Tag Archives: clock

This Does Not Compute Turns Tiny Mac Clock Into Working Raspberry Pi Macintosh

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If you appreciate retro computing and DIY electronics, a new project from This Does Not Compute (YouTube channel) will be the best thing you will see today. The build emulates the 1984 Apple Macintosh, but in a miniaturized version. Not the smallest, but decently small to sit in the corner of your desk and do more than its intended function of a clock.

If that sounds puzzling, here’s a clearer explanation. The modder has actually taken a Maclock, which is a clock that looks identical to the original Mac, but of course considerably smaller, and ripped it open. He replaced the original alarm clock mechanics with a Raspberry Pi, turning it into a homage to the classic Apple computer.

Designer: This Does Not Compute

The project, as the modder himself states, “is just for fun” and doesn’t really reach out to prove anything other than love to toil with anything Mac. With the innards of the clock replaced by Raspberry Pi Zero 2 W, the original display of the clock is also swapped with a 640×480 2.8-in color screen from Wave Share, and the project is interestingly called Wondermac. The name is in reference to Wonder Boy, the Chinese company that makes Maclock.

The modder, as you can see in detail in the video above, starts by cracking open the Maclock case, which has screws, but they are only used to mimic the Macintosh and have no significant usage. Opening the case was “probably the hardest part of the whole project,” he says. The case is clipped together pretty tightly, but he was able to separate the front bezel from the back using a wide metal pry tool. Once the front panel was free, he unplugged the wiring harness and pulled out the main circuit board and the screen to clear up the space inside the Maclock body, which will now have new guts and a new purpose.

“Compact, low power, and relatively inexpensive,” Raspberry Pi Zero 2 W was a clear choice for the Mac’s innards, the modder affirms. It comes with a pin header presoldered and includes a heatsink, which would be a nifty addition to keep this tiny computer cool when it does some computing. The Pi is now connected to the externally purchased screen, and the modder gets down to launching the Raspberry Pi imager app and installing Minivvac on an SD card for the software side of the project.

For powering the Wondermac, the modder doesn’t rely on the Maclock’s built-in battery; instead, they take advantage of the USB-C port on the back housing for power. After some tweaking to power output, some wire soldering, and sticking, he was able to get the power going as required to run the screen. Finally, he designed a 3D printed bracket with black filament to fit the screen in place, and then everything was assembled back into shape. Content with the outcome, he leaves the little Mac on the desk with the Afterdark screen saver.

The post This Does Not Compute Turns Tiny Mac Clock Into Working Raspberry Pi Macintosh first appeared on Yanko Design.

This House-Sized Clock Glows and Chimes Every 15 Minutes

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There’s something quietly magical about watching a building come alive on schedule. Clock House No. 2, a public art installation by Drawing Architecture Studio, does exactly that. Every fifteen minutes, it chimes and glows, turning timekeeping into something you can walk around, peer into, and experience with your whole body.

The Beijing-based practice created this piece for the 7th Shenzhen Bay Public Art Season in China, where it’s on view until April 19th, 2026. At first glance, it looks like someone took a mantel clock from a fancy living room and scaled it up to the size of a small house. Which is kind of the point. The project collapses the distance between furniture and architecture, asking what happens when an everyday object becomes a building you can step inside.

Designer: Drawing Architecture Studio

Drawing Architecture Studio looked back to a specific historical moment for inspiration. During the late Ming and early Qing dynasties, Western missionaries brought automaton clocks to China as diplomatic gifts. These weren’t just timepieces. They were theatrical objects, intricate mechanical wonders that moved and chimed with precision. The Chinese called them Zì Míng Zhōng, which translates to “the clock that rings automatically”. These devices started in the imperial court but eventually found their way into domestic life, becoming both functional tools and symbols of cultural exchange.

Clock House No. 2 revisits that exchange, but through a contemporary lens. Instead of brass gears and delicate springs, the studio used low-cost industrial components. The structure references the layered facades and tiled roofs typical of everyday dwellings in Guangdong Province, blending local vernacular architecture with the ornamental logic of those historical automaton clocks. The result is something that feels familiar and foreign at the same time.

