Tag Archives: recycled

Old Clothes Never Die, They Just Become Flower Pots

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Most of us have a box. Or a bag, or a corner of the closet where clothes go to wait for a fate we haven’t quite settled on yet. Not trash, not donation, just quietly pushed aside. The jeans that stopped fitting but once made you feel unstoppable. The sweater that pilled after three washes but somehow survived four more years. Parting with clothes is harder than it sounds, and the fashion industry has largely treated that emotional gap as a non-problem.

ByBye, a concept designed by Gyeong Wook Kim, Sooa Kim, Gayeon Kim, and Mingyeong Shin, disagrees with that approach in the most literal way possible. It’s a countertop-sized machine that takes your worn and discarded garments and transforms them, through a process of grinding, compression, and heat, into flower pots. Real, usable, actually beautiful flower pots.

Designers: Gyeong Wook Kim, Sooa Kim, Gayeon Kim, Mingyeong Shin

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I want to sit with that idea for a second, because it’s a genuinely clever reframe of the problem. The designers describe ByBye not as a disposal system but as a “system of reform.” That language matters. When we throw clothes away, the garments disappear. When we donate, we hand off the moral weight to someone else. But ByBye asks you to stay present for the transformation and gives you something physical to show for it.

The mechanics are straightforward but impressively considered. You feed garments into the top opening, which uses a sliding rail mechanism to regulate input and automatically closes once the designated weight is reached. Inside, a shredder breaks the fabric down into fine particles. Those particles are then fed into a flower pot mold, compressed by a pressing plate, and hardened through high-temperature treatment. The finished pots rise up from the molding mechanism. The whole process takes about ten minutes per piece, and a companion app tracks fabric weight, the number of pots produced, and total production time.

What comes out of the machine is genuinely surprising. The pots carry a terrazzo-like texture from the mixed fibers, soft and speckled in muted blues, pinks, and greens depending on the fabric input. They look like something you’d find at a design fair, not something born from a pile of worn-out t-shirts. That aesthetic outcome feels important to the whole concept. If the result were dull or utilitarian, the emotional payoff wouldn’t land. Instead, you end up with an object that holds some trace of the original garment, and then holds a plant on top of that.

The project raises questions I keep turning over. Can the machine handle all fabric types, including synthetic blends that behave very differently under heat and compression? What’s the upper limit on pot durability when working with processed textiles? These feel like the natural next steps for a concept this promising, and I genuinely hope the team is pushing toward them.

What ByBye gets absolutely right is the emotional architecture of the experience. The name alone, a gentle play on “bye bye” and “by” as in made by, signals that this isn’t designed to make you feel guilty about your wardrobe. The copy throughout the project, “Hello? Nice to Wear You,” “Let Your Clothes Begin Again,” reads more like an invitation than an environmental lecture. That tone is rare in sustainable design, which has a tendency to lead with shame rather than possibility.

The designers put it plainly in their project statement: “Not a system of disposal, but a system of reform where clothing is seen again, and made anew.” That’s a design philosophy worth paying attention to. Fashion produces staggering amounts of textile waste every year, and while no home appliance is going to fix that alone, concepts like ByBye shift the conversation in a useful direction. They make the ending feel less like a loss and more like a beginning. Parting with clothes is still going to feel like something. But now it might feel like planting something too.

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Peak Pouch Turns 5,180 Tons of Park Waste Into Trash Bag Holders

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South Korea’s national parks removed trash bins to protect ecosystems and pushed a carry-in, carry-out policy. The unintended side effect is that visitors hide trash in rock crevices or behind trees because they lack an easy way to deal with it. Over five years, 5,180 tons of waste were collected from parks, roughly 200 fully loaded 25-ton trucks, underlining the scale of the problem when good intentions meet poor infrastructure.

Peak Pouch is part of a National Park Upcycling Project, a portable waste-bag dispenser and bag holder made from waste wood decks and plastics collected directly from the parks. The designers argue that visitors are not short on environmental awareness; they are short on tools and motivation. Peak Pouch turns the abstract idea of conservation into something you can hold and use on every hike, making the right behavior easier than hiding trash.

