What if iPod Touch survived till today? Perhaps, it would have had evolved into a niche entertainment device–it was a niche product when it existed. Anyway, the music player is in the grave without a chance for resurrection, but that’s a little impediment for creators. No wonder, two designers believe the iPod Touch can be redesigned in the iPhone 16 design language, and this is what it would be. Read on!
Easily saying, if the iPod Touch continued to date, it would have been an iPhone-styled entertainment device with a focus on high-quality entertainment. It would have played games, streamed media in all forms, and would have been thriving on the integrated Apple ecosystem syncing seamlessly across smart home devices, Apple Watch and yeah, the AirPods.
This is far from how JUAN and wong have envisioned the iPod Touch (7th generation), which has been off the shelves and discontinued for the better part of three years now. The idea of their iPod Touch is pretty much the same device with slight hints of the latest iPhones, the iPhone 16 lineup. So, the overall dimensions of the 7th generation iPhone Touch remain unchanged.
The reworked iPod Touch retains the 4-unch Redina display on the front. But in the back, the iPhone look is pretty evident with the single Apple logo in the center. No iPod branding or any additional text information toward the bottom. The designers note that “the pop-out loop hanger button” has been revived to make that evident distinction of the iPod Touch from iPhones and iPads.
Taking a slight dig at Apple’s complacency or rigidness, if you may, to shift to the universal USB-C type charging slot, the designers have stuck with a Lightning connector for charging. Assuming if it were made, the iPod Touch would feature a Lightning connector because Apple “probably has plenty of stock still available.”
Despite AirPods being the most obvious choice to be used with the iPod Touch, JUAN and wong have not parted with the good old 3.5 headphone jack. Continuing on the back, the plastic antenna cap is visible. iPhones and iPod now have it in their frame, but the iPod is happy with it in the back. This would, the designers suggest, add to the iPod Touch’s identity and also be cost-effective to pull off!
Four years ago, a father-son duo won the Grand Prize in the global LEGO competition Music To Our Ears! for their LEGO rendition of the Daft Punk Pyramid Stage from Coachella 2006. Although the MOC (My Own Creation) won the award, it wasn’t selected by LEGO’s internal team to be turned into a box set. However, the duo responsible for the design are hoping to Get Lucky by submitting this entry One More Time, and they’re banking on support from Around The World to help turn this one-off piece into a set that LEGO and music enthusiasts can buy and play with!
Designer: Robotrock
Not many people knew that Daft Punk’s 2006 Coachella set would be the last time they headlined the event. When the duo took the iconic pyramid-shaped stage back in 2006, they set what’s still considered a gold standard in Coachella performances – something that even nearly 2 decades later is difficult to match. However, being the elusive robots they are, Daft Punk never really decided to pull off such a feat again, and they disbanded in 2021, after 28 years together. The Coachella Pyramid is an iconic part of music history, and Robotrock – the moniker behind the LEGO set – did full justice to it with their 2,000-brick recreation of this moment.
The set features the two artists on a colorful pyramid-shaped stage, with lights inside the pyramid glowing as the duo performed music. The two artists are perched on their platform, dressed in their robot-shaped garb, while working on the mysterious electronic console that helps them produce, remix, and perform their music.
“This project began in 2020 as a fun father-son collaboration, growing into something epic as we found ourselves needing a creative escape during lockdown,” says Robotrock. “Both huge Daft Punk fans, this build is a fusion of 2 passions. I spent my teenage years listening to Homework on my Walkman, while my son’s 1st favorite baby song was Get Lucky. It felt only natural to blend our love for Daft Punk’s music with our love for LEGO. My then 8-year-old son started with a prototype built from the bricks we had at home, and I expanded on it digitally.”
The centerpiece of the design—a rotating box of transparent bricks inside a pyramid—is powered by a motor, with a set of lights dangling inside to recreate that iconic Daft Punk Alive 2007 pyramid. This 2000-piece set was a real challenge. Lego bricks aren’t typically used to create triangular shapes, so we had to get creative in finding ways to make all those angles fit together.
LEGO builders are very meticulous, and abide by a strict code of conduct to ensure bricks aren’t used in ‘illegal’ ways to create MOCs or My Own Creations. Here, Robotrock points out that LEGO doesn’t have an official Daft Punk retail set, which means the helmets being shown in the MOC can’t be bought off the shelf. Although this would mean they’re an ‘illegal’ creation, Robotrock points out that there’s a technical legality in their design since Pharrell’s upcoming LEGO biopic, Piece By Piece, features LEGO minifigures of Daft Punk too!
