Google’s TurboQuant is making waves in the AI hardware sector by addressing long-standing challenges in memory usage and processing efficiency. Developed with components like the Quantized Johnson-Lindenstrauss Algorithm, TurboQuant achieves up to sixfold reductions in memory requirements while preserving model accuracy. This compression algorithm also accelerates processing speeds by as much as eight times, allowing […]
A new company needs to make a strong first impression. For Fender Audio, a new outfit owned by the legendary Fender Musical Instruments Corporation but operated by Riffsound, that introduction comes in the form of two speakers and a set of headphones. The Elie 6 ($300) and Elie 12 ($400) are portable Bluetooth speakers with sophisticated designs and unique features, offering similar functionality in two different sizes. These devices are essentially speaker/amplifier hybrids, since they both have ¼-inch/XLR combo inputs among their connections. Despite the unique mix of connectivity, the speakers still need to sound good and work well to compete with the many excellent portable options available today.
The good: Design, inputs and overall clarity
The first time I saw the Elie 6 and Elie 12 in person, my eyes were immediately drawn to the design. These certainly don’t look like your typical Bluetooth speakers. That’s due in large part to the refined, almost retro look that’s consistent across both models. The Elie duo are products you won’t mind showing off, while many portable speakers are too flashy or brightly colored to be kept in a prominent place.
All of the onboard controls are clearly labeled physical buttons or dials, so you’re not left wondering how anything works. Around back, both the Elie 6 and Elie 12 have combo ¼-inch/XLR inputs (with 48V phantom power) as well as buttons for two wireless inputs and a 3.5mm line out. That combo jack means both speakers can double as amps, and the dual wireless connections allow you to sync microphones for karaoke sessions or hosting trivia night. This expanded functionality speaks to Fender’s history as a guitar icon, but it also gives the Elie speakers an upper hand over much of the competition at these sizes. Typically if you want these types of inputs, you’ll need to consider a much larger party box-style speaker to get them.
Before I move on from the controls and inputs, I need to mention the dedicated three-way mode switch for single, stereo and multi-speaker uses. This is so much easier than what’s on most portable speakers, which usually entails some weird dance with Bluetooth pairing or an app to sync multiple units together. Enlisting a physical switch so you know exactly where things stand is a much better and faster experience.
Some of the Elie 12's controls
Billy Steele for Engadget
In terms of sound, the best thing the Elie 6 and Elie 12 speakers have going for them is their overall clarity. The crisp, clear quality gives these Fender Audio units an advantage over the competition at these sizes. Throughout a range of genres — including bluegrass, alt-rock and heavy metal — both the Elie 6 and Elie 12 handled the varied styles with ease. The Elie 12 has twice the speakers as the Elie 6 (two full range, two tweeters and two subwoofers) and double the power output at 120 watts. So, of course, there’s more volume and bassy oomph on the larger speaker.
Both the Elie 6 and Elie 12 have a wider soundstage than many speakers of similar sizes. You can really hear this on American Football’s debut album, where the guitars ring clear, interlaced with drums while the vocals float on top. All of the elements stand on their own, but are seamlessly blended throughout every track. The Elie 12 features more bass and volume, but the overall sound quality, and importantly, clarity, is pretty similar for both speakers. I did notice more instrumental separation on the larger model though, so the album is a bit more immersive there.
The not so great: Controls, no app and battery life
While I appreciate the physical controls on the Elie 6 and Elie 12, the playback options are limited, which means you’ll be reaching for your phone often. There’s only a play/pause button on both speakers, and no controls for skipping tracks. And no, you can’t skip forwards or backwards with a double or triple press on the play/pause button. Plus, only the Elie 12 has bass and treble dials, so there’s currently no option for adjusting the sound on the Elie 6.
That’s because Fender Audio is still working on an app for its speakers and headphones. The lack of customization was an issue for me on the Mix headphones, and it continues to be one here. Customers need access to features and settings on devices like this, even if a company decides to offer audio presets instead of a full EQ. Some type of visual interface would also help when you’re using a few of those inputs at once. A basic mult-channel mixer maybe? Hey, a boy can dream.
