Here's yet another troubling story about this "golden" era of AI. A hacker has exploited Anthropic's Claude chatbot to carry out attacks against Mexican government agencies, according to a report by Bloomberg. This resulted in the theft of 150GB of official government data, including taxpayer records, employee credentials and more.
The hacker used Claude to find vulnerabilities in government networks and to write scripts to exploit them. It also tasked the chatbot with finding ways to automate data theft, as indicated by cybersecurity company Gambit Security. This started in December and continued for around a month.
It looks like the hacker was able to essentially jailbreak Claude with prompts, finally bypassing the chatbot's guardrails. Claude originally refused the nefarious demands until eventually relenting.
Hackers Used Anthropic’s Claude to Steal 150 GB of Mexican Government Data
> Tell Claude you’re doing a bug bounty > Claude initially refused: > “That violates AI safety guidelines” > Hacker just kept asking > Claude: “OK, I’ll help” > Hacked the entire Mexican… pic.twitter.com/Qaux239K8t
"In total, it produced thousands of detailed reports that included ready-to-execute plans, telling the human operator exactly which internal targets to attack next and what credentials to use," said Curtis Simpson, Gambit Security’s chief strategy officer.
Anthropic has investigated the claims, disrupted the activity and banned all of the accounts involved, according to a company representative. The spokesperson also said that its latest model, Claude Opus 4.6, includes tools to disrupt this kind of misuse.
It's also been reported that this hacker used ChatGPT to supplement the attacks, using OpenAI's chatbot to gather information on how to move through computer networks, determine which credentials were needed to access systems and how to avoid detection. OpenAI says it has identified attempts by the hacker to violate its usage policies and that the tools refused to comply.
The hacker remains unidentified. The attacks haven't been attributed to a specific group, but Gambit Security did suggest they could be tied to a foreign government. It's also unclear what the hacker wants to do with all of that data.
Mexico's national digital agency hasn't commented on the breach, but did note that cybersecurity is a priority. The state government of Jalisco denies that it was breached, saying only federal networks were impacted. However, Mexico's national electoral institute also denied any breaches or unauthorized access in recent months. It's worth noting that Gambit found at least 20 security vulnerabilities during its research that the country is likely not keen on highlighting.
Anthropic just dropped the core commitment of its safety policy: the promise to not train models it couldn't prove were safe first.
The new version commits to matching competitors on safety and publishing more transparency reports. But the actual constraint, "we stop if we can't… pic.twitter.com/k5Zi6dHUMN
This isn't the first time Claude has been used for a major cyberattack. Last year, hackers in China manipulated the tool into attempting to infiltrate dozens of global targets, several of which were successful. Anthropic just nixed its long-standing safety pledge, which committed to never train an AI system unless it could guarantee in advance that safety measures were adequate. So who knows what fresh hell the future will bring as the company's tools become more advanced.
This article originally appeared on Engadget at https://www.engadget.com/ai/hacker-used-anthropics-claude-chatbot-to-attack-multiple-government-agencies-in-mexico-171237255.html?src=rss
An open-world racing game from a studio formed by ex-Forza Horizon developers was due to be published by Amazon, but that is no longer the case. As reported first by The Game Business, UK-based Maverick Games is now in "active dialogue" with prospective new publishing partners for its currently untitled debut game, which remains in development.
Maverick was founded in 2022 by Mike Brown, who served as the Horizon series’ creative director during his stint at Playground Games, and was able to tempt a number of other ex-Playground veterans to join the new studio. Little was publicly known about the game Amazon picked up, but shortly after Maverick was established Brown told GamesIndustry.Bizthat his ambition was to make a game that was AAA, premium and eventually released with the intention of "winning all the awards."
"As part of our strategic evolution to focus on projects that leverage Amazon’s unique strengths and scale, including the recent re-launch of Luna and our Tomb Raider franchise partnership with Crystal Dynamics, we have decided to release Maverick Games from their publishing agreement with Amazon Game Studios," an Amazon Game Studios representative said in a statement to The Game Business.
"We have tremendous respect for the Maverick Games team and the compelling narrative-led driving experience they’re creating," the companty said. "This decision allows Maverick Games the flexibility to find a publishing partner whose strategic priorities are better aligned with bringing their game to market. We’re proud of what we accomplished together during our partnership and wish them every success in the future."
Amazon’s push into gaming has yielded mixed results. It seemingly remains committed to developing its Luna streaming service, but as a publisher and developer things haven't been smooth. 2020’s free-to-play multiplayer shooter Cruciblevanished so quickly that most people have probably forgotten that it ever existed. The MMO New World has proved more of a hit, but Amazon is still winding down support for the game next year. The future of the company’s Lord of the Rings MMO is unclear, but The Game Businessreports that last year’s cuts to its MMO division also affected the team working on that game.
