Camera Accessories designed to transform photography lovers from amateur to pro level!

No matter how advanced photography tech may get, there’s something about DSLRs and the fact that they always reign supreme. Anyone who owns a DSLR takes the utmost care of their precious camera, it’s their most prized possession! They’re always looking for the best ways to take care of and amp up their camera. And, for those photography lovers, we’ve curated a collection of accessories that promise to function as the perfect sidekick to your DSLR. This bunch of accessories will elevate the functionality and usability of your camera, giving your pictures that extra professional edge and boost!

Looking quite like a miniaturized stage setup from Coachella, the Photon was designed to give your photography the next big hardware upgrade. With an incredible camera now being able to fit right in your pocket, it only made sense to make expert studio lighting accessible to everyone too. The Photon isn’t your regular lightbox. It’s a modular system of more than 2700 LEDs arranged within 75 LED blocks. You can trigger any arrangement of LED blocks at any time, lighting up your subjects/products in ways that you never imagined… and you don’t need to manually move lights to change your lighting setup. You can just press a few buttons on your smartphone to switch off one LED block at one location and trigger another one at a different location to dynamically change your light arrangement.

Meet RGKit Play, a set of delightfully modular robotic components that you can put together to create your own motion rig. Comprising all sorts of toys and tools like wireless motors, belts, pulleys, turntables, rails, light controllers, and sensors, RGKit Play lets you easily and effectively create rigs to film professional-style videos, move/animate your products, create motion sculptures, and even make stop-motion films without breaking the bank! RGKit Play puts you in the role of the DOP (Director of Photography) as the robots carry out your vision. You can shoot professional-looking videos, or even create stop-motion flicks using RGKit-compatible stop-motion software. Moreover, the kit even lets you build complex dioramas or kinetic art pieces, bringing your sculptures and illustrations to life by using moving, sliding, and other interacting modules to add motion to your art and designs!


Designed to echo the V4’s aesthetic, each ‘DSLR Cube’ can be used as a standalone carry-along pouch for when you just want to have a camera with you. If you really want to up your game, the V4’s additional accessories even include a passport case that snaps to the bag’s side and even though the bag is thoroughly weatherproof, an additional silicone coated nylon fabric rain cover shields your entire bag from the harshest rain, sleet, and snow… making your travel, adventure, and photography game absolutely hardcore!


Quite literally designed to be the most essential accessory to your phone, laptop, tablet, and even your DSLR, the MoovyGo works as a single solution to your charging needs, allowing you to plug all your devices into one single power source. The tech built within the MoovyGo establishes the power requirements of each device, so your laptop gets its appropriate amount of power, while the power supply to your phone, tablet, and DSLR are all calibrated to their specifications. It also houses within it a power bank, allowing you to charge your portable devices on the go, and even houses a 10W Qi wireless fast-charger on its upper surface, allowing you to quickly juice your smartphone, wearable, or your wireless earphones when the going gets tough.


The DJI FPV X is an RC camera car concept for Filmmakers designed by Parth Kashikar and DAAPworks and comes in handy for enhancing the ease of use and equipment safety. This cool idea came across when Parth participated in a student film project and identified the loopholes in the traditional systems. First up, the RC camera dolly has a larger platform to lower the center of gravity, thereby reducing rollovers’ risk at high speeds. The adaptive stabilization tech at the robotic camera pivot point helps in eliminating the shakiness too. Taking inspiration from the DJI VR headset, the person can control the camera movement by moving in the intended direction in the 3D space. Parth imagines using an existing DJI controller to drive the vehicle in any direction – even recording the motion paths to be replayed in case the intended shot is not achieved. The RC vehicle has easy to replace modular parts to make repairs convenient.


Moment’s Camera Organizer is ideal for storing cameras and lenses, while a battery pouch allows you to easily carry extra batteries, SD cards, and cables. The Tech Organizer and Mini Organizer offer storage for stuff like charging cables, power banks, headphones/earphones, so you can easily pop them out of your bag and carry them to your makeshift workspace, having all your work paraphernalia right on your desk instead of embedded inside your backpack.


I’m of the opinion that a camera is only as good as the person wielding it… so an accessory for the photographer makes as much a difference to the output as an accessory for the camera does. An unlikely product that’s poised to massively upgrade your capabilities as a photographer, the Langly Field Jacket was designed by photographers, for photographers. Its triple-layered construction allows the wearer to stay sheltered in the rain, wind, and even the snow. Developed around a proprietary technology called Weathershield, the jacket keeps water, dust, and snow out while still remaining breathable on the inside. While the build and the fabric allow photographers to overcome tough weather conditions, the design of the jacket itself only enhances that fact. On the outside, the jacket has four cargo pockets that can fit lenses as large as 200mm, while allowing you to holster your camera while you’re preparing yourself for a shot.