Going back to the controls, the volume dials on both speakers could use refining. First, a listenable volume doesn’t happen until halfway. Anything below that and that excellent clarity isn’t present, and you can’t really hear the content well at all. There’s plenty of power at 50 percent and above, so that’s not a concern, but the control needs to be recalibrated for more even increases. What’s more, adjustments are slightly delayed: when you turn the dial, it takes a second or two for the speaker to catch up. To me, it feels like that should be instantaneous.
The input panel on the Elie 6
Billy Steele for Engadget
When it’s time to venture outdoors, both the Elie 6 and Elie 12 are IP54 rated for dust and water splashes. However, both speakers have a wood panel on top, which certainly won’t withstand much moisture. As such, I find the IP ratings confusing, since it’s obvious the entirety of the designs aren’t up to that task. If you’re careful about water though, both speakers have enough volume for open-air use.
One other consideration for the Elie 6 and 12 is their weight. The smaller speaker weighs just over five pounds, while the larger model is a whopping 8.8 pounds. For comparison, the Sonos Play is just 2.87 pounds and JBL’s Xtreme 4 tips the scales at 4.63 pounds. This means the Elie 6 and 12 are portable options, but they aren’t the grab-and-go type of speakers some of the competition offers — especially when weight matters.
Battery life is one other area the Elie 6 and Elie 12 fall behind some of their competition. The smaller Elie 6 offers 15 hours of use while the larger Elie 12 should last up to 18 hours. That sounds like more than enough since it's longer than a full day, right? Well, JBL Bluetooth speakers at comparable prices last 24 and 34 hours. The new Sonos Play is rated at 24 hours, and one of my personal favorites, the Bose SoundLink Max, lasts up to 20 hours.
Wrap-up
The Elie 6 (left) and Elie 12 (right)
Billy Steele for Engadget
There’s no doubt Fender Audio built two versatile, great-looking speakers here. Both the Elie 6 and Elie 12 are capable devices, and you don’t have to sacrifice much if you opt for the smaller of the two. The unique collection of inputs is typically only available on much larger speakers and the overall sound quality is well-suited for a range of genres.
Speakers like these really need an app though, especially when a company offers four inputs to juggle. I’m sure would-be customers would also like to dial in the EQ to their preferences, too. Sure, you can find longer battery life elsewhere, but the blend of design, sound and connectivity stands out at these prices. I’d call that a solid first impression.
This article originally appeared on Engadget at https://www.engadget.com/audio/speakers/fender-elie-review-handsome-speakeramp-hybrids-with-excellent-clarity-123000448.html?src=rss
If you’re using an older Kindle, you may want to check what year it was released. Amazon has sent out emails to some of its users, with a warning that it’s discontinuing support for Kindle ereaders and Fire tables released in 2012 or earlier. You can still read books you’ve already downloaded on those devices, but you’ll no longer be able to purchase, borrow or download new ones, starting on May 20, 2026. In addition, if the device has an issue that can only be solved by a factory reset, doing so will brick it. Deregestering it will also render it unusable. On Kindle Fire devices, users won’t be able to purchase or download content anymore, but other services would remain functional.
The affected models include the very first Kindle, Kindle 2, Kindle DX, Kindle Keyboard, Kindle 4, Kindle Touch, Kindle 5 and the first version of Kindle Paperwhite. We’ve asked Amazon why it decided to cut off support for those models, and the company told us: “These models have been supported for at least 14 years — some as long as 18 years — but technology has come a long way in that time…”
Amazon also told Engadget that this only affects approximately 3 percent of its current users, whom it’s now urging to upgrade. In its email, it gives them a promo code for 20 percent off select Kindle devices, as well as ebook credits if they purchase a new model by June 20. “Our newer Kindle devices bring meaningful improvements in screen quality, performance and accessibility — and you'll have access to your complete Kindle library and the Kindle Store,” the company wrote.
Update 04/08/26 8:23AM ET: Added information we received from Amazon.