Earlier this week, it was announced that the Amazon Games-published co-op dungeon crawler King of Meat will shut down on April 9, less than a year after its October 2025 launch. The company does still have a pair of Tomb Raider games on its release slate, one of which is a reimagining of the original series entry from 1996.
This article originally appeared on Engadget at https://www.engadget.com/gaming/amazon-abandons-open-world-racing-game-by-former-forza-horizon-devs-170234100.html?src=rss
With its ProArt lineup, ASUS has commendably addressed a glaring hole in the PC market by targeting video editors and other creative pros. Its latest model even uses a popular camera marque in its name: the ProArt GoPro Edition PX13. It’s a true co-branding exercise, with GoPro-like styling, a dedicated GoPro hotkey, mil-spec durability for extreme outdoor users and 12 months of GoPro’s Cloud Plus Premium.
It has a lot going for it on the inside, too. The AMD Ryzen AI Max+ 395 processor offers 16 Zen 5 cores with integrated Radeon 8060S Graphics (40 cores) and AMD Ryzen AI with up to 50 NPU TOPS. It packs a relatively small but pixel-dense 13-inch 2,880 x 1,800 OLED convertible 360 touch display, 1TB of storage and an impressive 128GB of unified memory.
The rub, as you might expect with all that RAM, is the price. The ProArt GoPro Edition PX13 costs $3,000, while a version with the same processor but half the memory is $2,800. That’s high-end MacBook Pro money, and while the ProArt is a good PC creator machine, it falls short of its Apple counterpart in terms of performance and usability.
Design
In place of the ProArt P13’s smooth lines, the ProArt GoPro Edition comes with a ribbed metal back that’s designed to look like the front of a GoPro Hero 13. It also has GoPro-like ridges on the hinge and plastic above the keyboard, along with GoPro and ProArt branding. The rugged design may appeal to the extreme sports crowd, but I’d prefer something a bit sleeker.
The laptop is relatively light at 3.06 pounds, but the dedicated 200W power brick adds an extra pound of weight. Despite the small size, it offers MIL-STD 810H military-grade durability, so it can handle hot and humid conditions while surviving 500Hz vibrations and multiple four-inch drops while running. To help keep the laptop safe outside, ASUS includes a protective padded sleeve with a braided pouch to tuck a selfie stick or another accessory.
Steve Dent for Engadget
The 2,880 x 1,800 OLED touchscreen is nice but not super bright, with up to 400 nits of brightness or 500 nits in HDR mode. That’s the usual tradeoff for OLED compared to super bright MiniLED displays. However, it has deep blacks and very high color accuracy of Delta < 1 with 100 percent DCI-P3 coverage, along with Dolby Vision support, so it’s great for photo and video work or entertainment.
The ProArt is a 360-degree convertible model and ships with an ASUS Pen and Pen charger. That makes it a good option for graphic artists who want to tent the screen or fold it around to use in tablet mode for sketching or painting. The ASUS Pen works well, and though it’s not as accurate as Wacom or other dedicated pen devices, it has nice haptic feedback when you perform actions in the app.
The ProArt GoPro Edition’s keyboard is excellent, with a nice amount of travel for typing or gaming. The touchpad is also one of the better ones I’ve used on a PC thanks to the quality tactile feel. The top left of the touchpad contains ASUS’s control dial designed for jogging video footage or adjusting colors, but it’s a bit fussy and gimmicky.
For ports, you get HDMI, 3.5mm audio, USB-A 3.2 and two USB-C 4.0 with power delivery that allow up to 130 watts of charging. The laptop weirdly comes with a microSD slot to load GoPro footage straight from the camera, but it would be better to have a regular SD port and microSD adapter. As for wireless and audio, it offers Wi-Fi 7, Bluetooth 5.4 and Dolby Atmos support.
Performance
Steve Dent for Engadget
Built on TSMC’s 4nm line, the Ryzen AI Max+ 395 is AMD’s most powerful APU designed to blend performance and low power consumption. It’s married to a Radeon 8060S GPU with 40 compute units (equivalent to an NVIDIA RTX 4060, AMD says) that makes it ideal for creative chores, AI processing and gaming. This unit also comes with 128GB of unified LPDDR5X RAM that’s soldered directly to the motherboard, shared between the CPU and GPU. Given today’s RAM prices, that amount of memory no doubt contributes to the ProArt GoPro Edition’s high price.