Designer: Hyunbin Kim

Peak Pouch is a small, organic cylinder inspired by the curves of Baengnokdam crater in Hallasan National Park. The body is a blend of upcycled wood and plastic, with irregular speckles and a rough but warm texture that the designers leave visible. It feels closer to a small stone or piece of bark than a gadget, helping it sit naturally in a hiking context and build an emotional link to the landscape it came from.

The product is built from just three parts for intuitive use. It uses biodegradable roll bags to keep the system sustainable, and the bottom slot uses a simple twist-lock mechanism for refilling. You twist off the base, drop in a new roll, twist it back on, and you are done. The simplicity reduces friction, so carrying and refilling bags does not feel like a chore.

Peak Pouch is designed for immediate access during hikes. A side slit lets you pull and tear bags one-handed while walking, so you do not have to stop and unpack. A sturdy top strap clips to a backpack or belt loop, keeping the dispenser visible and within reach. The idea is to make grabbing a bag when you need one the path of least resistance.

After you have filled a bag, a dedicated holder on the side lets you tie it off and attach it securely, so you do not have to carry it in your hand on the way down. That matters on steep or uneven trails, where having both hands free makes the descent safer and more comfortable. It turns carrying out waste from an awkward burden into something that feels planned for.

Peak Pouch comes in signature colors derived from the landscapes of major Korean national parks like Halla, Seorak, and Bukhansan, with each park’s name embossed on the body. After the hike, the bag holder’s built-in magnet lets it live on a refrigerator or metal furniture as a memo or photo clip, quietly reminding you of the trail and your role in keeping it clean.

Peak Pouch reframes the park souvenir. Instead of a passive trinket, it is a piece of the park’s own waste turned into a tool that helps you leave less behind. By living on your pack during hikes and on your fridge between them, it nudges you from passive awareness to active practice, one pulled bag and carried-out wrapper at a time, making zero-waste hiking feel like something you choose rather than something you dread.

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Tray210 Proves Recycled Plastic Doesn’t Have to Look Grey and Boring

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Recycled plastic products often fall into two camps: grey utilitarian bins or loud, speckled experiments that feel more like proof of concept than something you want on your desk. Tray210 recycled, a collaboration between Korean studio intenxiv and manufacturer INTOPS under the rmrp brand, takes a different approach, using recycled plastics and waste additives to create a tray that feels like a considered object first and an eco story second, treating material diversity as part of the design language.

Tray210 recycled is a circular tray with three compartments, an evolution of the original Tray210 form. It grew out of INTOPS’ grecipe eco-material platform and hida’s CMF proposals, which is a long way of saying it is the result of a tight loop between material science and industrial design. The goal was to pursue material diversity and break away from the cheap recycled stereotype, making something that belongs in sight rather than hidden under a desk.

Designer: Intenxiv x INTOPS

The form is intuitive, a 210 mm circle with a raised, ribbed bar running across the middle and two shallow wells on either side. The central groove is sized for pens, pencils, or chopsticks, and the ribs keep cylindrical objects from rolling away. The side compartments are open and shallow, perfect for earbuds, clips, rings, or keys. It is the kind of layout you understand at a glance without needing instructions or labels; just place your pen where the grooves are.

The material story is where Tray210 recycled gets interesting. Multiple recycled blends reflect their sources: Clam and Wood use 80 percent recycled PP with shell and wood waste, Charcoal adds 15 percent charcoal to 80 percent recycled PP, and Stone uses 10–50 percent recycled ABS. Transparent and Marble variants use recycled PC or PCABS with ceramic particles or marble-like pigment. Each colorway is visually tied to its waste stream, making the origin legible and intentional.

The aim is to create a design closer to the lifestyle rmrp pursues, breaking away from the impression recycled plastic generally gives. The Clam and Wood versions read as soft, muted pastels with fine speckling, Charcoal feels like a deep, almost architectural grey, and Stone and Transparent lean into translucency and particulate. Instead of hiding the recycled content, the CMF work uses it as texture and character, closer to terrazzo or stoneware than to injection-molded scrap that just happens to be grey.

