Logitech Mobi Fold review: The ultra-compact travel mouse
The Mobi Fold is an excellent travel accessory for anyone who wants something that's better than the built-in touchpad on their laptop.
Why the Samsung Galaxy S27 Pro Secretly Beats the Ultra
Samsung’s Galaxy S27 series represents a significant step forward in flagship smartphone design, offering two distinct models tailored to different user preferences: the Galaxy S27 Pro and the Galaxy S27 Ultra. These devices strike a balance between innovation and practicality, making sure that users can select a model that aligns with their specific needs. While […]
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What DJI Left Out of the Osmo Pocket 4P and Why It Matters
The DJI Osmo Pocket 4P stands out as a compact camera designed to balance advanced features with everyday usability. As highlighted by TechAvid, one of its most notable upgrades is the inclusion of a 1-inch CMOS sensor, which offers 17 stops of dynamic range for enhanced detail and color accuracy. This, combined with features like […]
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Why the Minisforum HX77G Could Be the Ultimate Steam Machine Alternative
Compact gaming PCs are becoming increasingly popular and the Minisforum HX77G stands out as a strong contender for those seeking an alternative to the Steam Machine. Powered by an AMD Ryzen 7 7735HS processor and paired with an AMD Radeon RX 6600M GPU, this device offers a balance of performance and efficiency in a small […]
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Seattle is close to approving a year-long ban on large data centers
The Seattle City Council has approved a moratorium on the construction of large data centers.
Forget Apple Intelligence: 10 Massive WWDC Updates You Can Use Without AI
Apple’s Worldwide Developers Conference (WWDC) showcased a variety of updates that extend beyond artificial intelligence, emphasizing performance, customization, and accessibility. These enhancements span iOS 27, macOS, and other platforms, delivering improvements for both new and older devices. Below is a detailed exploration of the most noteworthy non-AI features revealed during the event. The video below […]
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11 Hidden iPhone Features You’ve Probably Been Ignoring
Your iPhone is more than just a communication device; it’s a versatile tool equipped with features designed to enhance your daily life. However, many of these capabilities often go unnoticed, hidden in plain sight. By exploring these lesser-known tools, you can improve productivity, simplify tasks, and elevate your overall experience. Below, we delve into 11 […]
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LiberNovo Maxis Gives Bigger Builds the Chair They Actually Deserve
The ergonomic chair market has grown considerably over the past decade, with brands competing on lumbar support, adjustability, and build quality. For most people, the options are plentiful. For taller and broader users, though, the experience often tells the same uncomfortable story: seats that run out before the knee, backrests that stop short of the shoulders, and headrests that hover just out of reach.
LiberNovo’s answer to that gap is the Maxis, a chair that doesn’t try to stretch an existing design to fit bigger frames. It’s been built from the ground up with larger bodies in mind, carrying the slogan “Built for Bigger Builds” with some conviction. Everything from the seat platform to the backrest geometry has been re-engineered around what someone between 5’10” and 6’7″ needs from a chair.
Designer: LiberNovo
Click Here to Preorder Now: $10 deposit unlocks $30 discount on balance payment. Hurry, deal ends on 16th June.
The most immediate difference is the seat itself. At 52cm deep, it supports the full length of the thigh rather than cutting off too soon. That might seem like a minor detail, but anyone who’s worked long hours on a seat that runs out before it should know exactly how quickly that discomfort compounds. The reinforced frame also supports up to 399lbs.
The fit story continues further up. The neck support covers a wider vertical and horizontal adjustment range, so it can actually reach where taller users need it rather than floating somewhere above. The armrests are custom-sized with more span and travel than standard chairs allow. Their slightly curved shape also helps prevent the waist compression that straight-edged rests tend to cause for bigger frames.
This becomes more concrete in the upper half of the chair. LiberNovo says the Maxis back frame expands to a 430 mm shoulder span and a 520 mm waist width, giving bigger builds fuller contact instead of leaving pressure concentrated in narrower zones. The headrest is just as deliberate, with 140 mm of vertical travel and 120 mm of horizontal adjustment, plus a U-shaped design intended to support the neck more naturally.
What keeps the Maxis from feeling like a bigger version of an ordinary chair is how the backrest actually behaves. The Bionic FlexFit Backrest is designed to move with the body as posture shifts, rather than holding rigidly to one position. That’s the core idea behind LiberNovo’s Dynamic Support System, which maintains alignment through movement without needing constant manual readjustment.
The recline system follows a similar logic. The Maxis locks into five preset positions, from 105 degrees for focused, upright work up to 160 degrees for near-flat recovery. The stops in between cover the varied moments a long day actually involves: a video call, a longer solo session, a quick pause. Having distinct positions makes switching between them quick and intentional rather than endlessly fiddling with them.