The installation doesn’t contain intricate mechanical movements like its historical predecessors. Instead, it marks time through light and sound. LED strips are embedded within the structure, glowing through openings in the facade. Every quarter hour, an automated musical chime triggers while the lights shift in color, creating a gentle spectacle that feels ceremonial without being overly dramatic.

The project draws on ideas from Italian architect Aldo Rossi, who wrote about the relationship between architecture and ordinary utensils. Rossi believed that everyday objects accumulate what he called “forms of memory” through repeated use and cultural continuity. For him, the line between a domestic object and an architectural artifact wasn’t fixed or absolute. Clock House No. 2 extends this thinking by turning the clock into a building and the building into a clock, playing with scale in a way that makes you reconsider what architecture can be.

What makes this installation compelling is how it situates itself at the intersection of mechanical timekeeping, architecture, and trade. It’s not just about recreating a historical object. It’s about exploring how objects move between cultures, how they change meaning as they cross borders, and how architecture can embody those shifts.

The choice to use industrial components rather than precious materials also says something about accessibility and contemporary making. These aren’t rare or expensive parts. They’re the kind of materials you’d find in construction supply stores, which makes the project feel grounded even as it reaches for something conceptual.

Standing near Clock House No. 2 during one of its fifteen-minute performances must be a peculiar experience. You’re not just observing a sculpture. You’re witnessing a building perform timekeeping as a ritual, something that happens whether anyone is watching or not. It’s architecture that insists on marking the passage of time audibly and visibly, refusing to be background scenery.

The installation also speaks to how we experience time in public space today. We’re used to checking our phones for the hour, but Clock House No. 2 offers something more communal. It announces time to everyone in earshot, creating a shared moment of awareness. That’s rare now.

By April, the installation will come down, but the questions it raises will linger. What happens when we scale up the objects we live with? How does architecture remember cultural encounters? And what does it mean for a building to keep time like a grandfather clock in the corner of a room, ticking and chiming through the hours?

The post This House-Sized Clock Glows and Chimes Every 15 Minutes first appeared on Yanko Design.

This Concrete Desk Clock Looks Like a 1980s CRT TV

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There’s a particular kind of design intelligence that knows when to slow down. The Crydal Phantom Clock, designed by Daniel van der Liet, is one of those rare objects that rejects the frantic pace of modern consumer tech in favor of something more deliberate. It’s a desk clock, yes, but calling it just a clock misses the point entirely.

The Phantom reinterprets the visual language of cathode-ray tube displays from early computing. Not in a nostalgic way, but as a translation exercise. Van der Liet took the geometry, the mass, and the physical presence of those old CRT monitors and rebuilt them using cast concrete and raw steel. The result is something that feels both familiar and completely new, a dense, tactile object that sits on your desk with real weight and intention.

Designer: Daniel van der Liet

The form itself is immediately recognizable if you grew up around boxy computer monitors or chunky television sets. That characteristic curved screen, the cylindrical body, the industrial mounting stand. But instead of plastic housing and glass tubes, you get solid concrete and raw steel. The materials transform the reference from tech artifact into something closer to sculpture. This isn’t a replica or a throwback design. It’s a contemporary object that happens to speak the formal language of vintage electronics.

What makes the Phantom genuinely interesting is how it handles the intersection of analog and digital. The clock displays time through a traditional analog dial, the kind with actual hour and minute hands moving around a circular face. But here’s where it gets clever: that dial appears on a round capacitive display integrated flush with the concrete surface. You can switch between three chromatic modes, green, orange, or red, each one shifting the character of the clock without altering its physical form. It’s like having three different moods available depending on your space or preference.

The interface is handled entirely through that circular touchscreen. You adjust the time, you control the color mode, you modify the brightness. No buttons interrupt the surface, no dials break the material integrity. When you’re not actively using it, the clock just sits there, visually calm and minimal. It doesn’t demand attention or try to become the focal point of your desk. It exists quietly, doing its single job with focus and restraint.

This is explicitly not a smart device. The Phantom won’t sync with your phone, won’t display notifications, won’t connect to your calendar or remind you about meetings. It plugs in via USB-C for power and that’s the extent of its connectivity. In an era when every object wants to be a node in your personal network, this kind of focused simplicity feels almost defiant. The clock tells time. That’s what it does. That’s all it does.

