Tag Archives: KeyShot x YD

Mid-Century Clock and Watch Tell Time With Shapes, Not Numbers

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Most clocks and watches fade into the background, quietly marking the hours without much personality or visual presence on your desk or wrist throughout the day. But what if timekeeping could be playful, sculptural, and as expressive as the rest of your space or personal style choices? What if checking the time felt less like a utilitarian glance and more like appreciating a piece of functional art?

The FC-30 Desk Clock and FW-50 Wrist Watch concepts flip the script on conventional timekeeping, using bold geometry, vibrant color, and tactile design to turn telling time into a daily ritual worth savoring. Inspired by mid-century modern design principles from the 1950s and 60s, both pieces are as much about art as they are about function, bringing sculptural presence to everyday moments throughout your routine.

Designer: Sidhant Patnaik

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Both pieces are built around the frustum, a geometric form with an angled face that creates visual interest and dynamic readability throughout the day. The FC-30 uses a 30-degree incline for the minute indication, while the FW-50 adapts the idea to a 50-degree angle optimized for wrist wear and comfort. The hour is shown by a colored disc housed inside the frustum, while the sloped edge indicates minutes.

The result is a visual experience that feels fresh and interactive, inviting you to engage with the object every time you check the hour rather than passively glancing at digits. The unconventional layout is intuitive once you spend a moment with it, turning time-telling into something more tactile and memorable than reading digital numbers or traditional clock hands that blend into the background of modern life.

Inspired by mid-century modern classics from the golden age of product design, both the clock and watch feature a palette of bold blues, yellows, greens, and oranges, set against matte white or gray cases with clean edges and visible fasteners. The color blocking and clean lines make each piece stand out visually, whether positioned on a desk, mounted on a wall, or worn on the wrist.

The FC-30’s sculptural form with its angled frustum is as much a statement piece as a practical timekeeper for workspace organization and visual interest. The FW-50’s playful colorways, ranging from sage green to vibrant orange, and tactile crown turn a daily accessory into a personal expression of style and taste. Both designs celebrate the visual language of functional design from classic mid-century product eras.

The absence of numerals and reliance on form and color encourage users to interact with the pieces differently from conventional timepieces. The disc hour and sloped minute readout are learnable at a glance, but different enough to spark curiosity and conversation with visitors or colleagues. Both designs can be oriented or worn in multiple ways for varied visual effects, depending on mood.

The FC-30 and FW-50 concepts bring a little more art into daily routines and personal environments for those who appreciate design. For anyone curating a workspace or searching for a unique statement piece, these timepieces offer a compelling vision where timekeeping becomes an opportunity for visual and tactile delight rather than just a practical necessity.

The post Mid-Century Clock and Watch Tell Time With Shapes, Not Numbers first appeared on Yanko Design.

Box Cutter Dial Lets You Make Identical Cuts Without a Ruler

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Cutting a straight line should be simple, but for anyone who’s ever measured, marked, and sliced the same piece of foam board or cardboard over and over, the process is anything but straightforward or efficient in practice. The classic “measure twice, cut once” mantra is great advice until you’re making dozens of identical cuts for a project, and the ruler starts to feel like a bottleneck slowing down your entire workflow and creative process.

The BLADEE box cutter concept is a rethink of the humble utility knife designed for modern makers and professionals. By building measurement and precision into the tool itself through integrated mechanics and a dial system, it promises to make repeatable, accurate cuts faster and easier throughout your day without external measuring tools. No ruler needed, no marking required, and no guesswork involved when you’re deep into production work.

Designer: Semin Park

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BLADEE’s minimalist, phone-sized body is all about clean lines, matte metal finishes, and a prominent dial that dominates the top surface for immediate visibility and control. The numbered dial lets you set your target cut length from 0 to 35 units, while a lower measurement wheel tracks your progress in real time as you slice through materials. As you approach the preset length, the blade gradually retracts automatically.

The blade always extends a fixed stroke for initial penetration, then withdraws at the set point to ensure every cut finishes smoothly and precisely at the same spot every time. The auto-lock at zero prevents accidental activation during transport or storage, and the dial only works when you press the side button for additional safety during use. This dual-safety system protects both the user and nearby materials.

The real magic is how BLADEE changes the workflow entirely for professional and hobbyist makers alike. No more juggling rulers, pencils, and knives across your workspace while trying to maintain precision and accuracy. Just set the dial to your desired measurement, cut with confidence, and repeat as many times as needed. Whether you’re prototyping packaging designs, building architectural scale models, or crafting at home, the tool eliminates tedious marking.

