Tag Archives: Umbrella

This Umbrella Is Actually a 500-Year-Old Korean Hat in Disguise

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Anyone who has seen K-Pop Demon Hunters or an episode of a Korean historical drama is familiar with what a gat is. Even if you don’t know what it’s actually called, it’s pretty recognizable: the black hat with its cylindrical crown and wide, dramatic brim that sometimes hides the eyes or even the entire face. It was traditionally worn by men of high social standing during the Joseon era, serving as a marker of Confucian values, refinement, and status. It’s rarely worn now unless someone is shooting a drama or attending some sort of costume party, though the gat did have a major pop culture moment thanks to Netflix’s Kingdom, where it became instantly iconic worldwide.

The National Museum of Korea called for designers to reimagine the gat for a modern setting. Design studio TOSO created the winning entry, the Gat Umbrella, which is exactly what it sounds like. This is part of the MU (the official merchandise brand of the National Museum Foundation of Korea) competition that invites designers to reinterpret historical objects into something that can actually be used in modern times. It’s a brilliant initiative that bridges Korea’s rich cultural heritage with contemporary everyday life.

Designer: TOSO

The Gat Umbrella looks like a regular umbrella when folded, but when opened, it looks like you’re standing under a huge gat, with the added bonus of an actual canopy to keep you dry. It’s around 33 inches long and has a width of 1,050 millimeters when opened. The canopy is made from PVC with a fiberglass-reinforced frame, its tip from polypropylene, and the handle from EVA material. The deep black canopy is a direct callback to the traditional color of the gat, and the proportions of the brim have been carefully scaled to capture that wide, commanding silhouette. When held up against a grey sky, you can almost picture the Joseon-era scholar it was inspired by.

Aside from being a status symbol, the original gat was also used to protect its wearer from the sun, rain, and wind, which makes this reimagining feel even more intentional. Anyone who has watched enough K-dramas knows those dramatic scenes where characters brave storms with a gat firmly in place, rain streaming off its wide brim. So this transformation of the headwear is still a clever nod to its origins. It’s just more modern looking and has the added protection of a proper canopy, since the elements now tend to be a lot more mercurial.

What makes the Gat Umbrella especially appealing is how it straddles the line between functional product and cultural artifact. It’s not just a novelty item you display on a shelf. It’s something you actually take out on a rainy Tuesday and suddenly feel like the most stylish person on the street. There’s something deeply satisfying about a design that takes centuries of history and makes it wearable (or in this case, holdable) in the most practical way possible. And given the global reach of Korean culture right now, something tells us this won’t stay a niche item for long.

It also arrives at a moment when the global appetite for Korean culture is at an all-time high. From K-dramas to K-pop to Korean food, the world is paying attention, and the Gat Umbrella is exactly the kind of conversation starter that lets people engage with that culture in a tangible, everyday way. It’s not just merchandise; it’s a story you carry with you. The kind of thing that makes strangers stop you in the street and ask where you got it.

Whether you’re a K-culture enthusiast, a design collector, or simply someone who appreciates carrying a piece of history through a rainstorm, this is the kind of purchase that feels both indulgent and meaningful. It’s proof that heritage doesn’t have to stay locked behind glass. Sometimes, the best way to honor the past is to take it out into the rain.

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The Inflatable Umbrella That Finally Makes Sense

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Count how many umbrellas you’ve owned in your lifetime. Go ahead, try. Most people lose count somewhere around five or six, often because the memory of each one ends the same way: a gust of wind, a bent rib, a mangled heap left in a trash can on a rainy corner somewhere. We accept this as the unavoidable cost of staying dry. But a group of graduate students from the Savannah College of Art and Design decided that was a terrible deal, and they designed their way out of it.

Nimbus is their answer. It’s an inflatable umbrella made entirely from recyclable thermoplastic polyurethane, or TPU, and the absence of the usual suspects is the whole point. No metal ribs. No complex mechanical joints. No layered materials that make recycling a logistical nightmare. Just one material, doing everything.

Designers: Hannah Klein, Vishva Chauhan, Manasi Khatavkar, and Annika Hogan

Hannah Klein, Vishva Chauhan, Manasi Khatavkar, and Annika Hogan created Nimbus as part of their Master’s program in Design for Sustainability at SCAD. Their combined backgrounds span Interior Design, Graphic Design, Studio Arts, and Environmental Science, which is probably why the concept feels so well-rounded. When a team brings that range of perspectives to a single everyday object, it shows. They weren’t just asking how to make a better umbrella. They were asking why we’ve been making them so badly for so long.

