A Music Instrument for the Hearing Impaired: This Synth uses Tactile and Color Cues Instead of Sound

“Play by ear” as they commonly say, doesn’t really apply to people with hearing impairments. The most common example of a hearing-impaired musical genius remains Beethoven, who composed entire orchestral pieces by relying on what he remembered from a time when he could hear. By the time he reached the peak of his career, Beethoven was completely deaf, but his memory served him well when it came to playing music… not everyone today has that luxury, but the Vibra helps the hearing impaired play music by connecting the audio to other senses like touch and sight.

Designers: Ahn Taegwang, Go Yeongseok, Hwang Jimin, Lee Wonjae

A winner of the Red Dot Design Concept Award, Vibra is a new instrument and service that can meet the musical needs of people with hearing impairments. Unlike traditional instruments that rely entirely on auditory feedback, Vibra relies on a combination of vibrations or haptic feedback, and visual cues like color and composition. The musical instrument comes with a modular design that serves the needs of multiple instruments, from key-based to percussive, string, and even electronic. It eventually pairs with an app that allows players to visualize their music. With a fair amount of visual training and consistent practice, hearing-impaired people can use the Vibra to play existing tunes and even compose new music entirely on their own.

The companion app fills in the sensorial gaps left by the auditory impairment. It provides a visual interface that helps conceptualize sound in a graphic sense, allowing people to understand notes, chords, harmonies, and other complex theories through vision instead of sound. The app enables practice, helps users find which instrument they’re more comfortable playing, and also allows them to learn and practice how to play popular tunes!

The Vibra is a Winner of the Red Dot Award: Design Concept for the year 2023.

The post A Music Instrument for the Hearing Impaired: This Synth uses Tactile and Color Cues Instead of Sound first appeared on Yanko Design.

Astell&Kern’s Award-Winning SR35 Portable Hi-Fi Audio Player Delivers Sublime Sound on a Budget

The iPod may have died at the turn of the 2010s, but for audiophiles, Astell&Kern’s handheld Hi-fi Digital Audio Players (DAPs) couldn’t have come at a more perfect time. Since 2012, the company’s developed some of the most premium-sounding audio gear consumers could ask for, with the SR35 being a culmination of the company’s decade-long innovation in the audio category. Now in its fourth avatar (following last year’s SR25 MKII) the SR35 boasts even better specs, with 20 hours of continuous playback, Quad DAC, and two-step Gain control – all powered by Astell&Kern’s New Generation Amp technology, featured for the first time in their portable A&norma product range.

Designers: So Yean Kim, Ji Sun Kim, Jong Min Jeong, Dong O Hwang, Seon Mi Ko & Jong Seung Kim

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The A&norma SR35 lives up to Astell&Kern’s lofty legacy. It delivers sound that rivals full-size players, ensuring you get the most out of your music on the go. At the heart of the SR35 is the Cirrus Logic CS43198 Quad DAC Chip, ensuring impeccable sound reproduction. What sets it apart is the inclusion of Astell&Kern’s TERATON ALPHA technology, which enhances dynamics, spatial perception, resolution, and separation, delivering true-to-life Hi-Fi audio that does your lossless music collection true justice.

The experience is powered by Astell&Kern’s latest amp technology. Pulling from its top-end A&ultima line, the SR35 is the first in the A&norma series to get this high-end amplifier tech, which effectively improves noise reduction at high power output. To ensure consistent operation with various impedance output sources, the output end of the SR35 is enhanced with increased current handling capability, thereby optimizing performance across multiple devices. The SR35 comes with two-step gain-matching (“Normal Gain” and “High Gain”) for different headphones and IEMs, and houses three jacks on top for wired connections including one unbalanced 3.5mm out, and balanced 2.5mm and 4.4mm outputs respectively.

