This guide is designed to show you how to fix the black screen problem on your iPhone, we cover a wide range of things that you can try to resolve the issue on the iPhone. Apple’s iPhones are marvels of modern technology, but even they aren’t immune to occasional glitches. One of the most disconcerting […]
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Navigating the digital world with an iPhone can be both exhilarating and, at times, a tad frustrating. But you’ll be pleased to know that there are numerous tricks up the sleeve of this device designed to enhance your user experience significantly. The video below from Proper Honest Tech walks us through 10 tips that we […]
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Cryptocurrency theft or attack is a serious issue of concern in the digital currency world. In fact, in the latest Statista crypto theft report, $320 million was lost in February 2022 alone and was never recovered. While cryptocurrencies are well known for sophisticated security systems, hackers have always found entryways into these tough security systems […]
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Those who've been paying Netflix through iTunes over the past years will soon have to say to goodbye to their lower, discounted rates. The company has confirmed to The Verge that it has started removing users' access to their iTunes billing plan for the streaming service. "Members on the basic plan who were using an iTunes method of payment" will now have to pay the company directly using a credit or a debit card, Netflix representative Momo Zhao told the publication.
Netflix stopped letting new customers sign up for in-app subscriptions on Apple devices way back in 2018 to avoid giving the latter a commission. It allowed those who've already been paying through Apple to keep their payment preference, though, and at least one person said they were still enjoying the service's $10-a-month price until they got booted off their grandfathered pricing.
The company killed its $10 basic plan in the US and the UK last year, which used to be its cheapest ad-free option in the regions. After a price increase a few months following that event, new customers have had to pay at least $15.49 to get a viewing experience that's not interrupted by ads. The ad-supported option now sets them back $7 a month, while the Premium tier that comes with support for four devices and Ultra HD now costs subscribers $23. Customers who used to pay through iTunes will now have to pay these prices — that is, if they still want to keep their subscriptions active.
This article originally appeared on Engadget at https://www.engadget.com/netflix-removes-grandfathered-accounts-access-to-apple-itunes-billing-055305616.html?src=rssThose who've been paying Netflix through iTunes over the past years will soon have to say to goodbye to their lower, discounted rates. The company has confirmed to The Verge that it has started removing users' access to their iTunes billing plan for the streaming service. "Members on the basic plan who were using an iTunes method of payment" will now have to pay the company directly using a credit or a debit card, Netflix representative Momo Zhao told the publication.
Netflix stopped letting new customers sign up for in-app subscriptions on Apple devices way back in 2018 to avoid giving the latter a commission. It allowed those who've already been paying through Apple to keep their payment preference, though, and at least one person said they were still enjoying the service's $10-a-month price until they got booted off their grandfathered pricing.
The company killed its $10 basic plan in the US and the UK last year, which used to be its cheapest ad-free option in the regions. After a price increase a few months following that event, new customers have had to pay at least $15.49 to get a viewing experience that's not interrupted by ads. The ad-supported option now sets them back $7 a month, while the Premium tier that comes with support for four devices and Ultra HD now costs subscribers $23. Customers who used to pay through iTunes will now have to pay these prices — that is, if they still want to keep their subscriptions active.
This article originally appeared on Engadget at https://www.engadget.com/netflix-removes-grandfathered-accounts-access-to-apple-itunes-billing-055305616.html?src=rss
Harry Potter fans will have their mouths wide open for the next big set revealed by the LEGO Group. Yes, the Sorting Hat for choosing out of the four Hogwarts Houses (Gryffindor, Slytherin, Ravenclaw, Hufflepuff) that each of the students will go to, now gets a dedicated LEGO version.
This detailed set slated for a March 1, 2024 release consists of 561 pieces in total, each one coming together to create the intricate build. It’s going to be the first time in more than a decade that LEGO has incorporated a sound box in one of its Harry Potter sets. The Talking Sorting Hat will carry a price tag of $100 when it is finally available to pick off the shelf. Eager Harry Potter fans can also pre-book it right away!