AMD finally got its act together for video encoding and decoding. The Ryzen AI Max+’s GPU supports most 8- and 10-bit MP4 codecs, including H.264, H.265, VP9 and AV1. That means you can play back nearly all MP4 or Quicktime camera video files in real time, including the 8K H.265 files recorded by a GoPro Hero 13. At the same time, the large number of cores and threads (16 and 32) helps the ProArt GoPro Edition render certain VFX and do color adjustments quickly. The 1TB of NVMe SSD storage is limited to PCIe 4.0, but it’s relatively speedy with 6.55 GB/s read and 5.86 GB/s write speeds — easily fast enough for 8K video playback.
All of that made video work a breeze in DaVinci Resolve 20, Adobe Premiere Pro or GoPro’s Player that can be activated by a special hotkey on the ASUS laptop. Actions like color correction work in real time as well, and 4K H.264 exports can also be performed quickly.
That said, some functions like OpenFX and stabilization would work better with a more powerful discrete GPU. Also, unlike my MacBook Pro, the ProArt GoPro Edition’s fans need to engage frequently under intense workloads, creating a lot of noise and killing the battery quickly if the unit isn’t plugged in.
Steve Dent for Engadget
For other apps, including Photoshop, Illustrator and Lightroom Classic, the ASUS ProArt is ideal. It’s very responsive and the touch display and pen support fine masking or drawing work, something you can’t do on a MacBook Pro.
The ProArt also handles synthetic benchmarks well for a PC with an integrated GPU. The single/multi Geekbench 6 CPU score of 2,219/19,088 shows the benefit of 16 processor cores. The 93,108 Geekbench 6 GPU mark isn’t that far behind Acer’s NVIDIA RTX 5070-equipped Predator Titan 14 AI. Geekbench AI scores were also up there with the best laptops. However, Handbrake video encoding was slower than several MacBook M4 laptops I’ve tested.
For gaming, it had some of the higher laptop scores I’ve seen on several 3DMark tests (Wildlife Extreme and Port Royal Ray Tracing). It also did pretty darn well on Cyberpunk 2077, hitting 82 fps at 1080p and 60 fps at 1440p in Ultra mode. Considering the machine’s small size, those framerates are really good. However, the laptop is held back gaming-wise by the OLED display that tops out at 500 nits and just 60Hz.
A big benefit of the 128GB of fast unified memory is that you can run AI models locally for improved privacy. While the ProArt GoPro Edition normally allocates 64GB of memory to the CPU and splits the rest between the CPU and iGPU, you can dedicate up to 96GB of memory to the GPU for extra large AI applications via the MyASUS app.
Another plus of this APU is the battery life. The ProArt GoPro Edition lasted a solid 11:31 hours on the PCMark 10 Modern Office battery rundown test, besting all rivals with similar performance. That tells me that AMD is narrowing the performance-per-watt gap with Apple’s silicon to improve gaming and content creation for PCs on battery power alone.
Wrap-up
Steve Dent for Engadget
ASUS is one of the few PC manufacturers trying to compete with Apple in the creator market, and with the ProArt GoPro Edition laptop, it has largely succeeded. This model offers excellent performance and battery life, a huge amount of memory, a very nice OLED HDR display, a nice range of ports and an excellent keyboard and trackpad.
It easily handled my typical video and photo editing chores, even on battery power alone, and the included GoPro features like the Storyblocks cloud storage are a nice option for action cam users. The convertible configuration and touchscreen with pen option are also useful to artists and photo editors.
However, this laptop is not cheap at $3,000, which is the same price as a high-end 16-inch MacBook Pro M4 Pro. The latter offers superior battery life, better overall performance on apps like DaVinci Resolve and a far better macOS user experience than the hot mess that is currently Windows 11. However, if you want a Windows PC with a touchscreen, I think the ASUS ProArt GoPro Edition laptop is the best creator model you can get right now.
This article originally appeared on Engadget at https://www.engadget.com/computing/laptops/asus-proart-gopro-edition-px13-review-an-incredible-if-pricy-windows-creator-laptop-170016800.html?src=rss
Spotify is undoubtedly one of the most used streaming audio services worldwide, with a library of over 100 million tracks, 7 million podcasts, and 500,000 audiobooks. Their upgrade to lossless audio will only edge the 751 million-user base further, as the battle with Apple Music, YouTube Music, and Tidal heats up.
