What happens when a hyped-up AI integration turns out to be more smoke than substance? Nick Saraev walks through how Clawdbot, a Telegram-based automation platform powered by the Claude Opus 4.5 model, has fallen short of its grand promises. Despite being marketed as a innovative productivity enhancer, Clawdbot has sparked frustration among users for its […]
The post Hype Can’t Hide Clawdbot’s Bugs, Costs, or Thin Real-World Uses appeared first on Geeky Gadgets.
Apple has officially launched the AirTag 2, the successor to its widely popular item-tracking device. While the external design remains consistent with the original, the new model introduces several internal upgrades aimed at improving functionality and user satisfaction. If you’re considering whether the AirTag 2 is worth your investment, here’s an in-depth exploration video from […]
The post The AirTag 2 is Here – See What’s New and Improved! appeared first on Geeky Gadgets.
Apple has officially rolled out iOS 26.2.1, a minor yet significant update designed to integrate support for the new AirTag 2 and address specific bug fixes. While this release does not introduce major new features, it plays a crucial role in enhancing the overall user experience and making sure compatibility with upcoming updates like iOS […]
The post iOS 26.2.1: The Update You Didn’t Know You Needed appeared first on Geeky Gadgets.
Desks have a way of accumulating chaos. Chargers multiply, cables tangle, and what starts as a clean workspace turns into a collection of mismatched gadgets competing for outlets and attention. MODULO, a new Kickstarter project from Italian design duo Modulo Design Lab, approaches the problem with a different philosophy: one wooden base, magnetic modules, and a single power cable to rule them all.
Built around a CNC-milled wooden platform handcrafted in Italy, MODULO lets you snap together charging modules, Bluetooth speakers, e-paper displays, task lights, and organizers into one unified system. Each of the 8 different modules connects magnetically, drawing power and data through gold-plated connectors rated for 50,000+ cycles. The Modulo app ties everything together, so your phone charger, desk lamp, and notification display all respond to a single interface instead of separate apps and pairing routines.
Designer: Mauro Veccari
Click Here to Buy Now: $144 $180 (20% off). Hurry, only a few left!
I’ve seen plenty of desk organizers that promise to solve cable clutter, and most of them amount to glorified boxes with some velcro straps. MODULO actually rethinks the problem at the power distribution level, which is where the mess starts in the first place. The wooden base acts like a backplane in a computer case, routing electricity and communication to whatever you plug into it. Modules are active devices that wake up the moment they make contact with the base, whether that base lives on your desk, your nightstand, or your kitchen counter. That means swapping a wireless charger for a Bluetooth speaker takes about three seconds, and the app instantly recognizes what you have changed. There is something satisfying about that kind of hot-swap simplicity, especially if your setup needs to shift between work, sleep, and cooking duty without a nest of cables following you around.
The magnetic connection system uses pogo-pin style contacts, similar to what you would find on a smartwatch charging dock but built for higher current and data transfer. Gold plating keeps corrosion at bay, and the 50,000-cycle rating suggests they are serious about longevity. For context, that is roughly 13 years of swapping modules once a day, which is more than most people will ever need but solid insurance against the usual wear that kills magnetic connectors prematurely. The magnets themselves are strong enough to hold modules securely but not so aggressive that you feel like you are prying Lego bricks apart, which matters when you are reconfiguring things on the fly. You can move a base from your desk to your bedside table, drop the speaker and e-paper module on it, and in under a minute you have a smart alarm stack that looks intentional instead of hacked together.
Module selection covers the usual suspects but with some thoughtful touches. The USB-C charger sits vertically and doubles as a cable anchor, so your phone cable does not slither off the surface when you unplug, whether that surface is a desk or a nightstand. The wireless charging pad works with iPhones, recent Samsung flagships, and AirPods, handling up to 15 W for fast charging where supported, which makes sense for bedside charging or a quick top-up in the kitchen while you prep dinner. The Bluetooth speaker module packs enough power for background music or podcasts while you cook or get ready in the morning, so you are not yelling at your phone from across the room. Then there is the e-paper display, which becomes a bedside clock and alarm status screen at night, or a kitchen timer and recipe step indicator when you drag the base over to the counter.