Sitting at the junction of style and security, Hardgraft’s chestnut-colored Frame Camera Bag comes with an all-leather exterior and a protective padded melange grey wool interior. Its universal size makes it ideal for all kinds of SLRs, and a padded divider even gives you ample storage for additional lenses and other accessories. The Frame Camera Bag’s all leather construction truly gives it a distinct appeal, with its unified design made entirely from that chestnut brown Italian tanned leather. The bag comes with an adjustable leather strap and even sports a reverse nylon zipped pocket on the side for any other belongings you may have on you.

Designed to be modular, functional, expandable, durable, and versatile, the OneMo has an answer for any sort of scenario. The bag comes with a spacious 25L inner that can be infinitely segregated using modular walls, allowing you to carefully pack and secure your belongings. Whether it’s a camera, a microphone, an expensive lens, or just a pair of clothes, these modular walls flex and bend to form the layout you need, changing every time you change your gear. Modular compartments aside, the OneMo even comes with its own detachable storage unit which transforms into a secondary shoulder bag for stuff like drones, lenses, etc.

The Pinhole Pro comes with completely machined metal construction. The absence of a glass lens makes it more resilient and impervious to damages like scratches, smudges, etc. What’s the most interesting is that the Pinhole Pro features a variable aperture, with pinhole sizes going all the way from 0.1mm to 0.8mm in diameter. The pinhole diameter is adjustable by the dial around the lens, allowing you to play with multiple pinhole diameters, allowing for real-time experimentation and manipulation, a feature that doesn’t exist in any model so far. Smaller pinholes provide crisp details but require a lot of light, while larger pinholes are great for shooting vintage, Hitchcock-esque videos!

This thermal imaging drone could help firefighters quickly locate the source of fire in a building

I’m of the firm belief that robots should be assigned duties that are too difficult or dangerous for humans. Take for instance the Prophet by Marius Kindler, an autonomous drone that’s designed to monitor and assess structures/areas on fire so that blue light departments (firefighters, police & paramedics) can effectively carry out their protective and preventive measures. The drone comes fitted with a FLIR camera that captures a heat-map, helping rescue missions detect sources of fire or even helping them plot the position of humans who need to be rescued.

The tricopter drone’s design can be split into three elements – the propellers, a hockey-puck-shaped FLIR thermography camera at the bottom, and a removable/replaceable battery pack on the top. On-site, the drone can be programmed to run pre-determined routes and will constantly patrol a specific area, analyzing the structural fire to give the rescue team a clear idea of the fire’s source, the building’s layout, and possibly even identify potential safe routes for ingress and evacuation.

“Equipped with FLIR‘s thermal imaging technology it monitors heat exposure and the fire‘s behaviour over time”, says designer Marius Kindler. “Based on the gathered data it can identify anomalies and even predicts how the situation could develop in the near future. The system also makes it possible to link several drones together to a network, enabling all first responders to share their information, responsibilities and their equipment in a collaborative way during emergency incidents.”

The Prophet Drone was the result of a 10-week term project at Umeå Institute of Design in collaboration with FLIR Systems. Although conceptual, it definitely makes a case for how drones can be designed to help protect people and contain major disasters. The technology isn’t too far off, to begin with. Thermography cameras already exist, and autonomous drones are definitely a thing… so it shouldn’t be too farfetched to assume that human-assisting drones could soon be a part of every urban neighbourhood’s firefighting arsenal.

Designer: Marius Kindler

This sleek drone fits in your pocket and transforms uses its magnetic modular design!

The rise of drone photography and videography has opened the door to plenty of technological and design advancements. Likewise, with the rise of social media, drones have seen some major improvements across the board, spanning from obstacle avoidance to camera quality and speed. Adding portability to the list, industrial designer Kendal Toerner conceptualized Xenon Drone, a handheld and modular drone designed for the most rugged of adventures.

Xenon Drone was first designed for the drone videographer looking for a drone that’s as durable as it is portable. Noticing the lack of handheld and high-quality drones on the market, Toerner sought to balance functionality and space. Broken down into three pieces, Xenon Drone is made from recyclable, plant-based thermoplastic and features a magnetic launching pad wedged between two drone modules. To communicate Xenon’s portability and simplicity, Toerner designed the drone to be versatile in its assembly, resulting in three different possible forms for flying and stacking achieved via magnetic connectors.

