Tag Archives: stool

This One-Mold Stool Just Made Modular Furniture Playful Again

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Most of the time, I’m not really particular when it comes to chair design. As long as I’m able to sit on it comfortably and am able to rest my weary body on it, I consider it a perfect piece of furniture. There are times though when the design idea behind it also plays a factor in judging a chair or stool, even though it may not look the easiest place to sit in.

Also, sometimes the best design ideas are the simplest ones. Zhang Wenhan’s UNO collection proves that point beautifully, and honestly, I can’t stop looking at these little sculptural stools. They’re like candy-colored mushrooms that somehow managed to win a Red Dot Award, and I’m completely here for it.

Designer: Zhang Wenhan

Here’s what makes UNO special: each piece is made from a single injection mould. One mould, one continuous form, no seams, no visible joints. Just a smooth, flowing shape that starts with a wide, stable base and tapers upward into a slightly tilted top surface. That little tilt isn’t just for looks, either. It’s a subtle ergonomic touch that makes these surprisingly comfortable to perch on while keeping that sculptural vibe intact.

The genius is in how uncomplicated everything is. We’re so used to furniture that requires assembly instructions, allen wrenches, and a weekend afternoon of frustration. UNO flips that script entirely. Each stool arrives as a complete, ready-to-use piece. No hardware, no fuss, no leftover screws you’re not quite sure what to do with. What really gets me excited is the color range. UNO comes in this perfectly curated palette that spans from soft, muted tones to bold, punchy hues. Think buttery yellows, dusty pinks, rich terracotta, and deep blues. The kind of colors that look sophisticated on their own but become genuinely playful when you start mixing them together. And that’s exactly what you’re supposed to do.

The whole concept revolves around modularity and personalization. You can grab a few in complementary shades for a cohesive look, or go wild and create a rainbow arrangement that brings instant energy to any room. Want to switch things up next season? Just rearrange them. Move them from the living room to the patio, cluster them by the entryway, or scatter them around a dining table for extra seating when friends come over.

Speaking of indoor-outdoor versatility, that’s another win for UNO. The clean silhouette and balanced proportions mean these stools look equally at home next to your mid-century modern sofa or on your balcony beside some potted plants. They harmonize with vibrant spaces without competing for attention, and they add a pop of personality to neutral rooms without overwhelming the palette. I love furniture that doesn’t take itself too seriously but still maintains a sense of sophistication. UNO nails that balance. There’s something inherently joyful about the shape, almost toy-like in the best possible way, but the proportions and execution keep it firmly in grown-up design territory. It’s the kind of piece that makes visitors smile and ask where you got it.

The injection moulding process is worth appreciating too. This manufacturing method allows for that seamless, monolithic quality that gives each stool its distinctive character. No visible construction, no parts that might loosen over time, just solid, reliable design that’ll look the same years from now as it does the day you bring it home. And can we talk about how these photograph? Every angle is good. That gradual taper creates interesting shadows and silhouettes, making UNO as much a design object as functional furniture. It’s the rare piece that works just as well as a sculptural accent when nobody’s sitting on it.

What Zhang Wenhan has created with UNO is refreshingly straightforward design that doesn’t sacrifice personality or versatility. In a world where we’re constantly told we need smart furniture with built-in charging ports and convertible configurations, there’s something deeply satisfying about a stool that’s just genuinely well-designed. One form, endless possibilities, zero complications. Whether you need extra seating, a side table, a plant stand, or just a pop of color in the corner, UNO adapts without requiring you to adapt to it. That’s the mark of truly thoughtful design, and it’s exactly why this collection deserves all the recognition it’s getting.

The post This One-Mold Stool Just Made Modular Furniture Playful Again first appeared on Yanko Design.

This One-Mold Stool Just Made Modular Furniture Playful Again

Posted on by

Most of the time, I’m not really particular when it comes to chair design. As long as I’m able to sit on it comfortably and am able to rest my weary body on it, I consider it a perfect piece of furniture. There are times though when the design idea behind it also plays a factor in judging a chair or stool, even though it may not look the easiest place to sit in.

Also, sometimes the best design ideas are the simplest ones. Zhang Wenhan’s UNO collection proves that point beautifully, and honestly, I can’t stop looking at these little sculptural stools. They’re like candy-colored mushrooms that somehow managed to win a Red Dot Award, and I’m completely here for it.