The Light Tower module gives you an adjustable lamp with touch control for brightness and app control for scenes, and that versatility matters in different rooms. On a desk it behaves like a focused task light. Next to the bed you can set it to warm color temperatures and low brightness for late-night reading without frying your circadian rhythm. In the kitchen it can act as an accent light while the e-paper screen counts down the last three minutes on your eggs and the speaker reads out a podcast. Modulo also includes purely physical modules like pen holders and “Pocket Emptier” trays, which make as much sense by the front door for keys and wallets as they do on a workspace. Everything mounts on the same grid, so your catch-all area, your alarm station, and your cooking corner share the same visual language instead of looking like three unrelated tech piles.
Modules auto-pair when they connect to the base, so there is no manual Bluetooth dance or Wi-Fi provisioning every time you move the system. The app gives you a dashboard where you can adjust speaker volume, tweak lighting, choose what the e-paper display shows, and set up automations that match the room. In the bedroom you can schedule a wake-up routine that fades in the Light Tower, starts your favorite playlist at a low volume, and shows the weather and first calendar event on the e-paper screen. In the kitchen you can switch profiles so the same base now runs a cooking layout, with a large countdown timer on the display, a chime on the speaker when the timer hits zero, and maybe a quick glance at notifications while your hands are covered in flour. The point is that the hardware stays the same, while the personality shifts with the context.
Material quality separates MODULO from the usual injection-molded plastic organizers. Each base is milled from solid wood using CNC machines, then hand-finished in Italy. The default option is a light tone, but the first stretch goal at 10,000 euros brings in additional finishes for people who want something darker or richer on a nightstand or console table. The wood is structural, not a thin veneer, which gives the whole thing a furniture-grade heft that feels at home in a bedroom or living room, not only in a home office. Modules use matte-finish polymers for the housings, keeping weight down while maintaining a cohesive look. The contrast between warm wood and minimalist black modules works just as well next to a linen headboard or a marble countertop as it does next to a 34 inch ultrawide.
MODULO is live on Kickstarter now through February 5, 2026, with delivery targeted for July 2026. The Geek Kit starts at $148 during the launch special and includes a colored plastic base plus a light tower and pen holder, which is the budget entry point. The Wood Premium Kit sits at $416 for the launch tier and gets you a handcrafted 3×2 wood base, light tower, Bluetooth speaker, wireless charger, and smart notifier module. There’s also a doubled-up kit at $831 with two bases and a fuller module lineup for people running multi-desk setups or wanting spares. The Custom Edition kit lets you build your own configuration starting at $141 for the base, then adding whichever modules you actually need. Stretch goals include a battery pack add-on for portable use, colored pop modules for a less serious look, and an AI module running a local LLM to keep your thoughts organized, just like your desk!
Click Here to Buy Now: $144 $180 (20% off). Hurry, only a few left!
The post The Ultimate 8‑in‑1 Desk Organizer Puts Wireless Charging, Speakers, and Lighting on One Magnetic Wood Base first appeared on Yanko Design.
Virtually every newly launched car these days is an electric vehicle, but Genesis is not shying away from the capabilities of a V8 engine fitted inside a vehicle that rides any terrain like a boss. Taking the challenge to Ford, which is building an off-road supercar under wraps, the X Skorpio produces 1,100 horsepower and 850 lb-ft of torque for rugged terrain supremacy. A bold direction for Genesis to take on the likes of 911 Dakar and Huracan Sterrato, perhaps. The luxury vehicle division of Hyundai Motor has experimented in the past with creations like the X-Trail Mountain Rescue and GMR-001 hypercar, but this one is a bold leap forward.
The launch of the howling off-road concept fittingly took place on the dunes of the Rub’ al Khali desert, also known as the Empty Quarter. Home to the famous Dakar rally, the region is known for its extreme landscape spanning thousands of square miles. S suggested by the naming convention, the V8 beast is inspired by the anatomy of a scorpion. The underpinning highlight of the performance car is its lightweight construction from a combination of carbon fiber, fiberglass, and Kevlar.
Designer: Genesis
The visual similarities of the venomous animal include flared wheel arches that resemble pincer claws, armor panels that emulate the rugged exoskeleton, and a roof-mounted intake that seems a bit like a coiled-up tail. The segmented armor panels serve to expose the internal mechanics for quick repairs and maintenance in challenging conditions where time is of the essence. The purpose-built tubular frame has a full roll cage with four-point harnesses. X Skorpio gets a long travel suspension, securing the 18-inch beadlock rims with the 40-inch off-road tires. The result is a sizeable ground clearance and good approach and departure angles.