This article originally appeared on Engadget at https://www.engadget.com/mobile/amazon-is-cutting-off-support-for-older-kindles-115653205.html?src=rss
A PC case that incorporates the water cooling loop into its structure offers a unique approach to system design. Visual Thinker has designed and built a compact 13-liter small form factor (SFF) case that uses custom water distribution plates as part of its framework. This design removes the need for traditional reservoirs and extensive tubing, […]
Apple’s Worldwide Developers Conference (WWDC) 2026, scheduled for June 8, promises to be a pivotal event in the tech industry. With leaks and rumors pointing to a robust lineup of software and hardware announcements, the event is expected to highlight Apple’s growing focus on artificial intelligence (AI) and its integration across the company’s ecosystem. Here’s […]
Insta360, the company best known for its action cameras, just released the Snap selfie screen. It's a small display that connects via USB-C and sits on the back of your phone, helping you to use your rear camera for higher resolution vlogging or selfies.
The 3.5-inch touchscreen allows you to adjust camera settings like zoom and focus and frame your selfies before you take them. The company has also released a model it co-developed with the beauty tech brand AMIRO that offers a built-in light with multiple color temperatures and brightness levels. The standard Snap costs $79.99, while the version with the light runs $89.99.
If you search "selfie screen" on Amazon, you'll see that this isn't a brand-new product space, but you'll also find that the most popular results are wireless screens. Insta360 claims that its USB-C-connected solution offers a more stable and lower latency feed.
The Snap is 6.8mm thick, a hair thinner than an iPhone 17, and attaches magnetically to the back of MagSafe-compatible iPhones. Insta360 says there is an included magnetic ring for other devices and that Snap supports Android phones that offer DisplayPort Alt Mode, a screen-mirroring function. Insta360 says Snap is compatible with all the major third-party camera and social media apps to make capturing and posting easier.
Phones like the iPhone 17 and Galaxy S25 feature rear cameras that offer roughly three to five times the resolution of their front cameras, or in the case of the Galaxy S25 Ultra, about 16 times as much. So, unless smartphone manufacturers start investing more heavily in front-facing cameras, Snap could find a market among creators and social media aficionados.
This article originally appeared on Engadget at https://www.engadget.com/mobile/insta360-releases-usb-c-selfie-screen-its-calling-snap-120001741.html?src=rss
The vehicles use tech from MOIA America, the US wing of Volkswagen's self-driving subsidiary. Uber and MOIA plan to deploy thousands of ID. Buzz vehicles across the US over the next decade. LA is the pilot city, and if all goes well, it will spread to "multiple US markets." The companies say they're still on track for rides (with safety drivers) in LA in late 2026.
Uber / MOIA
The ID. Buzz is Volkswagen's modern take on the automaker's classic "hippie van" microbus. The head-turning EV has minivan-style sliding doors and seats up to seven people, making it a logical fit for larger groups hailing an Uber. The vehicle has a per-charge range of up to 234 miles.
After selling its in-house self-driving unit in 2020, Uber pivoted to a new strategy of partnering with multiple AV companies. It currently offers autonomous rides in the US with Waymo (Phoenix, Austin and Atlanta) and Avride (Dallas). Overseas, it has live service with WeRide in Abu Dhabi, Dubai and Saudi Arabia. Uber has a long list of other partners lined up for future services, including (among others) Rivian, NVIDIA and Zoox, the latter of which also plans to debut van rides in LA within the next year.
Correction, April 8 2026, 8:50AM ET: A previous version stated that driverless rides would be available in 2026; AVs are planned to be on LA streets in 2026, but with human safety drivers. Engadget regrets the error.
This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/uber-begins-testing-its-volkswagen-id-buzz-robotaxi-fleet-in-la-120000762.html?src=rss
Xbox’s Project Helix is an initiative designed to merge the convenience of console gaming with the flexibility of PC platforms. By incorporating technologies like FidelityFX Super Resolution and advanced ray tracing, it aims to enhance gaming performance and visual quality. However, as Kevin Kenson explains, this strategy raises concerns about compatibility and the potential loss […]
This 12-sided clock turns global timekeeping into a calmer desk ritual
Keeping up with different time zones sounds simple until it becomes part of your everyday routine. You check your phone before a call, open another tab to confirm the hour, do a quick mental calculation, and still second-guess whether it’s too early in Tokyo or too late in New York. Not to forget the perils of push-notifications – a quick check of time leads you down a drain of doom-scrolling that you take an hour to return from! To add a layer of analog convenience in this increasingly digital setup, I present the Rolling World Clock.
