Whale-inspired underwater drone can carry out rescue operation where humans can’t reach!

Shipwrecks have become more frequent as the number of vessels in the oceans increases due to open trade policies between nations. Owning to their scope and location, shipwreck rescues can become logistically complicated and humanly dangerous to carry out. This is where underwater rescue robots such as the Saver Whale designed after the good sense of whales – that are known to helping people – come into the scene.

The Saver Whale is ideally a concept of an underwater drone designed to reach where human rescuers can’t – or shouldn’t – go. Lots of human live-saving deep water rescues happen in challenging, dangerous conditions which are difficult for diving squads to negotiate without risking injury or loss of life. Maritime rescue drones such as the Saver Whale can reach uncharted waters – reducing risk to human life – and work as scouts to deliver medical and equipment to liberate any trapped or sinking soul.

The Saver Whale, equipped with cameras, sonar, and radar for detection, and a radio system for communication, can be deployed from the helicopter, to venture into depths of the hostile waters of the ocean where sending human is riskier. The drone, on detecting a survivor or diseased and can instantly relay the message to the rescue team and request assistance. In addition to calling out for backup and relaying its live location, this versatile sub can equip the survivor with a life vest, rope, and other gear from the first aid kit onboard.

Interestingly, the Saver Whale is also conceptualized to shoot out a net on a dead body located, to fix its position, so it’s not lost in the water current. There are already a range of rescue robots that can crawl in the rubble, fly over fires, and swim in deep waters to help first responders in executing operations. Yet, Saver Whale with its payload carrying capacity and more organized approach can definitely go through improvisations to one day dive to the ocean beds in search of marine accident victims.

Designer: Lim do-hwi



This minivan-inspired cabin features a round roof and an open-air interior to allow increased interaction with the environment!

Imminent Studio and Grafito Design Studio have teamed up to create Dwelling Pod or D-Pod for short, a mono-volume residence inspired by the shape and form of a minivan and the functionality of modernism. While D-Pod hovers somewhere above the architectural category of ‘cabin,’ its design and aesthetic follow today’s trend of prefabricated ‘cabins in the woods.’

Constructed from concrete, glass, and metallic material, D-Pod is “based on the concept of lightness,” as Grafito Design Studio puts it, “where the separation of the ground is sought and lifted; its internal functional modules also use this concept of being ‘separated’ from the floor and ceiling.” In fact, D-Pod’s mono-volume nature makes it so that walls or dividers are unnecessary. Aiming to create an interior of spatial fluidity, the ‘rooms’ inside D-Pod flow into one another without the added impediment of walls or physical boundaries.

With transparent, floor-to-ceiling walls enclosing the entirety of D-Pod, the dwelling’s interior expands the visual space, dissolving D-Pod’s only walls into the environment that surrounds it. Conceptualized in the middle of a dense forest and mounted on top of a solid rock formation, D-Pod’s spatial fluidity, transparent walls, and air of modernism allow the structure to blend right into its surroundings.

Based on the form and shape of automobiles, D-Pod’s curved edges and mono-volume frame were inspired by the structure of minivans. While the rounded corners provide D-Pod with a distinguishable and appealing frame, its flat surfaces, roof, and floor fill D-Pod out with functionality and stability. Measuring 170m2, D-Pod currently stands as a concept, but everything from the pod’s inside to its outside has been planned for future developments.

Designers: Imminent Studio and Grafito Design Studio

With transparent, floor-to-ceiling walls, D-Pod blends right into its surroundings.

Glass panels can slide open and close to either entirely open up D-Pod to the outside or enclose it with transparent walls.

Inside, the lack of walls and dividers give D-Pod a mono-volume feel, similar to that found in a minivan.

With a wooden roof and transparent walls, D-pod is discreet in nature.

D-Pod is made of concrete, glass, and metal.

Come night, D-Pod shines like a lantern.

Segway’s hydrogen electric hybrid bike is a more chubby, Tron-esque motorbike design!

If we believe Segway, the future of mobility is going to be powered by hybrid powertrains – at least for motorbikes. And not your usual hybrid, it’s going to be a hydrogen-electric powertrain for minimal environmental impact with the maximum power output. After experimenting with the clumsy-looking electric-powered Segway Apex unveiled in 2019, Segway has again dropped a bombshell on the automotive community in the form of a Segway Apex H2 hybrid bike. The machine is going to be a hydrogen fuel cell-driven monster with a reworked frame bestowing it with a futuristic design that is rounded enough to keep it from being extremely aggressive/ edgy design with the neon rings on the wheels embodying a definite Tron vibe.

