This gorgeous concrete sculpture of the New York Flatiron Building is actually a high-end Speaker

It isn’t often that you see brutalism as a design style being used outside architecture… but this sculptural speaker is a different beast entirely.

Designed to look like it was chiseled out of actual concrete, “TheSoloist. Sounds.” from Takahiro Miyashita was crafted with the vision of being the absolute centerpiece of your living room. Outwardly, it’s an homage to New York’s Flatiron building, standing at an impressive 43 inches tall with a dizzying amount of detail. Behind that exterior, however, is a 7-speaker setup designed to output a whopping 2000W of audio power, loud enough that its engineers promise “spectacular sound pressure that can be felt directly on the skin.”

Designer: Takahiro Miyashita

Before your ears experience TheSoloist. Sounds.’s audio, your eyes are treated to one of the most beautiful speakers they’ll ever see. Now in the realm of speaker design, TheSoloist. Sounds. is far from traditional. It doesn’t boast your standard acoustic chamber, audio grill, or showcase the drivers. It looks entirely like an artistic representation of New York’s architecture emerging from a block of concrete, but under that facade hides all of the audio magic. The sculpture can be split into two halves, the upper chiseled section and the lower, which arguably house the mid/high, and the woofer drivers respectively.

The lower section sports two 6.5″ woofers, while the upper part of the speaker houses two 3″ mid-range and three 1″ tweeters, covering a frequency range of 20Hz ~ 25KHz. The speaker pulls 2000W of power, and outputs an impressive 110dB of audio. The entire unit comes crafted from faux concrete, weighing 55lb (24.9 kilograms)… which does feel deceptively light for its nearly 4-foot stature.

Recreated for a second edition after the first one sold out, TheSoloist. Sounds. sports an eye-watering $$6,345.32 price tag… but that makes sense just given the amount of effort and intricate detail that went into the exterior as well as its inner hardware. That being said, TheSoloist. Sounds. isn’t for the discerning audiophile. It’s made for people who want an expressive statement piece to dominate their interior spaces – something this brutalist speaker does exceedingly well!

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This Spotify Speaker helps Long Distance Relationship couples bond over music

Long-distance relationships (LDRs) pose unique challenges, with 37% of couples parting ways within three months of becoming geographically separated. In response to this, the innovative product SoundMotion has emerged, offering a streamlined way of companionship specifically designed for couples navigating the complexities of distance. Unlike traditional communication technologies that focus on explicit information transmission, SoundMotion integrates music sharing, physical engagement, and subtle notifications to address the emotional nuances essential for fostering intimacy in LDRs.

Designer: Zhujun Pang

While researchers in human-computer interaction (HCI) have explored various technologies for emotional communication in LDRs, they often fall short of addressing the complex emotional changes and needs of long-distance couples, especially whose love languages include ‘physical touch’ and ‘acts of service’. SoundMotion takes a user-centered approach, focusing on implicit emotional communication through the combination of music sharing and physical interactions.

The beginning of SoundMotion involved a meticulous design process, starting with the identification of the need for a user-centered approach. The concept evolved through brainstorming, sketching, and the development of an inspiration board. The initial design involved integrating physical devices with a streaming service and creating a bespoke music-sharing channel for couples. The swinging motion was chosen as the primary means of physical interaction, signifying new messages and indicating the partner’s online status.

To enhance the user experience, the design underwent iterations, with feedback leading to adjustments in the placement of the screen and the incorporation of personification elements. The swinging motion, inspired by the movement of a bell, aims to strengthen the sense of companionship through anthropomorphism.

SoundMotion is a dedicated communication system facilitating seamless interaction between long-distance couples. Equipped with a device known as SoundMotion, each couple gains access to synchronized music listening and basic physical engagement. The tangible interaction design conveys the partner’s state through subtle, ambiguous cues, capturing attention without intrusiveness.

The SoundMotion device features a hat that acts as a switch, controlling Bluetooth speakers. Opening the hat to a horizontal angle activates the device as a music speaker, while fully opening it triggers the Couple Channel, displaying the screen. The swinging motion of the hat serves as a notification, indicating the partner’s status during music playback.

The development process included prototyping, where an electromagnet initially drove the swinging motion. However, due to limitations in the magnetic field range, a servo motor replaced the electromagnet for more effective performance. This user-friendly adjustment highlights SoundMotion’s commitment to refining the user experience through practical testing and improvements.