Designer: Zhang Wenhan

Here’s what makes UNO special: each piece is made from a single injection mould. One mould, one continuous form, no seams, no visible joints. Just a smooth, flowing shape that starts with a wide, stable base and tapers upward into a slightly tilted top surface. That little tilt isn’t just for looks, either. It’s a subtle ergonomic touch that makes these surprisingly comfortable to perch on while keeping that sculptural vibe intact.

The genius is in how uncomplicated everything is. We’re so used to furniture that requires assembly instructions, allen wrenches, and a weekend afternoon of frustration. UNO flips that script entirely. Each stool arrives as a complete, ready-to-use piece. No hardware, no fuss, no leftover screws you’re not quite sure what to do with. What really gets me excited is the color range. UNO comes in this perfectly curated palette that spans from soft, muted tones to bold, punchy hues. Think buttery yellows, dusty pinks, rich terracotta, and deep blues. The kind of colors that look sophisticated on their own but become genuinely playful when you start mixing them together. And that’s exactly what you’re supposed to do.

The whole concept revolves around modularity and personalization. You can grab a few in complementary shades for a cohesive look, or go wild and create a rainbow arrangement that brings instant energy to any room. Want to switch things up next season? Just rearrange them. Move them from the living room to the patio, cluster them by the entryway, or scatter them around a dining table for extra seating when friends come over.

Speaking of indoor-outdoor versatility, that’s another win for UNO. The clean silhouette and balanced proportions mean these stools look equally at home next to your mid-century modern sofa or on your balcony beside some potted plants. They harmonize with vibrant spaces without competing for attention, and they add a pop of personality to neutral rooms without overwhelming the palette. I love furniture that doesn’t take itself too seriously but still maintains a sense of sophistication. UNO nails that balance. There’s something inherently joyful about the shape, almost toy-like in the best possible way, but the proportions and execution keep it firmly in grown-up design territory. It’s the kind of piece that makes visitors smile and ask where you got it.

The injection moulding process is worth appreciating too. This manufacturing method allows for that seamless, monolithic quality that gives each stool its distinctive character. No visible construction, no parts that might loosen over time, just solid, reliable design that’ll look the same years from now as it does the day you bring it home. And can we talk about how these photograph? Every angle is good. That gradual taper creates interesting shadows and silhouettes, making UNO as much a design object as functional furniture. It’s the rare piece that works just as well as a sculptural accent when nobody’s sitting on it.

What Zhang Wenhan has created with UNO is refreshingly straightforward design that doesn’t sacrifice personality or versatility. In a world where we’re constantly told we need smart furniture with built-in charging ports and convertible configurations, there’s something deeply satisfying about a stool that’s just genuinely well-designed. One form, endless possibilities, zero complications. Whether you need extra seating, a side table, a plant stand, or just a pop of color in the corner, UNO adapts without requiring you to adapt to it. That’s the mark of truly thoughtful design, and it’s exactly why this collection deserves all the recognition it’s getting.

The post This One-Mold Stool Just Made Modular Furniture Playful Again first appeared on Yanko Design.

COMODO Entryway Stool Dries and Deodorizes Shoes While You Sit

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Taking off your shoes after a long day often means being greeted by damp insoles and stale smells. Rain, sweat, and dust turn footwear into something you tolerate rather than enjoy wearing, and most people either ignore it or resort to stuffing newspaper inside them and hoping for the best. Drying racks clutter the hallway, and washing shoes every time they get wet is too much work for something you’ll just wear again tomorrow.

COMODO is a concept that treats shoe care as part of the entryway routine rather than an afterthought. It combines a small upholstered stool with a compact shoe care system inside, so the same object you sit on to put on your shoes also quietly dries, deodorizes, and refreshes them between outings. The name comes from the Spanish word for “comfortable” or “pleasant,” which pretty much sums up the whole idea.

Designer: Hyeona Cho

The form is a soft, rounded cube on four slender legs, available in muted colors like charcoal gray, mustard yellow, and sage green. The matte, slightly textured body and cushioned top make it read more like a piece of furniture than an appliance, allowing it to sit next to a shoe cabinet or mirror without looking out of place. It’s the kind of thing you could leave in the hallway without feeling like you’re displaying a gadget.

Open the small front door, and you find an interior chamber with what the designer calls an “air shoetree” and vents. Shoes can be placed on angled posts or directly on the floor of the chamber, where warm air circulates to dry them. A HEPA filter and scent filter work together to remove damp odors and add a gentle fragrance, while a UV lamp at the top targets germs on the surfaces.