The right-hand cover is modular and swappable, letting you change colors, finishes, or even add project numbers or initials for organization and personalization. The measurement wheel rolls alongside the blade during cutting, counting travel with each pass and engaging the internal linkage for smooth, automatic retraction at the endpoint. This prevents over-cutting while reducing the risk of slips and accidents at the vulnerable end of each cut.

The robust metal construction, bold “001” graphics, and red pointer indicator give BLADEE a premium, professional feel that makes it as satisfying to use as it is to display prominently. For anyone who values accuracy and efficiency in their creative work, this concept offers a compelling reminder that even the most ordinary, everyday tools can be reimagined for modern workflows and contemporary creative needs when designers prioritize user experience and workflow efficiency.

The post Box Cutter Dial Lets You Make Identical Cuts Without a Ruler first appeared on Yanko Design.

This Moving Furniture Just Solved The Co-Living Friendship Problem

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Here’s a scenario you might know too well: You’re living in a co-living space with a bunch of strangers. You pass someone in the kitchen, make awkward eye contact, mumble “hey,” and retreat to your room. Sound familiar? Designers Ye Jin Lee, Jung A Park, and Yujin Lee definitely think so, because they created FURNY to solve exactly this problem.

FURNY isn’t your typical furniture design project. It’s a mobile furniture system specifically built for co-living spaces, and its entire purpose is to help people start conversations without that painful awkwardness we’ve all experienced. The concept is simple but clever: what if furniture could be the friendly person who breaks the ice first?

Designers: Ye Jin Lee, Jung A Park, and Yujin Lee

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Think about it. Co-living spaces are designed to foster community, with all those shared kitchens and common areas. But having the space doesn’t automatically make connection happen. Most of us know the struggle of wanting to meet our housemates but not knowing how to start a conversation without seeming weird or intrusive. That “too long distance” between strangers in a shared space can feel impossible to cross. FURNY tackles this by being furniture that moves with purpose throughout the day, creating natural gathering points that give people an excuse to interact. The genius is in how it adapts to different times and moods, offering three distinct “conversation modes” that match the rhythm of daily life.

In the morning, when someone enters a common space, FURNY becomes “HI!” mode. It positions itself as a welcoming presence, often incorporating plants as a focal point. Plants are perfect ice breakers, right? Everyone can comment on how the succulent is doing or share watering tips. It’s the kind of small talk that feels natural and unforced, the kind that happens when you’re both just existing in the same space doing normal things.

By early afternoon, when people start getting peckish and wandering toward the kitchen, FURNY shifts into “HEY!” mode. Now it becomes a casual gathering spot centered around food. Food is basically a universal conversation starter. Whether someone’s cooking something that smells amazing or you’re both scrounging for snacks, having a mobile piece of furniture that facilitates these food-centered interactions makes everything feel more communal and less like you’re awkwardly hovering.

Then evening rolls around, and FURNY transforms into “HOHO!” mode. This is where the magic really happens. After a long day, people are more ready to wind down and have real conversations. FURNY creates an ambient, comfortable setting that encourages those deeper talks, the kind where you actually get to know your housemates beyond surface level.

The mobility aspect is crucial here. FURNY isn’t stuck in one spot forcing interactions. It moves to where conversations naturally want to happen, adapting to how people actually use shared spaces throughout the day. When it’s not being used, the wheels tuck away so it blends seamlessly into the environment. It’s there when you need it, invisible when you don’t. The design itself reflects this approachable philosophy. The team chose ivory and beige as the main colors, keeping things neutral and calming. But they added red as an accent color to bring that lively energy without overwhelming the space. It’s furniture that wants to be part of the background until it needs to step forward and facilitate connection.

What makes this project particularly relevant right now is how many people are turning to co-living arrangements. Whether it’s for affordability, location, or the promise of built-in community, shared living is becoming increasingly common, especially in cities. But the reality often doesn’t match the dream. You move in hoping for friendships and end up with a bunch of people who live parallel lives under the same roof. FURNY addresses the fundamental problem: the gap between wanting community and knowing how to create it. By being that “friendly someone” who creates the atmosphere first, it gives people permission to join in without the anxiety of initiating. You’re not bothering someone, you’re just gravitating toward where things are already happening.

For anyone interested in how design can solve social problems, FURNY is a fascinating case study. It’s not trying to force interaction or manufacture community. Instead, it’s removing barriers and creating conditions where connection can happen organically. The furniture becomes infrastructure for friendship, a framework that supports the natural human desire to connect while respecting the equally natural hesitation we feel around strangers. In co-living spaces everywhere, furniture just sits there. FURNY asks: what if it did more?

The post This Moving Furniture Just Solved The Co-Living Friendship Problem first appeared on Yanko Design.