Getting Xenon Drone out of your hands and into the sky is simple—users need only attach the two drone modules at their center magnetic grooves, connect their propellers, and let it fly. One end of each module contains the chunk of embedded electronic wiring; the other end holds Xenon Drone’s triple-axis gimbal camera and batteries. But, while getting it up in the air is exciting, Toerner didn’t lose sight of the importance of a safe landing. Embedded with ultrasonic sensors, Xenon Drone depends on a magnetic landing wand to guide its safe descent—by raising the magnetic wand, Xenon Drone can land safely no matter where it flies from.

Users can also control Xenon Drone’s route from their smartphones using an elastic joystick controller that can adapt to almost any smartphone. From your smartphone, Xenon Drone’s joystick controller displays the drone’s altitude, distance, and velocity, as well as the haptic joystick and pan controls. In addition, integrated GPS technology and Bluetooth connectivity allow users to locate Xenon Drone wherever it lands.

Designer: Kendall Toerner

Broken down into two parts, each module of the Xenon Drone attaches at its magnetic center.

A launching pad was wedged between the two modules to ensure an effective takeoff.

Embedded magnetic springs pluck out to deploy each drone module.

After the two modules connect, propellers are attached before Xenon can take flight.

Xenon’s magnetic connector.

Users need only attach the two modules and connect their respective propellers.

A magnetic landing wand guides Xenon in a safe descent.

An elastic joystick controller allows users to choose Xenon’s route.

“By modulating an electromagnetic force on your fingertip, the flat surface of the controller feels just like a joystick. The further from the center, the more resistance. This allows for eyes-off flying, mitigating finger-drifting issues,” Toerner notes.

“Using the onboard transceiver, GPS, and Bluetooth, the exact location of the two drone parts is always known even when they separate.”

“A camera with a triple-axis gimbal allows for optical image stabilization and manual panning. Having both a wide-angle and telephoto lens allows for unique options when capturing adventures.”

“A thermoplastic, layer-based circuit board can be decoupled from its components with a hot liquid solvent, allowing for reuse and recycle of almost every part. Xenon is manufactured using renewable energy, plant-based thermoplastic, (recyclable) metal, and can be fully disassembled because it uses fasteners and a removable thermal adhesive.”

Completely absurd patent by Vivo shows a smartphone with its own built-in tiny drone camera





What will they think of next? A smartphone that can 3D print?? (Okay scratch that, that would actually be pretty awesome)

Just last week (Friday to be specific), LetsGoDigital uncovered this rather outrageous patent filed by Chinese phone manufacturer Vivo at the World Intellectual Property Office (WIPO) showcasing a phone with its own drone camera. Sort of like how Marvel superhero Falcon had his own flying sidekick ‘Redwing’, Vivo’s phone had its own mini-drone that could pop out on command and click photos at you from any vantage point.

Sliding cameras on smartphones aren’t new, although Vivo’s concept takes it a couple of notches ahead. The patent shows a phone with a massive pop-out tray on the front. Within it, sits a tiny drone (sort of like the Air Selfie Drone from AirPix but smaller) with four propellers and a bunch of cameras and sensors. Fire your camera app and the tray instantly pops out and the drone takes off. A front-facing camera on the drone’s body lets you click photos (either of yourself or of landscapes) from a variety of vantage points, going above and beyond what your smartphone camera and your outstretched hand can do. Given how small drones, it isn’t entirely an idea I can actually dismiss… although what would Vivo’s marketing team call it? A Dronephone? A Smartdrone? A Phdrone?!

Practicality aside, the tech isn’t too far-fetched. The drone fits right into the phone’s slightly thick body, and comes with dual portrait-mode cameras on the top (that directly face you when the tray pops out), a main camera on the front (that works as the drone’s eyes), and IR sensors on the left and right that help the drone detect and avoid objects. The presence of cameras on the drone mean Vivo’s smartphone doesn’t need any cameras at all. This means no front-facing camera and a clean notch-less hole-punch-less display, as well as no massive camera bump on the back. The smartphone is a complete monolith of glass, metal, and screen, punctuated by a charging port and a set of buttons. The drone tray sits flush against the phone when closed, and pops up only when you fire up the camera app. (I’m assuming the app has drone controllers built in too)

Now let’s argue practicality from both sides of the argument. There’s a fair amount of evidence to say that this is a terrible idea. Moving components on a smartphone are historically the first to fail – Dust gets stuck in it, components wear out, parts accidentally break. The presence of a drone would mean saying goodbye to water-resistance, and there’s also a high chance your drone can get lost or stolen, leaving you with absolutely no camera (that’s if Vivo implements something exactly like this). Not to mention the fact that it practically means the end of privacy as we know it. (Imagine hundreds and thousands of drones flying around in every public space, or worse, or a drone entering a private space).

