Apple has officially announced the highly anticipated launch of the MacBook Air M5, scheduled for early March 2026. This latest version of the popular laptop introduces a range of notable internal upgrades, including the advanced M5 chip, faster storage, and significantly enhanced GPU performance. While the external design remains consistent with the 2022 model, these […]
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Thinking on paper is a structured approach to learning that emphasizes externalizing your thoughts to reduce mental overload and improve understanding. As explained by Justin Sung, this method involves three key principles: “Make it Wrong,” “Make it Shorter,” and “Make it Again.” By starting with unfiltered ideas, condensing them into concise summaries, and revisiting them […]
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Apple has officially announced its first major event of the year, set to take place on March 4th at 9:00 a.m. in New York City, with simultaneous events planned in London and Shanghai. This global showcase is expected to unveil updates across Apple’s flagship product lines, including the iPhone, MacBook, and iPad. Additionally, the event […]
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The Minimax M2.5 is a compact yet capable AI model that combines affordability with competitive performance, as detailed by Sam Witteveen. With a processing cost of just $1 per hour for 100 tokens per second, the M2.5 offers a cost-effective alternative to larger models like GPT-5.2 and Claude Opus. Despite its smaller size, 230 billion […]
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Apple has released iOS 26.4 Beta 1, a comprehensive update designed for developers and public beta testers. This iteration introduces a range of enhancements across messaging, music, podcasts, wallpapers, and system functionality. It also addresses various bugs and performance issues, aiming to refine the overall user experience. While some features remain in development, this beta […]
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Gaming displays speak in hertz and milliseconds, while most projectors still talk like it’s Blu-ray season. AWOL Vision’s Aetherion series tries to bridge that gap with something ultra-short-throws have simply never had: true Variable Refresh Rate. It negotiates frame timing from 0.1Hz up to 240Hz, syncing its output to whatever your console or PC is throwing at it. Paired with Auto Low Latency Mode and a claimed 1ms-class response, this is a projector that stands as a legitimate contender to high-end gaming monitors, not just a living room appliance for Netflix and chilling.
The rest of the stack backs that ambition. Dolby Vision Gaming support pushes scene-by-scene tone mapping, while an RGB triple-laser light engine and anti-RBE system tackle motion and color artifacts that usually show up the moment you swing a camera in a fast-paced title. Under the hood, a MT9655 chipset with 8 GB of RAM and 2.5G Ethernet handling 1000 Mbps throughput signals that this is not a token “game mode” toggle. It is an attempt to make the projector a first-class citizen in the modern gaming ecosystem.
Designer: AWOL Vision Aetherion
Click Here to Buy Now: $1999 $3499 ($1500 off). Hurry, only 223/300 off! Raised over $13.2 million!
This whole approach feels like a direct response to years of compromise. For too long, you had to choose: the immersive scale of a projector or the responsive precision of a gaming monitor. Aetherion’s spec sheet suggests that choice is becoming obsolete. The VRR implementation alone is a statement, acknowledging that game frame rates are not a static 60fps target anymore. They dip, they spike, and a display that cannot follow that cadence will produce tearing and judder. By building a system that can track that chaotic dance, AWOL is demonstrating a fundamental understanding of what interactive content actually demands from a display.
The underlying hardware seems robust enough to support these claims. The MT9655 is a capable flagship SoC, and pairing it with 8GB of RAM is generous for a projector. That 2.5G Ethernet port is another one of those quiet tells; it signals an understanding that streaming high-bitrate 4K content, or cloud gaming, requires serious bandwidth that standard 100Mbps ports just cannot handle reliably. This is future-proofing, but it is also a practical necessity for the kind of high-performance use cases Aetherion is built for. The entire platform is engineered to remove bottlenecks between the source and the screen.
Of course, a fast projector with poor color is just a fast way to see a bad image. That is where the triple-laser RGB light engine comes in. By ditching the spinning color wheel found in most DLP projectors, AWOL hit an impressive 110% of the Rec. 2020 color gamut, delivering the kind of vivid, saturated colors that single-laser systems struggle to reproduce. To push the boundaries of visual performance, Aetherion adopts the company’s proprietary Anti-RBE (Rainbow Effect) technology, eliminating the rainbow effect that distracts many viewers during fast motion. Their anti-RBE technology claims to cut these artifacts by 99.99% in both 2D and 3D content.