The LEGO Ideas Daft Punk Coachella Pyramid is currently a submission on the LEGO Ideas forum, where fans and enthusiasts can vote for their favorite fan-made LEGO creations. With enough votes, the LEGO Ideas team reviews the design and decides whether to turn it into a retail box set or not. As a massive Daft Punk fan myself, I sincerely hope they do! You too can vote for the LEGO Ideas Daft Punk Coachella Pyramid on the LEGO Ideas website here.
Teenage Engineering is long known for its musical design and they’ve got another head-scratcher for all the John Lennon fans. His son Sean Ono Lennon has collaborated with Teenage Engineering to create a custom-made Bluetooth speaker for the legendary singer’s birthday. Coincidently, Sean shares his birthday with his father, and this is the perfect gift for him turning 49 and also for diehard fans.
The focus of the minimalist wireless speaker-cum-radio christened Mind Games Limited Edition OB-04 is the 1973 album Mind Games. The audio accessory has a two-hour loop recording function for rewinding, time-stretching and looping the live radio.
On the outside, the speaker is inspired by the album art of the fourth solo studio album by John. The graphic has the popular graphic where a mini Lennon is minusculed by the Yoko-mountain graphic. The legendary musician and singer was a proponent of peace and the Teenage Engineering’s white truly matches that vibe. Till date fans mourn his death after he got shot, and the speaker’s exclusive content is a homage to that. There are six sets of new mixes of the Mind Games album which include the raw studio mixes, the Evolution documentary, the Elements mixes and Elemental mixes. That’s not it as there is a new metronome, meditation mixes (nine re-edits of the album’s title track) and nine mantras to complete the set. Some of the aforementioned tracks have instrumentals and record engineering by Sean and Scott Holingsworth.
This limited edition version is based on the OB-04 BT speaker which in itself is an exclusive audio accessory. The hardware on the inside remains the same, so audio quality and soundstage are going to be similar. On a single charge, you can listen to the music albums for 40 hours uninterrupted and in the radio mode it goes up to 72 hours. Carrying the weighty legacy of John Lennon, the ‘Mind Games’ edition is understandably priced at $999, almost twice as the standard version which can be bought for $549 in 7 color options.
Green Day'sDookie is an all-timer of an album and, if you were fortunate enough to catch the band on the road this summer, you'll know the trio sounds as good as ever. Audio quality, however, was not at the forefront of the band's latest release: demasters of every Dookie song on ridiculous and outdated formats to mark the record's 30th anniversary.
While other classic albums often get remasters for big anniversaries, Green Day (with the help of of an art studio called Brain) went in a lo-fi direction by re-releasing the music on defunct and/or inconvenient formats in very limited editions. As a result, you can hear what "Basket Case" sounds like through a Big Mouth "Billie" Bass, listen to "Welcome to Paradise" via a Game Boy cartridge and enjoy (or not) "When I Come Around" emanating from a wax cylinder.
Other formats the demasters appear on include an answering machine, toothbrush, animatronic stuffed animal, floppy disc, doorbell, Fisher Price record, HitClip (remember those?) and, be still my beating heart, MiniDisc. Meanwhile, "All By Myself," an ode to self-love sung by drummer Tré Cool, actually sounds kind of sweet through a music box.
You can hear what each of the demasters sounds like on the Dookie Demastered website. But if you want to own one of them, you'll need to be lucky. Only between one and 50 of each demastered format is available and they're priced between $19 and $99, but thankfully it's not a first-come-first-served scenario. There's a random drawing and you'll get the chance to buy one of the items if your name's pulled from the hat.
Demastering is becoming more of a trend, especially invideo games, but this is simply a bizarre way to listen to an album as important for punk rock as Dookie was. It would be very cool to have an X-ray record of “Coming Clean” in my collection, though. (For the tape, Green Day did release a deluxe anniversary edition of the album.)
This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/green-days-dookie-has-been-demastered-into-game-boy-carts-a-toothbrush-and-other-weird-formats-175246772.html?src=rss
Think of if a Piano, a Theremin, and ChatGPT had a baby.
