Your Personal Free Netflix and other Top 5 Tech you Absolutely Need in 2026

Last year I put together a list of products everyone absolutely needed to own in 2025. It included basic stuff, AirTags, GaN chargers, and even some slightly complex gadgets like NAS devices to help you cut the cord on cloud storage subscriptions. This year’s list expands on the same philosophy from last year – make life easier, cheaper, and faster. Here are 5 pieces of tech you need to consider owning in 2026, they’re on the bleeding edge of tech now, but I assume will become mainstream in a decade. However, if you want to stay ahead of the curve, consider adopting them now!

The list is short but sweet – it includes AI recorders/notetakers, translator buds that do a way better job than the AirPods, personal AQI monitors, travel routers that make connecting to dubious airport and hotel WiFi networks much easier, and finally (my grand pick for 2026) a personal media server that helps you actually own movies instead of paying Netflix or Hulu or Paramount a monthly fee that they seem to increase every year without batting an eyelid.

1. AI Notetakers: Your Second Brain That Actually Shows Up

There is a very real advantage to having a dedicated AI notetaker that is not your phone. Phones are distraction machines; they are notifications, doomscrolling, unsolicited ads, and “sorry, I just need to reply to this Slack” all rolled into one. A device like Plaud Note, Comulytic, Mobvoi’s TicNote or a Notta‑powered recorder does one thing: it listens (and it remembers what it listens). You hit a physical button, drop it on the table, and forget about it. Later, the audio is cleaned up, transcribed, summarized, and tagged without you babysitting the process. That separation alone changes how you behave in meetings and interviews. You stop half‑typing notes while someone is talking and instead stay present, knowing you will get a clean transcript and a decent summary afterward.

The other big win is what happens after the recording. Tools like Plaud, Notta, and similar AI‑first platforms are not just dumping a raw audio file into your storage; they are turning it into something you can actually work with. Meetings become bullet‑point action lists, interviews turn into structured quotes you can drop into drafts, and keynotes morph into highlight reels and to‑do items. Compare that to your phone’s stock voice recorder, where everything is just “Recording 032.m4a” in a long, unlabeled list. No speaker separation, no smart search, no summaries, no automatic organization. Dedicated AI notetakers treat audio as input to a workflow, not a dead file. And once you have used one a few times for client calls or field interviews, going back to a generic phone app feels like going from a modern IDE back to Notepad.

2. Translator Earbuds: When You Actually Need To Talk To People

Apple adding Live Translation to AirPods is very on‑brand: take a niche idea, wrap it in a clean UI, and ship it as a feature most people will try once in a while. It is genuinely handy if you and the other person both live inside the Apple ecosystem, and you are somewhere with good connectivity. But at the end of the day, AirPods are music‑first earbuds that happen to do translation on the side. Brands like Vasco, Viaim, and Timekettle flips that completely. Timekettle products like the M3, WT2 Edge, and W4 are built as translation devices first, earbuds second. The hardware, the app, and the interaction modes are all tuned for one job: two‑way, face‑to‑face conversation that does not feel like you are dictating into Google Translate.

You see the difference the minute you try to use them in the real world. Timekettle lets both people wear an earbud and just talk, with the system handling two‑way interpretation in near real time. Even Vasco, which secured our award at CES 2025, offers incredible translation features with the added ability to clone your voice using AI. There are specific modes for sitting across a café table, walking side by side, or listening to an announcement, and you can preload offline language packs so you are not stranded the moment you lose data. That matters when you are in a noisy street market, on a factory floor, or in a client meeting where “sorry, can you repeat that for the app” gets old fast. AirPods’ live translation is clever, but it is still bolted onto a general‑purpose audio product, with limited languages and workflows that quietly assume ideal conditions. Dedicated translator earbuds are what you pack when you know you are going to be operating in another language for days at a stretch; AirPods translation is what you pull out when you are already there and hoping the feature is good enough.