That being said, drone photography is truly the final frontier in consumer photography. The smartphone camera is already comparable to a DSLR, so now imagine being able to point that camera from any vantage point. You could take distant selfies without selfie sticks, sunsets from inside your house, and get better photos at concerts. It’s safe to assume that the drone would have a rather small battery (given its size), but one could easily make the argument that the drone could also wirelessly charge while docked inside the phone). As far as safety and privacy go, companies could build safeguards and throttles into the drone, preventing it from flying too far from its smartphone. There’s a lot to discuss and unpack here, although at the end of the day, fair reminder – this is just a patent and it’s likely that we won’t see anything like this for at least a couple of years. It’s fun to dream though…

Designer/Visualizer: Sarang Sheth for LetsGoDigital

This concept was first published on LetsGoDigital. Click here to view the original piece.

Milo x LEICA children’s camera introduces kids to photography in a fun, intuitive way!

Children are curious. I genuinely believe kids learn more from copying everything we do rather than what we say. And they want to copy us by using the same gadgets we do. For example, my husband picked up his passion for photography from his dad. His dad’s love of tinkering with cameras and picture taking converted this into a lifelong of passion for his son. Understanding this inherent need to pass on our love to our children in a constructive way, Milo x LEICA is a camera that encourages fun, intuitive exploration in children of all ages.

LEICA is known for creating bespoke cameras that are almost collectible. While this clashes with the idea of handing them over to a kid, the quality of the output they deliver are sure to encourage the kids into taking up this hobby with increased frequency. The form of the camera is designed to encourage exploration – with soft rounded edges and a viewfinder that resembles a donut. The design names the viewfinder the visual inspection tool – letting the kid peek through it to discover the world they want to click a picture of. The aesthetics use a soothing yet vibrant white-yellow combination, sparking joy in all they do. Functionality-wise, the camera has a viewfinder, a button to click, a battery level indicator, and a lot that shoots the printed paper out once we click the photo.

Instant cameras are the gatekeepers of our memories. In a world going quickly digital, each printed picture is a gateway into a memory that we can cherish more often. The Milo x LEICA lets us do just that, making photography a fun activity and allowing your child to click pictures that go on and decorate your fridge every day!

Designer: Yang Lei with Yifeeling Design

Facetime on your Apple Watch? Wristcam’s new live video-messaging feature brings us one step closer

There are just two trivial things that Apple refuses to do – 1. Put a calculator app on the iPad, and 2. Put a camera on the Apple Watch. The Wristcam hopes to fix one of those things.

Apple has evolved the Watch into a miniature smartphone with even the ability to make calls from it. On the other hand, Apple’s expanded how Facetime works, allowing practically any device to join a Facetime call using a browser link. However, for some absurd reason, those two advancements are mutually exclusive. Today, Wristcam announced its live video-messaging feature within its app, allowing you to experience possibly the closest thing to being able to Facetime from a smartwatch.

Click Here to Buy Now

The Wristcam made its debut last year as the only smart camera-band to receive the “Made for Apple Watch” designation. The band, which is compatible with any Apple Watch, comes with not one, but TWO cameras powered by Sony sensors, capable of shooting 4K and 1080p respectively. The front-mounted 8MP camera can shoot images in 4K resolution while recording videos in Full HD. The selfie camera, on the other hand, can be used for clicking selfies, sending video-clips, or even participating in live video messaging, thanks to a new update to the Wristcam’s app. Wristcam’s “live or later” video walkie-talkie experience lets you video chat in real-time with friends and family right from your Apple Watch. Videos get stored in Wristcam’s app and you can even access/edit/upload them through your iPhone.

The Wristcam comes with its own 8GB of storage and a battery good enough for an entire day, according to the company. It’s built to be IP68 water-resistant, which means you can wear it in the pool or at the beach too; and for an absolutely hands-free experience, Wristcam supports Siri shortcuts, letting you snap pics and shoot videos, without ever lifting a finger. For privacy purposes, it even has a built-in LED that lights up when the camera is operational – a single flash indicates picture mode and continuous flashing means the camera is in video mode.

