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Huawei MatePad Pro Max PaperMatte Edition Review: Thinnest 13-inch Tablet Nails Portability and Creativity
PROS:
- Impressively thin and lightweight
- Excellent PaperMatte OLED display with ultra-thin bezels
- M-Pencil feels highly responsive and natural for writing and drawing
- Glide Keyboard adds useful productivity features, including secure stylus storage
CONS:
- Wi-Fi only, with no cellular option
- Glide Keyboard has no backlight
EDITOR'S QUOTE:
The Huawei MatePad Pro Max pairs an ultra-thin and lightweight design with a refined PaperMatte display and excellent stylus experience, making it one of Huawei’s most compelling tablets for creativity and everyday use.
MatePad Pro Max PaperMatte Edition is the company’s largest tablet yet, and it arrives with a design that feels almost implausible in person. It is remarkably thin, unusually light for its size, and still positioned as a serious performance tablet rather than a pure showpiece. On paper, the appeal is immediate. You get a full-metal body, a 13.2-inch flexible OLED display, a 94 percent screen-to-body ratio, and a chassis that measures just 4.7mm thin.
Huawei is also aiming for a premium experience that extends well beyond the tablet itself. The ultra-thin bezel, the optional matte display treatment, the large battery, and the refined metal construction all work together to make the MatePad Pro Max feel elevated before the screen even turns on. Add in optional accessories like the Glide Keyboard and M-Pencil Pro, and it is clearly designed to stretch beyond entertainment into productivity and creative work. The real question is whether all of that sleek hardware leads to a meaningfully better everyday experience, or if it is simply a beautiful piece of industrial design wrapped around the usual tablet compromises.
Designer: Huawei
Aesthetics
The MatePad Pro Max is a sleek, premium-looking slate that relies on clean proportions and refined finishes rather than flashy details. It comes in Blue and Space Gray, and the blue version I received is especially striking. Its fine glitter finish catches the light beautifully and gives the back panel a more expressive look.
The full-metal body keeps the design simple and clean, while the round camera bump on the upper right adds a bit of visual weight to one corner, and the centered Huawei branding keeps the back from feeling too plain. Around the sides, the glossy frame adds a bit of contrast, with the power button and fingerprint scanner on the left side from the display view, and the volume rocker along the top. Huawei’s optional accessories also fit the design well, with the keyboard offered in white or black and the folio cover available in black.
Ergonomics
The MatePad Pro Max PaperMatte Edition is surprisingly manageable for a tablet this large. A 13.2-inch display usually suggests a device that is best left on a desk or propped on a stand, but here the physical experience feels far more inviting. At just 4.7mm thin and 509g, it feels notably easy to carry and hold for longer stretches.
Huawei calls it the world’s thinnest 13-inch-plus tablet, and that slimness is immediately noticeable in use. Even so, it does not feel flimsy or overly delicate in hand. The build still feels solid, though I would still handle it with some care, given just how thin the body is.
The Glide Keyboard adds 439g, but the full setup still feels very manageable for its size. What I like most is the integrated pen slot, which stores the M-Pencil more securely than a simple magnetic attachment on the side of the tablet. That small detail makes a real difference if you tend to toss your tablet into a bag and go, since the stylus feels less likely to come loose.
The keyboard itself is pleasant to type on, and the hinge feels sturdy in use. It gives the MatePad Pro Max a more laptop-like feel when you need to get work done. The main limitation is that the viewing angle is fixed to two positions, so it is less flexible than some other tablet keyboard setups. It also lacks a backlight, which makes it less convenient to use in darker environments.
Performance
Performance starts with the display, because it shapes nearly every interaction you have with the MatePad Pro Max. The 13.2-inch flexible OLED panel is large, sharp, and visually immersive, with a 3000 x 2000 resolution, 144Hz refresh rate, and up to 1,600 nits peak brightness. It is the kind of screen that makes reading, streaming, and multitasking feel immediately premium, especially with the PaperMatte finish, which helps cut glare and makes the display more comfortable to use in bright environments.