The Maxis comes in three versions built on the same reinforced frame. The Manual keeps things simple with a physical dial for lumbar adjustment. The Electric adds motorized lumbar control alongside OmniStretch, a stretch-and-release cycle designed to relieve spinal compression after prolonged sitting. The Airflow builds on that with active seat ventilation, using a centrifugal fan embedded in the cushion to keep things cool and dry.
LiberNovo Omni Pro
OmniStretch and the Airflow ventilation both address the fatigue that builds gradually over long sessions. OmniStretch extends the lumbar support upward and gently releases it, creating a stretch-and-release motion intended to help relieve compression from prolonged seating. The ventilation system addresses heat accumulation in the seat cushion, helping the chair stay more comfortable through longer sessions. Both features treat comfort as something that has to hold up across a full day.
The Maxis launches alongside two new additions to the broader LiberNovo lineup. The Omni Pro brings motorized lumbar support, OmniStretch, and active seat ventilation to the standard-size Omni platform, making it the performance-oriented choice for users who don’t need the larger Maxis frame. The Omni SE takes a more stripped-back approach, pairing the same ergonomic architecture with a manual lumbar mechanism for a simpler, set-and-forget setup.
LiberNovo OmniStretch
LiberNovo opened the Maxis pre-order period in the US on May 12 at 7:00 PM PDT, with the official launch set for June 16 at 9:00 AM PDT and the first release window running through July 31 at 9:00 AM PDT. During that pre-sale stretch, orders qualify for super early bird pricing, with discounts reaching up to 44% in the US. A $10 deposit also unlocks a $30 discount on orders of $1,000 or more, along with a free 1-year extended frame warranty and access to a three-tier premium gift package for qualifying purchases.
What the LiberNovo Maxis gets right is treating a larger body as the actual design brief, rather than an afterthought dealt with by scaling up existing dimensions. Every adjustment range, support angle, and contact point has been calibrated around that focus. For taller and broader professionals who’ve spent years on chairs that never quite fit, that’s a meaningfully different sitting experience.
Click Here to Preorder Now: $10 deposit unlocks $30 discount on balance payment. Hurry, deal ends on 16th June.
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Adidas Just Squared the Stan Smith. It Actually Works.
The Stan Smith is one of those shoes you either already own or have owned at some point. Originally developed as a tennis shoe in 1965 under the name Adidas Robert Haillet, it became one of Adidas’s most recognizable silhouettes of all time, outlasting trends, entire aesthetic movements, and decades of fluctuating fashion without ever really trying. It’s clean, it’s white, it’s unmistakable. So when Adidas announced the Stan Smith SQ, a version with a deliberately squared-off toe, the reactions were predictably split between “finally” and “why would you do that.” I land firmly in the first camp.
The square toe has a longer history than most people realize. Evidence of blunt-toed footwear dates back over 1,700 years, with roots in Japan, and the style resurfaced periodically over the centuries, including in Victorian women’s shoes and later through rodeo culture, where square toes were practical for balance and foot movement. In the modern era, Martin Margiela made it a high-fashion statement with his square tabi shoes, and that influence never quite went away. Now, with brands across the spectrum embracing exaggerated silhouettes and unconventional geometry, the square toe is very much back in serious conversation. Adidas didn’t just chase a trend here. They attached it to one of the most recognizable shoe silhouettes in existence, which is either a genius move or a bold gamble, probably both.
Designer: Adidas
What makes the Stan Smith SQ work is that Adidas knew where to stop. The rest of the shoe is essentially untouched. You still get the glossy white leather upper, the signature Three Stripes perforations along the side, the green heel tab, and yes, the actual photograph of Stan Smith on the tongue. The update is a single, precise edit: one geometric shift that changes the entire energy of the shoe without erasing everything that made it iconic in the first place. That kind of restraint is harder to achieve than people give designers credit for. It’s easy to overhaul. It’s much harder to know which one thing to change.
The squared toe box introduces a sharper, more structured profile. It makes the shoe feel less sporty and more fashion-adjacent, which is clearly the point. For a sneaker that has spent decades straddling the line between athletic and everyday wear, the SQ version leans confidently toward the latter. It reads as intentional in a way the original can’t always pull off, given how casual and effortless its default vibe tends to be. Put the Stan Smith SQ on with a clean outfit and it doesn’t just blend in, it actually finishes the look.
There will be people who find the square toe awkward, and I get it. Rounded toes are familiar. They feel safe, anatomical, expected. The square version asks you to commit to something a little more deliberate, a little more fashion-aware. It’s the kind of shoe that signals you’ve thought about what you’re wearing, even if the rest of your outfit is as simple as jeans and a white T-shirt. That’s not a bad thing to communicate.