Why Traditional World Clocks Never Quite Feel Right
The Rolling World Clock takes a familiar category and gives it a much smarter form. Instead of relying on screens, menus, or a row of tiny city labels, this analog desk object turns world time into a simple physical interaction. Built with 12 sides, each representing a major timezone city, it lets you roll from one location to another and instantly read the local time with a single hand. It’s a cleaner, more tactile answer to a problem that has long been solved in ways that feel unnecessarily digital.
That analog quality is a big part of the appeal. There’s a growing interest in devices that help people step back from constant digital interaction, and this clock fits neatly into that trend without feeling nostalgic for nostalgia’s sake. It still solves a modern problem, especially for people working with global teams or keeping in touch with friends and family abroad, but it does so in a way that feels grounded and human. You’re not swiping, tapping, or toggling between screens. You’re just rolling the object in your hand and reading the time.
Built for modern routines, expressed through simple interactions.
The city lineup also makes it genuinely useful. The 12 sides cover major global time zones, including London, Paris, Cape Town, Moscow, Los Angeles, Karachi, Mexico City, New York, Shanghai, Tokyo, Sydney, and New Caledonia. That gives it enough range to be practical for a wide variety of work and lifestyle needs, whether you’re coordinating meetings, planning travel, or just trying not to message someone at the wrong hour.
Built for a More Intentional Desk
For the desk setup fanatics, there’s also a strong aesthetic argument here. The Rolling World Clock is available in black and white, two finishes that make it easy to integrate into a modern desk setup without fighting for attention. It has the kind of understated presence that works especially well for young professionals who want their workspace to feel differentiated without becoming visually noisy. It’s functional, yes, but it also reads as a design object, the sort of piece that quietly signals taste.
Clean lines, one hand, no distractions.
That balance of utility and personality is what makes this more than a novelty. If you work across cities, collaborate with clients in different regions, or simply like the idea of keeping global time visible without adding another glowing screen to your day, this clock makes a strong case for itself. It taps into a broader shift toward analog tools that feel slower, more deliberate, and more human, while still solving a very modern problem.
Feels as good in the hand as it looks on the desk.
Why It’s Worth Picking Up Now
At $49, the Rolling World Clock lands in a sweet spot for a desk upgrade that feels distinctive without being overcommitted. It also has the kind of giftable appeal that comes from being both useful and conversation-worthy. And with only a few left, it carries just enough urgency to make hesitation a risky move.
If your desk could use an object that feels smarter, calmer, and more intentional than another digital widget, the Rolling World Clock is worth grabbing now. It’s currently available in the Yanko Design Shop in black and white, and with limited stock remaining, this is one of those rare functional design pieces you probably shouldn’t wait on.
Meta has released a new version of WhatsApp for CarPlay that has much better integration that its previous version. As MacRumors and9to5Macreport, the new app gives users access to a native interface. The old WhatsApp for CarPlay is mostly limited to Siri-operated features. Users can, for instance, ask Siri to compose messages or place calls for them. The new interface has a contact info section, where they can see the profiles of people saved in their account, as well as a favorite contacts section that makes it easy to find users they usually message or call.
Users can also find a list of their recent chats and call history within the app. Plus, they’ll see new shortcut buttons for sending messages via dictation or for placing a call, in case they don’t want or can’t give verbal Siri commands. Meta has been beta testing the new app since at least last week. Now that it’s available, users can have access to all the features we’ve listed by updating their iOS app and connecting to their infotainment systems. OpenAI also recently rolled out ChatGPT's Voice mode to CarPlay, allowing drivers to hold a conversation with the chatbot while on the road.
This article originally appeared on Engadget at https://www.engadget.com/apps/whatsapp-adds-a-better-native-interface-for-carplay-112127361.html?src=rss