The combination of clear zoning and tactile surfaces makes Tray210 recycled feel at home on a desk, entryway shelf, or bedside table. The central groove keeps your favorite pen or stylus always in the same place, while the side wells catch whatever tends to float around, from SD cards to jewelry. The different material stories let you pick a version that matches how you want the space to feel: calm, earthy, industrial, or a bit more playful.

A simple tray can carry a lot of design thinking, from intuitive ergonomics to material storytelling and responsible sourcing. Tray210 recycled is not trying to save the world on its own, but it does show how recycled plastic can be turned into something you actually want to touch and keep in sight. For people who care about both what an object does and what it is made from, that is a quiet but meaningful upgrade over another anonymous catch-all that eventually ends up in a drawer.

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These Lamps Made From Trash That Look Better Than Designer Lighting

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There’s something deeply satisfying about watching trash transform into treasure, especially when the result is as stunning as Luminous Re-weave. Created by designers Ling Sha and Yucheng Tang, this lighting system takes the textiles we typically toss without a second thought (think old T-shirts, worn denim, even plastic bags) and reimagines them as soft, glowing sculptures that wouldn’t look out of place in a gallery or a design-forward living room.

At first glance, these lamps appear almost impossibly delicate. Strips of fabric hang like fringes around drum-shaped modules, creating a textured exterior that filters light into something warm and inviting. But look closer and you’ll notice the clever engineering at play. Each module starts with a metal frame fitted with a 3D printed cover, which becomes the base for hand-weaving reclaimed fabrics. The result is a lighting element that feels both handcrafted and high-tech, a sweet spot that’s increasingly rare in contemporary design.

Designers: Ling Sha and Yucheng Tang

What makes Luminous Re-weave particularly interesting is its modular nature. These aren’t your standard one-size-fits-all lamps. Each cylindrical unit can stand alone as a compact light source or stack with others to create sculptural columns of varying heights. You could start with a single module on your desk and gradually build upward into a floor lamp, or arrange several short ones across a shelf for ambient lighting. The system is entirely tool-free, which means reconfiguring your setup is as simple as stacking blocks (only infinitely more stylish).

The real genius lies in the swappable textile skins. We live in a world where we’re constantly encouraged to buy new things. So having a lamp that evolves with you is refreshingly practical. Don’t like the blue denim vibe anymore? Unwrap it and try the earthy brown tones instead. Want to match a new color scheme? Swap out the textiles. This approach not only extends the lifespan of the product but also gives users creative control over their environment. It’s the kind of thoughtful design that acknowledges people change, tastes evolve, and objects should be able to keep up.

Beyond aesthetics, there’s a compelling sustainability angle here. The fashion and textile industries are notorious waste producers, with millions of tons of fabric ending up in landfills annually. By intercepting these materials before they become trash and giving them a second life as functional art, Ling Sha and Yucheng Tang are participating in what’s known as circular design, where materials loop back into use rather than following a linear path to disposal. It’s a small gesture on the individual scale but represents a mindset shift that could influence how we think about materials more broadly.

The marriage of hand-weaving and digital fabrication in Luminous Re-weave also speaks to a larger trend in contemporary design. We’re moving past the false dichotomy of craft versus technology, recognizing instead that these approaches can complement each other beautifully. The 3D printed components provide structure and consistency, while the hand-wrapped textiles introduce variation and human touch. No two modules will look exactly alike because the reclaimed fabrics bring their own histories, wear patterns, and imperfections to the table.

Looking at the images of these lamps glowing in soft beiges, rich reds, deep blues, and faded denims, it’s easy to imagine them fitting into various contexts. They could anchor a minimalist space with their sculptural presence or blend into a maximalist room as one interesting element among many. They speak to both the person who obsesses over sustainable practices and the one who simply appreciates well-executed design.

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Floating solar still made from old tires can purify 15.5 cups of water every day

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Even though 71% of the earth’s surface is covered by water, there is still a water shortage in our planet because only a small percentage of that is safe to drink. It is also pretty expensive to purify water so not everyone can afford to drink safe water, not to mention all the pollution that makes it even more dangerous. There are several research projects out there to come up with eco-friendly ways to do this but this one from Dalhousie University in Canada is probably the cheapest.