3. Personal Air Monitors: The Little Box That Calls Out Bad Air

A personal air quality monitor is very different from the big purifier that sits in one corner of your living room. This is the pocketable version: a small, battery‑powered sensor that tracks things like CO₂, particulates, VOCs, temperature, and humidity, and comes with you everywhere. Think of the same mindset behind something like Goveelife or uHoo’s indoor monitors, but shrunk down into a device you can toss in a bag or park on your desk. The moment you start carrying one, patterns jump out. That “3 p.m. crash” in your home office often lines up perfectly with CO₂ quietly creeping past the point where your brain stops firing properly. The subway line that always gives you a headache is not just “crowded and stressful,” it is a mix of stale air and fine dust. Your favorite café might have great coffee and terrible ventilation, while the boring chain across the street quietly nails fresh air and lower CO₂.

Where this becomes essential is when you pair it with travel and health decisions. Instead of vaguely checking a city‑wide AQI number, you get hyper‑local readings: the actual air in your Airbnb bedroom, that underground bar, that coworking space with sealed windows. A personal monitor can be the thing that tells you “open a window now,” “today is an N95 day,” or “maybe do not work six hours straight in this meeting room.” It is not a glamorous gadget, but it quietly moves you from guessing to measuring. In a world of wildfire smoke, construction dust, packed trains, and increasingly sealed buildings, that shift feels very 2026: less “trust the vibes,” more “trust the numbers in your pocket.”

4. Travel Routers: Bring Your Own Internet, Not Just Your Own Laptop

TCL and Asus quietly made one of the most important travel gadgets last year: routers built to live in your bag instead of under your TV. On the surface they look like yet another little plastic box with antennas, but the use case is very different from the router you got from your ISP. These are “BYO infrastructure” for people who work, stream, and store their lives online. You plug them into sketchy hotel Ethernet or join them to the random café Wi‑Fi, and they spin up your own private, password‑protected network for your laptop, phone, handheld console, and whatever else you are carrying. Instead of each device logging into “Hotel_WiFi_3” separately and fighting through captive portals, everything just connects to your SSID, with your own password, your own settings, and your own rules.

The VPN side is where they really earn a place in a 2026 kit. A good travel router can automatically tunnel all your traffic through a VPN or back to your home network, so every device behind it inherits that protection without you installing clients and certificates on each one. That means you can sit on airport Wi‑Fi and still safely access your media server at home, your NAS, your work tools, or region‑locked services, all as if you were on your own couch. For digital nomads and frequent flyers, it also solves a bunch of annoying edge cases: game consoles and streaming sticks that hate captive portals, devices that do not support VPNs natively, hotel networks that limit the number of devices per room. The travel router becomes the one “client” the hotel sees, while you hang a whole personal LAN off the back of it. It is not a glamorous product, but once you have had a week where your entire setup rides on that one little box, it is hard to go back to trusting whatever router the hotel happened to bolt to the ceiling.

5. Personal Media Servers: Owning Your Movies In A World That Hates Ownership

The idea of “buying” a movie used to be straightforward. You paid for a DVD or Blu‑ray, you got a disc, and that disc was yours until it got scratched to death or you moved house and lost it. You could watch it a thousand times, lend it to a friend, rip it for convenience, whatever. The streaming era quietly rewrote that deal. You are not buying movies anymore, you are renting access. A title lives on Netflix or Max or whatever for a while, then licensing changes, mergers happen, some accountant decides to write it off, and suddenly your favorite film or show just does not exist in your catalog. You can chase it across services, stacking subscriptions like trading cards, but that gets expensive very fast, and you are still at the mercy of contracts you never see.

A personal media server is the underdog rebellion against that. If you already have a NAS, you are basically one weekend away from rolling your own “Netflix” with something like Plex, Jellyfin, or Emby sitting on top. The workflow is not rocket science: buy discs, rip them, store the files on your NAS, let the media server scrape metadata and artwork, and suddenly you have a slick, searchable library that shows up on your TV, laptop, phone, or tablet just like a streaming app. The difference is that nothing disappears because a studio changed its mind. You decide what lives there, how long it stays, what version you keep, and who gets access. You can share that library with parents or siblings across the country without running into “password sharing crackdown” nonsense, and you can watch your stuff in a cabin with terrible internet because it is all local. It is the same basic promise we had with physical media, just updated for a world where your screen is no longer tethered to a disc player.