Each Phantom is handcrafted in limited quantities, and the production process ensures that no two are exactly identical. Concrete doesn’t cast uniformly. Steel doesn’t patina predictably. These natural variations aren’t flaws to be corrected but characteristics that make each piece unique. Your clock will have its own texture, its own finish, its own subtle imperfections that come from being made by hand rather than stamped out on an assembly line.

The limited edition nature matters because it positions the Phantom somewhere between functional object and collectible. You could absolutely use this as your primary desk clock. But you could just as easily display it on a shelf in your studio or living space as a sculptural object that happens to tell time. Both approaches are valid. The design supports either use case without compromising. What appeals most about the Phantom is its refusal to be categorized easily. It’s not retro tech, though it references old technology. It’s not pure art, though it has sculptural qualities. It’s not a gadget, though it uses modern display technology. It exists in this productive tension between categories, which is exactly where the most interesting design tends to live.

We live in a market saturated with objects that prioritize convenience and connectivity above all else but the Phantom Clock offers something different. It’s heavy where things are light, analog where things are digital, focused where things are multifunctional. It’s a time instrument designed to exist quietly in your space, asking nothing from you except the occasional glance to check the hour. Sometimes that’s exactly what you need.

The post This Concrete Desk Clock Looks Like a 1980s CRT TV first appeared on Yanko Design.

HOVSTEP Helps ADHD Focus with Helicopter Missions That Actually End

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Modern work and study days are chopped into tiny fragments, with multiple tabs, apps, and timers all competing for attention. Even well-intentioned plans fall apart because time feels abstract and slippery, especially if you lean toward ADHD or time-blindness. Checking the clock becomes another interruption instead of a guide. HOVSTEP is a concept that tries to make time feel like one clear mission instead of a background anxiety.

HOVSTEP treats each block of time like a helicopter mission. It is both a physical clock and an app-linked timer, inspired by how a mission helicopter takes off with one purpose, completes it, and returns. The idea is to help you see a study session, assignment, or break as a single mission you dispatch and then bring home, with a beginning, middle, and end that are all visible at once.

Designer: Ho joong Lee, Ho taek Lee

Opening the app in the morning, you drop studies, tasks, breaks, and games into short mission slots across the day. The app shows your routine by time zone, then switches to an analog view where each mission has a clear start, end, and remaining time. When a mission starts, a little helicopter icon descends, and the activity timer kicks in with an alarm, making the transition feel deliberate.

HOVSTEP shows time passing with a yellow hand that appears on the clock face when a mission begins, rotating once around the dial and showing how much of that block is left. It is framed as the helicopter being dispatched, flying its route, and returning when the hand lands back at 12. You are watching a mission unfold and trying to stay with it until the end.

The object itself is a small helicopter-shaped clock that can sit on a monitor or hang on a wall. A rotor on top acts as the analog hand, a digital display shows timer information, and side buttons let you adjust volume and timer details. A center button on top turns the clock on and starts missions manually, so you can run a quick focus block without opening the app.

The design is grounded in research about how people with ADHD often respond better to movement, change, and short time units than to static digits. By turning each activity into a dispatched mission with a visible arc and clear end, HOVSTEP reduces the need to constantly check the clock. You get a sense of flow, knowing that as long as the yellow hand is moving, you are still inside the mission.

The project’s line, “One mission completed, one step closer to focus,” captures the spirit. Instead of promising to fix attention with another app, HOVSTEP reframes time as a series of small, winnable missions. Sometimes the most helpful tools for focus are the ones that make progress visible and finite, one flight at a time, instead of asking you to manage an infinite stream of minutes.

The post HOVSTEP Helps ADHD Focus with Helicopter Missions That Actually End first appeared on Yanko Design.

Mudita Minimalist Phone and Alarm Clocks Design a Calmer Day at CES 2026

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The day often begins and ends with a smartphone, from checking notifications before getting out of bed to scrolling in the dark when you should be asleep. Even people who care about design and well-being end up with glowing rectangles on every surface, and that constant presence quietly shapes attention, sleep, and mood more than most of us like to admit. The usual fix is another app that promises to help you use your phone less, which is like asking the problem to solve itself.

