Tag Archives: nothing

Nothing Phone (4a) Hands-on at MWC 2026: Here’s which color NOT to buy…

Posted on by

Nothing has a flair for the dramatic – their MWC setup was no exception. Instead of a stuffy booth, they dropped a mysterious shipping container in an open square. It cranked open to reveal the Phone (4a) in its four colorways, a slick bit of industrial theater that gets people talking. We’d all seen the white and pink versions on YouTube, but seeing them in person alongside the brand new black and blue models changes the calculus entirely. It immediately became clear there are two versions of this phone you should absolutely buy, and two you should probably skip. The reasons are not what you might think, and it all comes down to the subtle interplay of material, color, and finish.

Lined up under glass, the quartet looked impressive. The initial reveal was just that, a visual presentation to let the press get their shots and build some hype. Nothing clearly knew which colors were their heroes; the white and pink that led their digital marketing campaign were positioned prominently. The black and blue felt like they were held back for this physical debut, and it makes sense why. In the controlled lighting of the display, they all looked sharp. But a phone isn’t a museum piece, it’s an object you hold and interact with in countless environments, and that’s where the story took a sharp turn later that evening.

Designer: Nothing

Later that night, the glass came off. At Nothing’s party, they had operational units for everyone to actually handle. First impressions… The device feels solid, and the overall form is a refinement of their established language. As I wrote last week, this is easily Nothing’s most confident design yet; it feels less like a startup experiment and more like a statement from a company that knows exactly what it’s doing. We cycled through the Glyph lights, pairing them with the classic and new generative ringtones, and the effect is still as cool as ever. But my focus was on how the materials felt, and how the colors held up in the real world.

Let’s get right to it: avoid the black. I know it’s the default safe choice for many, but it betrays the entire Nothing ethos. The earlier grey versions of their phones created a beautiful contrast, letting you peer in and appreciate the texture and layout of the components underneath. This new black is just pitch black. In low light, it becomes an amorphous blob, and under direct light, the glass back turns into a smudgy mirror, catching chaotic reflections that obscure any sense of depth. It loses all the nuance and visual intrigue that makes these phones special. You’re left with a simple black rectangle, and frankly, you can get that from anyone.

The blue is a more complicated story, and a more disappointing one. The shade of blue itself is fantastic, a vibrant choice that really stands out. The frame is the culprit here. Nothing uses plastic for its frames, which is fine, but the finish on the blue model makes it look and feel overtly like plastic. It has a certain sheen that reads as “budget-ish,” undermining the otherwise premium and considered design of the phone. While the frames on the white and black models have a finish that elevates them, the blue’s just doesn’t stick the landing. It’s a small detail that makes a huge difference in desirability. Thankfully, it’s a problem that can be solved with a good metal bumper case, if you’re truly set on the color.

This is why the white and pink versions are the ones to get. The white is the quintessential Nothing look; clean, architectural, and it showcases the internal components and Glyph system perfectly. The frame’s finish looks gorgeous and intentional. The pink is the surprise winner. It’s a fantastic, almost salmon-like shade that is both playful and sophisticated, and the finish on its frame works in harmony with the color. It feels fun without feeling cheap. Both of these colors feel like they were the primary focus of the design team, where the material choices and color selection are in perfect sync to create a cohesive and desirable object.

Of course, the phone is more than its colorway. The camera is genuinely impressive for this bracket. I took a few shots in the less-than-ideal lighting of the party, and while the processing takes a beat longer than you’d expect, the results are worth it. I was seriously impressed by the quality coming from the 3.5x lens; it’s sharp and holds detail well. The software felt snappy, and the screen is bright and responsive. It’s a proper smartphone experience, wrapped in a design that still turns heads and starts conversations, which has always been Nothing’s core strength.

This MWC party was just the appetizer for the main course. Nothing is holding another event on March 5th, where the full, official launch will happen. That’s when we’ll get the final specs, pricing, and availability. There is also a persistent rumor that the company will use that event to debut a more powerful Phone (4a) Pro model. Given the confidence on display in Barcelona, Nothing is clearly holding a few cards back for the big reveal. They got our attention with the hardware, now we wait to see the full strategy.

The post Nothing Phone (4a) Hands-on at MWC 2026: Here’s which color NOT to buy… first appeared on Yanko Design.

Nothing Phone (4a) Is the Most Confident Phone Nothing Has Ever Made

Posted on by

The best thing that can happen to a design team is that they stop trying to go viral. Early Nothing had an almost anxious energy to it, products that felt engineered for the screenshot, for the unboxing video, for the moment of surprise. That produced some genuinely striking work, and some choices that aged less gracefully. The Phone (4a) suggests the team has moved past that entirely.

The Phone (4a) is the clearest expression of that shift yet. The pink colorway, the refined glyph interface, the periscope camera quietly migrating down to the base model, none of it screams for attention. It rewards it. This is a phone designed for people who will notice things gradually, over weeks of use, rather than in the first thirty seconds of an unboxing video.