Normally, on a vehicle like this one, focusing on power and ruggedness, the interiors take the hit. Not with the X Skorpio, though, which is draped in luxury and modern features. The bucket seats and the dashboard are done in leather and micro-suede for a premium feel. There’s a climate control system and a sliding infotainment screen that slides to the center or front for easy access.
There’s no timeline yet about the production horizons of this concept, but we assume it is going to manifest in some form or another in the near future. With the World Endurance Championship season this year and the Dakar Rally on the horizon, the X Skorpio is going to ride the dunes in the near future.
The post V8 powered Genisis x Skorpio off roader is not just a pretty face first appeared on Yanko Design.
Tesla will “basically stop the production” of its Model S and X electric vehicles next quarter, CEO Elon Musk has announced at the automaker’s earnings call for the 2025 fiscal year. “It’s time to bring the Model S and X program to a end with an honorable discharge, because we’re really moving into a future that’s based on autonomy,” Musk said. You can still buy the vehicles as long as there are units to be sold, and Tesla promises to support them for as long as people have them. Once they’re gone, though, they’re gone for good, because Tesla is converting their production space in the company’s Fremont factory into a space for the manufacturing of Optimus humanoid robots.
Model S is Tesla’s second vehicle and has been in production since 2012, while the Model X SUV has been in production since 2015. Their shine has faded over the years, however, and the newer Model 3 and Y now make up the bulk of the company’s sales. For the entirety of 2025, for instance, Tesla delivered 1,585,279 Model 3 and Y vehicles but only sold 418,227 Model S and X units. The company also had to stop selling Model S and X in China in mid-2025, because they were being imported from the US and were subject to China’s tariffs that were put in place in response to US President Donald Trump’s tariffs on imported goods.
In the call, Musk said that Tesla’s long-term goal is to be able to manufacture 1 million Optimus robots in the current Model S and X production space. At the World Economic Forum in Davos, Switzerland a few days ago, the CEO announced that Tesla will start selling Optimus to the public by the end of next year. Musk has big plans for Optimus and once said that it’s bound to become the “biggest product of all time,” bigger than cellphones, “bigger than anything.” But the humanoid robot has been failing to live up to the hype during demonstrations, and Musk is known for his overly optimistic timelines.
The company’s earnings report has also revealed that Tesla invested $2 billion in Musk’s other company, xAI. Tesla’s shareholders notably sued Musk in 2024 for starting xAI, which they argued is a direct competition to the automaker. The CEO has been claiming for years, after all, that Tesla is an AI company and not just an EV-maker. Still, Tesla’s shareholders approved Musk’s $1 trillion pay package in late 2025 on the condition that the company reaches a market value of $8.5 trillion.
This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/tesla-is-killing-off-its-model-s-and-x-cars-to-make-robots-010621101.html?src=rss
There’s something beautiful about watching cutting-edge technology come to the rescue of ancient artifacts. At the Archaeological Complex of Carmona in Spain, architects Juan Carlos Gómez de Cózar and Manuel Ordóñez Martín have created a stunning example of this intersection by designing a 3D-printed canopy that protects Roman tombs while barely making its presence known.
The project tackles a challenge that archaeologists face worldwide: how do you preserve delicate historical sites without turning them into enclosed museum pieces? These Roman tombs have survived centuries, but exposure to the elements continues to threaten their integrity. The solution needed to be protective yet unobtrusive, functional yet respectful of the site’s historical significance.
Designers: Juan Carlos Gómez de Cózar and Manuel Ordóñez Martín (photography by Jesús Granada)
What makes this canopy special isn’t just that it uses 3D printing technology, though that’s certainly impressive. It’s the way the designers thought about the entire system. Rather than simply throwing a roof over the tombs and calling it a day, they created what’s essentially a climate-control system disguised as architecture.
The canopy features a double-layer envelope that does way more than keep rain off ancient stone. Built into this roof are ventilation and air extraction components that actively regulate temperature and humidity. Think of it like a thermostat for history, maintaining the stable conditions these tombs need to survive another few centuries. The system works passively, meaning it doesn’t require constant energy input to function, which is both environmentally smart and practical for a site that needs long-term, low-maintenance protection.
