Tag Archives: glass

Hourglass-like Lamp Changes Lighting When You Flip It Upside Down

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Most table lamps quietly disappear into the background, doing their job without much thought. There is the usual formula: a base, a stem, a shade, and how they become part of the furniture, you stop noticing. JAL from Barcelona studio Som by Mos leans into that ordinariness on purpose, then uses a very small twist to make the everyday feel a bit more deliberate and less forgettable.

JAL is a table lamp built around two glass cones joined tip to tip, like a clear hourglass. The bulb sits inside this double cone so it appears to float in the air, and the whole piece is available in transparent or frosted glass. The only other visible element is the cable, which comes in different colors and quietly sets the tone.

Designer: SOM by MOS

Placing JAL with the bulb facing upward on a sideboard, it behaves like a familiar table lamp, throwing light onto the wall and ceiling. Flip it so the bulb points downward, and it turns into more of a glowing object that pools light on the surface below. That simple rotation changes how you use the lamp, from reading companion to ambient accent.

The clear-glass version makes the bulb and its reflections the main event, better suited to a living room corner or a shelf where you want a bit of sparkle. The frosted version softens everything, turning the hourglass into a diffuse glow that feels more at home on a bedside table or a quiet desk. The form stays the same, but the way it holds light shifts with the finish.

Som by Mos offers a selection of cable colors, so the one strong line cutting through the glass can either disappear or become a graphic detail. A neutral cable lets the lamp fade into a minimal setup, while a bolder color makes it feel more playful. Those small decisions, orientation, glass type, cable, are how the lamp becomes “whatever you want it to be.”

Som by Mos talks about objects that are not just used but experienced and interpreted. JAL fits that idea because it does not force a single reading. It is a lamp you can turn, soften, or sharpen with tiny choices, and over time, those choices are what give it personality. Loud lighting fills rooms with fixtures demanding attention, but a quiet hourglass of glass and light can feel like exactly the right kind of “just another lamp.”

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Someone Made a Flat-Pack Stool from Glass That Loops Like Frozen Water

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Flat-pack furniture is usually shorthand for budget compromises, cardboard boxes stuffed with dowels, and Allen keys that disappear the moment you need them. It is something you tolerate for convenience rather than admire, defined by getting furniture to your door cheaply rather than making you excited about assembly. The tension between wanting sculptural pieces and needing things that can actually ship and fit through narrow stairwells rarely gets resolved gracefully.

Tide Stool treats flat-pack as a starting point for luxury instead of a constraint. Designed by Vinayak Syam for DreamDeadline Works and produced by House of Sach, it is built from toughened glass legs, precision 3D-printed joinery, and hand-finished upholstery. The structure rises from a flat kit into a flowing form, shaped by curves and loops rather than brute-force mass, with the name being very much intentional.

Designer: Vinayak Syam

Instead of chunky wooden legs, Tide uses transparent glass fins that fold and loop around a central axis, carrying load through geometry. The panels curve out and back in, sharing weight across their profiles, so strength comes from the path the glass takes rather than thickness. It flips the usual hierarchy where glass is treated as fragile skin and heavier materials are trusted with structural work.

Receiving Tide as a flat set of glass pieces and joinery turns assembly into a building ritual rather than a chore. Slotting the fins into 3D-printed nodes lets you watch the structure emerge from motion, where overlapping curves and visible joints become part of the composition. The design makes those connections part of the visual language, so engineering reads as an aesthetic feature rather than something to hide.

The upholstered top sits above the glass base as a soft disc that comes in more than thirty colour finishes. Upholstery is offered in fabric and vegan leather, with Deep Sienna being the leather option and the rest using elevated textiles. That palette lets the same glass base feel quiet and monochrome in one space or warm and expressive in another, without losing its sculptural identity.

Flat-pack construction makes shipping and moving easier, especially for people who rearrange or relocate often, yet once assembled, the stool reads as a single object rather than a kit. The toughened glass and looping geometry give real load-bearing confidence while keeping the footprint visually light. It is the rare piece that respects both logistics and living rooms without asking you to choose between practicality and presence.

