also built, whether intentionally or not, is a quiet argument about chess itself. The game doesn’t need its medieval costume to function. Strip away the kings and queens and rooks and what remains is a grid, a set of movement rules, and the cognitive pleasure of solving something in real time. The Chess Matt Edition reminds you of that. It separates the game from its accumulated mythology and puts the focus back on the act of playing.

That’s worth paying attention to right now. The design world is saturated with products that perform a cultural identity rather than express one. This chess set doesn’t perform anything. It just is what it is: precise, considered, and fully confident in its own logic. When you see it sitting on a shelf, black pieces against a white board, matte surface catching a little natural light, it earns the space it occupies. Everything fits into a 115mm cube. The whole set sits in your hand. Not everything that fits in your hand deserves to be considered art, but this one comes close.

The post Chess Hasn’t Looked Like This in a Thousand Years first appeared on Yanko Design.

Designers Just Built the Chess Set Brutalism Fans Wanted

Posted on by

There’s something deeply satisfying about watching a familiar game get completely reimagined. The Mohmaya chess set does exactly that, turning the classic battlefield into a three-dimensional landscape where every move feels like navigating through a modernist city.

Designed by Tanay Vora, Vidushi Gupta, Hardik Sharma, and Yaman Gupta, this isn’t your grandmother’s chess set. Though actually, it kind of is, if your grandmother happened to appreciate mid-century Indian modernism and spiritual philosophy. The name “Mohmaya” translates to “illusion,” which feels perfect for a game that’s all about deception, strategy, and seeing through your opponent’s tricks.

Designers: Tanay Vora, Vidushi Gupta, Hardik Sharma, Yaman Gupta

What makes this set visually striking is its refusal to stay flat. Unlike traditional chessboards that exist on a single plane, Mohmaya creates a topography. Pawns start on the lowest level, grounded and humble. The center of the board sits even lower, like a valley where the real drama unfolds. Then the back row rises highest, where kings and queens preside over everything like architectural monuments on a hilltop. Playing on this board means you’re not just moving pieces across squares but navigating elevation changes, climbing through terrain with every strategic advance.

The pieces themselves are love letters to India’s architectural golden age. Each one draws from the concrete geometry, bold lines, and structural balance of mid-century modernist buildings. Think of the work of BV Doshi, Louis Kahn’s Indian Institute of Management in Ahmedabad, or Amit Raje’s brutalist visions. These weren’t architects who whispered. They made statements in poured concrete and dramatic forms, and Mohmaya channels that same confident energy.

But there’s another layer here that elevates the design beyond pure aesthetics. Each chess piece aligns with chakra symbolism, giving every element a metaphysical dimension. Pawns connect to the Root Chakra, representing stability and patience. Knights embody the Sacral Chakra with their creative, playful energy, always in motion. Bishops hold the Solar Plexus, focused and powerful in their diagonal precision. Rooks align with the Heart Chakra, protective yet generous. Queens carry the Throat Chakra’s voice, expressing leadership across the board. And the king stands with the Crown Chakra, the quiet center of wisdom and balance.

This symbolic framework isn’t just decorative philosophy. It actually affects how you think about each piece’s role in the game. When your rook moves, you’re activating that protective heart energy. When your queen sweeps across the board, she’s literally voicing your strategy. It adds a narrative dimension to every match, making the board itself part of the story.

Speaking of story, Mohmaya introduces one fascinating rule variation. When a pawn reaches the opposite end of the board, it transforms into an additional queen, just like in traditional chess. But here, that transformation carries extra weight. It’s the awakened queen, a reminder that even the smallest, most grounded pieces can undergo radical change. It’s a beautiful metaphor for growth and potential, wrapped in gameplay mechanics.

What really resonates about this project is its underlying mission to reframe how people see Indian design. For too long, the global perception has been narrow, viewing Indian aesthetics through a lens of nostalgia, ornamental patterns, or folkloric charm. Mohmaya pushes back against that limiting view. This is Indian design that’s bold, globally conversant, forward-thinking, and philosophically deep. It draws from a culture that has always asked big questions about life, reality, and meaning, then translates those questions into something you can hold in your hands and play with.

The design team describes it as an homage to Indian utopian modernism, that brief moment when tradition and innovation mixed without hesitation. That period produced some of the most exciting architecture in the world, buildings that weren’t afraid to be both contemporary and rooted in local context. Mohmaya carries that same spirit into object design.

Whether you’re a chess enthusiast, a design collector, or someone who just appreciates objects with intention behind them, this set offers something rare. It’s functional art that doesn’t sacrifice playability for concept. It’s culturally specific without being exclusive. It takes an ancient game and makes it feel fresh by connecting it to a different kind of history, one that deserves more recognition in global design conversations.

The post Designers Just Built the Chess Set Brutalism Fans Wanted first appeared on Yanko Design.

The Chess Set That Plays By Touch, Ships Flat, Wastes Nothing

Posted on by

There’s something deeply satisfying about watching a designer solve multiple problems at once. William Young’s Jigsaw Chess Set is one of those rare designs that makes you wonder why nobody thought of it sooner. It’s a chess set, yes, but it’s also a sculptural object, an accessibility tool, and a logistics solution all rolled into one beautifully executed package.