From a design perspective, the structure manages to be both present and invisible. The architects minimized the number of supports needed, creating an open, continuous space above the tombs rather than a forest of columns that would obstruct views and interrupt the spatial experience of the site. When you’re standing there, you get shelter and the tombs get protection, but the visual focus remains on the archaeology, not the modern intervention.
The use of 3D printing technology opens up possibilities that traditional construction methods can’t match. The canopy’s components could be fabricated with complex geometries optimized for both structural efficiency and environmental performance. This level of customization would be prohibitively expensive or simply impossible using conventional building techniques. Plus, the printing process allows for precision and repeatability, ensuring each element fits together exactly as designed.
Another thoughtful touch is that the entire system is reversible. This might not sound exciting, but it’s actually a big deal in heritage conservation. The principle of reversibility means that if better technology comes along, or if the site’s needs change, this intervention can be removed without damaging the original tombs. It’s a humble approach to design, acknowledging that today’s cutting-edge solution might be tomorrow’s outdated method.
This project sits at a fascinating crossroads of disciplines. It required archaeological expertise to understand the site’s needs, architectural skill to design an elegant solution, engineering knowledge to make it structurally sound, and technological savvy to leverage 3D printing capabilities. The fact that two PhD architects pulled this together speaks to the increasingly interdisciplinary nature of modern design work.
For anyone interested in how technology shapes our relationship with the past, this canopy offers a compelling case study. It proves that preservation doesn’t have to mean freezing things in time or hiding them away. Instead, smart design can create conditions where ancient sites remain accessible and experiential while getting the protection they need.
As 3D printing technology becomes more accessible and sophisticated, we’ll likely see more projects like this one. The ability to create custom, site-specific solutions for complex problems is exactly what heritage sites need. These tombs in Carmona are getting a second chance at longevity, wrapped in a protective embrace that honors both their ancient origins and our modern capabilities.
The post This 3D-Printed Roof Is Saving 2,000-Year-Old Roman Tombs first appeared on Yanko Design.
Apple picked up an intriguing new member for its design team today in Sebastiaan de With, co-founder of the iPhone camera app Halide. He announced the move today on Threads, adding, "So excited to work with the very best team in the world on my favorite products."
The Halide app has caught our eye at Engadget at several points over the years. de With also is co-founder of Lux, which is Halide's parent company. The other Lux apps also have an emphasis on photography and videography, particularly on Apple devices. Prior to Halide, de With had done other work at Apple, collaborating on properties including iCloud, MobileMe and Find My apps. It's unclear if his exit will mean any notable changes for Halide, or for the Lux apps Kino, Spectre and Orion.
For a long time, Apple's design philosophy was personified by Jony Ive, who left the company in 2022. Since his departure, no single person has emerged as the face and voice of Apple's attitude toward design, which could be why recent moves such as Liquid Glass have been met with deeply divided reactions.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/halide-co-founder-joins-apples-design-team-235023416.html?src=rss
In contemporary interiors shaped by speed, productivity, and constant stimulation, seating has largely become passive. It is designed to hold the body while the mind drifts elsewhere. OSOLO challenges this condition. It is not a chair in the conventional sense, but a mindful seating platform, a ritual object that reconsiders how we sit, gather, and occupy space.
OSOLO emerges at the meeting point of two ancient cultures: Japanese stillness and Turkish hospitality. Though geographically distant, these traditions share a deep respect for simplicity, spatial awareness, and human connection. OSOLO translates these values into a contemporary design language, offering an alternative to chair-based living rooted in awareness rather than acceleration.
Designer: Gökçe Nafak
At the heart of OSOLO is the Japanese understanding of space. In Japanese spatial philosophy, emptiness is not absence. It is present. It allows rooms to breathe, objects to soften, and the mind to quiet. OSOLO reflects this belief through its low-profile form and restrained geometry. It does not dominate the room or impose visual hierarchy. Instead, it steps back, allowing architecture, light, and human presence to come forward.
This deliberate restraint transforms OSOLO into an object that reveals space rather than fills it. Its presence heightens spatial awareness, encouraging users to slow down and engage more consciously with their environment.
Inspired by the Turkish sedir tradition, OSOLO is inherently communal. Unlike single occupancy seating, it invites people to sit side by side, fostering shared presence rather than isolated comfort. In Turkish culture, seating is a social ritual. Stories are exchanged, time is stretched, and hospitality unfolds without urgency. OSOLO carries this spirit forward, existing not as an isolated object but as a platform for connection.