Tide turns apparent fragility into a quiet expression of resilience. The transparent legs, visible joinery, and soft seat work together to make strength feel like a product of balance and flow rather than heaviness. For anyone tired of choosing between sculptural furniture and flat-pack practicality, a glass stool that arrives as parts and stands like a tide frozen mid-rise feels like a surprisingly thoughtful middle ground.

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Iris Sconce: Hand-Shaped Glass Wall Light Where No Two Are Identical

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Most LED sconces are thin metal plates and diffusers, designed to disappear into a wall and quietly meet a lumen spec. That approach is efficient but rarely memorable. The Iris Sconce by Siemon & Salazar is the opposite, a fixture that leans into glass and bronze as expressive materials and treats light as something sculpted rather than simply emitted, turning a functional wall mount into a small piece of living craft.

The studio describes Iris as a piece that uses mottled clear thick glass and a cast-bronze heat sink to balance ancient craft with a forward-looking spirit. Each sconce is shaped by hand, with molten crystal poured directly and manipulated immediately, so no molds are used and no two patterns are alike. The result is a fixture that feels more like a living object than a repeated product, where the character comes from the glass itself.

Designers: Caleb Siemon, Carmen Salazar

The glass is lead-free crystal that starts as a glowing pool poured from a crucible, then worked while still hot to create ripples, grooves, and thickness variations. That hot-forming process, without molds, means each disc has its own outline and internal weather. For a designer or homeowner, that translates into a wall of light where every piece has a slightly different voice, and where the surface feels more like water frozen mid-flow than a stamped shade.

The cast-bronze element at the center acts as both a heat sink for the LED and a visual anchor. Its rough, hammered surface contrasts with the smooth glass, and it reads like a pupil, a seed, or a small meteor embedded in crystal. The bronze conducts heat away from the LED, but it also brings warmth and weight to the composition, grounding the otherwise ethereal glass and giving the sconce a core you can read even from across the room.

The thick, textured glass behaves more like a lens than a shade, bending and scattering light into a halo on the wall. The LED sits behind the bronze center, so light spills around it into the glass and then out into the room as a corona of streaks and soft gradients. The effect is less about a beam and more about a field, turning a blank wall into part of the fixture itself.

Iris is sized to work as a single focal point above a mirror or as a series along a corridor, and it can be mounted on walls or ceilings. Because no molds are used, grouping several creates a field of related but non-identical eyes or flowers, which suits projects where lighting is meant to be seen. The integrated LED keeps the profile relatively shallow, and the bronze heat sink means the fixture can run for years without fading.

Iris reminds you that even a code-compliant LED fixture can carry the marks of molten glass and cast metal. Each sconce is genuinely unique, not just in finish but in shape and pattern. For people tired of flat panels and generic cylinders, it feels like a small argument for bringing a bit of studio craft back into the everyday act of turning on the lights, where every time you flip a switch, you are also lighting up a piece that was poured, shaped, and cooled into something one of a kind.

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Alma Light’s Totem I Turns Fluted Glass Into a Glowing Column

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Floor lamps usually sit in the corner, trying not to be noticed until you need them. They’re functional objects first, designed to throw light where you need it and stay out of the way the rest of the time. Most look like afterthoughts, with utilitarian bases and fabric shades that blend into whatever room they occupy. That works fine for ambient lighting, but it means the lamp contributes almost nothing to how a space feels.

Alma Light’s Totem I takes a different approach, treating the floor lamp as a vertical presence that can anchor a room rather than just fill it with light. Designed by Cristian Cubiñá, it borrows the idea of totems as ascending symbols and translates that into a tall, slender column of fluted glass. The lamp stands 150 centimeters high and only 15 centimeters wide, creating a luminous vertical line that projects light outward while occupying almost no floor space.