I distinctly remember seeing the music video for Greyhound by the Swedish House Mafia (and if you haven’t seen it I recommend you do). The video has the three members of the EDM group standing in an empty space, wearing headsets and controlling virtual objects that help them play music while also racing robotic greyhounds on salt flats. The music video released 12 years ago, but painted a very different picture of how people would make music in the future – not with instruments, but rather with gestures. Today, the folks at ROLI unveiled the first step to that future in the form of Airwave – an AI-powered device that uses advanced image recognition to not only help you learn to play music, but perform music intuitively using unique gestures.
Known for its revolutionary Seaboard, ROLI broke away from traditional keyboards by enabling musicians to explore the microtonal spaces between notes, opening up a vast universe of expressive possibilities. Now, with the Airwave, ROLI is set to disrupt the industry again—this time, by using AI to transform how people learn to play music.
For decades, aspiring musicians have been limited to traditional learning methods like in-person lessons, online courses, or YouTube tutorials. While each of these has its strengths, they often lack real-time, personalized feedback that adapts to the learner’s unique progress. ROLI’s Airwave, powered by its Music Intelligence (MI) platform, changes this dynamic by acting as a bridge between instrument and instructor. It introduces a new era of “intelligent pianos” that use cutting-edge AI, vision, and voice technologies to offer a truly immersive learning experience.
“Music learning and playing have been far too difficult for too long: intimidating, expensive, and one-size-fits-all,” said Roland Lamb, CEO of ROLI. “With recent advances in computer vision and AI, we are finally able to innovate beyond the keys and bring this human-centric technology to music learners and creators alike.”
The Airwave works by utilizing 3D infrared cameras that, together with ROLI’s new Vision technology, can “see” your hands as they move across the keyboard, capturing intricate finger movements and gestures. This allows the system to offer highly personalized feedback based on precise tracking of your playing technique. Whether you’re a beginner struggling with finger positioning or an advanced player fine-tuning your dynamics, Airwave adjusts its guidance to match your skill level.
At the heart of this breakthrough is ROLI’s MI platform, which incorporates five key sensory technologies—sound, sight, touch, vision, and voice. These allow Airwave to not only track your hand movements but also respond to voice commands. Ask it to show you a chord, suggest a new piece to learn, or even guide you through tricky sections of a song. This transforms the learning process into an interactive, conversational experience that feels less like traditional lessons and more like having a personal music coach at your side.
The magic really comes alive when Airwave is paired with ROLI’s Piano M (formerly known as LUMI Keys). The Piano M’s light-up keys combined with Airwave’s real-time feedback make for a compelling, intuitive learning environment. Players can practice essential elements of piano technique such as posture, hand positioning, rhythm, and harmony, all while getting immediate, adaptive feedback. This system effectively builds better habits and speeds up the learning curve without the need for constant human instruction.
On the creative front, Airwave doesn’t stop at teaching—it’s also a powerful tool for composers and performers. Its gesture-based controls allow musicians to manipulate sound in novel ways. With a simple hand raise or wrist tilt, you can shift from a piano to a symphonic ensemble, blending different tones and effects in real-time. Marco Parisi, a renowned musician and producer, emphasized the revolutionary potential of Airwave: “Every movement and gesture creates a new sound unique to the musician. It will make music much more expressive and could even lead to new genres of music”.
Airwave is now available for pre-order, setting the stage for a new AI-powered era in human-led music technology. Whether you’re a budding musician looking for a smarter way to learn or a seasoned creator in search of fresh expressive possibilities, ROLI’s latest innovation promises to redefine what’s possible with music.
Of the many creative endeavors, music is probably one of the hardest to learn and practice. And of the well-known musical instruments, the violin is one of the hardest to play. But what if you can play the violin or some semblance of the instrument as easily as you could press down keys on a piano? And what if that produced the unique tonal quality of a violin while still hitting all the right notes perfectly? That’s the kind of musical experience that this DIY synthesizer offers, combining two classical instruments in a single form that might leave you confused with one hand playing the keyboard and the other playing the violin.
Electronic keyboards can try to mimic the sounds of different musical instruments, but they don’t always work. They can’t, for example, reproduce the unique vibrating quality of the violin family, which at the very least would require some physical medium to produce that kind of sound. Conversely, violins are hard to master because you need to also move the bow at a very precise location to hit the right pitch, and that location isn’t marked like on a guitar.
