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Having all the right tools is crucial for unleashing creativity, whether you’re seeking inspiration in a coffee shop, a shared space, or anywhere else. This calls for a significant level of discipline to select a great stationery set to keep your creative flow uninterrupted. The Bento Jot from NOOE may be the perfect solution. The concept is borrowed from the Japanese bento – a single-portion home-packed meal or for take-out, with a history dating back to the Kamakura period. Modern bento boxes have evolved from simple packed meals to more elaborate arrangements with separate compartments for different dishes, emphasizing aesthetic presentation. This is where the Bento Jot shines. They’ve distilled the essential elements of a bento box, a cornerstone of Japanese culture, to create a tool designed to help you excel at what you do best – nurturing your creativity at work.
Just as a traditional bento box offers various dishes, Bento Jot presents a unique 3-layer stationery set inspired by the bento box and the simplicity of Scandinavian design. It combines a sleek design with distinctive functionality. Composed of 12 carefully designed stationery items, Bento Jot uses premium materials to enhance your desk space and inspire creativity. The design philosophy behind Bento Jot, deeply rooted in the principles of quality, sustainability, and a cohesive aesthetic, reflects the serene and clutter-free ethos of Scandinavian design, as explained by Neetica Pande, Co-founder and Chief Design Officer of NOOE:
“We love stationery, however, the main challenges we saw with most available stationery today were poor quality and the lack of standardization. We envisioned a collection that has a cohesive aesthetic and performs exceptionally well, while still being designed sustainably. We wanted to move from cheap-plasticky to a more emotive-tactile experience,” Pande elaborates.
Every contour, edge, corner and part of the Bento Jot has been molded to be the perfect fit for the creative in you.
This approach to stationery design, focusing on quality and tactile experience, reflects a deeper understanding of the user’s needs and the environmental impact of products. It emphasizes NOOE’s commitment to redefining stationery with an eye for detail and sustainability, making Bento Jot a tool and a statement of purpose and creativity.
The three layers of Bento Jot include the Øver layer, where the Aluminum pen and Monograph Journal are stored. In the Mid layer, a high-quality leather organizer is available for keeping necessary items. The Base layer neatly organizes desk essentials to prevent loss: Aluminum ruler, Blok Measuring Tape, Dipped Pencil, Sticky Note, Logo Pins, Gluestick, Geo Eraser, and Draft Scissor. All items feature authentic designs explicitly made for Bento Jot.
Beneath the essentials lies the mid layer, a dedicated space for the Bento Jot organizer – the vegan leather carrying case that makes the act of carrying your stationery effortless with its expandable features and adjustable holders.
As you explore each element of this smart stack and store system, the tactile feel of premium materials instantly conveys quality. The design adheres to a singular theme: minimalism. Bento Jot is crafted from premium recycled materials, utilizing 95% less plastic than other stationery options available on the market.
The shell is the sum of all parts, so it’s delightful to see that every detail has been carefully considered, such as the rubbers placed at the bottom to prevent scratches, soft die-cut compartments, and the interchangeable lids for customization. The “Forest Green” and “Carbon Black” color options are exclusive and only available on Kickstarter.
Bento Jot’s innovative design encourages users to maintain an organized tableau, fostering undistracted and clutter-free creativity.
Now, let’s examine the individual tools to understand their advantages. They provide everything you need for your desk, reminiscent of a deliciously organized bento box.
Crafted from solid anodized aluminum, the pen’s body is resilient and immune to scratches, maintaining its pristine appearance over time.
The Blade Aluminum Pen, crafted from solid anodized aluminum, offers durability, ensuring it won’t scratch if accidentally dropped. Its magnetic cap closure adds convenience, and refilling with the Schmidt Roller 888 ink filler is a simple task when the ink runs low.
At the heart of the collection lies the Monograph Journal, featuring natural white, 120-gram paper with a dot grid and edge recess for a seamless writing experience. Every page is thoughtfully numbered, and the flat open binding allows for easy writing, making it an indispensable companion for personal reflections and professional endeavors. The journal’s durability is matched by its sustainability, with a cover crafted from cross-grain recycled polyurethane, embodying the collection’s commitment to eco-friendly design.