At first glance, the set looks like something you’d find in a modern art museum. The pieces are geometric, almost brutalist in their simplicity, fabricated from contrasting steel and aluminum. One side gets the cool, dark patina of steel, while the opposing army gleams in lighter aluminum. They’re angular, tessellated forms that look more like miniature architectural models than traditional chess pieces. But this isn’t just aesthetic posturing. Every design choice serves a purpose.

Designer: William Young

The most compelling aspect of the Jigsaw Chess Set is how it approaches accessibility. Most chess sets rely entirely on visual distinction. You know a knight from a bishop because you can see the carved horse head or the pointed mitre. But what if you can’t? Young’s design flips the script by making tactile identity the primary means of recognition. Each piece has a distinctive weight and texture that immediately identifies it in your hand. The king feels different from the rook, the pawn from the bishop. You could play this game with your eyes closed and know exactly what you’re moving across the board.

This isn’t a novelty feature. For visually impaired players, most chess sets require specialized modifications or Braille labels that still mark them as “other.” Young’s design makes accessibility intrinsic to the aesthetic, not an afterthought. The result is a set that works beautifully for everyone, regardless of visual ability. It’s inclusive design at its best, where accommodation becomes innovation.

Then there’s the fabrication process, which deserves its own moment of appreciation. The pieces are created using a zero-waste cutting method. Picture a sheet of metal that gets sliced into interlocking forms, like a precision jigsaw puzzle where every cut produces a usable piece. Nothing gets tossed in the scrap bin. In an era where we’re increasingly aware of material waste and manufacturing impact, this approach feels refreshingly thoughtful. Each piece is then hand-finished, giving the set that tactile quality that makes it so satisfying to handle.

But wait, there’s more. (I know, I know, but genuinely, there’s more.) When you’re done playing, the entire set interlocks back into a dense, self-contained block. All 32 pieces fit together like a three-dimensional puzzle, creating a compact square that takes up minimal space. This is where the “jigsaw” name really earns its keep. The design is scalable too, meaning different size versions can be produced while maintaining the same interlocking logic.

From a shipping and storage perspective, this is genius. Traditional chess sets are bulky, awkward to pack, and wasteful in their use of space. Young’s design ships flat (well, flatish), reducing packaging materials and transportation costs. For consumers, it means easier storage when the set isn’t in use. For retailers, it means more efficient inventory management. Again, multiple problems solved with one elegant solution.

What really strikes me about the Jigsaw Chess Set is how it challenges our assumptions about what a chess set should be. The game is over 1,500 years old, and the basic design language of its pieces has remained relatively stable for centuries. Young doesn’t throw that all away, but he does ask: what if we started from scratch with contemporary materials, modern manufacturing techniques, and a genuine commitment to universal design?

The answer is something that feels both familiar and radically new. You can still play chess exactly as you always have, but now you’re doing it with an object that works harder, thinks smarter, and includes more people in the experience. It’s a reminder that even the most traditional games have room for innovation when designers are willing to question the fundamentals. Whether you’re a chess enthusiast, a design collector, or someone who simply appreciates objects that do multiple things exceptionally well, the Jigsaw Chess Set deserves your attention. It’s proof that good design isn’t about adding features. It’s about rethinking everything from the ground up.

The post The Chess Set That Plays By Touch, Ships Flat, Wastes Nothing first appeared on Yanko Design.

3D printed chess pawns transform into queens thanks to magnets and springs

Posted on by

Chess is a game that has existed for centuries, and it hasn’t really changed much during that time, especially in recent decades. The rules of the game are pretty much the same, which includes “power-ups” that were invented way before the term even showed up in video games. Of course, these moves don’t require any special piece outside of what’s already included in the entire set, but that doesn’t mean we can’t do anything to spruce it up.

This rather elaborate 3D printed design, for example, solves the practical problem of how to represent a pawn that has reached the opposite end and “evolved” into a queen. Sure, you can just try to remember which is which, but wouldn’t it be easier if you had spare queen pieces instead? Better yet, why not just literally evolve the pawn instead, keeping the chess set simple, relatively?

Designer: Works By Design

“Queening” is what happens when a pawn is crowned and gains the queen’s large movement powers when it reaches the opposite end of the board. In some cases, when your queen has already been captured, you can simply swap out the pieces. But what if your queen is still there or, by some stroke of luck, you have two pawns that become queens?

This form-changing pawn is one solution that utilizes 3D printing, springs, magnets, and a rather complicated internal design. The challenge was to take a regular-sized pawn and have it not only expand to the size of a queen but also exhibit its features, particularly its flared crown. If you’ve ever watched Transformers, then you might get the idea more or less.

The design underwent several iterations, particularly with the spring mechanism that holds the pieces together and then pushes them out to expand. In the end, the simpler version won out, though the final pawn size was definitely larger than normal. Fortunately, it still fits within international standards, so it probably won’t be contested in an official match.