Their estimated market share of 31 percent is not eroding anytime soon, so why not experiment with out-of-the-box product designs that attract more users? The Scandinavian music giant has collaborated with beverage company Liquid Death to create one of the most unique products you’ll see all year long. This is the Eternal Playlist Urn, a Bluetooth speaker shaped like an urn (no prizes for guessing). According to Spotify, this is the world’s first music streaming ceremonial jar that makes death “a lot less boring” and keeps hauntings at a minimum, as music tends to calm down the deceased, presumably!
The idea here is to create music vibes somewhere that has never been done before. A belief that the dearly departed souls should have the freedom to jive to their favorite tunes down 6 feet under. That too for eternity, as Spotify jokingly exclaimed. As most of us would believe, the keepsake pot houses the wireless speaker unit. That’s not the case, as the big urn doesn’t conceal the big speaker; it is a small driver unit in the lid of the urn. When you get this speaker urn, the first thing you do is create the Eternal Playlist on Spotify. There are a few questions that you need to answer, like “What’s your eternal vibe?” or “What’s your go-to ghost noise?”, and then the custom playlist is generated considering these replies and the listening history.
The playlist generating tool Spotify calls the Eternal Playlist is synced to the urn right away, and you can share the last rights with your friends and family. Of course, you can then play the music directly on your newly purchased urn speaker on the living room shelf. The urn, measuring 7 x 7 x 11 inches and weighing 2.4 pounds, is intended to be minimal in white color and respectful of other décor elements it sits beside. It has the Spotify and Liquid Death logos engraved upfront, which keeps the musical vibe apparent, if you don’t fancy urns in your peripheral vision.
While this speaker urn will not be the best thing to hold the ashes of your dear dead, the thing is definitely going to be a collector’s item. Only 150 will be available for purchase in the United States for a fat $495, so you’d better be on your toes to grab this one. For those who still prefer contemporary audio accessories, that amount of money can buy you a decent speaker system. I just hope this isn’t an early April Fool’s joke.
Inhalers are one of those everyday objects that millions of people carry around without ever thinking about how they look or feel. They roll around in bags, get shoved into pockets, and come out in public with all the elegance of a used tissue. Nobody designed them to be personal, and it shows. The hale Flow, a colored SLS nylon case made in the UK, wants to change that by treating an inhaler less like a clinical tool and more like something you’d actually want to pull out of your bag.
The person behind it is Matthew Conlon, who built hale from his own experience living with asthma. That starting point matters because the material choice isn’t just cosmetic. The case is made from PA12 nylon through selective laser sintering, a polymer grade found in aerospace and medical implant applications. At just 1mm of wall thickness, it wraps tightly around the Ventolin Evohaler without adding bulk, and the slightly grainy, matte surface gives it a tactile quality that immediately separates it from the cheap silicone sleeves floating around online.
Two halves snap together through concealed magnets, each only 0.85mm thick, so there are no visible clips or latches breaking up the surface. The mouthpiece cap bonds with a small dot of adhesive, the one permanent step in an otherwise reversible setup. Subtle contours across the grip area help with one-handed use, which is the kind of detail you appreciate when you’re having a mid-asthma episode and fumbling isn’t really an option. Three colorways are available (Lemon, Pink, and Black) at £29, sitting comfortably between throwaway accessories and hale’s own aluminum Classic at £59.
What genuinely sets the Flow apart, though, is laser engraving. You can add a name or even upload a custom image, like a pet illustration, etched permanently into the nylon. For a parent buying one for a child with asthma, that turns a medical necessity into something personal, something a kid might actually feel proud pulling out of a backpack. No other inhaler accessory on the market currently offers that level of personalization at this price, which is surprising given how large the potential audience is.
The honest caveat here is compatibility. The hale Flow works exclusively with the Ventolin Evohaler, and while salbutamol remains one of the most dispensed bronchodilators in the UK, with over 22 million units in 2020 alone, millions of asthma patients rely on entirely different devices. Hale says it is exploring additional models, but for now, the design promise stops at one inhaler.
At £29, manufactured in the UK by a single founder who actually lives with the condition he’s designing for, the hale Flow sits in a category that barely existed before it showed up. Whether it can grow beyond that single compatible inhaler will determine if it remains a thoughtful niche product or turns into something with a much wider reach.
Apple is preparing to unveil a series of highly anticipated products this March, showcasing its commitment to innovation and catering to a wide range of users. The event is expected to feature five key updates: a budget-friendly MacBook, the iPhone 17e, refreshed MacBook Pro models, enhanced iPads, and potential accessory upgrades. Each product promises […]
There’s something quietly satisfying about a design that doesn’t try to reinvent the wheel. Dai Furuwatari’s Pendulum Candleholder isn’t trying to be radical. It’s not minimalist for minimalism’s sake, and it doesn’t come loaded with a big brand story about disruption. It’s just a very thoughtful update to something that was already good, and that, to me, is the most interesting kind of design work there is.