The answer, it turns out, is that nobody really stopped to question it. The standard umbrella has looked more or less the same for generations: a metal skeleton, a nylon canopy, a plastic handle, all bonded together in ways that make the whole thing essentially un-recyclable. When it breaks, and it will break, it goes straight to landfill. Multiply that by the sheer volume of umbrellas sold globally every year, and you’re looking at a quiet but significant waste problem hiding in plain sight.

Nimbus addresses this by stripping the design down to its core job: keeping rain off your head. The inflatable structure replaces the rigid rib system entirely, which means fewer points of failure and a much longer functional life. It’s lightweight, designed to be repaired rather than replaced, and when the time does come to retire it, the single-material construction makes it genuinely recyclable. The team has also built in a buy-back program to support that end-of-life process, which tells you they’ve thought beyond the object itself and into the broader system it lives in.

The numbers behind this are worth sitting with. Compared to a standard umbrella, Nimbus carries a 99% lower impact according to life cycle assessment, the metric that tracks environmental cost from production to disposal. That’s not an incremental upgrade. That’s a complete rethink of what the object is allowed to be.

But what I keep returning to is the broader point Nimbus is making about design itself. We tend to celebrate innovation when it arrives in the form of something new, a gadget that didn’t exist before, a category that had to be invented from scratch. But sometimes the more interesting work happens when someone looks at something deeply familiar and asks whether it needed to be done this way at all. An umbrella feels like a settled question. These four designers disagreed.

The project has already been recognized by the Green Product Award, which is a good sign that the design community is paying attention. Whether Nimbus moves toward commercial production remains to be seen, but as a concept, it raises the right questions at exactly the right time. Consumers are increasingly asking where their things come from and where they end up. Products that can answer both questions honestly are going to matter more, not less, as those expectations grow.

You probably have an umbrella somewhere. Maybe it still works. Maybe it’s one rough commute away from the bin. Either way, Nimbus is a useful reminder that even the most unremarkable objects in our lives are worth questioning, and that sometimes the best design is just someone refusing to accept a bad answer.

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The Umbrella That Makes Kids Chase Their Own Shadow

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Most sun safety products for kids follow the same playbook: bright colors, cartoon prints, maybe a fun shape. They’re designed to appeal to parents, not children, which is probably why half of them end up abandoned in school bags by 10 a.m. Studio torinoko, a Japanese design studio, took a very different approach.

Their latest project is called Kage no Otomodachi, which translates to Shadow Friends, and it’s a children’s umbrella that projects illustrated characters onto the ground when held open in direct sunlight. That’s the entire premise, and it’s so elegantly simple that you wonder why no one thought of it before.

Designer: studio torinoko

The way it works is almost effortlessly clever. The umbrella’s canopy features illustrated cutouts that cast playful, character-like figures onto the pavement below. When a child opens it on a sunny day, a little shadow companion appears at their feet, inviting them to follow, chase, and walk alongside it. The child stays under the umbrella. The umbrella keeps them out of the sun. Nobody had to argue about it.

This is behavioral design doing exactly what it’s supposed to do: shifting behavior not through enforcement but through genuine appeal. The studio describes it as a move away from “forcing protective behaviors” toward creating the conditions that make children want to protect themselves. It’s a subtle but important distinction, and it matters a lot in the context of where we’re heading with summer temperatures globally. We’re not just dealing with a UV index inconvenience anymore. We’re dealing with heat that poses real risk, especially to kids who are outside walking to school or playing during peak sun hours.

What stands out most about this design is that it respects the child as a user, not just a passive recipient of adult decisions. Children have a near-universal fascination with shadows. They stomp on them, race them, try to escape them. Studio torinoko didn’t just understand that; they built an entire product philosophy around it. The result is an umbrella a kid will actually want to carry, which is arguably the hardest design problem of all.

The umbrella debuts in a single turquoise-blue colorway, chosen specifically for visibility and ease of recognition outdoors. It also features reflective details for added safety during rainy weather and evening walks, which shows the team was thinking beyond the obvious use case. It’s a considered, holistic design rather than a one-trick novelty.