Designer: Matthew J. Margeson, Mark Atwood, Jaser L. de Larrea, Joseph Weatherby, Heather
Daurie, Katlyn Near, Graham A. Gagnon, Mita Dasog (Dalhousie University)

Image courtesy of viktelminova

This floating solar still from researchers at the Canadian university is able to produce 15.5 cups of fresh water per day, which is 1.5 times the amount that a person needs to consume every day. It is able to do this by soaking up water from below it and then use the heat from solar radiation to evaporate the purified water. It condenses on a dome on top of the still and then the water is collected.

While there are other projects similar to this, what makes it different is that it’s made from old tires that are processed through pyrolysis. The carbon-rich char that is produced from here is mixed into plasmonic titanium carbides. This means that you just have to spend 0.86 cents per liter to purify the water, which is pretty cheap compared to other devices that use precious metals and are therefore more expensive.

The solar still can even generate a small amount of electricity because of the thermoelectric effect. This can be enough energy for water quality sensors although it may be useless for other things since it’s just a small amount. If this becomes successful then lower income communities can benefit from this and get the clean water that they need for every day living.

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Best Glass Cup Made with Recycled Glass for a Delightful Drink Every Time

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Drinking, whether it’s water, coffee, or soda, is such an essential part of human life that we usually do it on autopilot. That’s why we also take for granted the vessel we’re drinking from, not realizing how much it can affect not only the taste but also the entire experience. Materials can subtly change the flavor of the drink or even create toxins, while uninspiring designs can affect our moods without us even realizing why we feel so sour or down. More importantly, we rarely take into account how our cups and glasses can affect the health of the planet in the long run. That’s definitely a lot to take in for a single cup, but this simple yet striking glassware makes it all so simple, providing a design that’s not only beautiful on the outside but also on the inside, especially for the world we live in.

Designer: HMM (Human Made Method) Design

Click Here to Buy Now: $35

The Problem: Bland, Harmful Drinkware

Glasses, mugs, and cups are so ubiquitous that we barely give them a second look whenever we drink. But like the mess that starts to pile up on our desks or in our rooms, they actually have an effect on our minds and our moods. Drinking from a plain, uninspiring, and rough cup is a completely different experience from using a smooth, beautiful, and luxurious vessel. The latter makes every sip feel special as if enjoying fine wine even when you’re simply drinking water. It uplifts the spirit as much as it nourishes the body.

And there’s the fact that not all drinkware is made equal, even those made from metal and glass. They can have harmful chemicals mixed in that interact with the liquid inside, changing their flavors and sometimes even causing harm to our health. They also slowly kill the planet, especially the numerous plastic drinkware that fill the market and our cupboards. Wouldn’t it be nice to feel great not only because you’re drinking from a beautiful glass cup but also because you know you’re doing your small part to protect the planet? That’s the blissful drinking experience that this exquisite glass cup is offering, made from recycled glass that, in turn, is also completely recyclable.

Why is this the Best Glass Cup

This sustainable glass cup has a beauty that goes beyond just appearances. It uses glass that’s collected and recycled by Taiwan’s largest glass recycling center and the product is a material that’s also 100% recyclable glass. This means that at the end of its life, this beautiful glass cup can be properly disposed of or even recycled for some other use, creating a circular economy that keeps on giving without harming the planet in the process.

Admittedly, that invisible detail might be lost on some people, especially when they’re distracted by the cup’s beauty. Rather than just a straightforward cylindrical body, the glass’s faceted shape has 12 angles that stand for the 12 hours on a clock’s face, symbolizing the cycle of the day and of life. And instead of being clear and transparent, glass-dyeing techniques add a visual flavor to the cup whenever light passes through it and the beverage inside. Each glass is handmade by seasoned craftsmen, which sometimes results in tiny bubbles or traces on the surface of the glass. Rather than being imperfections, these give each cup a unique character and story, adding to the vessel’s charm.