The highly combustible fuel (we are talking about hydrogen, right) is the way to go for the future, and Apex H2 wants to leverage it, just like the hydrogen fuel cell hybrid cars. The machine will have hydrogen gas stored in the tanks which will be converted into electrical energy to power the electric motors.

From what we see here, there isn’t any visible hub motor to actuate the rear wheel. It’s left only to the imagination that Segway might be onto something innovative here. The mean-looking suspension forks make the Apex H2 a predator on the prowl to eat down the miles of freeway. It’s kind of floating as front wheels are attached to a single-sided front swingarm (to match the one on the rear), and a well-disguised monoshock setting. The sporty aesthetics continue to the steering mechanism neatly tucked in the stellar body of the machine under the tank. Those flowing sharp lines, and the chiseled look, actually makes the Apex H2 futureproof when it finally makes it to reality – it’s so irresistible.

According to Segway, the motorbike will churn out 60KW (80 hp) of meat for an acceleration of 0-62 mph in flat four seconds. The top speed will also be right there at the sweet spot at around 93 mph. All this signals a performance machine coming our way in 2023. Yes, Segway says, they are on track to bring the Apex H2 to the motor enthusiasts for an estimated price tag of $10,700.

While the price tag might surprise you, as it’s not very high, it signals Segway’s intention to make it a practical performance road bike. Of course, having hydrogen fuel stations is one question still leaving a lot to the imagination, the bike for now is your best bet to ride an urban mean machine to enchant the crowd. It has that Cybertruck-like masculine character to make anyone go weak in the knees!

Designer: Segway-Ninebot

Meet the sustainable Lamborghini of the future – The Lamborghini E_X electric automotive concept!

An electric Lamborghini – what would it actually be like? If we believe transportation designer Andrea Ortile, it’ll balance a clean shape and complexity of details where required. The concept is dubbed Lamborghini E_X, inspired by the design DNA of the 1970 Lancia Stratos Zero and the 1973 Lamborghini Countach LP 400. The sports car will be a fully electric vehicle with the battery pack right in the middle of the chassis under the interior cabin, and to keep the overall weight down a carbon fiber frame is used.

On the inside, this electric Lamborghini gets the single-seater configuration – just like the ones on the fighter jet planes or racing prototypes. The steering on this concept gets a futuristic vibe with its dynamic shape, and the HUD is integrated right behind it. The paddle shifters look so inviting – I virtually want to try them out. To charge up the powerful ride, all one has to do is plug in the charging hose into the retracting portal located at this Lamborghini concept’s front left-hand side – just behind the front wheel. Like some other concepts or even prototype vehicles having an all-glass windshield that runs to the rear, this one has a body-colored perforated film. How that’s going to affect the visibility is anybody’s guess.

To lend the Lamborghini a futuristic DNA, this sports car gets an array of LED projectors that run all the way along the upper grill section. The designer has not tinkered much with the look for the rear, giving it a balanced mix of the Aventador, Centenario, and even the Huracan. So, could the future electric Lamborghini look like this one? You can bet your bottom dollar on that assumption since the concept is highly practical. Lamborghini needs to give this one consideration!

Designer: Andrea Ortile




Meet the Cybertruck inspired bulletproof mouse enabled with solar + wireless charging that could have been

The mouse is the essential tool in your arsenal, primarily if you work on your PC all day long or are stuck at home with the current pandemic showing no signs of settling down. So why shouldn’t this vital tool be the virtually indestructible one? Satechi wants to bump up the arsenal of accessories on your desk, starting with the mouse crafted out of unibody 2077 aluminum – for desktop warriors who spent most of their day holding onto this accessory.

Satechi portrays the Cybermouse as a super tough mouse for professionals and people who are hooked onto their screens all day long. It doesn’t stop at that, the mouse comes with solar and wireless charging making it a next-generation accessory – ready to top the charts selling like hotcakes. The next level 20,000 dpi speed ensures it is suitable for gaming or editing tasks – making it perfect for any user type. Oh yes, and if I just forgot to mention, you’re not alone if you see a stark resemblance to the Tesla Cybertruck – even the color seems to be inspired by the upcoming beastly EV. Yes, the name also gets the ‘Cyber’ alright, so nothing stops me from reimagining this as the Cybertruck of the mouse world.

Cybermouse peculiarly comes with an EV battery, one on the electric vehicles (of course in smaller proportion) that lasts up to one year on a single charge. Considering it has three LED lights, the toughened mouse has impressive battery longevity. On top of that, you don’t have to worry about the batteries running dry as they can juice up with solar energy too. For a price tag of $199.99, it is worth the money, but unfortunately, even if you have deep pockets, you won’t be able to buy one. Why’s that? Well, scroll through the pictures below, and you’ll know!