From a purely aesthetic standpoint, I love how restrained it is. The magic isn’t in the umbrella itself but in what it casts below, which means the object doesn’t need to work hard visually. It doesn’t scream at you. It just quietly does something wonderful when the sun hits it right. That kind of understated design intelligence doesn’t come around often, especially in the children’s products market, where “louder” almost always wins.

Studio torinoko has also stated that they hope future production runs will expand into additional colors and further refinements, with a broader goal of normalizing parasol use among children in general. That cultural angle is worth noting. Parasol culture is well-established in Japan and parts of East Asia as a practical, everyday sun protection habit, but it remains far less common in Western markets for kids specifically. If Shadow Friends helps shift that, even slightly, it’s doing something well beyond its immediate design brief.

It’s rare to come across a product that feels genuinely joyful without being gimmicky. Shadow Friends manages that balance. It’s not trying to be a toy. It’s not trying to be a collectable. It’s trying to be a useful, protective everyday object that a child will actually form a relationship with, and the shadow play is the bridge that makes that relationship possible. If good design is about solving real problems beautifully, this is a near-perfect example. The problem is real, the solution is beautiful, and the mechanism is pure delight. That doesn’t happen as often as it should.

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This Umbrella Has Solar Panels… And It Doubles As An Emergency Power Bank

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Every time you open an umbrella, you’re deploying a canopy of wasted real estate. That dark stretched fabric sits between you and the sun, absorbing heat, blocking light, doing absolutely nothing with the energy raining down on it. For a surface that spends its entire working life pointed directly at the sky, that feels like a missed opportunity of the highest order.

Victoria García Moreno, a student at Universidad Casa Blanca in Mexico, decided to do something about it. Her James Dyson Award entry takes the umbrella’s canopy and lines it with waterproof solar panels, routing that captured energy down through the shaft and into an internal power bank housed in the handle. USB and USB-C ports let you plug your phone in while you walk. Sun protection and emergency charging, packaged into one familiar object.

Designer: Victoria García Moreno

The material logic here is sound, even if the execution remains at concept stage. Solar panels have been conformal and flexible enough for curved surfaces since the early 2000s, and the umbrella canopy offers a genuinely generous collection area compared to most portable solar products on the market. Foldable solar chargers sold today typically max out at panels smaller than a laptop screen. A full umbrella canopy, by comparison, gives you something closer to the kind of surface area that actually moves the needle on solar harvest. The panels García Moreno specifies are waterproof, which solves the obvious problem of a device that lives outdoors and frequently encounters rain.

All the electronics, the power bank, the activation circuitry, the output ports, sit inside the grip in a cylindrical housing that keeps the umbrella’s overall silhouette completely conventional. Two buttons sit on the front face: one to power the system, one to activate charging output. The USB and USB-C ports are recessed into the rear of the handle, keeping them protected when not in use. From the front, this reads as a slightly premium umbrella. The technology announces itself only when you need it to.

The honest limitation García Moreno’s concept faces is the gap between solar panel flexibility and the mechanical demands of a folding umbrella. Current flexible panel technology can handle curves, but repeated folding and unfolding introduces stress concentrations that standard rigid cells handle poorly. That’s a solvable engineering problem, and the James Dyson Award has a history of surfacing student concepts that identify the right problem before the manufacturing world catches up with a solution. For now, the Portable Outdoor Emergency Charger makes its case as a provocation worth taking seriously. The umbrella canopy has been wasted real estate for far too long, and someone had to say it.

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The Umbrella Stand That Refuses to Be Grey or Boring

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There’s something quietly rebellious about a product that announces its refusal to blend into the background right there in its name. Meet notgrey, an umbrella stand from designer Joffey that’s basically the antithesis of every sad, utilitarian coat rack you’ve ever ignored in a hotel lobby.

At first glance, it looks almost like a piece of kinetic sculpture that wandered out of a modern art museum and decided to make itself useful. A slender black metal frame rises from a bold blue base, punctuated by a cone-shaped holder in that perfect burnt orange-red that interior designers are always calling “terracotta” but really just makes you think of summer sunsets and Spanish roof tiles. Perched on one of the extending arms is a warm orange dish that could easily pass for a decorative accent if it weren’t so brilliantly practical.