Mudita has been quietly building devices meant to step in where traditional smartphones can cause the most trouble. At CES 2026, that takes the form of three products: Mudita Kompakt, a minimalist E Ink phone, Mudita Harmony 2, a mindful alarm clock with an E Ink display, and Mudita Bell 2, an analog-style alarm clock with a few carefully chosen digital tricks. Together, they sketch out a different way to move through a day, keeping connections and routines intact while pushing screens out of the moments where you may choose to be “disconnected.”

Designer: Mudita

Mudita Kompakt: A Phone That Does Less on Purpose

Kompakt looks more like a small e-reader than a slab of glass, built around a 4.3-inch E Ink screen that is paper-like, glare-free, and easy on the eyes. It runs MuditaOS K, a de-Googled operating system based on AOSP, with only essential tools on board: calls, SMS, offline maps, calendar, up-to-date weather forecasts, music, notes, a meditation timer, and an e-reader. There is no app store by design, keeping the interface focused on what you planned to do instead of what a feed wants to show you next. But if you do need some very specific functionality, your favorite apps are just a sideload away.

Offline+ Mode physically disconnects the GSM modem and microphones, while also disabling Wi-Fi, Bluetooth, and the camera, turning Kompakt into a sealed, offline device when needed. That hardware-level privacy goes beyond airplane mode, which matters when you want verifiable disconnection. Long battery life, up to six days on a charge, and both USB-C and wireless charging mean it can live on a desk or in a bag without constant topping up.

A dedicated Mudita Center desktop app handles contact syncing, music, and file transfers from a laptop, keeping the phone itself simple and uncluttered, its user experience reflecting its mission. As a primary phone for someone stepping away from feeds, it keeps communication and navigation intact while stripping away most reasons to pick it up mindlessly. As a secondary focus phone for anyone who wants to disconnect from the hustle of a smartphone, it can handle calls and texts without the usual app notifications to help nurture balance and peace of mind.

Mudita Harmony 2: A Bedroom Without a Smartphone Glow

Harmony 2 is an E Ink alarm clock with three physical knobs on top for light, volume, and alarm settings, designed to live where a phone usually sits on a nightstand. The E Ink display is easy to read and uses an adjustable warm backlight that minimizes blue light, so you can check the time at night without a blast of white light or the temptation to swipe through notifications that make it harder to fall back asleep.

The wake-up experience is built around a gradual, ascending alarm that starts softly and increases in volume, paired with a pre-wake-up light that mimics a sunrise by slowly brightening five to fifteen minutes before the main alarm. Harmony 2 offers seventeen melodies, including real nature sounds, and lets you enhance alarms with light or upload custom audio via the Mudita Center app. The goal is to make waking feel less like an interruption and more like a natural transition.

Extra features support a phone-free bedtime, Relaxation mode with customizable sounds and white noise, a Bedtime Reminder to nudge you into a consistent routine, a Meditation Timer with gong sounds, and a Power Nap Mode. With over forty days of battery life and USB-C charging, Harmony 2 can stay on a nightstand without becoming another device you plug in every night, reinforcing the idea that the bedroom can be a low-tech space.

Mudita Bell 2: Analog Mornings with a Few Smart Tricks

Bell 2 is the more analog-leaning sibling, an alarm clock with a clear, minimalist dial and an internal quartz mechanism, but also an E Ink display and a light-enhanced gradual alarm. It offers nine gentle melodies and a pure-tone alarm that starts quietly and grows to a set volume, plus a warm wake-up light that can be activated before the alarm to mimic sunrise, easing you out of sleep without a harsh jolt.

A built-in meditation timer starts and ends sessions with a gong, and the deliberate absence of Wi-Fi or Bluetooth means Bell 2 does not compete for attention or add to the ambient connectivity load in the room. It runs on a 2,600 mAh rechargeable battery that can last up to six months on a full charge, with USB-C for the rare times it needs topping up. It is designed to be set and then mostly forgotten.

Bell 2 has been awarded a Platinum Calm Technology Certification, recognizing products that respect attention and promote well-being. Available in charcoal black and pebble gray, it is meant to blend into different interiors while still feeling like a considered object. In a home shaped by Kompakt and Harmony 2, Bell 2 completes the picture: a simple, focused object that reflects Mudita’s belief that technology can be present without being intrusive.