Who this Glass Cup is For

With such a stylish and elegant glass, anyone can experience a more meaningful drink, regardless of their preferred beverage. With a heat-proof handle, holding a cup of your favorite coffee blend is no problem. And with its smooth circular inner surface, cleaning after a drink of wine is no sweat at all. A delight to the eyes and a treat for your lips, this Sustainable Glass Cup turns every sip into a deeper, multi-sensory experience, allowing you to savor not only the unadulterated flavors of your favored beverages but also the gratifying thoughts of supporting a circular economy that will create a brighter and greener tomorrow.

Click Here to Buy Now: $35

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DIY foldable desk organizer is made from recycled Campus notebook paper

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As a self-confessed hoarder and maximalist, my desk is anything but neat. I collect a lot of stationery and supplies (sometimes more than I need) and so I have a lot of things lying around. There are of course some desk organizers there but the small items can sometimes be just left scattered all over. This new DIY stationery items can help with that problem.

Designers: Erlend Storsul Opdahl/Milla Eveliina Niskakoski for Kokuyo

RAE is a desktop organizer that is made from recycled paper from scraps of Campus notebooks from Kokuyo’s manufacturing factories. Since the strength and abrasion resistance is affected if you fully use the recycled fibers as virgin materials, they decided to make that just 50% of the recycled paper.

What makes this even more interesting is that the user will be the one to “assemble” the organizer by folding the paper, origami-style. There are two sizes of the paper: the S size (W155 x D70 x H30mm) which is a smaller, squarish kind of organizer and the L size (W250 x D70 x H30mm), a more elongated version. You can place various stationery stuff on it, including pens, paper clips, washi tapes, and other small items you may have lying around.

The package, which contains two pieces, comes with an assembly practice sheet but there’s also a video on YouTube if you need more visual instructions. It comes in beige and khaki colors, keeping with the minimalist feel. It would be cute to have some of these paper organizers on my table, if I can actually follow the instructions.

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Building tiles made from oyster shells, fish bones can be used for coastal structures

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The world has a lot of waste that is discarded in landfills or worse, in natural environments that cause damage to the ecosystem. Fortunately, there are a lot of people who are exploring how to turn these seemingly useless trash into materials for products so that they can be recycled. One of the recent winners of the Red Dot Award turned her focus on oyster shells and fish bones.

Designer: Yingfei Zhuo

EcoShell is a sustainable building material that is made from abundant marine waste and is also visually pleasing. The durable exterior tiles are made from powdered oyster shells with binders extracted from fish bones serving as the adhesives, which makes it biodegradable too. The blend of these two materials make sure that the tiles are durable and can last for a long time.

Since oyster shells are salt corrosion resistant, this material can be used in coastal areas since they can last longer compared to other building materials. The tiles look like concrete but are actually lighter than that. It also has a user-friendly hanging system so that you can easily install it without using things like nails. The texture and color can also be customized to match the structure where it will be used.

This is an interesting way to use these usually discarded materials by the seafood industry. Millions of tons of the shells in particular are thrown away which actually pose risks to the environment especially if they are untreated in landfills or oceans. The fact that you can use them in buildings near oceans makes it part of the sustainable cycle.

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Nike’s Sustainable Dumbbells Turn Footwear Waste into Fitness Gear

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In an age where sustainability meets everything, why not fitness? Nike has taken a bold step with the introduction of their Nike Grind Dumbbells, a product that marries functionality with an eco-conscious mindset. These dumbbells are not just a tool for training but a statement in Nike’s ongoing commitment to reduce waste and create a better future for both athletes and the planet.

Designer: Nike

At the heart of this innovation is Nike Grind Rubber, a material made from the waste generated during the footwear manufacturing process. Each Nike Grind Dumbbell contains at least 20% of this recycled rubber by volume, making it a sustainable choice for those looking to reduce their carbon footprint while maintaining a rigorous fitness routine. The incorporation of Nike Grind Rubber gives these dumbbells a unique texture—durable and rubbery, built to withstand the toughest of workouts while maintaining comfort and grip. It’s sort of like the KitKat business model. Just like how damaged KitKats get reused as the wafer inner filling for KitKats, the waste from Nike’s footwear business gets used as raw material for its dumbbells.