Designer: Nothing

The pink is the first thing people will talk about, and most of them will get it slightly wrong. The phone reads pink, but the back panel is technically white. The color comes from tint layered inside the transparency, sitting between the glass and the resin underneath, which means the light has to travel through it before it bounces back to your eye. That gives it a depth and a luminosity that solid paint physically cannot produce. Nothing’s designers described it as starting with the resin being nearly identical to white, then adding a small amount of tint, then letting the tinted glass layer do the heavy lifting. The result shifts depending on the light you’re standing in, giving you a phone that changes ever so slightly in different lighting scenarios. It’s clever, considering Nothing’s done this in the past by playing with depth, relying on textures and components casting unique shadows based on the light source. Now, the company’s adding color to that formula.

Apple has been doing a version of this for years. The iMac G3 in the late nineties used translucent colored plastic to create that same sense of depth, and modern iPhones apply color to the inside surface of the rear glass rather than painting the outside. It’s a technique with a real legacy, and Nothing’s designers actually had a pink iMac on their mood board. That’s worth knowing, because it reframes the colorway from trend-chasing to something with genuine design lineage. The difference is that Nothing puts the engineering on display underneath it, so the tinted glass is also a window into the hardware, which layers the effect further.

The glyph interface on the (4a) is a 1×6 LED strip, and for the first time on an A series device, it includes the red recording indicator that has been on the numbered phones since the beginning. The team is almost protective about that red square, describing it as deserving its place on every device because being recorded carries real consequence. The animations have been rebuilt from scratch rather than ported from Phone (3), which matters because the linear format demands different thinking. The timer, for instance, uses a single falling column of light instead of the hourglass matrix on Phone (3). Same idea, different grammar. Glyph Progress now runs on Android 16’s live updates API, which means broader app compatibility across the board.

The camera doesn’t get talked about much, but it’s clearly an important part of any phone’s design and spec sheet. For starters, its design relies on a format set by its predecessor, the (3a). No fancy changes, no weird alignment like the (3a) Pro, just homogeneity… with a few upgrades. The periscope module in the (4a) uses a tetraprism design, bouncing light through multiple internal reflections to achieve optical zoom in a package compact enough to fit the base model’s profile. The (3a) Pro had a periscope too, but this one is significantly smaller. Nothing has been careful to represent the internal hardware authentically through the cover panel design, so what you see through the back is a stylized but honest reference to what’s actually underneath, including the PCB boundary, the FPC connectors, and the wireless charging coil.

Nothing announced there will be no flagship this year, and that decision reframes everything about the (4a). The A series carries the full weight of the brand’s hardware story in 2025, which means this phone needed to be genuinely good rather than good for the price. The same core design team has been on the A series since the 2A, and that continuity is visible in the way the (4a) sits between its predecessors, borrowing proportions from both without feeling like a compromise. They’ve stopped performing and started building, and the (4a) is the clearest evidence yet that those are very different things.

The post Nothing Phone (4a) Is the Most Confident Phone Nothing Has Ever Made first appeared on Yanko Design.

Nothing Phone 4 Delayed: How RAM Prices and ‘Meaningful Upgrades’ Pushed the Release to 2027

Posted on by

Nothing is skipping the Phone (4) entirely this year. Not delaying it, not soft-launching it later, just straight up not making one. The Phone (3) holds down the flagship spot through all of 2026, which Carl Pei spins as a refusal to follow industry conventions for their own sake. He’s got a point about meaningful upgrades mattering more than arbitrary annual cycles, but the timing feels less like strategic patience and more like acknowledging that last year’s flagship push didn’t quite land the way they hoped. The Phone (3)’s pricing crept higher than fans expected, and Nothing even experimented with discounts to move units.

The Phone (4a) picks up the slack as Nothing’s solo 2026 release. Pei describes a “complete evolution” that pushes the A-series toward flagship experiences through premium materials, upgraded displays, enhanced cameras following the 3A Pro’s periscope success, and better overall performance. Design-wise, expect new colors and continued polish on Nothing’s transparent aesthetic, aiming to stay distinctive while appealing broader. But here’s where things get complicated: RAM prices have gone absolutely wild thanks to AI demand, forcing Nothing to raise prices across their smartphone portfolio. The (4a) was already their bestselling series partly because of competitive pricing. Now it needs to absorb component cost increases, justify premium positioning, and deliver enough differentiation to matter in a crowded mid-range field, all while being Nothing’s only new phone for the year. That’s a lot riding on one device.