The 3D-printed pawn uses magnets in its feet to trigger the expansion mechanism, so placing it on any metal surface, like the back row of this custom-made chess board, would make it spring into action, so to speak. It’s definitely a convoluted design for a rather simple problem, but it also adds a bit of excitement and thrill to the game, becoming a goal of its own in addition to actually winning the match.

The post 3D printed chess pawns transform into queens thanks to magnets and springs first appeared on Yanko Design.

Wearable chess set turns one of the oldest games into a fashion statement

Posted on by

Although video games today have become a multi-billion dollar industry, there are analog games that have existed for centuries and continue to be a beloved pastime and sport today. Chess, for example, is still going strong across peoples of all ages, but it isn’t just players who find the game to be a treasure trove of inspiration.

The variety of chess set designs shows how the game is so open to interpretation, much more than most video games, resulting in products ranging from artistic to technological. This rather unusual take on the classic strategy game takes chess in a slightly different direction, presenting a game you can literally wear and take with you anywhere, ready to set up a match at a moment’s notice.

Designer: Louis Le Joly Senoville

We’ve seen many interpretations of the classic chess set design, from minimalist to brutalist to self-playing technological marvels. Most of these sets are designed to be installed in one location, while portable chess sets are sometimes too small because they’re meant to fit inside bags. They still take up space, of course, so that means giving up room that’s meant for your other, equally important stuff.

Ha Mat, which is short of “eched ha mat,” (“checkmate” in Breton) solves this problem by turning the chess set into something completely inconspicuous when not in use. In this case, the chess board becomes a scarf, the pieces become rings, and the timer becomes a watch. It’s literally a chess set you can wear as a fashion piece, allowing you to play anywhere there’s a flat plane to place everything on.

Of course, Ha Mat needs to actually look fashionable to qualify as a fashion statement, and it definitely fits the bill. The “board” takes inspiration from silk maps and military training scarves on antiquity, and the color scheme even tries to pay homage to luxurious hues used on chess boards in the past, particularly leather and wood. The watch that’s part of the set is quite peculiar because it can split in half and act as a timer for both sides.

The most interesting designs, however, are the chess pieces themselves. They have flat bottoms so they can stand on the “board,” but they have holes in the middle to wear as rings on your fingers. The pieces have tops that are more symbolic and iconic to identify their position on the board, simplifying their identity in order to fit the need to have flat pieces.

Of the 32 chess pieces, you can wear 16 on eight of your fingers if you pair similar pieces together. These would make you look like you’re wearing knuckle dusters, so they might not exactly be safe to wear in public. Still, the concept is quite intriguing, as it transforms one type of product into a completely different kind, without losing either one’s identity. In fact, it elevates the chess set from a game to something that’s an integral part of your life.

The post Wearable chess set turns one of the oldest games into a fashion statement first appeared on Yanko Design.

3D Printed Chess Set pays respect to the Ukraine invasion with a poignant war-themed design

Posted on by

Unless you are Elon Musk and believe chess is “too simple to be useful in real life,” you know, chess is a strategic and competitive game. It requires meticulous planning and clear objectivity. If you don’t have an objective in mind, your moves will be directionless and you will end up wasting time thinking and moving without purpose. Through the gameplay, it instills cognitive thinking, benefits mental well-being, and can now be a source of thoughtful restoration in the war-torn Ukraine.

Cuibiono, a design-first not-for-profit, has been at the forefront of providing aid to the regions where geopolitical conflicts like war have damaged humanity. With the new chess set, it has conceived using recycled biomaterials (PLA) and 3D printing, the NGO is giving everyone a chance to jump onto their journey of creativity, sustainability, and giving back, helping make a difference and restore homes in Kharkiv, Ukraine.

Designer: Cuibiono

The stackable chess set is inspired by the war-torn and displaced Kharkiv, which has been on the receiving end of the Russian invasion. Called the Kindachess – S, this set 3D-printed from naturally degradable bioplastics – features a board segmented to depict the nation under war. It is designed as fractures on the earth’s crust. But when it’s stacked to be stored, the dividing lines on the board form the Ukrainian flag to depict unity and the satisfaction of returning home.

The idea of a chess set whose profit from sales proceeds would go into restoring homes in Kharkiv is the brainchild of designer Liam Hwang of Cuibiono. The compact, stackable chess set is 3D printed sustainably in Hackney, London. It measures 200mm x 200mm when laid out for playing and fits into a case measuring 290mm x 164mm after use.

This is not Cuibiono’s first such sustainably driven product with the idea of giving back. The NGO states, “we are committed to sustainability.” All the products designed in their facilities are crafted with eco-friendly materials (like recycled PLA in the case of the chess set). The chess set, selling in two color contrasts: wheat and sky, ivory and walnut, is now available at £200 (approximately $250). Buy now, and support the cause becoming a part of the community that cares.

The post 3D Printed Chess Set pays respect to the Ukraine invasion with a poignant war-themed design first appeared on Yanko Design.