A big part of that immersive feel comes from the tablet’s extremely thin bezel. At just 3.55mm, the border around the display is slim enough to make the front feel almost all screen, helping the MatePad Pro Max reach a 94 percent screen-to-body ratio. Even more impressive is how Huawei has tucked the front camera into that narrow bezel so discreetly that it nearly disappears from view. The result is a front design that feels remarkably clean and uninterrupted, making the display look even more expansive and giving the tablet a more refined, almost futuristic presence in everyday use.
The display quality also lives up to the tablet’s premium design. OLED gives the MatePad Pro Max the deep contrast and rich color you want from a flagship tablet, while the 144Hz refresh rate keeps motion looking fluid and responsive. Whether you are scrolling through documents, flipping between apps, or watching high-quality video, the screen carries a polished sense of smoothness that fits the hardware well. Huawei also gets the basics right when it comes to unlocking the device. Both face recognition and the side-mounted fingerprint scanner worked reliably in my testing. Face unlock was even able to recognize me in the dark, which made the tablet feel quicker and more seamless to use throughout the day.
The MatePad Pro Max runs HarmonyOS 4 out of the box. Huawei does not specify the chipset, but in day-to-day use, performance feels strong and responsive. Apps open quickly, multitasking feels smooth, and the tablet has no trouble keeping up with entertainment, browsing, note-taking, and general productivity. It feels like a flagship tablet in everyday use, even without Huawei sharing much detail about the chip inside.
HarmonyOS also makes decent use of the large display. You can keep up to three apps active and move between them easily, though only one is fully visible at a time in that setup. For more direct multitasking, split-screen lets you run two apps simultaneously, either side by side in landscape or stacked vertically in portrait. On top of that, you can open up to two floating windows, which appear as smaller, resizable panels for quick access to other tasks without fully leaving your main app.
The M-Pencil is also a big part of the experience. It feels very responsive, with no noticeable latency in writing or drawing, and pressure sensitivity works very well. Combined with the PaperMatte display, the writing and sketching experience feels closer to paper than on many other tablets, which makes the MatePad Pro Max especially appealing for note-taking, annotation, and creative work.
Huawei also has one genuinely compelling creative advantage in GoPaint. It is a surprisingly sophisticated painting app that feels much more advanced than a basic bundled sketch tool. You get a wide range of features, including more than 100 brush options, color picking tools, and effects like a splatter brush, which makes it feel like a serious canvas for illustration rather than a simple note-taking extra. Paired with the M-Pencil, it gives the MatePad Pro Max a stronger identity as a creative tablet, not just a productivity device with stylus support.
The bigger consideration is software rather than speed. Because of ongoing U.S. trade restrictions affecting Huawei, the MatePad Pro Max does not come with Google Services, so users who rely heavily on Google’s apps and services will need to find workarounds.
Audio also helps sell the experience. Huawei includes a 6-speaker crossover system with a quad-driver bass unit, and the sound has enough scale to match the size of the display. It gives movies, music, and games more presence than you would expect from something this thin, which makes the tablet feel like a stronger all-around entertainment device rather than just a beautiful screen.
Battery life is also a strong point, given the 10,400mAh battery. Huawei also includes 40W reverse charging, which adds some practical versatility if you want to top up another device in a pinch. The MatePad Pro Max is clearly designed to deliver a premium media and productivity experience, with the display doing most of the heavy lifting and the rest of the hardware supporting it well.
Sustainability
Huawei’s sustainability story here feels understated, which is often the case with premium tablets that prefer to lead with design and experience. The full-metal body should help the MatePad Pro Max feel durable over time, and there is something inherently longevity-friendly about hardware that feels physically refined. A device that remains pleasant to touch, carry, and look at tends to stay in use longer, and that matters even if it is not framed as a sustainability feature.
At the same time, there is not much information that speaks directly to repairability, recycled materials, or long-term software commitments. That absence is worth mentioning because sustainability is no longer just about whether a product looks durable. It is also about whether it can remain relevant, supported, and serviceable over the years. Without stronger messaging around those areas, the MatePad Pro Max feels more premium than progressive on this front. The tablet feels built to last physically, but the broader ownership story remains less defined.