Designer: LEGO Group
The hidden sound box says out loud randomized phrases in English, that we all are familiar with. Of course, these are from among one of the magical verses that assign the person (holding the tip or placing it on top of the head) to one of the four Hogwarts houses. When the 9.5 inches tall and 7.5 diameter LEGO set is fully assembled it can be adorned on a stand that has the Gryffindor, Slytherin, Hufflepuff and Ravenclaw house symbols all around. The tip of the hat and the eyebrows are both movable – in fact, pressing the hat’s tip opens the mouth, sways the eyebrows and plays the random phrase from the 31 available options.
As a generous bonus, the Talking Sorting Hat comes with an exclusive Harry Potter minifigure wearing the Sorting Hat miniature version and looking ever so cute. As already mentioned the set consists of printed bricks depicting each of the houses, the other patches are realized with the stickers.
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While I’m basically a digital person, I turn analog when it comes to my journaling habit. This means I have a lot of tools like notebooks, stickers, washi tapes, and other ephemera to help me journal. But probably my most important “weapons” are my pens. As someone who likes colorful things, I collect different colored (both ink and the pen’s actual color) pens that I can use when I write in my various journals. So whenever I see a new kind of pen, whether it’s the design or the features, I pay attention.
Designer: Seung-Wan Nam
This concept for a pen called Bloomstick is based on the idea that writing down your dreams is an important part in making them come true. So the pen can metaphorically help your dreams to “bloom like flowers” when you write them down on paper using it. The tagline of the product is “click to bloom your dream”. It is basically a pen with a silicone-covered button that when you press it opens to a flower-like shape and turns it into a blooming instrument.
The product renders show different colors available for the pens like green, blue, and pink. The flower part of the pen is white while the “bud” part seems to be of a different color that matches the main, silicone part of the pen. When closed, it looks like just any ordinary pen and you’ll still be able to use it of course but it’s without its blooming design. There doesn’t seem to be any other function that it can do aside from write and look pretty.
As someone who collects pens and who likes flowery, pretty things, this is something I’d probably buy if I see it in a stationery store. Now if it can actually make my handwriting look nicer or make my dreams come true, I’d order it as soon as it hits the market.
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Denis Villeneuve’s upcoming movie Dune: Part Two is creating quite a buzz before its March 1 release in the US. Hamilton Watch with its stint of creating watches for more than 500 movies since 1930, wasn’t going to let this opportunity go. The result is a collaboration with Legendary Entertainment and Warner Bros to create a duo of exclusive Ventura timepieces inspired by the epic space opera movie’s prop watch. One of them is the Desert Watch carrying a minimalist charm while the Edge Dune Edition has a sci-fi character to it.
We found a fancy for the latter, so we’ll be talking about this sci-fi timepiece here. However, some things are common to both these watches including the commemorative ellipsoid packaging that represents the psychedelic drug in Melange and the water depicted by the blue section. On special request of Denis to create the timepiece in close association with the film’s prop master, Doug Harlocker, the watch turned out to be as unique as it gets. It defies the traditional watch norms resulting in a hardwearing wrist gadget well-suited for the Fremen.
Designer: Hamilton Watch
The Hamilton Ventura Edge Dune Limited Edition has a case made out of black PVD coating and measures 51mm x 47.2mm. The 100-meter water-resistant watch mimics the 3D relief elements present in the original timepiece depicted in the movie. I particularly like the intricate circuit board effect and the amazing texture complementing it. On the face, it displays the time in cool blue digits and gets the quartz movement on the inside.
The time reading is done in a vertical formation, looking like a faint blue text that lights up at the push of a button. Also, the blue ring on the watch illuminates to complete the look. When the lights go out they go out with a slight brightness peak and fade into the dark, just like the original prop timepiece. The Hamilton Ventura Edge Dune watch will be limited to just 2,000 units and comes at a price tag of $2,500.
The post Ventura Edge Dune Limited Edition drops straight out of “Dune Part: Two” fantasy onto your wrist first appeared on Yanko Design.