Designer: Design by Joffey

The genius of notgrey is how it takes something most of us barely think about and turns it into a conversation piece. Umbrella stands traditionally occupy that weird category of household objects we know we probably need but can never quite get excited about. They’re the sensible shoes of home furnishings. But Joffey has created something that makes you actually want to display your rainy day clutter.

Let’s talk about what it actually does, because this isn’t just pretty geometry. The cone holder catches your dripping umbrella without taking up much floor space. The extending arm supports a coat hook that can handle your wet jacket. That orange dish? Perfect for corralling keys, sunglasses, your phone, or whatever else you’re juggling when you stumble through the door. And at the base, there’s room to kick off your shoes, keeping everything you need for coming and going in one tidy vertical arrangement.

What makes this design particularly smart is how it maximizes vertical space. Small entryways are notoriously tricky to organize, you need storage but you can’t sacrifice precious square footage. Notgrey solves this by building up instead of out. The slender profile means it tucks nicely beside a door without creating an obstacle course, while still offering multiple functions stacked on that single pole.

The color choices feel intentional in a way that goes beyond just being eye-catching. That blue base grounds the whole piece, literally and visually. The red cone creates a focal point that draws your eye without overwhelming the space. And the orange dish adds warmth that keeps the primary colors from feeling too stark or toy-like. Together, they create a palette that feels both playful and sophisticated, which is a surprisingly tricky balance to strike.

There’s also something refreshing about a functional object that doesn’t apologize for taking up visual space. So much contemporary design is obsessed with disappearing, with being invisible and unobtrusive. Everything’s supposed to be minimalist and neutral and blend seamlessly into your carefully curated aesthetic. But notgrey takes the opposite approach. It says, if I’m going to be in your home, if I’m going to serve a purpose, I might as well look interesting while I’m at it.

This is exactly the kind of design that makes mundane routines feel a little more special. Coming home on a grey, drizzly day and having somewhere cheerful and organized to stash your soggy belongings is the kind of small pleasure that accumulates over time. It’s not going to change your life, but it might change how you feel about your entryway, which is more than most umbrella stands can claim.

For anyone who’s been looking at their cluttered doorway and thinking there has to be a better solution than a pile of wet coats on the floor and umbrellas propped against the wall, notgrey offers an answer that’s both practical and genuinely delightful to look at. It’s proof that even the most ordinary household problems deserve solutions with a little personality.

In a market saturated with beige and white and “goes with everything” neutrals, here’s a design that confidently announces its presence. And really, isn’t that exactly what you want from something whose literal name is a rejection of dullness?

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Persistent DIYer creates autonomous flying umbrella despite years of struggle

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Back in early 2024, John Tse designed a flying umbrella controlled by a remote, which seemed a completely out-of-the-box idea. However, some users pointed out that the umbrella should follow the person using it, to make it more practical, come rain or shine. The hands-free option of using a flying umbrella is far more exciting than maneuvering it while walking.

Months later, John set out to design an upgraded version of the project. The thing is essentially an autonomous drone shading you from wet or dry weather on demand. The vital addition to the rig is a tracking system loaded with a camera that comes from drone parts. That said, the build was not a cakewalk, and it took him a couple of years to achieve the intended version.

Designer: John Tse

Things started off by creating a custom frame with a central hub for the umbrella, the locking mechanism, and the hinges to have a solid structure for the camera and sensors to mount on. Most of the components are 3D printed, either made out of carbon fiber or nylon. Once the design materialized, an ordinary umbrella was mounted onto the frame, and the arms attached to the mechanism, just like a tripod. After figuring out the GPS, flight controller, Raspberry Pi function, and other electronics, it was time for the first test flight. After a few glitches with the rotational direction and the flight anomalies, the troubleshooting mode kicked on. The rig finally held stable in flight, and John attached the umbrella housing to the thing.

The next step was to align the camera, sensors, and GPS function to make the autonomous flight possible, so that the umbrella doesn’t bump into the person it’s hovering over, or other people on the street. With help from his buddy Hinsen, the idea of creating a 3D map of the people nearby, even in low light, using complex light reflection tech, came to life.  Somehow, the thing didn’t work after replacing all the old components with the new ones. Eventually, after a lot of tinkering and tuning, the flying umbrella finally moved from the initial stage to the concrete prototype stage. A project that was meant to be just a few weeks finally took more than a couple of years.