At $130, the Stan Smith SQ is priced in line with the original, which is worth noting. This isn’t a luxury reimagining or a limited collector release. It’s a widely accessible design update dropping in the classic white and green colorway for Summer 2026. That accessibility matters. It means the square toe gets a real audience beyond the fashion insiders who already knew the Margiela reference. It puts the idea in front of people who just want a good shoe that looks considered, and that’s a much broader and more interesting conversation to be part of.
Whether you’re a sneakerhead, a design enthusiast, or just someone who likes footwear that looks like it was chosen on purpose, the Stan Smith SQ makes a quiet but confident case for itself. Not every update to a classic needs to be revolutionary. Sometimes the most interesting design decision is a single, deliberate line drawn somewhere it hasn’t been before.
The post Adidas Just Squared the Stan Smith. It Actually Works. first appeared on Yanko Design.
This $129 Floating Pen Doesn’t Just Write. It Spins for 30 Seconds
Most pens are designed to disappear into the background of your workday. You toss them in a drawer, lose them in a bag, borrow one from a colleague, and replace them without thinking too hard about it. The Levitating Pen 3.0 operates from an entirely different premise. It hovers an inch above its base at a 60-degree angle, bobbing gently in place, spinning for up to 30 seconds when you twist it – as if the act of writing deserved a little more theater than we’ve allowed it.
That sounds like novelty until you spend a moment with the idea. Then it becomes clear that the point is not just that it floats, but that it changes the ritual around one of the oldest tools on your desk. A pen is still one of the few objects you reach for when a thought feels too quick, too rough, or too personal for a keyboard. When the act of picking it up becomes intentional rather than automatic, the writing changes a little too.
We have optimized so much of work life for speed that wonder now feels almost unprofessional, as if delight has to justify itself through productivity before it earns a place on a desk. The Levitating Pen 3.0 makes a quiet argument against that. It suggests that not every useful object needs to look anonymous, and that a tool can still do its job while reminding you that imagination has practical value too.
Picture it at 8:30 in the morning, before your inbox has fully ruined the day. Your notebook is open, coffee is still hot, and the pen is hovering in that slightly unreal way that makes your workspace feel less like a holding area for tasks and more like a place where ideas might actually happen. You reach for it, feel the small satisfying release of the magnetic hold, jot something down, and return it to the pedestal. Then it settles back into that floating posture again. You are not just putting a pen down. You are returning an object to its stage.
It Started at Earth’s Axial Tilt. Now It’s This.
The original Levitating Pen was angled at 23.5 degrees – a deliberate nod to Earth’s axial tilt, the angle at which our planet leans through space. It was a quiet piece of philosophy built into a physical object. The 2.0 refined the writing experience. The 3.0, now angled at a more commanding 60 degrees, is where the design reaches full architectural confidence. The stand evolved from a base to a stage. The visual language moved from clever to commanding.
That kind of refinement matters because novelty has a short shelf life. Either an object matures into something with conviction, or it remains trapped as a trick. Three iterations over several years is how you tell the difference.
Aerospace Aluminum, Titanium, and One Very Deliberate Trick
The pen is built from aircraft-grade aluminum, titanium, and brass — each material earning its place. The aluminum keeps it light. The titanium gives the body a satisfying density. The brass houses the magnetic architecture that makes the whole illusion work.
The floating effect suspends the pen one inch above the pedestal at 60 degrees, as if frozen mid-motion. Disturb the air around it and it bobs gently in place. That small movement is what gives it life – hypnotic enough to interrupt a thought spiral and reset your attention without ever tipping into gimmick.
The revised pedestal is taller than previous versions, giving the levitation more visual breathing room. The pen’s long, seamless silhouette cuts a sharper line in space than a conventional writing instrument ever could. It resembles a small spacecraft – a comparison that would sound ridiculous if the object did not actually deserve it.
And it still writes. Rollerball with a Schmidt cartridge, fountain pen with a fine 0.5mm nib, or a 2-in-1 that lets you swap between both. The writing experience is precise, not performative. The floating posture gets your attention. The ink earns it.
Why $129 Is Actually the Honest Price
A well-made metal pen already pushes into premium territory on its own. Add a thoughtfully designed stand and you are not far from this number – except most pen-and-stand combinations do not share a visual language, a magnetic levitation system, or the kind of presence that changes how a desk feels when you walk past it.
What you are paying $129 for, with the Levitating Pen 3.0, is the convergence of writing instrument, kinetic object, and desk sculpture into a single resolved piece. For someone who wants their workspace to say something more specific than “functional,” that distinction matters. This is for the founder who still sketches ideas by hand. The architect who cares how an object rests when it is not being used. The designer who believes tools shape attention. If that sounds specific, it is. The specificity is the point.
We spend so much of our lives surrounded by objects that do their jobs and disappear. The Levitating Pen 3.0 does something rarer. It performs its function while changing the atmosphere around it. A good pen records ideas. This one makes room for them.
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