Designer: Cristian Cubina for Alma Light

The glass cylinder is the defining feature. Made from transparent fluted borosilicate glass, it catches and diffuses light through vertical ridges that run the entire length. The fluting gives it a subtle retro feel, like classical columns or vintage fluorescent fixtures, but refined into a single, clean silhouette. When lit, the ridges create soft striations of light and shadow, adding texture to what would otherwise be a simple glowing tube.

The structure itself is minimal. A circular iron base in either textured black or satin bronze grounds the lamp, while a matching cap sits at the top. The finishes give you flexibility depending on the room. The bronze version adds warmth and works beautifully against wood paneling or patterned tile, while the black finish lets the lamp recede into darker, more minimalist spaces.

The light source is a 150-centimeter T8 LED tube that runs the full length of the glass, projecting light in 360 degrees. The lamp is designed to really illuminate a space rather than just provide accent lighting, which sets it apart from most floor lamps that focus light upward or downward. The result is a warm, enveloping glow that fills the room without harsh shadows or directional glare.

What makes Totem I genuinely versatile is how well it adapts to different interiors. In the photos, it stands against wood paneling in a historic room, anchors a corner in a contemporary living room with teal seating, and complements a minimal lounge with soft armchairs. It can either act as a sculptural focal point or blend quietly into more complex settings.

The lamp works particularly well in spaces where vertical elements matter. Hotel lobbies, restaurant waiting areas, and large residential rooms benefit from the way Totem I emphasizes ceiling height and creates a strong vertical gesture without cluttering the floor. It’s the kind of piece that changes how a room feels the moment you switch it on.

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When Trays Become Magic: Bo Zhang’s Shadow-Dancing Lightware

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You know those moments when something so simple makes you stop and stare? That’s exactly what Bo Zhang is doing with his latest collection, and honestly, it’s kind of mind-blowing. Lightware is a series of transparent glass trays that don’t just sit there looking pretty (though they do that too). They actually play with light and shadow to create this ever-changing visual experience that transforms depending on where you stand, how the light hits them, and what surface they’re resting on.

If you caught wind of Zhang’s previous work, the Ripples collection, you already know he’s got a thing for messing with our perception. But where Ripples played with color-shifting optical illusions through hexagonal folded forms, Lightware takes a completely different approach. This time, it’s all about harnessing the science of polarizing film and glass to create what I can only describe as shadow choreography.

Designer: Bo Zhang

The genius here is in the subtlety. Zhang, who founded his studio Desz Office in New York back in 2019, has always been about creating pieces that interact with people on both visual and emotional levels. With Lightware, he’s tapping into something we usually take for granted: the way light moves through transparent objects. By layering polarizing film within the glass structure, these trays generate dynamic geometric patterns that shift and dance as you move around them or as the light source changes throughout the day.

Picture this: you set one of these trays on your coffee table in the morning. The sunlight streaming through your window casts one pattern. By afternoon, with the light coming from a different angle, it’s transformed into something completely new. Move it to another surface, and the shadows beneath it create yet another composition. It’s like having functional art that never gets boring because it literally never looks the same twice.

What’s really cool is that Zhang isn’t just making pretty objects for the sake of it. His design philosophy revolves around the idea that good artwork should have a soul, not be a cold entity. These trays are practical (you can actually use them to hold your keys, jewelry, or whatever), but they’re also conversation starters, meditation pieces, and honestly just really satisfying things to look at.

The recognition is rolling in too. Lightware recently won the NYCxDesign Awards 2025 Honoree in the accessories category, adding to Zhang’s growing list of accolades that includes being named one of UNESCO’s “100 Future Artists” and getting featured in Design Miami’s DMBX project. The design world has definitely been paying attention to what he’s doing, with features in publications like Vogue, Interior Design magazine, and Design Milk.

What I love about this collection is how it bridges the gap between tech-savvy innovation and accessible design. You don’t need to understand the science of polarization to appreciate these trays (though if you’re curious, polarizing film works by filtering light waves in specific directions, creating those mesmerizing patterns). You just need to be someone who appreciates when everyday objects transcend their basic function and become something more.