Nike has paid special attention to the design of the dumbbells, ensuring they are not only functional but also comfortable to use. The handles are ergonomically shaped, with their diameter increasing as the weight goes up, providing a secure and tailored grip no matter the load. For lighter weights, starting at 2.5 lbs and going up to 25 lbs in 2.5-lb increments, the thinner handles offer precision and control. As the weights increase to 50 lbs in 5-lb increments, the handles thicken to match the increased demand for strength and stability, ensuring a comfortable grip for every user.

The medium-knurled handle provides just the right balance of friction and control, making these dumbbells ideal for a wide variety of exercises. Whether you’re pushing through an intense HIIT workout or performing slow, controlled movements, the grip offers confidence and security, allowing you to focus fully on your training.

One of the standout features of the Nike Grind Dumbbells is their versatility. Dumbbells are arguably one of the most essential pieces of equipment in any gym, and Nike’s offering is no exception. These weights support countless workout movements, from compound lifts like squats and lunges to isolation exercises like bicep curls and tricep extensions. The hexagonal rubber construction prevents rolling, making them stable and safe to use on various surfaces, while also protecting floors from damage.

In true Nike fashion, the Nike Grind Dumbbells come with a design flair that sets them apart from other gym equipment. Due to the nature of the recycled material, each set features a unique color blend depending on the footwear colorways Nike produces during any given season. While the base color remains a stylish grey, the Nike Grind particles within the dumbbell vary, making each pair truly one-of-a-kind. This limited-edition aspect of the dumbbells adds a sense of exclusivity for those looking to own a unique piece of Nike’s sustainable innovation.

The Nike Grind Dumbbells are sold in pairs, with pricing ranging from $30 for the 2.5-lb set to $210 for the 50-lb set. Given the combination of quality, durability, and sustainable design, these dumbbells offer excellent value for those serious about their fitness and environmental impact.

Nike’s iconic “Just Do It” slogan has always been about pushing boundaries, whether in sports or in life. With the Nike Grind Dumbbells, that ethos extends to sustainability, offering a product that not only supports your physical training but also contributes to reducing waste. This dumbbell is a perfect fit for athletes who want to make a difference both in their workouts and in the world.

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Nike Grind Dumbbells use recycled rubber from footwear byproduct

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Of the many pieces of clothing we buy and use, shoes are probably the ones designed to last the longest. Because of that, footwear is usually made using materials that are durable and long-lasting but are also unfortunately often not environment-friendly. Rubber, particularly synthetic rubber, is one of the biggest culprits, not just in terms of post-consumer waste but even material waste during the manufacturing process. As one of the biggest footwear makers, Nike is thankfully taking a responsible stance, giving those rubber byproducts and excess materials a new purpose.

Designer: Nike

Although natural rubber is sourced from plants, it’s not that easy to replenish to meet the high demand for the material. Just like plastic, synthetic rubber is easy to manufacture but also harmful the environment due to their chemical content. Rubber from discarded shoes is one thing, but even the bits and pieces of cutoffs and scraps produced when making them also pose a threat to the environment.

Considering its lion’s share of the sports shoes market, Nike developed the Grind material that recycles manufacturing byproducts like rubber, foam, and even textiles to create a material that can be applied to products other than shoes. In this case, the Nike Grind Dumbbells are made with at least 20% Nike Grind material to offer an alternative fitness tool for environment-conscious consumers.

In addition to its sustainable value, the recycled material also gives the dumbbells a unique aesthetic. The hexagonal weights themselves have a light gray hue sprinkled with colorful specs that create a terrazzo-like appearance. Each dumbbell is, thus, totally unique, and the mixture of colors will vary from season to season, depending on the styles of footwear that Nike launches.

The gray motif of the weights perfectly complements the chrome-plated knurled handles. The handle diameter varies depending on the weight, increasing as the load gets heavier to provide a more ergonomic grip. Available in weights ranging from 2.5 lbs to 50 lbs, the Nike Grind Dumbbell offers people a fitness tool that not only takes care of their health but also the environment.

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