The air shoetree offers some flexibility. Because you can either insert shoes onto the posts or rest them inside the chamber, COMODO can handle different shapes, from sneakers to ankle boots. The base plate slides forward like a shallow drawer, bringing the shoes closer to you and making it easier to place them or even use the raised platform while putting them on.

Of course, COMODO also doubles as a proper seat. Many people still sit on the floor to tie laces or wrestle with boots, which is uncomfortable and hard on the knees. The padded top gives you a seat at just the right height, so you can sit, open the door, pull out the sliding base, and deal with your shoes without crouching or balancing awkwardly.

COMODO imagines an entryway where shoes are not just stored but actively cared for, and where the object that helps you put them on also makes sure they’re dry, fresh, and ready for the next day. It’s a small but thoughtful intervention in the daily routine of leaving and returning home, a gentle reminder that even the most ordinary corners can benefit from a bit of design attention.

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3D-printed chairs are made from 100% recycled plastic from donation program

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3D-printed furniture is still not as common as regular furniture but we’re seeing a lot of movement when it comes to designs and concepts. Aside from the fact that it’s easy to adapt this in actual production, it can also be sustainable and eventually impactful. Most of these 3D-printing concepts try to create something that’s recyclable or made from recycled materials therefore making it more sustainable than regular furniture.

Designer: Ethan Solodukhin

The Revo Chair Concept, with Revo meaning “revolutionary”, is a collection of 3D-printed furniture and is powered by the PlastiVista Atelier program. The program actually encourages homes, schools, and communities to donate their plastic waste and those that can be used for 3D printing converted into filament. The collection includes the Revo Chair and the Stoool (yes that’s not a typo). They are made from 100% recycled plastic.

The Revo Chair uses a single-piece design and it can serve as both an actual chair but when used with a different orientation, it can also serve as storage. The photos show it’s a box-like storage although it’s not really shown how it can be turned into that although the surfaces can be something you can place objects on. The Stoool meanwhile just serves as a seat with its compact surface, although you can probably also use it as a side table if you want to.

The renders of these chairs reminds me of those small, plastic phone holders that you can get for cheap. The question of course for these 3D-printed chairs would be if they are durable enough and comfortable enough for people to sit in for a long period of time.

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Pouffe chair concept uses minimalist design and recyclable materials

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There are two kinds of people when it comes to chairs and stools. Those who like cutely-designed seats and those who want comfortable resting places for their behinds. While I am always the latter, there are a lot of people looking for the former. That’s why we see uniquely designed chairs and stools that can also double as a sort of art piece, even though they don’t look the most comfortable to sit on.

Designer: Design Studio701

The Rio Pouffe is a concept for a chair that is able to combine modern aesthetic with an eco-friendly design. Because there is a trend (hopefully, a lasting trend) of people looking for products that are made from sustainable materials, this kind of design can hit it off with that segment if it reaches the production stage. They did not give details as to what these eco-friendly materials are but if we’re to look at the planters that Harshdeep, the company that they made the design for, we’re looking at materials like bamboo, coffee husks, etc.

The chairs themselves look like inverted onions with a seat surface and a small backrest. They are shaped that way to attract people’s attention and are designed to be lightweight and durable to “make sitting a breeze”. The colors are also in earthy tones like warm browns, soothing greens, calming blues, and neutral grays in keeping with the natural aesthetic that they are going for. It seems comfortable enough although for me, the small back rest may not be enough if I’ll be sitting on it for a long time.

As a concept, this seems to be pretty interesting if you’re the type looking for good-looking chairs that are also eco-friendly. It would have been better to see what are those recyclable materials that they will use to produce the chairs. But in terms of design, this seems to be a simple but solid one.

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Mosaic-like stools are made from the soles of discarded rubber shoes

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The fashion industry is known for its striking designs, lavish materials, and sometimes mind-blowing forms, but it also has a dirty little secret when it comes to sustainability. Many of those materials, processes, and even ingredients have a tendency to harm the environment, especially mass-produced pieces of clothing, accessories, and footwear. Even something that sounds so innocent like the rubber soles of shoes can have a long-term negative impact on the planet’s health, especially when they’re thrown away without much thought. Although it’s not enough to make this discarded material disappear, these distinctive artistic stools help reduce their numbers while providing furniture that makes an impact in more ways than one.