Mudita at CES 2026: Technology for Mindful Living

Together, Kompakt, Harmony 2, and Bell 2 create intentional, screen-free moments throughout the day; focused time on the go with Kompakt, a calmer evening and wake-up routine with Harmony 2, and a simple, analog-leaning start to the morning with Bell 2. None of these is meant to replace a smartphone entirely. Instead, they offer a considered alternative for the moments when a screen adds little value. This is an approach that stands out at CES, where innovation is often defined by more features, rather than more thoughtful use.

The post Mudita Minimalist Phone and Alarm Clocks Design a Calmer Day at CES 2026 first appeared on Yanko Design.

These Perforated Metal Clocks Turn Timekeeping Into Moving Art

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We’ve gotten so used to looking at our phones or even our smartwatches to know what time it is that we forget how beautiful wall clocks can be. In fact, some younger people can’t tell time anymore by looking at analog clocks as they’re so used to digital clocks. So to see clock designs like the MOOV and COO clocks designed by Japanese designer Ryosuke Fukusada brings back those days when we appreciate things like cuckoo clocks and traditional craftsmanship while also bringing something more to the table, or rather, to the wall.

These metal clocks display their moving parts and details through perforated and transparent windows, making these hidden mechanics visible and adding a certain beauty to these timepieces. The bodies of the clocks are made using the traditional metalworking processes in the Niigata region and it involves cutting, bending, welding, and painting. The perforated sheets are produced with punch tools that create clean and consistent holes, ensuring each piece meets exacting standards.

Designer: Ryosuke Fukusada

The MOOV Pendulum Clock uses a perforated design on its metal plate that shows the pendulum swinging through the holes. Just be careful that you don’t get hypnotized as it can have a pretty mesmerizing effect when you stare at the pendulum long enough. There are no numbers but instead the time indicators are colored in places corresponding to their position. This may also be a good tool to teach kids how to actually tell time without the numbers. The genius of this design is how nothing feels placed by chance: the indicators sit exactly where the holes already exist, creating a harmonious visual system.

The COO Cuckoo Clock meanwhile is a metal clock that has a large circular opening where you’ll see the cuckoo appear to indicate what hour it is. This mechanical bird spreads and flaps its wings and sings a melodic version of the classic cuckoo sound. The shape of the clock is actually inspired by the arched windows from ancient times. The front is made of perforated metal and like the MOOV, the indicators are also colored to match the holes. The mixture of industrial materials and antique elements gives it a certain warmth that makes it feel both contemporary and nostalgic at the same time.

Both the MOOV and COO clocks come in four colors: white, off-white, mint blue, and green. These “calm tones” make it easy for the clocks to blend in with any interior. But there’s also a pop of color with the accents on the hands and indicators. The perforated design actually makes them easier to hang since it makes them a bit more lightweight and also different from the usual heavy wooden cases that the usual pendulum and cuckoo clocks use.

What makes these pieces particularly special for collectors is the regional craftsmanship story behind them. Fukusada, who established his studio in Kyoto in 2012 after working with renowned designer Patricia Urquiola in Milan, has a keen eye for bridging Japanese tradition with modern minimalism. His previous work, including the Relief clock, has won prestigious awards like the iF Design Award 2023, making his pieces increasingly sought after in the design world.

These clocks aren’t just functional objects. They’re conversation starters that celebrate the beauty of visible mechanics. In a world where everything is becoming digital and hidden behind sleek screens, there’s something deeply satisfying about watching a pendulum swing or a bird emerge to mark the hour. Whether you’re decorating your first apartment or adding to a curated collection, the MOOV and COO clocks remind us that timekeeping can be an art form worth displaying proudly on our walls.

The post These Perforated Metal Clocks Turn Timekeeping Into Moving Art first appeared on Yanko Design.

This 3D-Printed Clock Uses Orbital Rings to Tell Time

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You know that moment when you see something so clever you wonder why it hasn’t been done before? That’s exactly what happened when I came across Denis Turitsyn’s Radius Clock. This isn’t just another minimalist timepiece fighting for wall space in your Pinterest feed. It’s a genuinely fresh take on something we look at dozens of times a day without really seeing anymore.