Designer: Satechi

You have been foxed!

This racing bicycle + urban commuter is the eco-friendly ride Batman would love!

Speeding around a velodrome track at speeds of 60 mph sure is thrilling, but if that very thrill is brought to the city streets or the outskirts of the habitation, then it has its own adrenaline rush. Taking a detour from the usual design of bicycles, Prototype 0 designed by Gaetano De Cicco gives imagination wings in the shape of a two-wheeled ride that’s crafted for speed, and the pure joy of riding. If your memory aids, you Gaetano is the same designer who came up with the crazy idea of a faceless robotic pet dog that turned eyeballs a couple of months ago.

Called Prototype 0, this velodrome track racing bicycle imagined for speed heads shines out with its unibody design that’s centered on drag reduction and aerodynamic optimization for maximum acceleration with the minimum effort. The ultra-slim profile of the Prototype helps in achieving the least possible aerodynamic drag which is great for effortless commuting. The bike is a fixie – a single-speed gear bicycle that is tailored for urban riding for extra degree control. Don’t expect it to be as good for steep ascends or rugged terrain, as it’s purely designed to be a racing demon for smooth tarmac surfaces. The presence of a bigger gear shaft means that the control is going to be the ride’s forte.

While I’m imagining this bicycle to be just more than a pure race track ride, it still is optimized completely for a race track skirmish. Plus that matte black color theme is so Batcycle worthy – I’m even going to go to the extent of calling it the Batcycle of the bicycle world. That said, Gaetano’s design somehow misses to explain how this idea came about, and some bits like the retractable pedal design are still not clear as they are only visually present – minus any explanation as to how they orient in the vertical position when riding.

Designer: Gaetano De Cicco

This foldable, space-saving Herman Miller-inspired office chair is the 2021 wfh investment you need!

This Sayl concept chair by Charley takes into account the larger shift in our habits as homes have become hybrid offices and our flexible lifestyle (psst! He also keeps in mind the hours we spend as gamers or serial binge-watchers).

Now more than ever we demand more from the spaces we live in, our homes are now our workplaces, our workout spaces, and also the places we socialize and relax – the pieces of furniture we choose have to be optimized for our space and be more compact without sacrificing on the functionalities or luxuries in the case of a high-end furniture design brand like Herman Miller. We need chairs that can allow us to do more and this Sayl chair lets you maximize your space whether you are working, playing games at your desk, or chilling in a VR universe. The aesthetics of the design uses muted greys to blend into every home interior design with orange accents in the chair that call to attention pivotal touchpoints, making the design as intuitive as possible. Simply push the foot pedal mechanism to collapse the chair’s design, making it an easy-to-store, space-saving solution we all need!

Furniture design has seen a shift since the pandemic and brands are pivoting towards making pieces that are modular, flexible, multifunctional, and above all, space-savers!

Designer: Charley Bircumshaw

This indoor vertical farm relies on hydroponics to grow crops anywhere during any season!

Since 2013, the Green Concept Award has functioned as a platform for networking and been awarded to designers who have made globally sustainable and innovative products. The awards recognize products already on the market or in their conceptual stages that stand out for their design, innovation, and commitment to sustainability. Each year, the Green Concept Award jury members finalize a pre-selection list before awarding the winning product with the year’s title. One of the products on 2021’s pre-selection list is Farmhouse, a hydroponic vertical farm conceptualized by designers at Kingston University’s School of Art.

Hydroponic vertical farming is a form of farming that ditches the need for soil, substituting in different root-supporting materials like peat moss or Rockwool, allowing plants to grow in nutrient-rich water. The five-tiered Farmhouse is stocked with trays that contain all the materials necessary for optimal hydro-plant growth, like filtered, nutrient-infused water, oxygen, and root support.

Additionally, the vertical farm comes equipped with bright lights, either LEDs or HIDs, to replace the natural sunlight outdoors so that each plant can receive special lighting according to its own Daily Light Integral (DLI). Hydroponics is a sustainable farming practice for many reasons, but a significant one might be that by tending to a hydroponic farm, like Farmhouse, crops can be grown anywhere, during any time of the year.

The food we eat on a day-to-day basis travels about 1,500 miles before reaching our plate. While picking produce up at the supermarket seems simple, a lot of pollution takes place behind the scenes, all before hitting the shelves. Delivering produce to grocery stores across the globe requires lots of plastic packaging and plenty more fuel for transportation, increasing levels of microplastic and air pollution in the process. The designers behind Farmhouse aim to cut those unsustainable practices by designing a hydroponic farming solution that can be used in any home, during any season.