The dot-grid Monograph Journal
Complementing the journal is the Attaché Organizer, a compact yet expansive tool designed to streamline your workspace. Its expandable front pocket adapts to your needs, while the 100% cotton herringbone lining adds a touch of sophistication. The organizer’s recycled cross-grain leather exterior speaks to the collection’s sustainable ethos and adds a layer of durable elegance.
For precision tasks, the Al Ruler and Blok Measuring Tape offer unmatched accuracy. The solid aluminum machined ruler boasts dual units for versatile measurements. At the same time, the Blok Measuring Tape features a dark mode measuring strip, dual units, and a lock & release mechanism, ensuring precision and ease of use in various contexts.
With its HB graphite and dual-color dip, the Dipped Pencil infuses creativity into every stroke, making it a vibrant addition to any desk. This is complemented by the Sticky Note set, utilizing high-quality 3M paper in a check design, perfect for organizing thoughts and tasks with style and efficiency.
Adding a touch of personalization to the collection, the Logo Pins can secure up to 12 papers, offering a functional yet stylish way to keep your documents organized. The Geo Eraser, with its slant cut and dual-color design, combines functionality with a modern aesthetic, ensuring that even corrections contribute to the creative process.
Rounding off the collection is the Draft Scissor, a solid MS tool with a matt black finish designed for everyday use. Its durability and sleek design make it a staple in any office environment, embodying the Bento Jot collection’s fusion of style, functionality, and sustainability.
Together, these items form a cohesive set that not only enhances productivity and creativity but also brings a sense of harmony and order to your workspace, inspired by the minimalist elegance of Scandinavian design and the practical beauty of a well-arranged bento.
The Bento Jot set redefines stationery by tackling desk clutter and elevating personal esteem through its thoughtful design and premium materials. It organizes and beautifies workspaces and boosts users’ morale, making each written word feel valuable. This transformation extends beyond the physical to alter perceptions, ensuring users’ ideas and efforts are esteemed. Additionally, its sustainable, adaptable design aligns with the modern consumer’s preference for minimalist, eco-conscious products, enhancing its appeal. Ultimately, Bento Jot is more than an organizational tool; it’s an emblem of mindful living and personal expression, indispensable for those seeking to enhance their productivity and creative space.
The overlanding experience in your pick-up only gets better with an efficient and functional truck topper. And when that truck camper is a two-story complex with its own awning and touch of a button control; you can think, but won’t want to own anything else!
Inquisitive? Wild Land has come up with an interesting idea of Safari Camper, which is more than every day pick-up bed camper. After giving us the world’s first wireless remote-controlled rooftop tent, the Chinese overland product manufacturer has revealed the remote-controlled Safari Camper that rests on the truck bed and gives us a two-story tent to sleep and play on the press of an open button. Shutting it close is equally easy: Press close!
The Safari Camper is designed for the Chinese market and is already available there, state wise delivery is still in oblivion at the time of writing. That said, what intrigues an adventurer’s attention is the Safari Camper’s unique automatic lift system that opens from truck bed top to two stories to accommodate a few people easily. The lift is kicked into action from a keychain remote control – a little manual intervention is required to flip a few extensions – and you have a truck bed section and a high-perched rooftop tent above.
Of course, the kind of height the upper rooftop tent has, it is going to be somewhat vulnerable to the winds. But that little peril hasn’t stopped Wind Land from packing ample interior space here. The tent is accessed via a ladder from the pick-up bed and it has a 5.6-foot headroom extendable using the fold-out tent floor extensions on the front and back –pulled down manually – that increase sleeping space. The mesh windows in the tent offers 270-degree views, while the openable skylight lets you stargaze when the surroundings are engulfed in darkness.
The Safari Cruiser weighs about 250 kg, and rests on the top of the truck’s bed rails. When it’s closed it rests comfortably on the pick-up’s shell and can carry about 30 kg load of your adventure gear. At camp when you open it, in addition to the top tent, you have a second low tent below which doesn’t have much headroom and can be used as a kid’s room or for dining and lounging.