SoundMotion employs the ESP8266 as its hardware platform, establishing a connection with the Spotify server. This connection allows the transfer of emoji feedback data generated during user interaction, enabling Spotify to analyze the data through the Spotify Web API. The result is personalized music recommendations, enhancing the overall experience for long-distance couples.

SoundMotion stands at the forefront of technology designed to address the emotional needs of long-distance couples. By combining music sharing, physical interaction, and subtle notifications, this innovative product offers a unique and user-centered solution to the challenges faced by those navigating the complexities of a long-distance relationship. SoundMotion not only bridges the physical gap but also fosters emotional closeness, making it a promising development in the realm of human-computer interaction for intimate relationships.

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Fiio CP13 revives Sony Walkman mixtape era in a USB-C chargable version

Fiio, best known for its audiophile-grade DACs and desktop streamers has surprised everyone at CES 2024 with a retro gadget that breaks the ice in terms of its nostalgia. This is the CP13 cassette player inspired by the popular Sony Walkman back in the 80s era.

The gadget is just not a shell inspired by the Walkman of that time, rather it is a modern cassette music player to its true core. You can gauge the realism from the fact that there isn’t Bluetooth on this music player to keep this very authentic. However, the Chinese manufacturer has added USB-C charging feature to save you from buying AA batteries every week.

Designer: Fiio

Doesn’t this mean, that cassette player technology has gone a full circle and now coming back in trend? In fact, the year 2022 saw an annual sale of 195,000 cassette player units. The appearance in ‘The Last of US’ and pop albums by Billie Elish, Lady Gaga and Taylor Swift further seems to strengthen this fact!

Paying homage to the original Walkman in dual tone silver blue finish, the gadget has a retro design with large playback buttons, 3.5 mm headphone port and an oversized knob. By the looks of things, there’s no option to auto-reverse, so you’ll have to manually change sides. However, you can fast forward, reverse and pause just like the original one.

Another added feature along with the more modern charging port is the status LED. The player is good for 15 hours of playback on a single charge but sadly there’s no function to convert tapes to MP3 files. Of course, there’s the signature color variant but audioheads can also go for the matte black with white and the blue with metal silver option.

The audio accessory is priced at $164 and I’m not too sure if I’ll be going down that road anytime soon. Still, the Fiio CP13 does evoke a lot of fond memories of the golden era when owning music albums and following artists was a lot more precious compared to modern times.

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I’m ashamed how much I love Mercedes-AMG and will.i.am’s attempt to turn cars into DJs

If you’ve ever wanted to turn your car into a DJ, with the sound controlled by how you drive, then you need to buy a Benz, stat. Mercedes-AMG and will.i.am have turned up at CES 2024 in Las Vegas with what they’re calling MBUX SOUND DRIVE (all caps, as if to be bellowed). Sadly, it’s hard to talk about what it is and what it does without robbing it of its mystery, so apologies in advance: It’s essentially a system that pulls data from the car’s suite of sensors, which then helps control a specially-deconstructed music file. But, as joyless as that description sounds, once you’ve experienced it, you’ll wonder why it hasn’t been done before. Not to mention that, at the risk of gushing, it really does deepen the emotional connection between driving and the music you’re listening to.

The announcement came as part of Mercedes’ CES push, which this year is focused on the power of its audio setup. Alongside the announcement of MBUX SOUND DRIVE, it’s boasting of a new partnership with Amazon Music and Audible. That’ll see Dolby Atmos versions of its exclusive audio dramas, podcasts and books come to compatible vehicles. (The highlight of the event was when legendary British audio producer Dirk Maggs took to the stage, the figure responsible for the latter radio versions of The Hitchhikers Guide to the Galaxy.)

MBUX SOUND DRIVE works by pairing musical elements in a song with ten inputs taken from the car. Start the car and all you get is the track’s bed, so to speak, looping in the background waiting for you to get moving. Push on the accelerator at low speeds and it’ll add some bass reverb to the song, while turning the steering wheel gets you extra effects or the chorus loop kicking in. It’s only when you open the car up on a clear highway and the main music and lyrics will start blasting, rewarding you for moving along. And then, when you’re coasting toward a stop light, the lead vocal and melody will peel away, returning you to the far less intrusive backing track.