If you’ve browsed through the internet long enough, you’ve seen videos of Taylor Swift or Coldplay concerts, with the entire audience lighting up thanks to LED wristbands that respond to the concert’s lighting and music setup. Well, Dynavisual wants to take that technology a few steps further. The company is working on a set of flexible high-visibility LED ‘billboards’ that can be worn on caps, clothes, bags, etc. The LEDs can be customized to display messages, stats, and brand logos (pretty standard stuff), but what really makes them exciting is their ability to be paired together by the thousands, potentially turning an entire crowd into a massive display. Dubbed ‘Swarm Technology’, Dynavisual paints an incredibly exciting future where massive arenas come to life at concerts or sports games, displaying images, logos, or even massive graphics – just imagine the entire stadium displaying the word ‘GOAL’ when Messi scores. The best part? These Dynavisual displays could then go back to being individual units once the game is over, with each person carrying their display back home and using it like they normally did.
Designer: Dynavisual
Flexible displays have been around for over a decade now, but calling the Dynavisual Pad a flexible display is a bit of a stretch. In theory, it passes the bar, but practically, you’re also looking at a pad that has just 512 pixels, arranged in a 16×32 array. Standard OLED displays like the ones in your phone have millions of pixels per display, but the folks at Dynavisual don’t want you to make that comparison. If looked at independently, the Dynavisual Pad is an entirely different product. It’s designed with a robust construction that can be worn across your body or on your head, has multi-directional flexibility across both X and Y axes, and those individual pixels may give the display an incredibly low resolution, but they’re exceedingly bright. For comparison, the iPhone has a peak outdoor brightness of 2000 nits – the Dynavisual Pad outputs a comfortable 6000 nits, making it up to 3x brighter than traditional phone displays. The reason is simple – the low resolution and high brightness aid visibility over distances of multiple feet, whereas a smartphone display is practically unusable beyond 6-7 feet.
Showcased at MWC 2024, the Dynavisual team is bringing attention to how capable its Pad is. Each Pad is roughly the size of a large phone, has visibility in bright daylight, and boasts a flexible design thanks to ridges in the back that allow it to easily bend in multiple directions, making it perfect for wearing on your person. The device is made to be lightweight, allowing you to wear it on a cap, in a hoodie/jacket, or even on a bag, and it has its own built-in battery. Details on the battery life were unclear, but given that the device has just over 500 LEDs to power, it’s much more power-efficient than your smartphone.
The applications for the Dynavisual Pad are perhaps the most exciting bit as far as the product goes. There’s an obvious use-case in branding/marketing, with the pad accepting logos, messages, and branding elements, but Dynavisual sees the Pad as being a great communication element beyond the narrow marketing approach. It could be used by safety personnel to help deliver messages/guidance, or it could even be used in a personal capacity, perhaps by a cyclist looking to let drivers behind know whether they’re turning left or right (or braking). To that end, the Dynavisual Pad is a pretty smart device. It packs a whole slew of sensors, including GPS, Bluetooth, WiFi, Infrared, and even voice input.
The 6000-nit LEDs are bright enough to shine through thin fabrics too, allowing you to easily conceal them into clothing.
However, things get truly exciting when multiple Dynavisual Pads come together at the same venue. The company has developed a unique protocol that allows multiple Dynavisual Pads to sync together, becoming a swarm or hive-mind. The technology is best displayed within stadiums and arenas, as organizers can command multiple Dynavisual Pads together, turning them into a massive intelligent display that relies on hundreds if not thousands of pads to work as individual pixels. Imagine an entire stadium audience erupting into colors and displaying the score every time there’s a goal (or a touchdown), or lighting up with brand messages during an ad break. Unlike with current LED bands used in concerts that rely on a combination of WiFi and radio frequencies, Dynavisual’s Swarm Technology operates differently. For starters, with existing solutions, LED bands are owned by organizers, distributed to audiences at venues, and collected once the event is over. That isn’t a concern with the Dynavisual Pad, as users can bring in their own Pad devices into a venue and have it automatically sync up with the event’s light and sound system. Moreover, while current LED bands can only display swathes of colors and vague shapes, Dynavisual’s team has managed to figure out how to display images – a feat that’s incredibly tricky because organizers will need to know where every single Pad device is located, and send specific signals to them.