Interestingly, the top rooftop tent is laid with a 30W solar panel to power the LED lighting and lift system battery. Attached to the lower section is a 360-degree awning that provides shade from the sun and gives additional living space just outside, which can be fun at the beach or when fishing in the lake.
Service robots are becoming more common these days, from cute mobile trays that deliver food to your table to large rolling boxes that carry your luggage for you. These robots definitely serve their purpose, and they’re often designed to look pleasing or even friendly, but lack a certain element of interaction that will help put humans more at ease with these mechanical assistants. Some designs try to put a figurative human face on these robots, without much effect, while others try to focus on usability and functionality instead. This concept design, however, goes back to the drawing board to determine the best form that a service robot could take. It turns out, we’ve been sitting on the answer all this time, literally.
Designer: Yunsoo Choi
For all the drama about how robots will be replacing humans in the future, there are already certain industries where service robots have indeed taken the place of flesh and blood workers, particularly in the hospitality industry. That said, most are only capable of performing very menial and mechanical tasks, far removed from the human-like androids of our imaginations and science fiction. More importantly, these robots feel as distant and as detached from our lives as the bags they carry. They lack the interactivity and personal connection that would make them indispensable parts of our lives.
This concept design for a service robot tries to provide that kind of interaction by turning the robot into something more than just that. It uses the chair as the inspiration for its design, a functional object that also provides comfort as well as a point of human interaction. But the robot does more than offer a comfortable place to sit on; it also creates a small bubble that becomes a tiny personal office space, at least if you’re the type that can do their job on a tablet.
That’s because this tablet is what triggers the transformation between a chair and a robot. It acts like the brain of the machine, though it’s also the robot’s “face” as well as its sole interface. It’s how you can get information, pay for your hotel stay, or order food, basically anything that involves actually requesting service. The tablet magnetically attaches to the robot’s arm and can be positioned at the most comfortable angle or height for use, including while sitting on the robot chair.
Aside from these, the design also includes the common functions of such a service robot, particularly when it comes to delivering items to customers or keeping their possessions. It can even disinfect these objects using UV light inside its body. But while the idea of a service robot that also functions as a chair sounds interesting on paper, it raises the question of comfort and safety, two factors that are critical for a piece of furniture like a chair. It definitely looks a little too high to sit on comfortably and functions more like a stool than a proper chair. The “office space” is also a bit of a stretch since there’s not much space to get anything done. Still, the idea deserves more exploration and refinement and could spark more designs for service robots that become space-efficient personal offices for the mobile workers of the future.
Against all odds, Japan’s SLIM lander managed to turn back on more than a week after it plopped upside down onto the surface of the moon — but now, it’s gone dormant for the duration of the lunar night, and it may not be able to wake up again. The SLIM team from the Japanese space agency, JAXA, on Thursday shared the last image the lander captured at the moon’s Shioli crater before dusk, as night encroached. Lunar night lasts the equivalent of two Earth weeks and can get colder than -200 degrees Fahrenheit.
Last night (1/31 ~ 2/1) we sent a command to switch on #SLIM’s communicator again just in case, but with no response, we confirmed SLIM had entered a dormant state. This is the last scene of the Moon taken by SLIM before dusk. #GoodAfterMoon#JAXApic.twitter.com/V1iAUoxJFK
The team has confirmed that the solar powered lander is in a dormant state that will last at least the duration of the lunar night. Its chances of resuming operations afterward aren’t great, but then again, it’s already surprised us once. “Although SLIM was not designed for the harsh lunar nights, we plan to try to operate again from mid-February, when the Sun will shine again on SLIM’s solar cells,” the team wrote on X. If this truly is SLIM’s last photo, it sure is a spooky one.
This article originally appeared on Engadget at https://www.engadget.com/japans-moon-lander-took-this-eerie-photo-before-being-enveloped-by-lunar-night-221438290.html?src=rss