Designer: Nothing

And I get it… The whole “we only upgrade when there’s something meaningful to say” pitch sounds refreshingly anti-corporate, but it’s also a somewhat tacit admission that the Phone (3) didn’t make the splash they hoped. They pushed pricing into the $600-700 range depending on region, which immediately put them against devices from brands with way deeper pockets and established reputations. Then they started running promotions to move inventory. That’s not the behavior of a company confidently sitting on a hit product. So yeah, taking 2026 off from flagship releases makes sense, even if the official messaging talks about meaningful innovation.

The 4A becomes the entire story by necessity. Pei promised a complete evolution across materials, display, camera, and performance, which sounds great until you remember the 3A series already delivered solid specs for the money. The 3A Pro brought a periscope camera to the mid-range, decent build quality, and respectable performance. Upgrading to UFS 3.1 storage is nice, but that’s table stakes at this point. Premium materials could mean anything from metal frames to glass backs, and new color experiments might freshen things up visually. But here’s the fundamental problem: all of this costs more to produce right when RAM prices are spiking hard enough that Pei called it unprecedented in his 20 years in the industry.

AI demand has component suppliers laughing all the way to the bank while phone makers scramble to absorb costs or pass them along. Nothing chose the latter. Price increases across the entire smartphone portfolio means the 4A’s value proposition takes a direct hit. The A-series worked because it offered flagship-adjacent experiences at mid-range prices. Now it’s offering mid-range experiences at mid-range-plus prices while the flagship sits idle for a year. You can see the squeeze happening in real time. Nothing needs the 4A to justify higher costs through tangible improvements, maintain enough distinctiveness to feel like a Nothing product, and somehow convince people it’s worth paying more for when every other mid-range phone is also getting more expensive.

The design question looms large here too. YouTube comments are already asking for glyph lights to return, which makes sense given that’s Nothing’s most recognizable feature. But adding glyph interfaces costs money, and if the A-series never had them before, suddenly including them now while also raising prices feels like asking for trouble. You either keep the transparent aesthetic without the lights and risk looking like any other glass-backed phone, or you add them and watch your margins evaporate. Neither option is great when you’re already dealing with component cost inflation and no flagship to absorb the premium features.

What Nothing built its reputation on was being the scrappy alternative that delivered distinctive design and solid performance without asking flagship money. The Phone 4A needs to thread an impossible needle: cost more but feel worth it, look different but stay affordable, deliver flagship experiences but remember it’s still mid-range. All while being the only new Nothing phone anyone can buy in 2026. That’s a tough spot for any device, let alone one from a company still finding its footing in a brutally competitive market.

The post Nothing Phone 4 Delayed: How RAM Prices and ‘Meaningful Upgrades’ Pushed the Release to 2027 first appeared on Yanko Design.

Camera (1) Imagines a Tactile Digicam for a Screen-Tired Generation

Posted on by

Most photos now live inside phones, buried between notifications and apps. A new generation has started picking up old digital cameras to make shooting feel more intentional again, separate from scrolling and messaging. Many of those cameras still carry clunky menus and dated interfaces. Camera (1) is a concept design that asks what a modern compact could feel like if it were designed around touch and light instead of software layers.

Camera (1) is a compact, metal-bodied device with softly rounded corners, sized to slip into a pocket but solid enough to fill the hand. All the main controls live on one edge, so your thumb and index finger can reach the shutter, a circular mode dial with a tiny glyph display, and a simple D-pad without shifting your grip or poking at a touchscreen. The concept is inspired by the now familiar transparent, hardware-forward design language of Nothing.

Designer: Rishikesh Puthukudy

Taking the camera to a dinner or a show means twisting the lens ring to frame, feeling the click of the shutter under your finger, and glancing at the little icon on the dial to know whether you are in stills or video. The camera encourages you to look at the scene more than at the screen, letting the physical controls carry most of the interaction so the rear display stays out of the way.

The dot-matrix glyph on the dial shows simple icons for modes, while a curved light strip around the lens can pulse for a self-timer, confirm focus, or signal that video is rolling. Instead of deep menu trees, you get a handful of physical states you can feel and see at a glance, which makes the device feel more like an instrument than a gadget you have to decipher before you can take a picture.

The engraved lens ring, marked with focal length and aperture, invites you to twist rather than pinch. Zooming or adjusting focus becomes a small, satisfying motion instead of a jittery rocker or on-screen gesture. That tiny bit of resistance under your fingers reinforces the idea that changing perspective is a choice, not something you do absentmindedly while flipping through feeds.

The bead-blasted metal shell, the layered front panel with circuit-like relief, and the small red accents and screws give the camera a technical, almost transparent character without actually exposing its internals. It feels like a piece of hardware that is honest about how it works but still restrained enough to live on a café table or hang from a wrist strap without looking like it is trying too hard.

Camera (1) is not trying to beat the phone at convenience. It is offering a different relationship with photography, one where you press real buttons, read simple glyphs, and let light and tactility tell you what the camera is doing. In a world where every screen wants something from you, a compact that just wants you to notice what is in front of it feels like a refreshing thought experiment.