Designer: BENTU Design

According to figures, 20 billion pairs of shoes are produced each year, and nearly all of those end up in landfills sooner or later. Footwear is usually made with half a dozen synthetic materials, with outsoles using plenty of rubber that takes more than a hundred years to decompose. Burning them, on the other hand, releases toxic gases, which is usually what happens in garbage disposal sites. Even though the process still uses water and energy, recycling these materials is still a significantly better way to deal with all the waste.

WU is a line of stools that does exactly that, giving new life to shoe soles that result in an even more interesting design. 90% of each stool’s raw materials are made from recycled rubber shoe materials, about 15kg of material that is equivalent to 60 rubber soles. It’s a small number compared to the amount of shoes being thrown away, but even just 10 of these stools mean 600 shoes are kept away from landfills.

The resulting design is quite intriguing as well. The raw materials are classified according to color to have a more uniform appearance, but the uniqueness still comes out in tiny bits of colors and microtextures. If some recycled plastics create a terrazzo effect, the recycled rubber soles result in finer and smaller pieces that have a grainy appearance as if painted with oils or mixed in with concrete.

The shape of the WU stool is also unusual, with a hexagon seat and a three-pointed base. This makes it easy to combine the stools into a larger form like a bench, though the connection will be superficial and perhaps a bit unstable. When placed together, these stools paint a rather eye-catching picture, almost literally, as if somebody took reality and applied a mosaic filter on it. Either way, no one will be the wiser that these were probably made from the pair of shoes they threw away years ago.

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Alien-like metal stool concept inspires awe rather than fear

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Grotesque alien creatures will probably be trending again thanks to the revival of a long-running movie franchise, but all extraterrestrial creatures will look horrifying. They might be breathtaking, defying all the preconceived notions of our limited human minds. They might not even be organic, at least as defined by what we know on earth. If we ever encountered an inorganic, metallic alien that didn’t look like any biped or quadruped Earthbound creature, it could probably look like this metal stool with its symmetric tentacles that seemingly invite you to approach and, well, sit on it for your comfort.

Designer: Riley MacKay

Alien references aside, this metal and wood stool definitely doesn’t look like your typical piece of furniture. There are technically still four legs, though they look double that number because of how each leg splits into two. The legs seemingly turn and swirl around the center of the stool, giving the impression of tentacles moving around a metallic creature.

Unlike what you’d see from a jellyfish or octopus, however, there is a strict symmetry to the stool’s geometric design. The legs protrude at a specific angle away from the body and to the side, creating the shape of a spinning star when the stool is viewed from the top. This design provides both visual and mechanical balance, giving the stool stability despite its seemingly thin and flat legs.

There is also a sustainability angle to the Metal Stool, though perhaps a bit indirectly. The legs are made from sheet metal while the seat is birch wood, both of which can be sourced from sustainable or renewable options. The minimalist design could mean that these parts can be taken from factory offcuts as well, providing a new purpose for otherwise discarded and wasted materials.

The Metal Stool is a prime example of a simple and subtle design that manages to look quite stunning just by shifting the formula just a little bit. Whether it reminds you of aliens, jellyfish, or abstract art, the stool has the same effect of catching your attention and adding a unique character to any space. And, of course, you can sit on it as well without fear of toppling over or, worse, being taken by metal tentacles into the depths of a dark void.

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Modular stool concept is designed for people who love sitting cross-legged

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Stools are often classified as tall, backless chairs, and like most seats, they’re designed to be used in a specific way. You simply sit on top of the stool and have your legs hanging from the edge, with your feet planted firmly on the ground. This style of sitting might be common, but it’s definitely not how everyone sits around the world. In some cultures, particularly in Asia, people tend to sit cross-legged on the floor, at least when they’re at home or in establishments designed to cater to that culture. Stools, of course, aren’t meant to support that way of sitting, but this concept design tries to expand the traditional stool design to be more inclusive while also offering an additional feature completely unrelated to sitting.

Designer: Gisung Han

It’s probably too much of a generalization but sitting cross-legged has become associated with Asian cultures. Especially in countries like Korea and Japan, some families tend to sit on the floor during meals in that position, something that might not sit well with those who don’t consider it proper during meals. Eating outdoors, of course, is a completely different matter, especially in public places like outdoor restaurants that only provide simple stools for customers. One simply can’t sit cross-legged comfortably, but still try to do it.