Now, the awkward bit: yes, pirating content is illegal. That is the line, and it is worth stating clearly. At the same time, the industry has created a situation where it is technically legal to charge you repeatedly for non‑ownership, while making entire catalogs vanish, region‑locking films behind arbitrary borders, and punishing you for sharing an account with your own family. When a bidding war over something like Warner Bros Discovery means one or two mega‑streamers get even more control over what exists where and for how long, it is hard not to see why people fall back on “if buying is not owning, piracy is not stealing” as a coping mechanism. I am not here to tell you what to do with torrents, but I will say this: a personal media server built around content you actually own is one of the few sane, future‑proof ways to make sure the movies and shows you care about are still watchable ten years from now. In a landscape that keeps trending toward bigger monopolies and weaker ownership, that box in the corner of your house starts to look less like a nerd toy and more like self‑defense.

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DigiEra OmniCore at CES 2026: NAS That Searches Files Like ChatGPT

For most designers and filmmakers, storage is the quiet problem that never gets a mood board. Projects start on phones, move through cameras and laptops, and end up scattered across drives and cloud folders that you half remember naming six months ago. CES 2026 is full of AI-driven devices and next-gen connectivity, but DigiEra’s booth is interesting because it treats storage as part of the creative environment, not just a spec to tick off on a spreadsheet.

The lineup tells a single story across four products. OmniCore is the modular, all-flash AI NAS that wants to be the studio’s private brain. Endura is the rugged field drive that can live in a bag without babying. Portable Hub SSD is the tiny block that turns a phone or camera into a serious capture and editing station. The Diamond Magnetic Portable SSD is the piece that lives on the back of an iPhone, turning storage into something closer to jewelry than IT gear.

Designer: DigiEra

OmniCore: AI NAS as a Private Studio Brain

The pain of hunting for assets across old drives and cloud accounts is real. OmniCore is DigiEra’s answer, a modular all-flash AI NAS designed to sit in a studio and quietly index everything. It supports up to 80 TB of SSD storage across eight 2.5-inch SATA bays and two M.2 slots, all hot-swappable, so the box can grow with a studio instead of being replaced every time a project spikes in size or a client asks for all the raw footage from three years ago.

OmniCore is not just a fast box of drives. A Rockchip RK3588 CPU, 16 GB of LPDDR5 RAM, and a 6 TOPS NPU let it run AI tasks locally, from automatic image tagging and semantic search to transcription, document analysis, conversational chat, and clip generation. That means a designer can type “blue packaging concept with foil logo” and have the NAS surface relevant shots, instead of scrolling through folders named final underscore final underscore v3.

The privacy-first angle matters here. OmniCore is designed to work fully offline, with no cloud dependency, which is important when client work, unreleased campaigns, or personal archives cannot leave the building. Dual LAN ports, including 2.5 GbE, and Wi-Fi 6 support let it serve multiple editors or designers at once without feeling like a bottleneck, and Docker support means it can host custom tools alongside its own AI engine for people who need more than a basic file server.

The physical experience is part of the design. The cube-like form factor with front-loading SSD modules makes storage feel tangible and approachable, more like a card catalog than a server rack. Drives slide in and out on small trays, so expanding from a few terabytes to tens of terabytes is a matter of minutes, not a weekend migration project where everything has to stop. For small studios, that kind of modularity is as much a design decision as a technical one.

Endura Portable SSD: Rugged Speed with a Material Story

Endura is the drive that lives in the camera bag and follows people to shoots. DigiEra bills it as the world’s first portable SSD with an aluminum–carbon-fiber shell, rated IP65 for water, dust, and shock resistance. That combination of materials gives it a technical, motorsport-like feel, while also signaling that it can handle being tossed into a backpack, clipped to a rig, or dropped on a sidewalk without needing a protective case wrapped around a protective case.