The post Camera (1) Imagines a Tactile Digicam for a Screen-Tired Generation first appeared on Yanko Design.

This CMF Phone Mini Concept Is The Compact Android Fans Have Been Begging For

Posted on by

The market for compact smartphones didn’t disappear because people stopped wanting them; manufacturers simply decided the economics didn’t justify the engineering. The iPhone 13 mini was the last great holdout, and its discontinuation left a void that has been filled with nothing but silence. That makes this CMF Phone Mini concept, posted by designer Preet Ajmeri on the Nothing Community forum, feel less like a flight of fancy and more like a genuine market opportunity. It suggests a smarter middle path for small phones, one built around accessibility and modularity rather than specs-sheet maximalism. This isn’t just another shrunken flagship render; it’s a thoughtful take on what a small phone in 2025 ought to be.

What makes Ajmeri’s concept work is its complete lack of flagship pretension. The design has a satisfying, tool-like quality, with an aesthetic that leans closer to a Braun appliance than a miniaturized glass sandwich. The two-tone back panels, secured by exposed screws, are a direct nod to the modularity of the CMF Phone 1 and 2 Pro. That little circular element in the lower corner is a brilliant touch, practically begging for a lanyard or a clever magnetic accessory. The camera housing is integrated into a stepped corner plate, making it feel like a distinct, functional component rather than a generic camera island. It’s an honest object, designed to be held and used without demanding reverence.

Designer: Preet Ajmeri

The colorways Ajmeri mocked up are subtle, and a deviation from the flagship phones’ vibrant color schemes. The sage green has a distinct, almost military-grade feel, while the slate blue is more of a classic tech color. But that brown and cream version is the real standout; it feels like something Braun would have designed in 1975, a perfect piece of retro-futurism. The hard split between the two tones gives it a clear visual hierarchy, and the presumed matte texture looks like it would feel fantastic in the hand. That aside, the modularity is still retained, with the screw-in design, and the knob on the bottom for fixing accessories.

This thing would live or die in the sub-$300 space, and that’s exactly where it belongs. You wouldn’t expect a top-tier Snapdragon processor here; a power-efficient MediaTek Dimensity 7000-series chip would be more than enough to drive a 5.4-inch OLED display without destroying the battery. And battery life would be the biggest engineering challenge, as it always is with small devices. But the appeal isn’t raw performance. The appeal is ergonomics, a one-handed user experience, and a design that has more personality than anything five times its price. CMF has already proven it can deliver a thoughtful software experience on a budget, and that’s all a device like this would need.

So, will Nothing ever actually build it? Almost certainly not, and that’s the real shame. The big players are too risk-averse to cater to a niche they’ve already declared dead. But this concept proves the desire for a well-designed, affordable, and genuinely compact phone is very much alive. It’s a perfect fit for a brand like CMF, which has built its identity on challenging the assumption that budget-friendly has to mean boring. The first company to take a chance on a design with this much character and common sense won’t just sell a phone; they’ll create a cult classic.

The post This CMF Phone Mini Concept Is The Compact Android Fans Have Been Begging For first appeared on Yanko Design.

This teal Nothing Phone 3a Community Edition looks like a Game Boy for grown‑ups

Posted on by

Nothing just pulled the curtain back on the Phone 3a Community Edition, a limited 1,000-unit drop built around a vibrant teal design inspired by late-90s gaming hardware. This special release is the result of a nine-month collaboration between Nothing’s internal teams and four winners from its community design project. The phone itself is a visual statement, swapping the brand’s typical monochrome palette for a look that feels more playful and expressive. It’s a collector’s piece for those who appreciate when a company lets its community take the wheel, resulting in a product that feels both nostalgic and distinctly modern.

Underneath the colorful new shell, the device carries internals identical to the standard Phone 3a. It is powered by a Snapdragon 7s Gen 3 chipset and features a 6.77-inch 120Hz AMOLED display with 2,160Hz PWM dimming for smooth visuals. The camera system includes a 50MP main sensor with OIS, a 50MP 2x telephoto lens, and an 8MP ultrawide. A 5,000mAh battery with 50W wired charging handles power. The single 12GB/256GB configuration is priced at £379, matching the top-tier regular model and reinforcing that this is a design-focused release, not a spec upgrade.

Designer: Emre Kayganacl

The aesthetic is where the Community Edition truly sets itself apart. The translucent teal back, designed by winner Emre Kayganacl, reveals internal components arranged as clean geometric layers. This gives the rear a deliberate, compositional quality rather than a raw, tech-exposed look. The horizontal camera module sits perfectly centered, with Nothing’s signature glyph light arcs wrapping around it to signal notifications. Small, scattered circles of yellow and magenta add playful contrast, giving the phone a character reminiscent of a limited-edition handheld console without feeling like a simple throwback.