The backstory matters here. The piece is rooted in a traditional Japanese portable candleholder called a teshoku. Back in the 1600s, the teshoku was a luxury item, the kind of thing you’d find in the homes of the wealthy or inside temple halls. Candles were expensive, and the ability to carry light from room to room was a privilege. At some point, an unknown craftsman solved a simple but obvious problem: the teshoku got a long, horizontal leg that doubled as a handle, making it easier to pick up and carry without getting too close to the flame. It was a small addition that changed the whole experience of using it.
By the 1800s, paraffin candles made the whole thing more affordable, and the teshoku eventually found its way into everyday life. The design stayed more or less the same for centuries, which says something, because designs that stick around that long usually earn it.
Furuwatari, a product designer who transitioned into ironwork, picked up the teshoku and asked what could still be better. His answer came in the form of two specific, considered improvements that feel less like features and more like realizations.
The first is that the long horizontal leg, that original carrying handle, now doubles as a hanging hook. It’s such an obvious extension of what was already there that you almost wonder why no one thought of it sooner. Being able to mount the candleholder on a wall opens up a completely different use case. Suddenly it’s not just portable, it’s also fixed lighting when you want it to be, which makes it far more versatile in how and where it can live.
The second improvement is a pivot mechanism built into the piece. This allows the candle mount to be held at different angles depending on how you’re carrying it, which is genuinely useful. Carrying a lit candle without wax dripping everywhere is its own small skill, and a pivot that lets you adjust the angle takes a lot of the anxiety out of it. The candle mount is also removable, which makes cleaning it much easier.
What I appreciate most about this piece is that both changes are extensions of the original logic of the teshoku. They don’t override the design or force it to become something it isn’t. They follow the same thinking that shaped the object centuries ago: what is this person actually doing with this thing, and how can we make that experience a little less complicated? That’s user experience design at its most sincere, and it shows up in objects just as much as in apps or interfaces.
The Pendulum Candleholder is made to order by Furuwatari’s iron products company, To-Tetsu, and retails for $158. Each piece is handmade by a craftsman, which means delivery can take one to two months depending on order status. Iron is the material, and it will develop rust over time, which can be maintained and even enriched with periodic applications of linseed oil or beeswax. That aging process is part of the appeal if you’re into objects that change with use.
Is it practical in 2026? Not in the way a smart lamp is practical. But there’s a different kind of value in objects that connect you to a longer timeline of human ingenuity. Lighting a candle and carrying it across a room is a small act that people have been doing for centuries. Furuwatari’s version just makes it a little more graceful, and a little more considered, which is more than enough.
Mercury 2, the first diffusion-based reasoning large language model, introduces a new approach to token generation by refining multiple tokens in parallel rather than sequentially. This shift enables Mercury 2 to achieve speeds of up to 1,000 tokens per second, making it five times faster than models like Haiku. According to Skill Leap AI, this […]
Apple is set to make waves in the entry-level laptop market with its anticipated $599 MacBook, powered by the A18 Pro chipset. This device is designed to strike a balance between affordability, performance, and premium design, targeting a wide range of users, including students, educators, and businesses. At the same time, it may not include […]
Amazon is offering a new way for Alexa+ users to customize the AI assistant's communication style. The company has introduced three personalities for Alexa+, so the assistant can adopt an attitude that is Brief, Chill or Sweet.
The Brief style will be exactly that: no small talk and no extra conversation. Chill is easygoing and seems to be inspired by caricatures of the surfer/stoner type, while the Sweet mode is almost aggressively perky and chipper. In the audio sample provided, when a user asks "Alexa, how's it going?" the Chill voice responds, "Life’s treating me well – all systems are Zen and the digital universe is spinning in harmony." In contrast, the Sweet one replies, "Absolutely fantastic! I’m radiating pure joy and ready to make your day incredibly amazing!"
The three new personality styles will set alongside the standard Alexa.
Amazon
Amazon explained that the three personality styles are based on five metrics: expressiveness, emotional openness, formality, directness and humor. The company may release additional options with different combinations of those sliding scale traits in the future.
For now, users can swap the assistant's vibe from the Alexa app or with the spoken command, "Alexa, change your personality style." Both approaches can also be used to swap back to the classic Alexa voice. All three personalities are available now for all Alexa+ customers.
This article originally appeared on Engadget at https://www.engadget.com/ai/amazon-introduces-three-personality-styles-for-alexa-140000602.html?src=rss