Designer: Wristcam

The Wristcam’s design lets you interchange bands too, and overall weighs a mere 22 grams, so you can wear it all day without noticing the difference… aside from the fact that you’ve now got instant-access cameras on your wrist!

Click Here to Buy Now

Leica just launched its first smartphone that houses the company’s world-class camera technology

Leica Leitz Phone 1 Softbank Yanko Design

The Leica Leitz Phone 1’s camera comes with a massive 1-inch sensor. In fact, it’s so comparable to a DSLR, the phone comes with its own camera lens-cap.

Earlier today, Leica announced its first-ever smartphone, the Leitz Phone 1, centered around its revolutionary camera tech. Announced at a virtual press event in Tokyo, the phone sports a familiar clean design that we’ve come to expect with Leica. It houses a Snapdragon 888 processor on the inside, and sports a 20MP primary camera with a massive 1-inch sensor (the largest for any smartphone). To complement the powerful camera, Leica even ships a magnetic lens-cap that lets you conceal it, for protective + privacy reasons.

Leica Leitz Phone 1 Softbank Yanko Design

On the front, the phone sports a large 6.6-inch OLED display with a scalable 240Hz refresh rate (a camera is only as good as its viewfinder, no?) The display even houses a hole-punch selfie-camera, logging in at 12.6MP. Other specs include the Snapdragon 888 processor with 12GB RAM and 256GB of storage, along with an impressive 5,000mAh battery so you could shoot all day long and not worry about depleting your phone’s energy.

Leica Leitz Phone 1 Softbank Yanko Design

While the smartphone market is pretty saturated at this point (with some companies like Samsung releasing more than 20 different smartphones in a given year), the Leitz Phone 1 at least looks really refreshing. That matte black back is a beautiful contrast to the glitzy and glossy smartphones of today, and there’s definitely a lot of praise for that grippy textured-metal frame, that isn’t just great to look at, it’s wonderfully tactile too. Lastly, that Leica logo on the top-right corner is just perfectly executed, tying in with how the German company brands its cameras. The Leitz Phone 1 is currently just limited to Japan, and will be exclusively sold by Softbank. It isn’t cheap, with a price tag of 187,920 Japanese Yen (or $1703 USD)… but then again, the Leica brand-name doesn’t come cheap either.

Designer: Leica

Leica Leitz Phone 1 Softbank Yanko Design

Leica Leitz Phone 1 Softbank Yanko Design

Apple ActionCam with advanced functionality could be GoPro’s nemesis





Think of action cameras, and the first name that instantly pops up is GoPro Hero. If you are obsessed with the nerdy action cams on the market, then DJI Osmo and Insta360 are the subsequent best bets for your crazy adventures or sporting activities. While dethroning GoPro is an arduous task – what if  Apple ever decided to make an action camera that actually resonates with the current userbase? The result will be an action cam that leverages Apple’s hardware and software prowess!

Italian designer Antonio De Rosa believes an Apple action cam is a realistic possibility in a landscape of current-gen geeky gadgets. Apple and an action cam would not be something out of the ordinary for the Cupertino giant to create. So, Antonio leaves me in awe with the Apple AirCam, which is no more significant than the AirPods Pro case. It carries a similar design language to the case with the obvious addition of an LCD screen display on the front and the big camera sensor on the backside. If you look closely, this lens is accompanied by a small Apple Watch-like screen, perhaps to click selfies and display vital heads-up information. There is a single shutter button on top to keep things as simple as possible. On the sides, there is space for USB-C and SHDC card slots to make data transfer seamless and load the camera with additional memory.

Since we are talking about an Apple action camera sometime in the future, it has got to have wireless charging for sure. Current GoPro versions use 16mm f/2.8 lens with 4K @60fps or 5K @30fps video shooting capabilities. Apple ActionCam needs to be better than that if we assume it’s going to arrive in 2022. Functionality-wise, Siri voice assistant support and Memoji options are a given. Antonio imagines the Apple action camera in striking military green, bubblegum pink, sea green, cool blue, and silver colors. So, would I want to have this thing in my backpack at all times? A definite yes!

Designer: Antonio De Rosa

Sony is disrupting the photography industry with its Airpeak S1 drone that can mount ANY Sony Alpha camera





Sony is probably the only company at the moment to be able to boast of having a robust camera as well as a burgeoning aerial-tech business. It’s preceded only by GoPro, which launched the Karma drone back in 2016 and discontinued it in 2018 after a very tepid response. GoPro’s cameras, however, are still some of the most popular payload options to add on existing drones, but that pales in comparison to what Sony is offering. Sony’s first drone, the Airpeak S1, is a large pro-level drone that is designed to carry a gimbal along with a full-size mirrorless Sony Camera. It expands what your existing camera is capable of, and essentially means your professional camera (and its lenses) can now take to the skies, capturing professional-grade image and video content.