Since we live now with a lot of digital stimulation, there’s something refreshing about analog magic. Lightware offers this quiet, contemplative kind of wonder. It reminds us that transformation doesn’t always have to be loud or flashy. Sometimes the most captivating changes happen slowly, subtly, right in front of us, as naturally as light moving across a room.

Zhang’s work with Lightware proves that innovation in design isn’t always about reinventing the wheel. Sometimes it’s about looking at something as fundamental as a tray and asking, “What if this could do more?” The answer, in this case, is a collection that turns functional objects into portals of perpetual surprise, where shadows become art and transparency reveals hidden complexity.

The post When Trays Become Magic: Bo Zhang’s Shadow-Dancing Lightware first appeared on Yanko Design.

Gorgeous titanium-coated drinking glass makes every drink a visual and gustatory treat

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It’s almost too easy to take for granted the vessel we’re drinking from. After all, we’re definitely more interested in the taste of our drink, unaware that the material our glass or cup is made of can actually have an adverse effect on the very taste we’re so fixated on.

And that glass you’re drinking from? It might not even be pure glass but mixed with some metals to reinforce the material, metals that also affect the taste or, worse, affect our bodies.

If you’re searching for the perfect glassware, you don’t have to look far because we have just the perfect design for this very purpose. Stunningly beautiful and faithful to your flavors, this small piece of glassware is able to recreate the magnificent Aurora lights right in your hand, turning every sip into a memorable experience.

Designer: Progress Design

Click Here to Buy Now: $58.50 $65 (10% off at checkout). Hurry! Black Friday deals end in 48 hours.

Drinking glasses are a common sight in many households, whether they’re for “regular” beverages or alcoholic drinks. Clear as they might appear, some of these are mixed with some metals to produce certain colors or effects.

And while these metals aren’t so dangerous to our health, they do have negative effects on the taste of the drink.

It is almost as if you can’t combine beauty and taste in a glass, but that theory has been proven false with PROGRESS’ Rex Rock glassware.

Skilled craftsmen from Shizuoka, Japan harness the same technologies and processes used in making space-grade equipment like satellites to process titanium of the highest purity to reinforce the glass and coat its inner surface.

This rare form of pure titanium doesn’t release metal ions that mess with the flavor of the drink inside. In fact, it actually works to enhance the taste by breaking down unpleasant flavors.

Pure titanium is also regarded to be the most human-friendly and safest kind of metal because it rarely changes over time. That means no staining, no odors, and completely hygienic.

Pure titanium alone, as impressive as it already might be, isn’t enough to create an unforgettable drinking experience. This drinking glass takes the design even further by reproducing the mesmerizing colors of the rainbow and of the majestic Aurora lights.

This feat is made possible by making extremely precise cuts and changes to the glass’ thickness down to nano levels. Pouring drink into the glass results in a shimmering effect that’s comparable to the soothing glow of the aurora, a bonfire, or a murmuring stream, imagery that calms the heart and soothes the soul.

Stop worrying about the safety and taste of your drink and start enjoying the flavors and the dazzling visuals offered by this pure titanium-reinforced glassware. Whether it’s liquor, soda, or even just ice-cold water, this stunning drinking glass will turn the activity into a joyful and reinvigorating experience, rich in flavor and color.

Click Here to Buy Now: $58.50 $65 (10% off at checkout). Hurry! Black Friday deals end in 48 hours.

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Best Glass Cup Made with Recycled Glass for a Delightful Drink Every Time

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Drinking, whether it’s water, coffee, or soda, is such an essential part of human life that we usually do it on autopilot. That’s why we also take for granted the vessel we’re drinking from, not realizing how much it can affect not only the taste but also the entire experience. Materials can subtly change the flavor of the drink or even create toxins, while uninspiring designs can affect our moods without us even realizing why we feel so sour or down. More importantly, we rarely take into account how our cups and glasses can affect the health of the planet in the long run. That’s definitely a lot to take in for a single cup, but this simple yet striking glassware makes it all so simple, providing a design that’s not only beautiful on the outside but also on the inside, especially for the world we live in.