This cohesive design language extends to the front of the phone. The software experience includes an exclusive teal-gradient wallpaper and a custom lock-screen clock designed by community winner Jad Zock. The rounded, monochrome icons of Nothing OS float above the colorful background, tying the user interface directly to the physical hardware. This thoughtful integration ensures the device feels like a single, unified object. It’s a complete visual package that considers how the phone looks both when the screen is on and off, creating a more holistic product experience.

 

The project began with over 700 submissions from Nothing’s community, with winners selected for hardware design, accessories, software visuals, and marketing. This co-creation process is central to the phone’s story, representing a deeper collaboration than the company’s first community project. For those hoping to get one, registration is open until December 11, with a limited sales window opening on December 12 through Nothing’s website. It’s a rare opportunity to own a device that is as much a design experiment as it is a daily driver.

The post This teal Nothing Phone 3a Community Edition looks like a Game Boy for grown‑ups first appeared on Yanko Design.

Nothing Phone 3a Lite or CMF Phone 2 Pro? The Choice Is Just Glyph vs. Zoom

Posted on by

Glyph Light, more like Glyph Gaslight… Nothing just dropped its fifth phone this year, the 3a Lite, and the instant I looked at it, I was first shocked… then confused. Shocked because the phone looks exactly like Nothing’s CMF Phone 2 Pro. No seriously, the camera placement is EXACTLY the same, the chipset is the same, the battery, screen, most of its internals are the same. It took me a full minute for my shock to subside before it was replaced by confusion. Why? Why would Nothing introduce a ‘new’ phone into its lineup when it’s selling the exact same phone (for the exact same price) under its sub-brand?

I have no definite answers (we’re waiting for Carl Pei to reveal his underlying strategy), which is why it honestly feels so confusing. Two phones, practically twins (with probably just 2 small differences), and arguably running the same software on the same hardware for the same price. It goes against Nothing’s entire vision of disrupting the tech space by producing game-changing tech that injects fun into itself. Tech that builds a design-centric audience. Tech that prides itself on transparency. The fact that the Nothing Phone 3a Lite is just a ‘rebadged’ (and I use that term in the most calculated capacity) version of the CMF Phone 2 Pro feels like the opposite of transparent.

Designer: Nothing

Nothing Phone 3a Lite (Left) vs CMF Phone 2 Pro (Right)

Here’s where the phones are identical. They both have the same screen – a FHD+ 6.77″ AMOLED running 120Hz at 300 nits max brightness. They both have the same chip too, a MediaTek Dimensity 7300 Pro with 8 cores. Both phones run 8GB of RAM and max out at 256GB of storage. The OS is the same too, Nothing OS 3.5 (with a 6-year software update promise)… and even the battery is exactly the same, a 5,000mAh cell with 33W fast charging and 5W reverse wired charging. No wireless charging on either of the models. As far as the cameras go, the placement (if you look below) is the same too. Two of the three lenses in the camera array are the same, a 50MP main and 8MP ultrawide. The front has a 16MP shooter on both. And both phones pack that Essential button on the side that Nothing began rolling out this year. On paper, it’s as if you were looking at a Xiaomi vs Redmi phone, or a Huawei vs Honor phone. The same build, barring a few minor cosmetic changes.

Nothing Phone 3a Lite (Left) vs CMF Phone 2 Pro (Right)

The changes aren’t drastic, but they’re worth noting. For starters, the third camera on both the CMF Phone 2 Pro and the Nothing Phone 3a Lite are different. While the CMF gizmo packs a nifty 50MP telephoto lens, the 3a Lite swaps that out for a 2MP macro lens. That’s while keeping the price exactly the same, so make of that what you will. Meanwhile, look above and you’ll notice that the flashlight gets moved just a couple of notches downwards on the 3a Lite, so I’d assume most cases for the Phone 2 Pro will work seamlessly on the 3a Lite if they have a running cutout for the camera and the flashlight. Barring these two features, the design (obviously) is the most noticeable difference. The CMF phone sports a plastic back, with the customizable modular design, while the Nothing phone resorts to its thematic transparent rear, with a glass back. The 3a Lite also has the Glyph, although instead of an interface it’s just a tiny little dot on the bottom right corner. The final difference lies in the offerings – the CMF Phone 2 Pro comes in 4 colors and one single spec variant – a 256GB model. The Nothing 3a Lite comes in just Black or White options, although you can choose between a 256GB model, or a lower 128GB model that’s just €30 cheaper.

So why exactly did Nothing go down this road? All I can do is speculate, but the more I do, the more I’m inclined to believe that this is a diversity play rather than an innovation play. The company wants to corner the market with as many phones across a price range. Currently, the 3a and 3a Pro represent a budget range, but not the sub $300 category. People who are fans of the transparent phone design wouldn’t want to splurge on a CMF phone, even though it’s objectively better out of the two we’re comparing here today. If you told me I had to choose between a glass back and a small blinking LED, versus a plastic-back phone that packs a 50MP telephoto camera, the choice wouldn’t be a tough one at all.