Make no mistake, the Airpeak S1 isn’t your average drone. It isn’t meant for FPV racing or for consumer-grade aerial shots like drones from DJI or Parrot. The Airpeak S1 is the kind of drone a high-budget photographer or cinematographer would use for taking film-grade shots. The drone comes built entirely by the folks at Sony, engineered to work seamlessly with a 3-axis gimbal and a host of Sony’s cameras, including the A1, A911, A7s111, A7RIV, and FX3 cameras, along with E-Mount lenses between 14mm and 85mm.

The Airpeak S1 is currently the smallest drone ever made to be able to carry a full-size camera. Measuring 644mm in total span, the drone’s most compelling features are its ability to go from 0-50mph in 3.5 seconds, and its stability and wind resistance, making it perfect for aerial shots no matter the weather… although those figures change with different cameras and lenses. According to Sony, the Airpeak can stay stable in winds of up to 44.7 miles per hour, a feat made possible by the 5 additional stereo cameras located on the drone that help it constantly optimize its performance, along with an infrared range-finder that actively helps it avoid obstacles.

For now, the Airpeak S1 can either be controlled via its remote, or the Airpeak Flight app, which will be available later this year only for iOS devices. Sony has worked with drone gimbal experts at Gremsby to develop a bespoke 3-axis stabilizer for the Airpeak S1, although this will be available as an additional purchase. The drone and gimbal can both be controlled singularly by the remote that can hook up to an iPad for viewfinding purposes. Somewhere down the line, Sony will allow the drone and the gimbal to be operated independently (allowing one person to take on piloting activities while the other person oversees cinematography). While launching the drone, Sony also announced that it was working on a cloud-based app called Airpeak Base, that would let users plot automated flight routes and manage a fleet of Airpeak drones.

The Airpeak S1 currently exists as an incredibly niche product that’s made for professional use. Just the drone itself comes with a whopping $9,000 price tag (the gimbal and camera cost extra), which definitely puts it in a class of its own, but then again, the drone lets you mount 8K cameras on it along with a wide range of lenses. While this isn’t something that would probably excite consumers, it opens up an entirely new class of drones, which could one day even work with smartphones (imagine an Apple-branded drone that works with your iPhone 12 Pro).

Sony’s $9,000 drone will be made available at the end of this year – For that price tag, you’ll get the drone along with 2 batteries, a charger, and a remote. The Airpeak S1 still awaits approval from the FAA, although Sony’s even made it clear that the production and manufacturing of all the drone’s hardware is happening in Japan, in light of US legislation and controversies around all drones being manufactured in China.

Designer: Sony

DJI FPV with a remote-controlled camera dolly brings precise control + ease of use for inspired filmmakers!

Filmmaking systems like Eclipse Rover or the Freefly TERO have certain drawbacks – limiting their inherent resourcefulness. They are prone to flipping over – risking damage to the expensive cameras. One person needs to control the camera gimbal while the other maneuvers the vehicle around for perspective shots on the existing camera dolly systems in use. This is where the DJI FPV X – an RC camera car concept for Filmmakers designed by Parth Kashikar and DAAPworks comes in handy for enhancing the ease of use and equipment safety. This cool idea came across when Parth participated in a student film project and identified the loopholes in the traditional systems.

First up, the RC camera dolly has a larger platform to lower the center of gravity, thereby reducing rollovers’ risk at high speeds. The adaptive stabilization tech at the robotic camera pivot point helps in eliminating the shakiness too. Taking inspiration from the DJI VR headset, the person can control the camera movement by moving in the intended direction in the 3D space. Parth imagines using an existing DJI controller to drive the vehicle in any direction – even recording the motion paths to be replayed in case the intended shot is not achieved. The RC vehicle has easy to replace modular parts to make repairs convenient.

This RC car for filmmakers takes care of the significant manual work required – letting the creative minds focus more on executing their shots. The ability to control it with the DJI VR headset and remote control gives more control over the movement of the RC car – down to the last inch. Won’t it be great to have this concept dolly car, in reality, to get more creative with filmmaking or cinematic short movies?

Designer: Parth Kashikar and DAAPworks