Hidden storage beneath the seating surface reinterprets the traditional cultural chest, integrating functionality without visual disruption. This discreet feature preserves the purity of the form while acknowledging everyday needs, allowing utility to exist quietly within stillness.
OSOLO is designed specifically for cross-legged, floor-adjoining sitting, offering an alternative to chair postures that often promote spinal compression and passive leaning. The platform supports the body’s natural intelligence by encouraging an aligned spine, open hips, and active posture.
By enabling balanced pelvic alignment, OSOLO reduces lumbar collapse and allows the torso to carry its own weight. The opening of the hip joints enhances mobility and helps release tension in the lower back, benefits often lost in conventional seating.
The platform’s elevation of approximately 20 to 25 centimeters from the floor is carefully calibrated to minimize pressure on the knee joints while maintaining the circulatory advantages associated with floor-level sitting. This height also isolates the body from direct contact with hard flooring, striking a balance between grounding and comfort.
Comfort is achieved through a dual-density foam system engineered for short to mid-duration activities such as meditation, reading, or creative practice. A high-density base layer ensures structural stability and pelvic support, while a softer upper layer distributes weight evenly to reduce localized pressure points. The result is a surface that remains supportive without collapsing, encouraging posture awareness rather than passive relaxation.
Upholstery surfaces are finished in breathable, high-friction textiles that prevent slippage during dynamic sitting positions. Removable covers allow for easy maintenance and long-term use, with materials selected to meet contract-grade durability standards suitable for both residential and semi-public environments.
The optional back support follows a soft contact principle. Rather than functioning as a rigid backrest, it provides gentle lumbar feedback during reading or meditation, supporting posture without encouraging full recline or slouching.
Available in four carefully curated colorways, OSOLO integrates seamlessly into a range of interior contexts while maintaining its minimalist identity. It is not designed to command attention, but to hold space. OSOLO invites a different relationship with furniture, one rooted in presence rather than performance.
The post This Mindful Seating Platform Turns Sitting Into a Ritual of Stillness and Connection first appeared on Yanko Design.
Mark Zuckerberg says there's an end in sight to Reality Labs' years of multibillion-dollar losses following the company's layoffs to the metaverse division earlier this year. The CEO said he expects to "gradually reduce" how much money the company is losing as it doubles down on AI glasses and shifts away from virtual reality.
Speaking during Meta's fourth-quarter earnings call, Zuckerberg was clear that the changes won't happen soon, but sounded optimistic about the division that lost more than $19 billion in 2025 alone. "For Reality Labs, we are directing most of our investment towards glasses and wearables going forward, while focusing on making Horizon a massive success on mobile and making VR a profitable ecosystem over the coming years," he said. "I expect Reality Labs losses this year to be similar to last year, and this will likely be the peak, as we start to gradually reduce our losses going forward."
The company cut more than 1,000 employees from Reality Labs earlier this month, shut down three VR studios and announced plans to retire its app for VR meetings. Meta has also paused plans for third-party Horizon OS headsets. Instead, Meta is doubling down on its smart glasses and and wearables business, which tie in more neatly to Zuckerberg's vision for creating AI "superintelligence."
During the call, Zuckerberg noted that sales of Meta's smart glasses "more than tripled" in 2025, and hinted at bigger plans for AR glasses. "They [AI glasses] are going to be able to see what you see, hear what you hear, talk to you and help you as you go about your day and even show you information or generate custom UI right there in your vision," he said.
Zuckerberg has spent the last few years laying the groundwork for pivoting Meta's metaverse work into AI. He offered one example if what the means for Meta’s Horizon app.
"You can imagine … people being able to easily, through a prompt, create a world or create a game, and be able to share that with people who they care about. And you see it in your feed, and you can jump right into it, and you can engage in it. And there are 3D versions of that, and there are 2D versions of that. And Horizon, I think fits very well with the kind of immersive 3D version of that.
“But there's definitely a version of the future where, you know, any video that you see, you can, like, tap on and jump into it and, like, engage and kind of like, experience it in a more meaningful way. And I think that the investments that we've done in both a lot of the virtual reality software and Horizon … are actually going to pair well with these AI advances to be able to bring some of those experiences to hundreds of millions and billions of people through mobile."
One thing Zuckerberg didn’t mention, though: the word “metaverse.”