Key-bowed, which is a very creative name, tries to combine the strengths of both the keyboard and the violin with very few of the flaws. It’s actually an idea decades in the making, but it’s finally possible to pull it off thanks to modern technologies and hardware. The synthesizer combines a Roland K-25m keyboard, an Arduino Uno R4 minima controller, and a self-made bowing sensor with a vertical acrylic plate. Of course, the assembly also requires some programming know-how, especially when dealing with sound waves.
Despite the complexity of the build, using the Key-bowed looks pretty simple, at least for the musically inclined. You simply hit the keys with one hand to produce music like on a regular keyboard or piano, and then you use the other hand to move the bow across the acrylic plate as you would with a violin. The vibrations on the plate are detected by the sensor and then transformed into waves that modify the note that’s produced, resulting in a very realistic recreation of a violin sound, with perfect pitch, and without the screeches. You can even pluck the plate and make it sound like you’re really plucking a string.
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Key-bowed is definitely a work of genius that makes playing music both fun and enchanting. It still requires you to have some basic music knowledge, of course, but it makes the execution less daunting, especially if you’ve always dreamed of playing the violin. Of course, there are limits to the music you can play, since you’re technically producing notes with only one hand, and the design is made for those who hold the violin bow with their right hand. Nonetheless, it still creates a captivating experience, and hopefully, it can become a commercial product that will let everyone enjoy that experience as well.
In What We're Listening To, Engadget writers and editors discuss some of the recent music releases we've had on repeat. This installment has everything from jazz standards to The Jesus Lizard.
Lady Gaga - Harlequin
I wasn’t even a minute into Harlequin before I had the realization, Oh, I am going to become so annoying in my love for this. Unfortunately for everyone in my life (and doubly so because I’m singing along), I’ve had it blasting all weekend since the surprise drop on Friday.Gaga is a powerhouse, and as much as I adore her take on pop, I’m always blown away when I hear her do jazz. And Harlequin is brimming with it.
Harlequin is a companion album to a soon-to-be-released movie (Joker: Folie à Deux) and almost entirely comprises cover songs — a combination that might typically put me off. But Gaga’s breezy versions of classics like “World on a String” and “Smile” are almost chilling. Her energy in tracks like “Gonna Build a Mountain” is through the roof. I could have done without “Oh, When the Saints,” but I’m really just nit-picking now. There are only two original songs on the album and they are completely different beasts, each impactful in its own way. “Happy Mistake” is a clear standout, and I’ll be softly weeping to that one for years to come.
Babe Haven - Nuisance
On the exact opposite end of the spectrum, I’ve been really into punk band Babe Haven’s most recent album, Nuisance, lately. It’s 25-ish minutes of queer femme rage and I can't get enough of it. Check it out on Bandcamp.
— Cheyenne MacDonald, Weekend Editor
The Jesus Lizard - Rack
Even laudatory reviews of comeback albums lean on expectations tempered with preemptive apology or pity praise. A comparison to headier days of musical urgency is inevitable; it stings for the same reasons as hearing "you look great for your age." I wish there were some way to take stock of Rack without that baggage, because The Jesus Lizard doesn't merely sound better than a band which took three decades off has any right to, it simply does not sound as though time has passed at all.
Rack broods with baffling inconspicuousness amid their oeuvre. Sure, "What If?" doesn't reach the slash and sprawl of earlier meanderings like "Rodeo in Joliet," but "Lord Godiva" glides on the most Duane Denison of Duane Denison riffs, lightning and crude oil. The manic physicality of David Yow's voice is unaltered — neither more harried after 60+ years of swinging at ghosts, nor attenuated by the effort.
So many bands seemingly frozen in amber reemerge denuded, as though covering themselves. They'd be frantically recapturing their glory days, if they had the energy to do anything frantic anymore. Rack, through sheer ferocity, is instead a band continuing to do exactly what it always has, just as well as it always has, and sounding really fucking cool doing it.
— Avery Ellis, Deputy Editor, Reports
Sabrina Carpenter - Short n' Sweet
There's a part of me that hates keeping up with pop music, and that's the part of me that cringes when I realize the last few albums I've listened to have been the ones by pop princesses Ariana Grande, Billie Eilish, Taylor Swift and more. That's also the part of me that resisted listening to Sabrina Carpenter's latest album for months (and probably the part of me that refused to watch the incredible Schitt's Creek until this year).