Value
The MatePad Pro Max is priced like a premium tablet. The 12GB + 512GB model with the Folio Cover costs EUR 1,399, or roughly $1,520 USD. The 12GB + 256GB version with the Smart Keyboard is EUR 1,499, about $1,630 USD, while the 16GB + 512GB model with the Smart Keyboard goes up to EUR 1,649, or around $1,790 USD.
At those prices, the MatePad Pro Max is really selling its hardware. The thin and light design, matte OLED display option, slim bezels, and strong stylus experience help it stand out from other large tablets. That said, it is worth noting that this is a Wi-Fi-only tablet with no LTE or cellular option, and there is no microSD card expansion. Storage tops out at 512GB, which should be more than enough for most users, but heavier users who install a lot of AAA games, edit high-resolution video, or keep large media libraries may want to factor that in.
Verdict
The Huawei MatePad Pro Max gets a lot right where it matters most. It is impressively thin and light for a tablet of this size, and that alone changes how approachable it feels in daily use. The 13.2-inch OLED display is the star of the experience, not just because it is large and vibrant, but because the ultra-thin bezel and discreet front camera integration make the whole front feel unusually clean and immersive. The matte screen is also a real treat, giving the display a more comfortable, paper-like quality that makes watching, reading, writing, and drawing feel more enjoyable over longer stretches.
What makes it stand out is how well the hardware and creative experience come together. The writing and drawing feel is excellent, GoPaint is more capable than expected, and the Glide Keyboard adds real utility without making the setup feel cumbersome. There are still a few tradeoffs, including the keyboard’s limited angle adjustment, lack of backlight, and the Wi-Fi-only setup with no microSD expansion, but for many users, those will be secondary to the overall experience. Huawei’s software situation also still requires some adjustment depending on your workflow.
Even with those caveats, the MatePad Pro Max is a thoughtfully designed tablet that feels distinct in a crowded category. It is not simply trying to be a bigger screen with flagship specs. It is trying to offer a more refined, paper-like, design-conscious experience, and for the right user, it succeeds very well. If your priorities are portability, display quality, and creative work, this is one of the most compelling large tablets Huawei has made.
The post Huawei MatePad Pro Max PaperMatte Edition Review: Thinnest 13-inch Tablet Nails Portability and Creativity first appeared on Yanko Design.
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ASUS’ $849 XREAL R1 glasses deliver console-sized 3D gaming anywhere without bulky gear
The race to create the most practical AR glasses is still on, and Asus already showed its development curve with the collaborative Xreal One Pro. Now, the VR gaming glasses get an exciting newer version, the Xreal R1. They are lighter than other options and less punishing on the eyes, offering a comforting viewing experience. First shown off at CES 2026, the glasses are finally up for preorder at a steep $849. Will they live up to the claims and compete with the much cheaper Meta Quest 3 VR glasses? Only time will tell.
The upgrade from the previous model is incremental, as the display now boasts a smoother 240Hz refresh rate and an ultra-fast 0.01 ms response time, and it comes with a dock to connect to gaming consoles or PCs for streaming content via DisplayPort 1.4, HDMI 2.0, or USB-C. While the control dock is a bit on the heavier side, weighing at 230 grams and measuring 215 x 100 x 25mm, the option of connecting compatible hardware is a big plus. Other things that stay the same include the 57-degree FOV that renders a 171-inch virtual screen from a perceived distance of four meters, and the 1080-pixel resolution Sony 0.55-inch micro-OLED display, which should have been preferably bumped up beyond HD at that price range.
Designer: Asus
According to Asus, the R1 smart glasses, weighing just 91 grams, are the logical extension of the ROG Ally gaming handheld as a result of the unified hardware and software integration, along with the XR technology. To make the users feel as if they’re using a handheld gaming console on their face, the highly responsive display has reduced motion blur and smoother visuals. The finer adjustments, like pumping up the display brightness to 300 nits, adjusting the aspect ratio based on the content, and other visual effects, can be toggled in real time, which is a great feature.