Finally, the day arrived when the project materialized, and the floating umbrella hovered over John. Even when the sun went down, the thing managed to hover over him. Thereafter, it was time for the rain to come down and test the flying umbrella in wet weather. In heavy rain, the umbrella had zero glitches, and the painstaking ritual of going through numerous roadblocks felt sweet for him. The design of the umbrella doesn’t feel like there’s something off; it just feels like an everyday object. Sure, the high-tech accessory is heavy due to all the components, still it manages to do what it was intended for. In the end, a shout out to John for his patience and persistence that ultimately materialized this project.

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Split Is an Umbrella Stand Concept That Opens Into a Hallway Console

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Most entryways are chaos zones. Umbrellas lean against walls, keys land on whatever surface is closest, and the stand is usually just a metal tube catching drips in a corner nobody looks at twice. This corner of the home rarely gets the same design attention as the living room or kitchen, even though it is the first thing you see when you walk in and the last thing you touch before leaving.

Split is an umbrella stand concept that behaves like a small, movable console. It is built around a sleek cylindrical form that opens with a pivoting lid, revealing storage for short and long umbrellas. When closed, the lid becomes a tabletop for keys, phones, or a wallet, turning the stand into a compact landing zone for everything you carry through the door, wet or dry.

Designer: Yomna Elborollossy

The cylinder splits into two functional zones. An open lower section holds long umbrellas, keeping handles accessible and letting wet fabric breathe. A closed upper section stores compact umbrellas or other small items, hiding clutter without sealing it in a damp box. The geometry makes it obvious where things go, which is half the battle in keeping an entryway tidy without thinking about it every single time.

The perforated upper shell works like a pegboard and a vent at the same time. The grid of circular holes can accept hooks for hanging small items like dog leashes, lanyards, or lightweight bags, and it also lets air circulate through the closed space so damp umbrellas or gloves can dry. That detail keeps the object from becoming a humid box and gives it a subtle, graphic texture that reads well from across a room.

The pivoting lid turns a simple stand into something interactive. A quick swing of the lid reveals the inner compartment without forcing you to clear off the top first, and when it is closed, the flat surface is ready for keys, a phone, or a small tray. The motion adds a bit of ceremony to arriving home, making the act of putting things away feel deliberate instead of automatic or rushed.

The body is imagined in lightweight aluminum, which keeps it easy to move while resisting rust and corrosion from wet umbrellas. It sits on a heavier stone base that keeps it stable when loaded with multiple umbrellas and everyday items. The concept uses warm, modern colors like terracotta, mustard, and muted blue, so it reads as a small piece of furniture rather than a purely utilitarian object and can live comfortably in a hallway, living room corner, or office lobby.

Split reframes a neglected object. It does not try to reinvent storage, it simply layers a console, a pegboard, and a ventilated umbrella stand into one compact cylinder. It feels like a quiet but meaningful upgrade over the usual metal tube shoved in a corner. People who care about the small transitions in their day will love the idea of an entryway piece that catches umbrellas and everyday carry with a bit of elegance.

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The World’s Smallest Full-Size Umbrella Has an OLED Screen

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Look, I’ve broken my fair share of umbrellas. That satisfying snap when a gust of wind hits you at just the wrong angle, the metal rib poking through fabric like a broken bone, the awkward dance of trying to fold the thing back into submission. We’ve all been there. So when I first saw the Ori umbrella, my immediate thought was: wait, where’s the rest of it?

This sleek little cylinder looks more like a fancy pen or a futuristic flashlight than an umbrella. And that’s entirely the point. Ori just announced what they’re calling the world’s first frameless umbrella, and honestly, it’s one of those “why didn’t anyone think of this sooner” moments that makes you question everything.

Designer: Modestas Balcytis

The magic is in the origami. Founded by MIT engineers and origami specialists, Ori uses a patented folding technique based on the Miura fold, which is the same kind of engineering NASA uses for deployable spacecraft structures. Instead of the traditional setup of metal ribs covered in fabric, the canopy itself becomes the structure. No ribs. No fabric stretched over a frame. No failure points waiting to betray you on a windy Tuesday.