I say all that only to explain why I'm so late to appreciate the goodness that is Short n' Sweet. And the non-self-judgy part of me has unabashedly loved Carpenter's new music and been asking all my friends if they've listened to her songs. When I talked to my various friend groups about her, what became clear is how there's something for everyone, regardless of the variety in our tastes.
I'm a fan of R&B, hip hop and basically anything I can dance or sing to. The tracks "bet u wanna," "Taste" and "Feather" have become highly repeated items on my playlist and yes, I did go back into her older discography for some of those titles. However, my current absolute favorite is "Espresso." It's got a catchy hook, clever lyrics and a groovy beat that delicately straddles the line between upbeat and lowkey. I love the wordplay and how, when woven with the rhythm and melody, it initially sounded to me like Carpenter was singing in a different language. And as someone who works in tech and is occasionally a gamer, I especially adored the use of the words "up down left right," "switch" and Nintendo. Truly, rhyming "espresso" with "Nintendo" wasn't something I would have expected to work, but work it did.
But back to the point I was making earlier: Even if that sort of chill dance club vibe isn't your thing, there's plenty in Short n' Sweet that might appeal to you. I wasn't as huge a fan of "Please please please," for example, but I know friends who love it. And while "Bed Chem" and "Good Graces" aren't hitting my feels the same way "Espresso" is, those two are among her highest played songs on Spotify. I'm also starting to warm up to "Juno."
All that is to say, we all have different tastes. Maybe you're more of a Chappell Roan fan. I like some of her latest tracks too, just not as much as I've enjoyed Carpenter's. I also really enjoy the brilliance that is "Die With a Smile" by Bruno Mars and Lady Gaga, which is something I'll be adding to my karaoke duet repertoire, but am already playing less frequently nowadays. If you have a preference for music from the likes of Ariana Grande, NewJeans and Doja Cat, you'll probably have a good time with Sabrina Carpenter. And since I'm so late to the party, you probably have already.
— Cherlynn Low,Deputy Editor, Reviews
This article originally appeared on Engadget at https://www.engadget.com/entertainment/music/what-were-listening-to-harlequin-or-lg-65-rack-and-more-003037241.html?src=rss
This JBL speaker design stands out in the world of outdoor sound systems with its weather-resistant Garden Series, a line of speakers designed to deliver outstanding audio fidelity while blending seamlessly into various outdoor commercial environments. The series consists of the GSF ground-stake full-range speakers and GSB in-ground subwoofers, both tailored to provide expansive coverage in settings like shopping malls, theme parks, sports venues, and hospitality establishments.
One of the standout features of the JBL Garden Series is its blend of aesthetic appeal and practical durability. Available in subtle hunter-green and tan finishes, these speakers are crafted to harmonize with outdoor landscapes, making them both functional and discreet. Whether nestled in the greenery of a mall garden or set up in a bustling theme park, these speakers offer a stylish solution that withstands the elements while delivering premium sound.
The GSF cabinet’s design takes inspiration from nature, featuring a unique, leaf-like silhouette. This eye-catching design isn’t just for show, it serves a practical purpose, too. The grille extends over the speaker like a protective roof, shielding the system from rain, while an integrated drain hole ensures that water is efficiently channeled away. The result is a system built to thrive in unpredictable outdoor weather conditions without compromising on performance.
Incorporating branding into the speaker design without disrupting the overall aesthetic is a challenge the designers have expertly tackled with the Garden Series. The prominent JBL logo is subtly embedded at the top of the GSB subwoofer and on the back of the GSF cabinet, blending seamlessly into the speakers’ earthy design while still showcasing the brand’s heritage in audio excellence. This integration allows the speakers to maintain a clean look while also adding a touch of sophistication.
As with any JBL product, performance is at the heart of the Garden Series. The GSF full-range speakers are designed with a tweeter placed directly above an advanced waveguide, which is integrated into the front of the coaxial driver structure. This ensures superior sound distribution. Available in two sizes – 3-inch and 6-inch, these speakers offer flexibility for different sound needs, allowing users to tailor their setup to the specific acoustics of their space.