Although the audiophile community expresses much disdain for wireless experiences, the A&norma SR35 does a compelling job of handling wireless audio well too. The SR35 embraces the future of music playback with Bluetooth v5.0, supporting LDAC and Qualcomm® aptX™ HD codecs. Additionally, its dual-band (2.4/5GHz) WiFi ensures uninterrupted streaming and Roon Ready compatibility, allowing you to enjoy HiFi music through various services. The BT Sink function connects the SR35 to external devices via Bluetooth, offering a cableless, wireless solution for music file management, and Roon Ready compatibility elevates your audio experience by delivering the best sound quality through network systems.

The A&norma SR35’s design is instantly memorable with its iconic slanted 3.6-inch HD display that’s carried forward from its SR15 in 2018. With perhaps the strangest bezels on the planet, the hi-fi audio player boasts a tilted UI that cleverly avoids accidental touches from your thumb or fingers while holding the device. The tactile experience gets carried forward to that large textured volume crown on the side, which becomes a defining element of sorts for the SR35’s design. The other defining element is its compact, chiseled form factor that Astell&Kern describe as ‘warrior-inspired’. The bezel on the left is shaped like a broad sword with a pointed tip, while the large volume knob almost doubles as a shield-like element. The angled surfaces also lend a rugged appeal to the hi-fi audio player, eliciting a comparison with Tesla’s armored Cybertruck. All this combined has earned the SR35 multiple accolades including the iF Design Award 2023.

But it’s not all about outer aesthetics; the user interface has received a thoughtful overhaul too. The SR35 boasts a redesigned Crimson-themed UI/UX for an immersive music experience while simultaneously offering intuitive navigation through music categories with simple gestures as well as a powerful search feature and integrated album art for a visually engaging experience. The dark black and red theme not only reduces eye fatigue but also prolongs the SR35’s industry-leading battery life. Built with a 3,150mAh battery on the inside, the SR35 provides an impressive 20 hours of continuous playback that comfortably gets you through long-haul flights, long workdays, vacations, or even lazy weekends when listening to great music can become somewhat of a ritual.

The A&norma SR35 weighs a mere 184 grams, despite its all-metal body that gives it a premium in-hand experience. It sports a USB-C port at the base that lets you charge your audio player or connect it to a Windows or macOS device for transferring files. For enthusiasts, the SR35 starts at $800, undercutting Astell&Kern’s A&ultima series (while still delivering all the power-features) as well as the competition.

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Listen to the ‘final’ Beatles song, ‘Now and Then,’ made with help from AI

The Beatles are back, sort of. The fab four just released a new song, the group’s first since 1995. “Now and Then” is being advertised as the final Beatles track, which makes sense given that two of the members have passed and the other two are well over 80 years old.

The song was built using a demo track from John Lennon dating back to the 1970s and a guitar track from George Harrison from 1995. The surviving Beatles, Paul McCartney and Ringo Starr, finished off the tune with the help of modern machine learning technology.

The software, which was first used by director Peter Jackson when making the Get Back documentary for Apple, was able to split Lennon’s vocal from the piano without any bleed, giving the remaining Beatles free rein to add whatever they wanted. You can watch a documentary on the making of the song right here.

As for the song itself, it’s a relatively slow Lennon ballad, with his vocals being a highlight. McCartney lays down one of his effortless bass lines and Starr hits the drums. The guitar solo is in the style of Harrison, but not actually played by him, though he handles some of the rhythm guitar in the background. There’s also a full orchestral arrangement because, well, it’s the Beatles. This likely won’t go down as one of the group’s most beloved tracks, but that Lennon vocal is both haunting and beautiful.

“Now and Then” was supposed to come out back in 1995 as part of The Beatles Anthology, along with “Free as a Bird” and “Real Love”, two other tracks culled from 1970s Lennon demos. Back in the 1990s, however, the technology just wasn’t there to separate Lennon’s vocal from the piano without some serious degradation to the original take.

The Beatles may say this is their last song ever, but we’ll report back in 2053 and see if that ends up being true. See you then. In the meantime, check out the track.

This article originally appeared on Engadget at https://www.engadget.com/listen-to-the-final-beatles-track-made-with-machine-learning-and-archival-recordings-153253946.html?src=rss