If nothing else, it’s a spectacular piece of hardware and software development, given the fact even the fanciest in-car platform wasn’t designed to do this. It’s worth pointing out the extent of the achievement that’s enabled something like this to happen on an existing system. And there are plans to extend it further so, for instance, if the windshield wipers detect rain, the music will change to reflect the mood.

The demo I experienced had 16 tracks pre-loaded, including The Black Eyed Peas’ I Got A Feeling and Le French’s Night Drive. These songs have all been broken down and rebuilt to take advantage of MBUX SOUND DRIVE’s separated format. When you’re just cruising around a Las Vegas parking lot, it’s all pretty restrained, even if you do put some heavy reverb on while you’re parked. In fact, the whole experience at slow speeds could almost be described as teasing, offering you hints of the song you know and love, but never giving you the whole thing.

It’s only when you (or in this case, your qualified driver) puts their foot down and you suddenly start screaming down the road that the whole song kicks in. Even a song like I Got A Feeling, hardly the most bombastic, suddenly feels epic in this format. The closest thing I can compare it to is those moments in Grand Theft Auto when you’re opening it up on the highway and a great track kicks in. Of course, the best example of that would be cruising down the road while David Bowie’s Somebody Up There Likes Me plays. But, despite will.i.am’s promises that when the system arrives halfway through 2024 all genres will be well-represented, I’m not so sure. After all, it’s clear that tracks primarily based on discrete loops are going to be the easiest to translate and the most well-suited to the environment.

In terms of the future, will.i.am shared his hopes that tracks could be hard-coded to reflect a geography. He used the example of a car going through a tunnel, which would prompt a gas car driver to put their foot down to fill the space with engine noise. But in our electric future, where there is no engine noise, users will instead have to content themselves with the jolt from their favourite song. He added that he also dreams of building in easter eggs for songs, which would only start playing when the car reaches a specific location. On one hand, I’m curious how many musicians would take the time to remix their existing songs for the size of the addressable market. Which, in this case, is only Mercedes-Benz vehicles equipped with a second-generation MBUX system. Then again, money talks.

We're reporting live from CES 2024 in Las Vegas from January 6-12. Keep up with all the latest news from the show here.

This article originally appeared on Engadget at https://www.engadget.com/im-ashamed-how-much-i-love-mercedes-amg-and-williams-attempt-to-turn-cars-into-djs-023948867.html?src=rss

LG unveils Retrofuturistic Jukebox at CES 2024 with tube amplifiers and a transparent OLED display

When LG isn’t making televisions that fold into briefcases, they’re working on other oddball projects like this rather eclectic jukebox that simultaneously relies on vintage vacuum tube amps for retro-style warm audio, and a transparent OLED display on the front that lets you view the album art and control playback, but also see the magical hardware behind. The DukeBox, as LG calls it, will make its grand debut at CES this year, along with other new devices that LG has been teasing in the past.

Designer: LG

The DukeBox is a unique proof of concept for a high-end speaker that rivals the likes of Devialet and B&O when it comes to building an experience around listening to music. It’s vaguely reminiscent of the Lyric Speaker from back in 2017, but instead puts a transparent screen in FRONT of the speaker’s hardware, with the ability to adjust the transparency depending on your mood. The speaker’s highlight remains the tube amplifiers encased within it, although it also boasts a large front-facing speaker at the bottom and a set of 360° tweeters on top that fill your room with booming sound. The display on the front can also be used in a variety of ways, ranging from displaying semi-transparent album art and playback information, to something a little more seasonal like a roaring fireplace. There’s no word on the DukeBox’s pricing, although if LG plans on selling it, expect this retrofuturistic audiophile’s dream to cost a pretty penny.

Image Credits: LG

The post LG unveils Retrofuturistic Jukebox at CES 2024 with tube amplifiers and a transparent OLED display first appeared on Yanko Design.

This super-slim, portable Bluetooth speaker is fitting companion for your next travel destination and Harman Kardon portfolio

There is no denying the profound impact travel and music have on healing the mind and rejuvenating the body. When we travel, a good portable speaker is a necessary companion to enhance well-being and inspire us back to take up the mundane life by its neck, until travel is on the itinerary once again.