The post Nothing Phone 3a Lite or CMF Phone 2 Pro? The Choice Is Just Glyph vs. Zoom first appeared on Yanko Design.

Move over Dyson Supersonic, a transparent Nothing hair dryer is here to steal the closet space

Posted on by

Carl Pei is making strong inroads into the consumer electronics and gadgets space with the smartphone and earbuds that have improved a lot from the inaugural versions when the company was launched. The Nothing Ear (a) has been topping the charts of budget earbuds that punch way above their weight, competing with the more premium options.

While the brand is keeping its portfolio strongly knitted in the gadget ecosystem (and I presume it’ll stay that way for a long time) a designer has envisioned a Nothing hair dryer that’ll have you looking your best with that luscious mane. Since this is one personal care accessory that you keep always handy, it better be stylish. So, what better than the Nothing’s see-through persona?

Designer: Will Parsons

Nothing is all about monochrome colors in a transparent aesthetic with a dash of signature red. Will has emulated those elements with perfection in this concept design that might not be an official product in the brand’s line-up, still, it could inspire a knock-off version in the big marketplace. The tasteful housing showing off the internal components is complemented by the glyph interface around the power and speed buttons. This glyph interface also indicates the charge levels of the hairdryer. The curvaceous design of the motor housing with the stainless steel inlets adds an industrial design element to the mix.

As per Will the Nothing hair dryer is fully ambidextrous and makes use of a centrifugal fan setup to suck air through the rear intake. This cools down the battery before flowing through the front heating element. The placement of the fan allows for a more slimmer look that other dryers which is a huge advantage.

While Dyson currently owns the closet space with options like Supersonic, this hair dryer is nothing less than impressive. It gives off the vibe of a classic muscle car modded to add more firepower under the hood and visual beef with the curves at the right places.

The post Move over Dyson Supersonic, a transparent Nothing hair dryer is here to steal the closet space first appeared on Yanko Design.

Nothing Ear (open) earbuds review: Embrace Sound and Surroundings

Posted on by

PROS:


  • Very comfortable to wear

  • Impressive battery life

  • Stylish design

  • Good sound quality for open-ear design

CONS:


  • No wireless charging

  • Struggle with volume in very noisy environments

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The Nothing Ear (open) headphones are a worthwhile investment that complements a modern, mindful lifestyle.

Staying connected while being aware of our surroundings is more important than ever in today’s fast-paced world. Initially, I was skeptical about the need for open-ear headphones, assuming they were primarily designed for runners or cyclists. As someone who doesn’t fall into either category, I never considered them a necessity. My go-to audio devices have been in-ear earbuds equipped with Active Noise Cancelling (ANC) features for years. While ANC is fantastic for creating a peaceful personal space, I noticed it led to an unintended consequence: a sense of isolation from the world around me. The ability to block out external noise made me unconsciously perceive the outside world as a distraction, even an irritation.

Open-ear headphones, however, offer a different experience. They allow you to enjoy audio content while maintaining awareness of your surroundings, keeping you grounded and connected to the world. The Ear (open), a new audio device from Nothing, promises to deliver this balance. I tested them for about 3 weeks and took these headphones on recent trips and day hikes, testing them in various settings including buses, trains, and planes, even on an overnight flight. Here’s my comprehensive review of the Nothing Ear (open).

Designer: Nothing

Aesthetics

Nothing is renowned for its unique design philosophy, and the Ear (open) earbuds are no exception. They embody the brand’s iconic transparent and sleek aesthetic while featuring rounded shapes that add a touch of softness, perfectly aligning with the device’s philosophy of openness and awareness.

The Ear (open) includes familiar elements, such as a case with a transparent top and a white bottom for a striking contrast, a secure magnetic clasp, a central nub on the case top, and a color-coded system. The left earbud has a red dot, while the right earbud has a white dot, both mirrored on the case for easy storage.

The signature aesthetics extend to the earbuds themselves. They feature an iconic transparent outer casing that reveals the internal components, while silver tips encase the battery and serve as counterweights for enhanced stability. Connecting these components is a flexible arm that contours to the ear for a snug fit.

Ergonomics

For those with smaller ears, finding comfortable earbuds can be a challenge. In-ear earbuds often cause discomfort after prolonged use, and I frequently find myself readjusting them, especially my left earbud, which tends to fall out even when I’m not moving much. The Nothing Ear (open), however, offers a solution to these issues with its thoughtful ergonomic design.

The earbuds sit comfortably on the outer part of the ear, with a soft, silicon-like arm that surrounds the ear, providing stability without the intrusive feeling of in-ear designs. I found them comfortable enough to wear for extended periods, sometimes even forgetting I had them on.