Under the shell, Endura uses USB 3.2 Gen 2×2 over USB-C, delivering up to 2,000 MB/s read and 1,800 MB/s write speeds in capacities from 512 GB to 4 TB. For photographers dumping RAW stills between locations or filmmakers backing up cards on set, that means less time watching progress bars and more time shooting, with a drive that looks like it belongs in a design-conscious kit and can survive the environments where most shoots actually happen.

Portable Hub SSD: One Block to Replace the Dongle Pile

The Portable Hub SSD is the antidote to the usual tangle of hubs, drives, and chargers. It wraps the same 20 Gbps SSD core in a compact aluminum block that also acts as a hub, combining high-speed storage, PD fast charging, and extra USB-C connectivity. Plug it into a phone, tablet, or laptop, and it becomes both a scratch disk and an expansion port, turning one cable into a complete mobile workstation.

The fold-out USB-C plug and side ports make it particularly friendly to iPhones and USB-C cameras. Instead of hanging a drive and a hub off a gimbal or handheld rig, one block adds space for ProRes or LOG footage and passes power through to keep the phone or camera alive. For designers who sketch on tablets or edit on ultraportables, it is the kind of object that quietly simplifies the everyday carry, handling data and power from a single point without adding bulk or visual noise.

Diamond Magnetic Portable SSD: Storage as Visible Accessory

The Diamond Magnetic Portable SSD is the piece that never leaves the phone. It snaps magnetically to the back of an iPhone 15 or 16 Pro and records 4K 60 FPS ProRes video directly to external storage, lifting the ceiling on how long you can shoot without cages, rigs, or bulky battery grips. For content creators who rely on their phone as a primary camera, that is a big shift in what is possible with a pocket-sized setup.

The diamond-encrusted, circular design makes the drive look closer to a compact mirror or piece of jewelry than a tech accessory. Underneath, it still runs USB 3.2 Gen 2×2 over USB-C at up to 2,000 MB/s read and 1,800 MB/s write, in capacities up to 4 TB. That mix of performance and visual polish means it can stay on the phone in a meeting, a shoot, or a café without feeling out of place, turning storage into something you actually want to show rather than hide in a pocket until needed.

DigiEra at CES 2026: Turning Storage into a Creative Toolkit

OmniCore anchors the studio as a private, AI-enabled brain that knows where every file lives and can answer questions in natural language. Endura and Portable Hub SSD handle the messy middle, moving data safely and quickly between cameras, phones, and laptops, with materials and form factors that feel deliberate rather than generic. The Diamond Magnetic SSD lives on the phone, turning storage into something you actually want to show. That is DigiEra’s real story at CES 2026: storage treated not as an afterthought or a cloud subscription, but as a set of designed objects that respect the way creative work actually moves through the day, from the pocket to the field to the desk and back.

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Build your own NAS Cloud Drive using a Raspberry Pi 4 and a 3D Printer

Why pay for iCloud when you’ve got your own personal iCloud at home?!

Subscriptions will be the death of our civilization. Imagine not being able to ‘own’ something because a company only allows you to rent it. You don’t own the movies you pay for on Netflix, you don’t own the music you pay for on Spotify, and you can’t own storage on the cloud because even though you’re buying 500GB worth of space, you’re merely renting the space on a cloud server somewhere. This strange arrangement has led to the rise of personal NAS (Network-Attached Storage) devices, with people choosing to simply BUILD their own cloud storage devices instead of paying Apple, Google, or Microsoft for them. The advantages of a NAS are many – you don’t need to pay monthly fees, your cloud-drive is private to you so you don’t have to worry about Google or Apple getting hacked and your data getting leaked, but most importantly, you can store and access files on your NAS from anywhere. Use it to take phone or laptop backups, to store/watch videos, or even build your own music/movie streaming library as the ultimate cord-cutting move!

Designer: Frank Bernhardt

If you’re looking to buy a NAS, there are quite a few out there, but if you want to try building your own, DIY-maker Frank Bernhardt managed to put together one using a Raspberry Pi 4 module, a few extra components, and a 3D-printed enclosure. His entire process is up on Instructables for anyone to see and make, although you’ll definitely require some technical knowledge to get the software up and running.