The GSB subwoofer is designed for flexibility in installation, offering both above-ground and buried options to optimize the sound environment. Its vertical form factor is particularly effective in enhancing the transmission of low-frequency sounds, creating a rich, immersive audio experience in any outdoor environment.
The GSF full-range speakers in the JBL Garden Series are designed with versatility in mind. With multiple mounting options, these speakers can be easily installed using a ground stake or mounted on horizontal or vertical surfaces using an L-bracket. This flexibility, combined with the speakers’ low-profile design, ensures they blend into their surroundings, whether they’re placed along pathways or mounted discreetly against a wall. Additionally, the adjustable hinge, equipped with a refined metal gear wheel-shaped groove, allows users to precisely aim the speaker for optimal sound coverage, ensuring no corner of the space is left silent.
The JBL Garden Series represents a perfect balance of form and function, offering a weather-resistant, high-fidelity audio solution for commercial outdoor spaces. With its distinctive design, integrated branding, and flexible installation options, this speaker system is an ideal choice for businesses looking to elevate their outdoor sound experience without sacrificing style. Whether you’re looking to enhance the ambiance of a shopping center, theme park, or sports venue, the JBL Garden Series is the ultimate solution for durable, stylish, and high-quality outdoor audio.
FIIO has a peculiar knack for reinventing audio accessories with a modern twist. The CP13 cassette player released at the beginning of 2024 is one of them. That’s probably inspired FIIO to design a DAC and headphone amplifier that’s modern on the inside but carries a distinct retro appeal on the outside. Yes, a classic tape recorder on the outside spices up the otherwise contemporary Digital-to-Analog Converter players.
The portable DAC amps up your audiophile-grade music listening experience if analog is your thing – both audio-wise and visually. The FIIO K15 DAC has an inch-wide LCD that emulates the look of a cassette player, replicating the spinning six-toothed spools and music information.
Unlike your high-end phone, the audio accessory has two Cirrus Logic chips and dual op-amps with support for 32-bit/768-kHz and DSD256 decoding. This results in crystal clear sound reproduction even with high-impedance headphones. The companion app lets you toggle the high-precision 10-band parametric equalizer (found mostly on affordable digital audio devices) to fine-tune the listening experience. Since we are talking about audiophile-grade audio accessories, connectivity with your smartphones, PC, handheld gaming device or gaming console is possible with a USB-C jack. Those who use high-end wired headphones get the option to plug in the amplifier via a 3.5mm jack or the balanced 4.4mm jack.
The pocketable audio accessory stands out from its competitors with the unique display interface, while other features are more or less similar to current generation DACs. These include options like real-time voltage and current monitoring to make any dynamic power adjustments. An inline mic also gives you the liberty to take calls or attend Zoom meetings when connected to a phone or laptop. For a price tag of $109, the K15 portable DAC by FIIO is the perfect accessory to own if you’ve got bored with the usual stuff.
Nothing brought a new dimension to the world of gadgets with their Nothing Ear (1) TWS earbuds. This gave young listeners a reason to show off their audio accessory having see-through aesthetics. The visible hardware of the earbuds and then later on the Phone (1) smartphone created quite a buzz before launch for the invisible aesthetics.
Beats got hooked on the idea and released their version of transparent Studio Buds + TWS. The craze for gadgets with visible innards is obvious as they look cool, and I believe, it’s not just another fad. The Apple subsidiary owned by the Cupertino giant since 2014 might give the big daddy some inspiration for a transparent series of gadgets fit for Gen-Z. Yes, of course, we are in the concept realm on this one!
Dubbed the Apple Clear Series, this concept design reimagines the suite of Apple products with see-through aesthetics. Got bored with your AirPods Max in Blue color? The AirPods Max Clear are meant for you, with the dope transparent cans that expose the rear portion of the earcups. Here we are not talking about Open-Back headphones, but rather ones with the cups covered in a thick layer of acrylic fiber for structural strength. The see-through design continues to the headband with cushioning at the bottom for comfort.
Then there is the AirPods Pro Clear which more or less looks inspired by the sister brand Beats. Of course, we would have loved more renders to let loose our imagination but the designer has created just the frontal view of the earbuds. Just like the transparent headphones, the third proposed gadget is the Apple Watch Ultra Clear with a transparent shell encapsulating the watch. Interestingly the rubber strap is also wrapped in the see-through material.