Designer: HMM (Human Made Method) Design

Click Here to Buy Now: $35

The Problem: Bland, Harmful Drinkware

Glasses, mugs, and cups are so ubiquitous that we barely give them a second look whenever we drink. But like the mess that starts to pile up on our desks or in our rooms, they actually have an effect on our minds and our moods. Drinking from a plain, uninspiring, and rough cup is a completely different experience from using a smooth, beautiful, and luxurious vessel. The latter makes every sip feel special as if enjoying fine wine even when you’re simply drinking water. It uplifts the spirit as much as it nourishes the body.

And there’s the fact that not all drinkware is made equal, even those made from metal and glass. They can have harmful chemicals mixed in that interact with the liquid inside, changing their flavors and sometimes even causing harm to our health. They also slowly kill the planet, especially the numerous plastic drinkware that fill the market and our cupboards. Wouldn’t it be nice to feel great not only because you’re drinking from a beautiful glass cup but also because you know you’re doing your small part to protect the planet? That’s the blissful drinking experience that this exquisite glass cup is offering, made from recycled glass that, in turn, is also completely recyclable.

Why is this the Best Glass Cup

This sustainable glass cup has a beauty that goes beyond just appearances. It uses glass that’s collected and recycled by Taiwan’s largest glass recycling center and the product is a material that’s also 100% recyclable glass. This means that at the end of its life, this beautiful glass cup can be properly disposed of or even recycled for some other use, creating a circular economy that keeps on giving without harming the planet in the process.

Admittedly, that invisible detail might be lost on some people, especially when they’re distracted by the cup’s beauty. Rather than just a straightforward cylindrical body, the glass’s faceted shape has 12 angles that stand for the 12 hours on a clock’s face, symbolizing the cycle of the day and of life. And instead of being clear and transparent, glass-dyeing techniques add a visual flavor to the cup whenever light passes through it and the beverage inside. Each glass is handmade by seasoned craftsmen, which sometimes results in tiny bubbles or traces on the surface of the glass. Rather than being imperfections, these give each cup a unique character and story, adding to the vessel’s charm.

Who this Glass Cup is For

With such a stylish and elegant glass, anyone can experience a more meaningful drink, regardless of their preferred beverage. With a heat-proof handle, holding a cup of your favorite coffee blend is no problem. And with its smooth circular inner surface, cleaning after a drink of wine is no sweat at all. A delight to the eyes and a treat for your lips, this Sustainable Glass Cup turns every sip into a deeper, multi-sensory experience, allowing you to savor not only the unadulterated flavors of your favored beverages but also the gratifying thoughts of supporting a circular economy that will create a brighter and greener tomorrow.

Click Here to Buy Now: $35

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Glass jar lets you hold sparklers up close and personal

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When it comes to firecrackers and fireworks displays, I’m not the biggest fan. I keep thinking of all the wasted money that goes into having just a few seconds of fun, not to mention how dangerous it can sometimes be . The closest that I would probably enjoy some version of them is holding sparklers in my hands. But again, they only last a few seconds and sometimes the wind will even make that shorter so I’d rather not just hold one in my hands.

Designer: Kenji Fujii of Taki Corporation

Tenohira Hanabi is a sparkler holder so you can enjoy them a little bit longer and safely in the palm of your hands. It’s a jar named “sparkler in your palm” literally and it has no other function except to keep the sparklers, specifically the senko hanabi (incense fireworks), in your hands. It’s a glass jar that has dimples on both sides so you can keep the T-shaped sparkler dangling inside the jar.

This means that once you light up these tiny sparklers, you’ll be able to look at them up close. You’re also keeping them lighted and sparkling a bit longer than when you’re holding them since the glass jar protects it from the winds. I’m not sure though if it can be used for regular sized sparklers so you will have to enjoy the incense fireworks when using the Tenohira Hanabi.

If not used as a sparkler holder, maybe it can also function as a regular jar where you can store small things like candies. Or since it looks cute enough, it can also just be a decorative object until the next time you need to light up some sparklers again.