When folded, this thing measures just 3.5 by 23 centimeters. That’s genuinely pocket sized, and I’m not talking about cargo pants pockets either. It compresses a full one meter canopy into something smaller than most water bottles. The canopy unfolds with what they call “1-degree of freedom motion,” which is engineering speak for “it opens with one smooth movement and doesn’t fight you.”

But here’s where Ori gets really interesting. They didn’t just reinvent the umbrella’s mechanics. They added an OLED display right into the handle. This isn’t some gimmicky addition either. The display shows you real time air quality data through something called AirSense, measuring particles and UV levels right where you’re standing. There’s MoodShift, which adapts the display visuals based on weather and your preference. You can customize the display themes, and everything operates with a simple tap to open or close.

The design itself is gorgeous. Available in iPhone grade aluminum housing with finishes in silver, rose gold, and sky blue, it genuinely looks like something Apple would make if they decided to tackle rain gear. The comparison to Dyson and Apple isn’t just marketing speak. Founder and CEO Modestas Balcytis explicitly said that’s the goal: to become the premium design brand in a category that hasn’t seen real innovation in 170 years.

And he’s not wrong about that timeline. The basic umbrella design has remained essentially unchanged since the mid 1800s. Sure, we’ve gotten automatic open buttons and wind resistant frames, but the fundamental architecture of fabric on metal ribs hasn’t budged. Meanwhile, we’ve completely reinvented phones, watches, even how we vacuum our floors. The umbrella just sat there, breaking in the same predictable ways, generation after generation.

The umbrella market is massive too. We’re talking $7.4 billion annually, with 1.2 billion units sold every year. Yet there’s no iconic umbrella brand. No household name that owns the category. It’s a completely fragmented market of cheap airport kiosk purchases and forgotten drugstore impulse buys. Ori sees that gap and wants to fill it with something people actually want to own and show off.

At $249.99, this isn’t an impulse purchase. But neither was the first Dyson vacuum or the original iPhone. Premium pricing positions this as an investment piece, something that should last years instead of months. With four patents filed covering everything from the folding architecture to the locking system and smart core, Ori has built serious intellectual property around this design.

The first Founder Edition units are expected to ship globally in 2026. Whether Ori succeeds in becoming the Dyson of umbrellas remains to be seen, but they’ve definitely created something worth paying attention to. Sometimes the most innovative products come from rethinking the everyday objects we’ve stopped questioning. And honestly? I’m ready to see umbrellas get the glow up they deserve.

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The Tiny Accessory That Gives Your Umbrella Main Character Energy

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You know that feeling when you walk into a coffee shop on a rainy day and have to awkwardly lean your dripping umbrella against the wall, hoping it won’t slide down and crash onto the floor? Or when you get home and realize you’ve been propping your umbrella in the same dusty corner for years because, well, what else are you supposed to do with it? We’ve all been there. And honestly, it’s kind of ridiculous that in 2025, we’re still treating umbrellas like they’re design afterthoughts.

That’s exactly the question that sparked Standpoint, a brilliantly simple solution to a problem we didn’t realize was bothering us. What if your umbrella could just stand on its own? Not leaning, not tucked away, not shoved into some clunky umbrella stand, but actually standing there with a bit of confidence and personality.

Designer: Edwin Tan

Standpoint is a small 3D-printed resin attachment that clips onto the bottom of your umbrella, transforming it from a functional rain shield into something that can hold its own ground, literally and figuratively. It’s one of those designs that makes you wonder why no one thought of it sooner, the kind of idea that feels so obvious once you see it but required someone to actually stop and question the status quo.

The beauty of Standpoint lies in its understated approach. This isn’t some bulky contraption or overwrought design statement. It’s a gentle, minimal base that complements rather than competes with your umbrella. Each base features a soft color gradient that transitions from darker to lighter tones, creating a subtle visual flow that enhances the umbrella’s form without screaming for attention. You get to choose from different base variations, each with its own personality. Some are organic and flowing with petal-like loops, others are more geometric and structured. It’s like picking out jewelry for your umbrella, a small detail that adds unexpected character.

What makes this design particularly smart is how it taps into a bigger conversation happening in the design world right now. There’s this growing movement toward reimagining everyday objects, questioning why things have always been done a certain way, and finding opportunities for improvement in the most mundane corners of our lives. Standpoint fits perfectly into this philosophy. It’s not trying to reinvent the umbrella itself. Instead, it’s asking how we can make an existing object more self-sufficient and expressive in our spaces.