The glasses are equipped with “Electrochromic Lens” technology that automatically makes the screen transparent as soon as the vision focus shifts away. As soon as the wearer’s focus returns, the screen turns tint to black, which can be adjusted to three different dimming levels in settings. For a heightened level of spatial awareness, these AR glasses come with built-in Bose-tuned speakers. This comes in very handy in FPS games where identifying the source of enemy steps is vital to in-game survival. If you are willing to shell out another $100 on the XREAL EYE add-on, the glasses unlock 6DoF tracking capability, which deepens the level of realism in a virtual 3D world.
The post ASUS’ $849 XREAL R1 glasses deliver console-sized 3D gaming anywhere without bulky gear first appeared on Yanko Design.
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A Chair With a Drawer, a Calendar, and a Point of View
The first thing you notice about Massimiliano Malagò’s chairs is that the bottom half looks like it’s giving up. The ceramic bases appear to be softening, pooling, their surfaces undulating in slow waves as if the weight of everything sitting on top has finally gotten to them. The upper halves, either blond plywood cut with clean geometric precision or yellow foam dense as old mattress padding, hold their shape with complete indifference. The contrast is the whole conversation.
Malagò is an Italian architect based in New York who teaches at Columbia University’s Graduate School of Architecture and runs the practice HHMM with set designer Helene Helleu. His body of work has a recurring habit of using furniture as intellectual argument, treating each piece as a spatial essay. These chairs, created as part of On the Calculation of Volume for a Greenpoint apartment renovation he developed alongside client Kathleen Pongrace, are his most layered statement yet. Literally and figuratively.
Designer: Massimiliano Malagò
Each chair is essentially two objects in a standoff. The bases are hand-sculpted ceramic glazed in a crackled off-white, decorated with small blue motifs that range from heraldic figures and crests to lunar phase calendars marked with numbers from one to thirty. Depending on which chair you’re looking at, the surface texture shifts too. Some bases have a wavy, rippled undulation. Others are pocked with circular voids, perforations from which actual small flowers grow, as if nature has decided to quietly move in through whatever gaps the city left open.
The upper chair structures sit on top of these organic, softened bases like they arrived from a different address entirely. The plywood versions are laminated and layered, their cut edges revealing the strata of material inside like a cross-section of something ancient, while the foam versions have a raw, utilitarian quality that reads somewhere between construction material and domestic comfort. Both feel deliberately unfinished in a way that is not careless but considered. Malagò is clearly not interested in making the perfect chair. He is interested in making a chair that has something to say about what living in New York actually costs you, in time, in money, and in compromises.
The storage element is where it gets genuinely clever. Pull open a drawer concealed within the ceramic base and you find a sliding metal mechanism holding books. The idea that a chair can house your library inside its own body, that seating and storage are so compressed in a small New York apartment that they must physically merge, is either a practical solution or a quiet diagnosis of how little room the city actually allows. I’d argue it’s both.
The lunar calendars printed across the ceramic surfaces in blue add another layer. Numbers arranged around moon phases suggest cycles, passing time, the rhythm of days that accumulate in a place where rent comes due whether you’re thriving or barely holding on. These aren’t decorative flourishes. They’re documentation. Malagò treats the surfaces of these chairs the way someone might treat the margins of a notebook, filling them with information that only makes full sense once you step back and read the whole thing together.
The material pairings are where the real honesty lives. Ceramic is permanent, archival, the kind of material you associate with objects meant to outlast the people who made them. Foam and plywood are impermanent, budget-conscious, the materials of first apartments and temporary solutions. Putting them together isn’t a design provocation for its own sake. It’s a portrait of how most people actually live, reaching for something lasting while working with whatever is available. The chair holds that tension without resolving it, which feels exactly right.
Design that tries to tell you something about city life usually does so at a comfortable, critical distance. These chairs plant themselves in the middle of it. They sit in a real apartment, used by a real person, and they carry the full weight of that reality in every surface.
The post A Chair With a Drawer, a Calendar, and a Point of View first appeared on Yanko Design.