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Blown glass side tables look delicious enough to lick

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Glass isn’t often used for tables and even when it is, it’s usually only limited to the tabletop part. Glass is strong yet also brittle, so you would rarely want to have it in something that meets a lot of accidents in daily use. At the same time, however, glass also has an exquisite quality to its appearance that has even made it the favored material for counterfeit jewelry. There’s a certain artistry in glassware, especially when their production involves more traditional methods like glass blowing, embracing imperfections and flaws as unique traits that give the design a personality of its own. These side tables, simple as their shapes may be, are fine examples of how skilled craftsmanship can turn glass into something so beautiful that they might be good enough to eat.

Designer: Sabine Marcelis

Although they are completely functional, side tables often act more as decorative pieces, making them the perfect subject for design experimentation and thinking outside the box. There’s never a scarcity of concepts that explore different forms and functions for side tables, from transforming furniture to tables that serve both humans and pets at the same time. There are also plenty of more artistic renditions of what a side table is, like this collection that looks like tempting gigantic hard candy.

Coming in a variety of sizes, these square and rectangular glass boxes create a playful display of light and color through their translucent materials and even through the imperfections inside that material. The smoky gray and amber hues make the glass look less like jewelry and more like sweet treats that are too big to put in your mouth. Despite what would normally be boring shapes, the Lokum side tables have a certain aura of fun owing to the design’s charming character.

The simple boxy shapes of the side tables would normally be perfect for using mass-produced techniques, but these are instead blown glass into their geometric forms as evidenced by the traces of ripples in the glass. What would normally be seen as flaws actually enhance the glass tables’ playful image, adding a touch of dynamism to a rather static form. It also affects the way light passes through and bounces off, creating shadows and patterns that draw your attention further.

Elegant, entertaining, and ephemeral all at the same time, these blown glass side tables definitely do more than just provide a temporary place for books or cups. They turn imperfections into beautiful impressions, transform plain shapes into mouth-watering forms, and give life to any space through their simple yet eye-catching design. All these, using a technique that’s been around for centuries and a material that is as common as the sand.

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AI-Generated Floating Glass Museum Is Intended To Be a Symbol Of Environmental Awareness & Sustainability

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Dubbed the Floating Glass Museum, this mesmerizing and jaw-dropping structure by Luca Curci architects in collaboration with Giulia Tassi Design is something to give a nod to. Designers and architects from around the world, as well as AI were also used to design the fantastic building. It is proposed as a unique and innovative symbol of environment awareness and sustainability, “where the history of glass meets the contemporary experimentation”. While designing the structure, the international design team drew inspiration from the fine art of glass-blowing that has been practiced by Venetians for around 1500 years. They harnessed the amazing power of AI to build the floating exhibition, which looks fragile and yet extremely powerful at the same go.

Designer: Luca Curci Architects x Giulia Tassi Design

The setting of the museum is truly beautiful. As you look at it, you will be transported to another world, where the water on which it sits is reimagined as a canvas for artistic expression, while also sending an important message out to the world – the issue of climate change. “Climate change is now affecting every country on every continent,” reads the press release. “It is disrupting national economies, communities, and countries dearly today and even more tomorrow. Weather patterns are changing, sea levels are rising, weather events are becoming more extreme and greenhouse gas emissions are now at their highest levels in history.”

The AI-generated images and visuals showcase beautiful pastel-colored pieces of various sizes, ranging from hues of yellows, and oranges to pinks, offering viewers with an imagery that is bright, powerful, and almost frenetic. These loud pieces manage to create a space that is tranquil and almost meditative, while other pieces feature bright red and orange glass trees, and rather real-looking pink ones which establish a strong connection to the environment and nature. Other pieces seem to resemble massive chemistry sets!

The Floating Glass Museum is designed to represent a global environmental initiative, and it is created to be a space “where art, nature, and tradition converge: the balanced fusion of contemporary art and sustainable design that will invite contemplation, reflection and discovery” in the context of “cutting-edge design and a dedication to sustainability.”

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