The concept is simple but brilliant. Turitsyn looked up at the solar system and thought, what if a clock worked like that? Planets orbit at different speeds and distances from the sun, each following their own path. The Radius Clock captures that same energy, turning timekeeping into something that feels alive and kinetic rather than just functional.

Designer: Denis Turitsyn

Here’s where it gets interesting from a design perspective. Instead of the traditional center-mounted mechanism we’ve all grown up with, the hour and minute hands on this clock are driven by external rings hidden behind the case. Picture it like invisible tracks guiding each hand at its own pace. The second hand, meanwhile, runs on a completely separate motor that’s mounted right at the base of the hour hand. It’s this layered independence that gives the clock its orbital quality.

What really caught my attention is how Turitsyn balanced artistic vision with practical engineering. The dial is 3D printed using FDM technology on a standard desktop printer. That’s the kind you could theoretically have in your home or studio, not some industrial-grade machine. This accessibility makes the design feel less like an untouchable art piece and more like something that could actually exist in the real world of production and commerce.

The hands themselves are made from a lightweight metal alloy, which might sound like a small detail but it’s actually crucial to the whole operation. Lighter hands mean less mechanical stress on the system, which translates to smoother movement and longer lifespan. It’s the kind of thoughtful problem-solving that separates concept designs from functional products. Behind that sculptural white body, two synchronized motors work in tandem to drive the hour and minute hands. This paired configuration isn’t just redundancy for the sake of it. It keeps the system balanced and prevents uneven load on those hidden rings, which means the clock can maintain precise timekeeping over months and years rather than gradually falling out of sync.

The second hand solution is particularly clever. Its miniature motor comes with an integrated battery and sits directly at the base of the hour hand. This setup lets the seconds tick away independently without adding strain to the main mechanism. It’s a bit like having a parasite motor hitching a ride, but in the best possible way.

Visually, the Radius Clock has this organic, almost fluid quality. The concentric rings create depth and movement even when you’re looking at a still image. That bright orange second hand provides the perfect pop of color against the white body and black hands, making it feel contemporary without trying too hard to be trendy. You could see this fitting into a modern apartment just as easily as a creative studio or tech startup office.

What strikes me most about this design is how it makes you reconsider something as fundamental as reading time. We’re so conditioned to the standard clock face that we don’t question it anymore. Turitsyn’s orbital approach doesn’t make the clock harder to read, it just makes the experience more engaging. Time becomes something you observe rather than something you just glance at. The modularity shown in the photos, with multiple clocks arranged together on a wall, opens up even more possibilities. Imagine using these to display different time zones, or creating a sculptural installation that turns practical timekeeping into a genuine design statement.

Denis Turitsyn’s Radius Clock proves that even the most familiar objects still have room for innovation. By borrowing from the cosmos and combining it with accessible manufacturing technology, he’s created something that feels both futuristic and strangely timeless. It’s the kind of design that makes you pause and appreciate the everyday objects we usually take for granted.

The post This 3D-Printed Clock Uses Orbital Rings to Tell Time first appeared on Yanko Design.

This Tiny Retro PC Is Your Alarm Clock, Speaker, and Pixel Canvas

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Cozy desk setups have become a competitive sport. Tiny CRTs, retro keyboards, and beige plastic everywhere, usually looking very cute but doing very little beyond collecting dust and likes. Most of that gear is either pure decor or pure utility, rarely both. MiniToo leans into the 80s PC silhouette hard, complete with a CRT-style screen and chunky keyboard buttons, but it tries to earn its footprint by being a Bluetooth speaker, alarm clock, white noise machine, and pixel art display all at once.

The MiniToo Retro PC Style Pixel Bluetooth Speaker & Alarm Clock looks like a palm-sized beige desktop computer that escaped from an 8-bit office. The CRT-style screen sits on top with a thick bezel, while the sloped keyboard base sports four large square buttons and a bright orange volume knob. It measures about 3.2 by 2.4 by 2.9 inches and weighs just over 200 grams, small enough to fit between your laptop and coffee cup.