Designer: Kingston University (Kingston School of Art)

The five shelves of the Farmhouse contain all the necessary materials required for hydroponic farming.

Outfitted with shelves, Farmhouse grows crops using metal trays that guide the plant’s direction of growth.

A water system, filter, and root-support material all work together to help produce crops through hydroponics.

Without the convenience of natural sunlight, hydroponic farming relies on LEDs and HIDs to feed crops with light.

Thanks to a ribbed glass pane and warm color scheme, Farmhouse can fit into any room.

Coming in denim blue, moss green, rose pink, scarlet red, and blonde yellow – the Farmhouse also comes with a simple frame and intuitive build.

A raised top shelf feeds the plants inside the Farmhouse with plenty of airflow and oxygen.

Breathtaking iPhone FOLD concept transforms from a regular smartphone into an iPad Mini

The internet is filled with rumors that Apple’s been working on a folding iPhone, and patents even show that Apple’s experimented with different layouts… but if there’s one thing that I’ve learned about Apple, they only debut products that fit perfectly into their ecosystem, and they spend years on product development in the pursuit of perfection; even though it can sometimes mean competitors beat them to the punch. With that being said, the iPhone Fold concept by Svyatoslav Alexandrov makes a compelling case for a folding smartphone. Here’s why.

From a strict ecosystem perspective, the iPhone Fold helps Apple develop one product that fits into two categories – the wildly popular smartphone category, and the sort-of dead mini-tablet category. With the iPhone Fold, Apple could easily discontinue the iPad Mini and focus on the higher-end, pro-grade tablet devices. The folding phone would then absorb the features of the iPad Mini, giving you a device that’s quite literally the best of both worlds.

The iPhone Fold concept designed by Svyatoslav Alexandrov (for the YouTube channel ConceptsiPhone) comes in the familiar Galaxy Fold format, with a primary 6.3-inch screen on the outside, and a larger, 8-inch folding screen on the inside. It ditches FaceID for the reliable TouchID, and turns the entire primary display into a fingerprint sensor – so you can unlock your phone simply by swiping up. The lack of FaceID means a significantly smaller notch with just one front-facing camera for selfies. The back, however, comes with the iPhone 12 Pro’s entire camera setup, featuring wide, ultra-wide, and telephoto lenses, along with a flash and a LiDAR scanner. Open the iPhone up and it transforms into a squarish iPad Mini that’s designed to be perfectly portable. While the concept doesn’t say much about whether this device supports the Apple Pencil, I’d like to think it does, and designer Svyatoslav Alexandrov does mention that the concept is MagSafe capable and 5G ready, which already makes it a pretty good iPad replacement, all things considered.

Multiple sources say that Apple already is working on a folding phone and patents show that the company is researching hinge-details and even folding batteries. However, until folding phones really prove to be a smartphone category that’s here to stay, I suspect Apple’s experimentations will never really see the light of day. It’s fun though, to speculate how a folding iPhone can fit well into Apple’s ecosystem by reviving one product line (the iPhone), and retiring another (the iPad Mini)!

Designer: Svyatoslav Alexandrov for ConceptsiPhone

This robotic arm uses a trick from the Pixar playbook to appear ‘friendly’

There’s a brilliant study that outlines how the west and the east feel about robots in day-to-day lives. There’s a sense of awe and appreciation for robots in the east, while in the west, robots are feared because of the threats they pose. These two impressions are directly connected to culture – while Terminator, Skynet, and Black Mirror set an inherent fear of robots into the hearts of westerners, Transformers, Astro Boy, and other pop-cult references made robots feel more awe-inspiring and appealing to the eastern hemisphere.

However, with the rising probability that tech will end up making its way into our lives, designer Joonhyuk Hong believes the best way to promote human + robot coexistence is to make robots seem friendly. Hong uses a trick that self-driving cars have been using from the get-go to appear less threatening. He proposes an anthropomorphic element to the robotic arm to make it more interactive and ‘cute’, allowing it to be perceived less as a threat and more as an aide… something Pixar used to make Wall-E and EVE (and even Baymax) appear more friendly too.

The Emotional Collaborative Robot Concept is a multifunctional robotic arm with a display that acts as the robot’s face. The use of rounded forms and the cute avatar makes the robot look more amicable and less intimidating. The robotic arm’s versatile design allows it to assist humans in multiple tasks, from making your coffee to assisting you with tools in a workshop.

Designer: Joonhyuk Hong