The application of that widespread swarm technology, however, doesn’t translate well to a hands-on demo with just one or two units on display. It’s also a challenge to explain the product to people attending the Mobile World Congress, because there’s a knee-jerk reaction to then compare it to a mobile – which the Dynavisual Pad is NOT. That being said, the swarm technology looks promising, as the visuals quite literally paint a vivid picture… although with massive concerts, tournaments, and large-scale sporting events like the Olympics, the Dynavisual Pad has an audience practically ripe for the picking!
The post Dynavisual Hands-On at MWC 2024: Flexible Displays found their most exciting application yet first appeared on Yanko Design.
Showcasing their tech at the Mobile World Congress, Everysight is riding the new AR (or should we call it Spatial) wave with the Maverick, their small, sleek, and stylish glasses that challenge the bulky mixed reality glasses and headsets we see today with something so close to regular glasses, you wouldn’t be able to tell the difference. Designed with a projected display that lets you see data and metric overlaid on the existing world, the Maverick uses an entire slew of sensors to track position, orientation, and head-tilt to ensure that digital elements remain in your line of sight (LOS) and correctly oriented. In fact, the Maverick even bagged multiple awards last year, including the iF Design Award and the Red Dot Award.
Designer: Everysight
Unlike most AR headsets that can make you look a little dystopian when walking down the streets or sitting in a subway (we’re looking at you, Vision Pro wearers), the Maverick stands at the intersection of great tech and fashion. Weighing in at under 47 grams, these glasses boast a sporty, ergonomic frame that promises comfort for all-day wear, a crucial consideration for devices intended to be part of our daily lives. This comfort does not come at the expense of durability or style, making them a versatile accessory suitable for any occasion.
AR glasses are only as good as their displays (something that most Vision Pro users will swiftly point out – which is why the Maverick impresses with its crisp, high-contrast visuals despite its tiny package. Utilizing a Sony Color microOLED display, it delivers stunning visuals characterized by vibrant colors and sharp details. The high-brightness display guarantees an optimal viewing experience in both indoor and outdoor settings, a testament to the glasses’ adaptability and user-centric design.
Ease of use is at the forefront of the Maverick design, with an intuitive interface that allows users to navigate and control features through simple gestures. This user-friendly approach is further enhanced by advanced sensors like a 3D accelerometer, gyro, and magnetometer, which provide accurate line-of-sight tracking for an immersive augmented reality experience.
Battery life is a perennial concern for wearable technologies, and here, Maverick impresses with over 8 hours of continuous operation. This endurance is complemented by efficient power management, ensuring that the glasses support a day’s worth of activities without needing a recharge. Such longevity is essential for users who demand reliability from their smart devices.
User interface and interaction are streamlined for ease of use. Maverick features an intuitive interface that allows for effortless navigation and control through simple gestures. This ease of use is further enhanced by the inclusion of a 3D accelerometer, gyro, and magnetometer, providing accurate line-of-sight tracking that enriches the augmented reality experience by aligning virtual objects with the real world seamlessly. Moreover, the Maverick glasses are designed with inclusivity in mind. They offer an RX solution with personalized lenses tailored to individual prescriptions, ensuring that users with varying visual needs can enjoy the benefits of smart eyewear without compromise.
Connectivity is robust, with Bluetooth 5.2 ensuring seamless pairing with a wide range of devices, including iOS and Android smartphones, as well as Apple Watch and Android Wear. This connectivity underpins the Maverick’s versatility, making it a central hub for notifications and digital interactions on the go.
In the box, users will find everything needed to start their journey with Maverick: tinted removable visors, a charging cable, a carrying case, a pouch, a cleaning cloth, and interchangeable nose pieces. Everysight is selling a developer edition of the Maverick for $399, although it’s unclear when the public rollout will begin, and what the price will be for regular consumers.
Everysight’s Maverick glasses represent a significant advancement in smart eyewear, proving that it’s possible to stay stylish while benefiting from the latest in wearable technology. They set a new benchmark for combining practicality with elegance, ensuring users can stay connected in a visually compelling, productive, and convenient manner. If these glasses could brew coffee, we might never find a reason to take them off.
The post If the Apple Vision Pro and the Google Glass had a baby, these AR glasses would be it… first appeared on Yanko Design.