Designer: Kokogol

The 1.77-inch TFT screen runs more than seventy clock faces, from DOS blue screens with chunky pixel fonts to colorful analog dials and animated scenes. The companion app lets you design your own pixel faces, animations, and text, then sync them with a tap. You can also cast photos to the screen, turning it into a tiny digital photo frame that cycles through your favorite shots in gloriously chunky pixel form, which somehow makes even vacation snapshots feel more fun.

The audio side packs a 5-watt full-range driver with enhanced bass reflex tuned for near-field listening, good for a desk or bedside but not built to fill a room. Bluetooth 5.3 handles wireless playback, plus it supports white noise and twelve wake-up sounds. You can set alarms, play music, and fall asleep to ambient sounds, all from the same little box that looks like it should be running floppy disks instead of Spotify or whatever you streamed last night.

Built-in pixel tools include a Pomodoro timer, reminders, and simple games that live on the device. It can sit next to your laptop as a focus timer during the day, then shift to an alarm clock and white noise machine at night. The four front buttons and knob make it easy to use without always reaching for your phone, helping it feel like a standalone object rather than just another Bluetooth accessory demanding app attention.

Connectivity options cover Bluetooth 5.3, USB audio, and TF card playback, so it works with laptops, phones, or local files. The app is still required for deeper customization, but once your faces and sounds are set up, the device runs on its own. The compact size makes it easy to move between desk and bedside, or pack as a little travel speaker with personality and actual utility instead of just nostalgia.

MiniToo is clearly gift-ready, shipped in a neat box, and aimed at teens, designers, and retro lovers who want their desks to look like fun. What makes it interesting is not just the nostalgia, but the way it folds real utility into that nostalgia, giving you a tiny computer that finally behaves like the playful, expressive desk companion those beige boxes never were when they were actually new and just ran spreadsheets.

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This Curved Clock’s Sunrise Feature Actually Beats Your Snooze Habit

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There’s something oddly satisfying about a product that does exactly what it’s supposed to do, but does it with style. That’s the vibe I get from the Arc Alarm Clock by Nanu Electronics, a piece that manages to feel both futuristic and oddly nostalgic at the same time.

At first glance, the Arc looks like it belongs in a sci-fi movie set in a very tasteful future. The curved design is its defining feature, and honestly, it’s a bold move in a world where most alarm clocks are either aggressively minimalist rectangles or trying way too hard to be cute. This one splits the difference beautifully. The gentle arc creates a natural viewing angle that actually makes sense when you’re blearily checking the time at 3 a.m., which is more thoughtful than you’d expect from something you probably curse at daily.

Designer: Nanu Electronics

What really sets the Arc apart is how it approaches the whole “waking up” problem. We’ve all been there: you set an alarm, it goes off, you hit snooze approximately seven times, and suddenly you’re late for that meeting you swore you’d be early for. The Arc uses a sunrise simulation feature that gradually increases light intensity before your alarm actually sounds. It’s basically tricking your brain into thinking it’s morning, which sounds manipulative but in the best possible way. Your body responds to light more naturally than it does to a jarring alarm sound, so you’re more likely to actually wake up instead of entering that weird snooze-induced time warp.

But here’s the thing: it doesn’t sacrifice functionality for aesthetics. The LED display is crisp and easy to read without being obnoxiously bright at night. There’s something to be said for a clock that doesn’t light up your entire bedroom like a miniature sun. The controls are intuitive enough that you won’t need to keep the manual on your nightstand, which is a low bar but one that surprisingly few products clear.

The Arc also works as a bedside lamp, which makes it genuinely useful beyond its alarm clock duties. It’s one of those features that seems obvious in retrospect but that most alarm clocks skip entirely. You can adjust the brightness to whatever suits your needs, whether you’re reading before bed or just need a gentle glow to navigate your way to the bathroom at night without fully waking yourself up. Sound quality matters more than you might think for an alarm clock. The Arc’s speaker is decent enough for casual music listening or podcasts, though audiophiles will probably still prefer their dedicated speakers. But for morning news, white noise, or just having some background sound while you get ready, it does the job without sounding tinny or cheap.

From a design perspective, the Arc fits into that sweet spot where it’s distinctive enough to be interesting but neutral enough to work with most decor styles. It comes in a few color options, so you can match it to your aesthetic whether you’re going for modern minimalist, cozy maximalist, or something in between. The curved form factor also means it takes up less visual space than a traditional rectangular clock, even though its footprint is similar.