They sit securely in my ears, even when I jog or shake my head, ensuring they won’t slip out during physical activity. Wearing glasses or lying down presents no comfort issues, allowing for freedom of movement. This secure fit and versatility make them ideal for everyday use, whether exercising, working, or simply relaxing.

A notable aspect of the design is the lightweight nature of the earbuds, each weighing only 8.1 grams. This lightness contributes significantly to comfort, ensuring that the earbuds do not exert unnecessary pressure on the ears, even during long listening sessions. One thing to note, though, is that the metal-looking tip can get a bit cold if the Ear (open) is stored in a cool place, which might be uncomfortable in colder climates.

The case itself is also designed with portability in mind, being only 19mm thick. This slim profile makes it easy to slip into pockets or bags without adding bulk, making it an ideal companion for those on the go.

Performance

The performance of the Nothing Ear (open) is generally impressive, particularly in quieter environments. The open-ear design excels at maintaining awareness but doesn’t seal the ear canal, lacking ANC capabilities. This can be a drawback in noisy settings, such as planes or subways, where audio can be difficult to hear.

In such noisy environments, even cranking up the volume might not suffice, leading me to prefer ANC-equipped earbuds for full audio immersion. Despite this limitation, the sound quality of the Ear (open) is commendable. Boasting a 14.2mm dynamic driver, earbuds deliver full sound with good bass, especially for an open-ear form factor.

The microphone on the Nothing Ear (open) is another strong point, delivering clear voice quality during calls. This ensures that conversations are crisp and intelligible, even in moderately noisy environments, making it suitable for both personal and professional use.

Sound leakage is minimized by the thoughtful design of the Nothing Ear (open). This feature helps keep your audio private, ensuring it doesn’t disturb those around you—unless you’re listening at high volume in a quiet place.

The Ear (open) is equipped with Bluetooth 5.3, allowing you to connect to two devices and seamlessly switch between them. This feature is particularly useful for those who frequently use multiple devices. Additionally, with an IP54 rating, the Ear (open) is resistant to dust and splashes, making it suitable for a variety of environments.

One of the standout features of the Ear (open) is its battery life. Nothing claims up to 30 hours of playback, which is supported by 8 hours of use from the earbuds themselves and an additional 22 hours provided by the charging case. This extended battery life ensures that you can enjoy your music or podcasts throughout the day without frequent recharging.

The Ear (open) also offers various pinch controls, including single pinch, double pinch, triple pinch, and pinch and hold. These controls are highly responsive and can be customized through the Nothing app, allowing users to tailor the functionality to their specific needs and preferences.

Additionally, the Nothing app offers one of the most advanced equalizer (EQ) features available, with an 8-band EQ that provides unparalleled customization options. This sophisticated EQ allows users to fine-tune their audio experience to match their personal preferences precisely.

Another useful feature for users of Nothing phones is the ability to access ChatGPT directly via the earbuds. This integration allows for seamless interaction and enhances the functionality of the earbuds, making them not just a tool for listening but also for communication and information retrieval.

Overall, while it certainly does not replace ANC earbuds in very noisy settings, the Nothing Ear (open) offers a unique blend of features and performance that cater to a diverse range of listening preferences, enhanced by its advanced EQ capabilities, long battery life, and customizable pinch controls.

Sustainability

Nothing has taken significant steps to ensure the sustainability of the Ear (open) headphones, and their transparency in sharing this information on their product page is truly admirable. This openness not only demonstrates a commitment to sustainability but also shows that the brand values informed consumer choices.

The carbon footprint of the device is relatively low, with emissions of just 3.0 kg CO₂e. This is an important consideration for environmentally conscious consumers looking to reduce their impact on the planet. Additionally, the headphones are manufactured using 100% recycled tin solder paste, which reduces the demand for virgin materials and supports recycling efforts.

Furthermore, Nothing is committed to using 100% renewable energy for the final assembly of the Ear (open). This commitment not only reduces the carbon footprint associated with production but also sets a positive example for the electronics industry, highlighting the feasibility and importance of sustainable manufacturing practices.

The brand’s dedication to sustainability is truly commendable, as it not only benefits the environment but also aligns with the values of consumers who prioritize eco-friendly practices. By making this information readily available, Nothing reinforces its commitment to reducing environmental impact while delivering high-quality audio products, setting a standard for transparency and responsibility in the industry.

Value

The Nothing Ear (open) headphones offer a compelling value proposition for those seeking a balance between audio quality, comfort, and sustainability. Priced at $149, they provide an accessible entry point into the world of open-ear audio technology without compromising on design or functionality.

Considering the thoughtful ergonomic design, robust audio performance, and impressive battery life, the Ear (open) headphones deliver excellent value for the price. Additionally, the brand’s commitment to sustainability—evident in their use of recycled materials and renewable energy for assembly—adds to the overall appeal for environmentally conscious consumers. For users who prioritize both quality and eco-friendliness, the Nothing Ear (open) headphones represent a worthwhile investment that aligns with modern values and expectations.