The use of 3D-printed resin is also worth noting. This technology has opened up possibilities for creating small-batch, customizable accessories that would have been prohibitively expensive to manufacture traditionally. You can have multiple bases in different colors and styles, swapping them out based on your mood or aesthetic. It’s the kind of personalization that feels very now, very in tune with how we think about our belongings as extensions of our personal style.

But beyond the practical benefits and the aesthetic appeal, there’s something quietly radical about Standpoint. It celebrates the idea of objects having dignity and presence in our spaces. Your umbrella doesn’t need to hide or apologize for existing. It can stand tall (pun intended) and become part of your interior landscape. In an era where we’re constantly trying to minimize and hide away the functional stuff of daily life, Standpoint takes the opposite approach. It says, let’s make these everyday tools beautiful enough to be visible. The gradient colors, ranging from soft blues and greens to warm corals and neutrals, are clearly influenced by contemporary design trends but feel timeless rather than trendy. They’re sophisticated enough for minimalist interiors but playful enough to bring a smile to your face on a dreary morning when you’re grabbing your umbrella on the way out.

Ultimately, Standpoint is about more than just keeping your umbrella upright. It’s about recognizing that thoughtful design can transform even the smallest moments of our daily routines. It’s a reminder that we don’t have to accept things as they’ve always been, and that sometimes the most delightful innovations come from asking the simplest questions. Your umbrella deserves better than being shoved in a corner. Let it stand proud.

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How NASA’s Starshade Design Inspired this Unique Origami Folding Umbrella

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There’s a consensus in the common world that if something isn’t broken, you shouldn’t fix it – it’s a consensus that designers often reject because good design isn’t a goal, it’s a journey. The way current umbrellas open and close isn’t particularly faulty – but that didn’t stop designer Vinayan Ravikumar from taking things to the next level. Meet the Bloombrella, an umbrella that blooms open just like a flower. Relying on origami folding techniques, the Bloombrella borrows from a NASA experiment for unfolding foil shades/sails in space. The umbrella’s fabric starts as a folded cluster that opens outwards, becoming a perfect octagonal parasol that protects against sun and even rain.

Designer: Vinayan Ravikumar

Vinayan’s design borrows inspiration from the blooming of the dianthus flower. The flower bud practically unfurls in bloom, and is also the inspiration for NASA’s Starshade. Vinayan’s explorations led him down a similar path, relying on origami to mimic how the starshade opens outwards. The result, an umbrella like nothing you’ve seen before. Watching it open and close is nothing short of hypnotic, as the umbrella’s fabric creases and un-creases to take its closed or open shape. The creases are uniquely geometric too, resulting in an umbrella that doesn’t need any artwork or patterns to make it look attractive.

“The umbrella is an interesting object. As designers, we don’t notice or revere it the way we see chairs, cars, or lamps. Yet when caught in a sudden downpour, it becomes a lifesaver. An object of understated elegance and functionality, its form hasn’t changed much over the past hundred years,” says designer Vinayan Ravikumar. “Drawn to this fascinating contraption that has sheltered us for millennia, I felt it was the perfect canvas to explore tension in motion.”

Rethinking how the umbrella opened or closed meant rethinking the umbrella entirely. The Bloombrella comes with a stem and shade, but its intermediary mechanism gets completely redone. The new mechanism responds to twisting, rather than pressing a button or pushing a member up the umbrella’s shaft. The twisting action allows metal rods to move outwards, opening the umbrella’s shade. Vinayan created his prototype using Tyvek, a tear-proof paper-like material from Dupont. Tyvek has the unique distinction of being great at creasing as well as being durable and waterproof. This made it a perfect candidate for the Bloombrella’s shade, allowing it to hold its origami shape incredibly well, while still repelling water to a noticeable degree.

The rest of the prototype uses traditional materials, like aluminum for the metal parts, and plastic for the mechanism, moving elements, and hinges. The Bloombrella is currently just a student concept, but given that NASA has been employing similar techniques for its starshade shows it’s more than just a proof-of-concept… at least on a cosmic level! Whether it makes for a great umbrella is still something worth determining – perhaps as a larger beach umbrella or a shade for an arena/stadium!

The post How NASA’s Starshade Design Inspired this Unique Origami Folding Umbrella first appeared on Yanko Design.