Is it going to revolutionize your life? Probably not. But it might make your mornings slightly less awful, and in this economy, we’ll take small victories where we can get them. The Arc Alarm Clock proves that everyday objects don’t have to be boring or purely utilitarian. Sometimes the things we interact with most frequently deserve a little extra thought and care in their design. If you’re in the market for an alarm clock that looks good on your nightstand and might actually help you wake up like a functional human being, the Arc is worth considering. It’s the kind of purchase that feels slightly indulgent but practical enough to justify.

The post This Curved Clock’s Sunrise Feature Actually Beats Your Snooze Habit first appeared on Yanko Design.

Time Gets a Remix with This Hypnotic Spinning Clock

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There’s something oddly satisfying about watching things spin. Maybe it’s the smooth rotation, the predictable yet mesmerizing motion, or just our collective fascination with anything kinetic. Whatever it is, designer Germain Verbrackel has tapped into that feeling with Clock&Roll, a timepiece that turns the simple act of checking the time into a visual experience you can’t look away from.

At first glance, Clock&Roll looks like a minimalist sculpture that belongs in a modern art museum. Two aluminum rings form a sleek torus shape, suspended vertically on a clean rectangular base. But this isn’t just eye candy for your desk or shelf. Those rings? They’re actually moving, gliding independently on precision bearings, each one tracking time in its own hypnotic rotation.

Designer: Germain Verbrackel

The genius here is in how the clock communicates time without numbers, hands, or a traditional face. Instead, small colored bands mark the hours and minutes on each ring. An orange segment on one ring, a blue one on the other. As external rollers built into the base push the rings into motion, these colored markers shift positions, creating an ever-changing display that’s equal parts functional and meditative to watch. It’s like someone took the mechanical beauty of old clockwork and gave it a sleek, contemporary makeover.

What makes Clock&Roll particularly interesting is how it challenges our relationship with timekeeping. We’re so used to glancing at digital displays or traditional clock faces that instantly tell us exactly what time it is. But this design makes you pause for a second, observe the position of those colored bands, and actually engage with the object. It’s a small moment of mindfulness in a world where we’re constantly checking our phones for the millionth notification of the day.

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The materials play a huge role in the overall vibe. Aluminum gives the rings that perfect industrial-sleek look, somewhere between high-tech gadget and designer object. The finish has that subtle matte quality that catches light just right, while the white rollers and base provide a clean contrast that keeps everything balanced. And those pops of orange and blue? They’re not just practical markers but also inject personality into what could have been an entirely monochrome piece.

Verbrackel clearly had fun with the mechanics too. If you look closely at the base, you can spot the gears and motor system that drive the whole operation. Instead of hiding the machinery away, the design embraces it, showing you exactly how this kinetic magic happens. It’s honest engineering meets aesthetic appeal, which is pretty much the sweet spot for anyone who appreciates good industrial design.

Clock&Roll also plays with scale in an interesting way. It’s substantial enough to be a statement piece, something that commands attention in a room, but not so large that it overwhelms your space. You could see it living happily on a modern office desk, a minimalist living room shelf, or even in a creative studio where it would fit right in with other design-forward objects. There’s also something inherently playful about the name and concept. “Clock&Roll” obviously riffs on rock and roll, complete with the little hand gesture emoji, and that rebellious spirit comes through in the design itself. This isn’t your grandmother’s mantel clock or even your standard smartwatch. It’s time reimagined for people who appreciate when everyday objects get a creative twist.

Since most of us check the time on our phones or smartwatches, a dedicated clock needs to justify its existence. Clock&Roll does exactly that by offering something those digital displays can’t: a tactile, visual, almost sculptural experience of time passing. It’s functional art that happens to tell you when you’re running late for your next meeting. Whether you’re a design enthusiast, a lover of kinetic art, or just someone who appreciates when familiar objects get reinvented in unexpected ways, Clock&Roll is the kind of piece that makes you rethink what a clock can be. Sometimes the best designs are the ones that take something we see every day and spin it in a completely new direction.

The post Time Gets a Remix with This Hypnotic Spinning Clock first appeared on Yanko Design.