Top-notch brands have a range of portable Bluetooth speakers on the market that tinkle the audio senses beyond imagination, but it’s the design that weighs heavier on our choice. To that accord, Harman Kardon has been at the forefront of delivering portable audio equipment that helps us tap the transformative power of music on the go. Case in point the Esquire Mini 2!

Designer: Sunghyun (Teddy) Hwang

Taking a leaf from the design of this ultra-slim and portable Bluetooth speaker, a designer has tweaked the form factor to give us a super-slim speaker that evokes memories of a Sony point-and-shoot camera. Fittingly called the Traveller, the Bluetooth speaker is designed according to the Harman Kardon design language. It has a premium design and a look as iconic as the Esquire Mini 2, with touch control buttons and LED light indicators on the top.

Entrusted with meaty features for a traveler’s liking, the slimy speaker comes powered by a high-density battery offering up to 10 hours of backup for uninterrupted music on the go. Interestingly, the Traveller has reverse charge functionality. So, when your primary device playing music through the speaker dies, you can use the Traveller as a power bank to juice it up back to life.

Since the beautiful and compact speaker has Harman Kardon branding; the range and sound quality are a given. What would stand out for many – who cannot avoid calls no matter where they go – the Traveller features dual microphones with built-in echo and noise cancellation for clarity in calls you take or make. To be delivered in three interesting colors: black, silver and electric blue within a premium quality carry pouch, the Traveller Bluetooth speaker intends to be a suitable companion for your next travel destination and Harman’s portfolio.

 

The post This super-slim, portable Bluetooth speaker is fitting companion for your next travel destination and Harman Kardon portfolio first appeared on Yanko Design.

Master & Dynamic MW75 Neuro headphones analyze brainwaves to optimize your work-life balance

Master & Dynamic can satisfy the most finicky audiophiles with the highest-quality audio solutions. Already on the high spectrum of the headphones industry, the NY-based company now wants to break the shackles and venture into the new age of music listening experience.

They’ve collaborated with Neurable, a tech company focused on bringing neuroscience to everyday gadgets for user’s well-being. The result is a pair of cans that are smart enough to know when you are stressed or need to focus on the task at hand. In a way these headphones are not just about listening to music, rather they are about optimizing your mental state for peak focus or stress relief to get you through the day.

Designer: Master & Dynamic and Neurable

Dubbed the MW75 Neuro, these high-tech wireless headphones provide precise statistics and graphs for analysis, so that you can plan your day to maximize productivity. This is of course done via the accompanying app that highlights the most productive times to the moments of stress. On their own, the MW75 Neuro can mute notifications, enable Do Not Disturb mode and activate the Active Noise Canceling mode if it determines your brain has too much fluff to filter out in a period of focus tasks. All the fancy tech will be housed in the padded earcups of the headies and they look and feel almost like any other luxury headphones.

As clear from the name, these advanced headphones are based on the brand’s acclaimed MW75 headphones that have class-leading audio performance courtesy of the 40mm Beryllium drivers, ANC capabilities thanks to the 4 microphones that toggle the ANC levels based on the environmental sounds and stellar 28 hours battery life with ANC turned on. The MW75’s Master & Dynamic wants to usher into a new era of BCI-enabled wearable technology with these cans, and this is a clear sign of where the industry is heading toward, taking the next big leap in audio.

As Jonathan Levine, Master & Dynamic founder & CEO put it, “The greatest advancement of audio technology over the last decade has been the migration from analog to Bluetooth wireless devices. Moving now into brain sensing thrusts the industry into a new wave of innovation. We’re proud to lead the charge with Neurable.”

The Neuro variant will be available in four colors (Onyx, Argent, Olive, and Navy) for early adopters in the first quarter of 2024 for a price tag of $649. That’s only $50 more than the standard MW75 version which increases its likelihood of being picked up by geeks who want to experience more than just sublime audio. The M&D headphones will be a game changer for professionals who strive for a balanced work-life regime and audiophiles who are too obsessed with the technical and specifications!

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Microsoft Copilot can now make cute little songs on demand

Microsoft Copilot just rolled out a new feature that creates songs via text prompt, thanks to a partnership with AI-based music creation platform Suno. Microsoft says it gives users the ability to craft personalized songs, “regardless of musical background.” Suno has long been working with various algorithms to create an AI that can whip up entire songs and it looks like the company has struck gold.