Bernhardt’s NAS runs on a Pi4 module, connected to an SSD. The entire enclosure’s printed out of plastic, with metal inserts to screw the NAS together. Instead of simple status LEDs, Bernhardt even put a functional screen on the front that displays messages and the time of day when sitting idle.

One of the primary considerations in this project is the design of the enclosure. The enclosure needed to meet several specifications: it should allow access to the power and network connectors from the rear while keeping the USB connectors inside for a clean aesthetic. The use of melt-in brass threaded inserts ensured durability, and the compact size made it printable on a standard 200 x 200 mm 3D printer bed. The design avoids the common 90-degree offset for connectors typical in Raspberry Pi cases, streamlining cable management. Moreover, the enclosure does not require active cooling, reducing noise and making it suitable for SSDs.

Here are the materials and components used in the entire build:
Devices for computing and storage

  • Raspberry Pi 4 or 5 with power supply, 2GB RAM is sufficient
  • 32 GB micro SD card, SanDisk Extreme PRO recommended
  • One or two 2.5″ SATA hard disk drives, SSD recommended
  • One or two USB 3.0 to SATA adapter(s), Sabrent adapter(s) recommended

Software

  • Raspberry Pi Operating System Image (Pi OS Lite, 64-bit no desktop)
  • NAS Software for Raspberry Pi OS, openmediavault recommended

Component parts

  • 10 x M3 brass threaded inserts
  • 10 x M3x5 screws (4 more for the second hard disk drive)
  • 4 x M2.5 brass threaded inserts
  • 4 x M2,5×6 screws
  • 4 x M3x6 countersunk head screws
  • 1 x Keystone module RJ45 Cat 6
  • 1 x RJ45 Cat 6 patch cable (length or color doesn’t matter)
  • 1 x USB type C male connector plug to solder
  • 1 x USB type C female connector jack 2 pin with wire
  • 1 x SH1106 1.3″ OLED module I2C 128X64 4 pin
  • 1 x 4-pin cable with Dupont female connectors, either self-made or ready-made
  • Some PLA filament for your printer with the colors you prefer.

Printing the enclosure involved creating four main parts: the tray, device rack, side lid, and an optional stand. The tray required support structures for the connector openings and display window, which can be generated using slicing software. The rack holds the Raspberry Pi and hard drives, ensuring that the components are securely mounted. The assembly of the rack with the Raspberry Pi and hard drives necessitated precision, particularly when melting the brass threaded inserts using a soldering iron.

The next phase involved setting up the Raspberry Pi OS and configuring the network. Using the Raspberry Pi Imager, Bernhardt installed Raspberry Pi OS Lite (64-bit) onto a micro SD card. Essential settings such as hostname, username, password, and SSH enablement were configured during this process. Assigning a static IP address to the NAS ensured consistent network access, either through the Raspberry Pi OS, openmediavault, or a DHCP server, with a provision for regular patches and security updates

After the software setup, attention shifted back to hardware. The USB-C power connection and OLED display installation were critical steps. The USB-C socket was soldered inside the enclosure due to space constraints. The OLED display, used for status updates, was delicate and had to be installed without bending. Properly connecting the display to the GPIO pins of the Raspberry Pi was essential, ensuring to match the pin configurations correctly.

For the network connection, a keystone module simplified connectivity and future upgrades. By attaching a patch cable and keystone module inside the enclosure, the LAN port became easily accessible, accommodating both Raspberry Pi 4 and 5 models. This modular approach facilitates easy maintenance and upgrades, ensuring the longevity of the NAS setup.

Once the hardware assembly was complete, the OLED display software was installed. A Python script displays various system metrics on the OLED screen. The script runs at startup, continuously updating the display. Finally, the NAS software, openmediavault, was installed. This software provides a user-friendly web interface for managing the NAS, making it accessible and easy to configure. The installation was straightforward, and upon completion, the NAS was ready for use, with a commendable 500GB of storage.

Bernhardt’s Raspberry Pi NAS required a fair bit of technical expertise, but the process worked out MUCH cheaper than spending hundreds on a readymade NAS. If you’re looking for a nice summer project for yourself, you can build your own Raspberry Pi NAS too by following Bernhardt’s instructions here.

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