Named after a famous avenue in South Korea, the Euljiro stool concept tries to solve this conundrum with a design that caters to both normal sitting and cross-legged sitting. This seemingly magical capability is made possible by the stool’s two-part modular design. When joined together, it looks like a simple, two-color stool that you can use normally. But remove the top part and you actually get two stools, with the top shorter than the bottom.

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When you insert one of the legs of the taller stool into the middle of the shorter one, you get a two-tier seat seemingly joined at the hip. This setup would allow the person to sit with their legs crossed without worries they’ll tumble backward or to the side. It doesn’t take up too much space either, and it can even be used as two separate stools if there aren’t enough seats to go around.

Euljiro’s flexibility also extends to its use as a place to put bags while eating. This is especially useful in restaurants that don’t have designated storage for bags, where putting bags down on the ground might be unhygienic. It’s definitely a creative way to solve multiple problems with a single design while ironically still sticking to the most common stool shape of all.

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Andrea Ponti’s ‘Inspired by Nature’ Stools Celebrate Sustainable Beauty with Recycled ABS Design

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“Inspired by Nature” is a stunning collection of nine stools that beautifully captures the essence of the natural world. Drawing inspiration from the elements, forms, and colors that surround us, each piece in this collection is thoughtfully crafted to reflect the beauty and diversity of nature. Designed by the renowned Italian designer Andrea Ponti, this collection is a testament to his commitment to sustainability and innovative design.

Designer: Ponti Design Studio

Each stool in the Inspired by Nature collection shares a consistent design language, marked by a rounded footprint, a tapered silhouette, and a concave seat. This cohesive design suggests continuity and mirrors the patterns found in nature. Despite this shared design, each stool maintains its own unique identity, with distinct shapes and specific colors that echo different elements of the natural world. This deliberate variety within a uniform framework is what makes the collection so captivating.

The Inspired by Nature collection is made entirely from recycled ABS, reflecting Ponti’s dedication to sustainable design practices. This choice of material not only reduces waste but also underscores the collection’s connection to the environment. By using recycled materials, Ponti demonstrates that sustainability goes beyond eco-friendly practices; it is about creating products that forge lasting relationships between people and nature. The use of recycled ABS is a conscious decision that aligns with the broader goals of environmental stewardship and responsible design.

The uniqueness of each stool in the collection is intentional and crafted to evoke the essence of the natural world. The careful selection of hues and forms is designed to tap into our deepest emotions, fostering an intimate link between us and the environment. Each piece is more than just a functional object; it is a representation of nature’s beauty and diversity. This emotional connection is a crucial aspect of Ponti’s design philosophy, as it seeks to create not just products, but experiences that resonate on a deeper level.

Andrea Ponti, formerly of the Polytechnic of Milan, is a celebrated designer known for his innovative and sustainable designs. His previous works, such as the imposing Kanban side table, the Shadows in the Window furniture collection, and the Diga, Koma, and Torus kitchen utensils, have all been acclaimed for their exceptional design and functionality. With the Inspired by Nature collection, Ponti continues to push the boundaries of design, creating pieces that are not only beautiful but also meaningful. His work consistently emphasizes the importance of sustainability and the role of design in fostering a harmonious relationship between humans and their environment.

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Cone-shaped stool made from stainless steel gives a flexible, stable seat

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Not all stools are created to be comfortable. In fact, for me, stools are generally not the most comfortable when it comes to furniture you can sit on. But we’re seeing a lot of pretty interesting stool designs which can also sometimes double as art pieces. They are both functional and aesthetic, even if not the most practical.

Designer: Sukchulmok Studios

Take the chul-02 for instance, a stainless steel cone stool that looks very interesting but something you wouldn’t think of sitting on at first glance. The design peg is for the, well, pegs, used in landscape lighting. The idea for the pointed joints is that it can stand stably on hard surfaces but can also be pressed into the ground if needed.

The three conical shapes form the entire stool and they are designed to lean on one another so you get a flexible seat. You can tilt the joints so you can put one on a stable surface while the other pegs can be put into the ground. Supposedly that will make it stable enough although I have my doubts looking at the thin legs. The three round seats actually makes it look like part of a percussion set but apparently it can accept all kinds of behinds to sit on it.

The Korea-based studio is planning to release new furniture pieces that is made from steel, wood, and stone. It’s a pretty interesting start although I don’t know if I would sit on one if I saw it in person. I’d rather look at it or use it as a side table, which may be one of the secondary functions of the chul-02.

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