Verdict

The Nothing Ear (open) headphones present a unique offering in the audio market, blending style, performance, and sustainability. With their open-ear design, they cater to users who value staying connected to their surroundings while enjoying audio content. This makes them ideal for everyday use, especially in quieter settings.

While they may not replace ANC-equipped earbuds in noisy environments, the Ear (open) excels in delivering quality sound and comfort. Their ergonomic design ensures a comfortable fit for extended wear, and the impressive battery life supports long listening sessions without frequent recharging.

The integration of advanced features, like customizable pinch controls and seamless interaction with Nothing phones, enhances the user experience. Additionally, the brand’s commitment to sustainability is commendable, aligning with the values of eco-conscious consumers and setting a positive example in the industry.

With its relatively affordable price tag, the Nothing Ear (open) offers great value for those seeking a balance of audio quality, comfort, and environmental responsibility. For users who prioritize these aspects, the Ear (open) headphones are a worthwhile investment that complements a modern, mindful lifestyle.

The post Nothing Ear (open) earbuds review: Embrace Sound and Surroundings first appeared on Yanko Design.

Nothing’s Glow-in-the-Dark Phone (2a) Plus Sparks a New Design Trend: We Need Glowing Phone Cases!

Posted on by

If you loved the Nothing Phone’s glyph interface, their Community Edition phone may just absolutely capture your heart. Announced today following a lengthy community-driven design competition, the Nothing Phone (2a) Plus Community Edition made its global reveal, with a unique twist on the original phone’s design. Sure, you’ve got the Glyph Interface with LEDs that glow to make the phone’s rear panel turn into a dynamic display for notifications and alerts, but the new Community-made version of the phone comes with literal glow-in-the-dark ribbon cables that are ‘nothing’ like anything we’ve seen on any phone in the past decade!

Thanks to input from community members Astrid Vanhuyse and Kenta Akasaki, this phone stands out in a crowd—but not with power-hungry LEDs. Instead, it uses a green phosphorescent material that charges up with ambient light, glowing gently in dim settings and giving the 2(a) a dose of unique, eco-friendly style.

Designers: Astrid Vanhuyse & Kenta Akasaki for Nothing

The design shift here is significant, especially if you remember the original Phone (2) and the less glowy Phone (2a). While the Phone (2) featured bright LED glyphs, the 2(a) kept things quieter, dialing back on the glow to maintain a sleeker look. This Community Edition, though, reintroduces some of that distinctive Nothing flair, swapping LEDs for a phosphorescent effect along the phone’s ribbon cables and components. It’s a subtler, softer glow that gives the phone character without the need for extra power or flashing lights. Imagine your phone lighting up on the nightstand—not enough to keep you awake, just enough to catch your eye.

The phosphorescent material works just like those glow-in-the-dark stars you might have seen as a kid. It absorbs natural or artificial light and emits a soft glow when the lights go down. Unlike typical LEDs, it doesn’t drain the battery, giving this 2(a) a style boost without impacting battery life or performance. It’s the kind of understated cool that’s right in line with Nothing’s design philosophy: thoughtful, sustainable, and practical. Plus, it makes it easier to find in a dark room, giving the design a practical edge as well as aesthetic appeal.

The collaborative effort on this phone really says a lot about Nothing’s approach to designing for their community. The company didn’t just create the effect on its own; they opened it up to the public and sorted through more than 900 design submissions from fans across 47 countries. Out of these, Vanhuyse and Akasaki’s concept shone the brightest, resulting in a design that feels distinctively Nothing while showcasing a global community’s creativity. It’s part of Nothing’s shift toward community-centric product innovation, giving fans a real voice in shaping what they carry.

Nothing also went to great lengths to ensure this glow effect wasn’t just a gimmick but a part of the Phone (2a) Plus Community Edition’s build. The phosphorescent material is durable and seamlessly integrated, meaning it won’t interfere with the phone’s performance or longevity. You get a sturdy device with an artistic edge, a blend of tech and simplicity that fits seamlessly into daily life.

The Phone (2a) Plus Community Edition is priced at $518 USD (£399 / €449 / ₹29,999), with sales beginning on November 12. If you’re located in London, you might also grab one in person at the Nothing Soho store on November 16. There are just 1,000 units available up for grabs… so if you enjoy the idea of having a phone so dazzling that you’ll never want to put a case on it, grab one while you still can. And for anybody at dbrand or Spigen, you best believe people will want glowing cases for their iPhones and flagship Androids too!

The post Nothing’s Glow-in-the-Dark Phone (2a) Plus Sparks a New Design Trend: We Need Glowing Phone Cases! first appeared on Yanko Design.