When you access this tool, all you have to do is enter a prompt and let the algorithm do the rest. The end result should be “fun, clever and personalized” songs, complete with lyrics and singing voices. You can also make an instrumental tune, if that’s your bag. AI use has been ramping up in the music-making space, but most of those tools are intended to help musicians. This is primarily for non-musicians looking to make a tune for a birthday email or something.

To that end, Microsoft gives prompt examples like “create a pop song about adventures with your family” and “make a song that captures the spirit of growing up.” It looks like the Suno add-on will have access to any personal data accrued by Copilot during use, so these songs could, in theory, get pretty specific.

The feature begins rolling out today, but it’s a tiered release. In other words, it could be a few weeks before it reaches your update box. In the meantime, you’ll have to make do with the thousand other things that Copilot can do.

This article originally appeared on Engadget at https://www.engadget.com/microsoft-copilot-can-now-make-cute-little-songs-on-demand-182305372.html?src=rss

Apple will reportedly reward artists for offering music in spatial audio

Apple will reward record labels and artists who offer their music in spatial audio, a relatively new audio format that is more immersive than regular stereo. According to a Bloomberg report, artists who release their music in spatial audio will receive “added weighting” starting next year. That, Bloomberg speculates, could mean higher royalties.

Nearly all of Apple’s audio hardware such as AirPods, HomePod, the iPhone and the upcoming Vision Pro headset, support playback in spatial audio, so the company’s move to incentivize artists is almost certainly to ensure that most music available on Apple Music is available in a format that Apple has positioned as a selling point. Notably, Bloomberg notes that Apple Music listeners wouldn’t necessarily have to stream a song in spatial audio for artists to be rewarded. Simply having their music available in the format would be enough.

Apple added spatial audio, which is powered by technology from Dolby Atmos, to Apple Music in 2021. Most of the company’s original shows and movies on Apple TV+ are also offered in the format. Artists also have the option of mixing their older music in the new format, something that bands from all decades are already doing. Mixing music in the format isn’t wildly expensive, according to Bloomberg; if true, this push could help get independent musicians and smaller acts on board.

Some Apple Music competitors like Amazon Music and Tidal also offer spatial audio on their services. But Spotify, Apple’s biggest music stream rival, is a notable exception, even though rumors about a high-quality music format on the service have swirled for years.

Update, January 22, 2024, 5:07 PM ET: Apple started offering 10 precent higher royalties to artists who offer music in spatial audio on Apple Music from January, according to a new report from 9to5Mac

This article originally appeared on Engadget at https://www.engadget.com/apple-will-reportedly-reward-artists-for-offering-music-in-spatial-audio-183713277.html?src=rss

Apple will reportedly reward artists for offering music in spatial audio

Apple will reward record labels and artists who offer their music in spatial audio, a relatively new audio format that is more immersive than regular stereo. According to a Bloomberg report, artists who release their music in spatial audio will receive “added weighting” starting next year. That, Bloomberg speculates, could mean higher royalties.

Nearly all of Apple’s audio hardware such as AirPods, HomePod, the iPhone and the upcoming Vision Pro headset, support playback in spatial audio, so the company’s move to incentivize artists is almost certainly to ensure that most music available on Apple Music is available in a format that Apple has positioned as a selling point. Notably, Bloomberg notes that Apple Music listeners wouldn’t necessarily have to stream a song in spatial audio for artists to be rewarded. Simply having their music available in the format would be enough.

Apple added spatial audio, which is powered by technology from Dolby Atmos, to Apple Music in 2021. Most of the company’s original shows and movies on Apple TV+ are also offered in the format. Artists also have the option of mixing their older music in the new format, something that bands from all decades are already doing. Mixing music in the format isn’t wildly expensive, according to Bloomberg; if true, this push could help get independent musicians and smaller acts on board.

Some Apple Music competitors like Amazon Music and Tidal also offer spatial audio on their services. But Spotify, Apple’s biggest music stream rival, is a notable exception, even though rumors about a high-quality music format on the service have swirled for years.

This article originally appeared on Engadget at https://www.engadget.com/apple-will-reportedly-reward-artists-for-offering-music-in-spatial-audio-183713277.html?src=rss