That obsession with image fidelity extends to how the Aetherion handles darkness. Instead of just blasting lumens, the projector uses a 7-level mechanical IRIS to achieve a 6000:1 native contrast ratio. Its proprietary EBL algorithm analyzes every single frame in real time, tweaking the laser output and image parameters to deepen blacks and pull out shadow detail, boosting the contrast ratio to 60,000:1. This dynamic, scene-adaptive approach is far more sophisticated than a simple brightness setting. It is the difference between a flat, washed-out night scene and one with genuine depth and texture.
From a user experience perspective, running on Google Android TV 14.0 is a significant and welcome choice. It brings a 4K user interface and broad app support without needing an external streaming stick. The integration with Apple HomeKit, Google Home, and Alexa ecosystems also positions the Aetherion as a proper smart home device, not just an isolated piece of AV hardware. Little touches, like the motorized lens cover that protects the optics from dust, show a thoughtful approach to the daily realities of owning a high-end piece of equipment.
AWOL is also building out the world around the projector, offering a curated ecosystem to support their tech. The launch includes a new 150-inch Fresnel Daylight ALR screen, a seamless one-piece design with a 1.5 gain for brighter images in ambient light. There is also a redesigned Vanish Cabinet made with stainless steel and leather, featuring integrated cooling fans and a hidden bay for a soundbar. This ecosystem approach recognizes that a projector’s performance is heavily dependent on the screen and its placement, offering a complete, aesthetically coherent solution.
The Aetherion is available in two versions on its Kickstarter campaign. The Aetherion Pro offers 2,600 ISO lumens, while the Aetherion Max boosts that to 3,300 ISO lumens for rooms with more ambient light; both share the same 6000:1 contrast ratio and core technologies. Super Early Bird pricing puts the Pro at $1,999 and the Max at $2,199, which is a substantial 42-51% discount from their eventual MSRPs. If you’re committed to the entire kit, $3,999 gets you the Ultimate Cinematic Immersion Bundle, which includes the Max projector along with a 132″ cinematic ALR screen, and a 4.1.2 ThunderBeat audio system to give the projector its audio oomph. Each projector ships globally with a 2-year hassle-free warranty starting April 2026.
Click Here to Buy Now: $1999 $3499 ($1500 off). Hurry, only 223/300 off! Raised over $13.2 million!
The post 200-Inch Dolby Vision Gaming With 1ms Latency: Inside The Aetherion 4K RGB Laser UST Projector first appeared on Yanko Design.
2026 marks the Year of the Horse in the Chinese zodiac cycle, a symbol associated with vitality, independence, and charging ahead without hesitation. Tech companies usually acknowledge this with red packaging and zodiac graphics that disappear by February. Benks decided their limited edition iPhone case should actually reflect what the horse represents: strength, elegance, and refined power. The Knight ArmorAir case uses military-grade Kevlar as its foundation, the same material trusted in aerospace and body armor, then layers in artistic details that transform functional protection into something worth displaying.
The design starts with a deep burgundy Kevlar weave that creates texture through the material itself rather than surface treatments. A lighter champagne-toned pattern forms a running horse across the back, with individual dots creating movement and depth when light hits it from different angles. The camera bump gets the most elaborate treatment, featuring an embossed horse head with flowing mane details inspired by traditional Chinese ornamental metalwork. Rose gold accents on the frame and buttons coordinate with the iPhone 17 Pro Max’s natural titanium finish. It’s a case that works whether you’re celebrating the lunar calendar or just appreciate when limited editions actually bring something new to the table instead of recycling the same festive clichés.
Designer: Benks
The foundation is 1000D DuPont Kevlar, the same aramid fiber family used in bulletproof vests and aerospace components. This material offers tensile strength five times that of steel while weighing considerably less, which is why your phone case can be slim and protective simultaneously. Most people associate Kevlar exclusively with black because that’s its natural woven appearance, but Benks spent years perfecting the dyeing process. They treat the aramid fibers before weaving them, achieving colors like this burgundy base without degrading the material’s protective characteristics.
The champagne horse pattern shows how Benks separates itself from competitors still doing basic Kevlar work. Those lighter dots forming the galloping horse silhouette come from strategic weave density variations rather than printing or painting. Benks essentially programs the weaving pattern to allow more underlying resin exposure in specific areas, creating what looks like pixel art made from industrial fiber. It’s the kind of manufacturing technique that requires custom machinery and tolerance levels most accessory makers won’t bother investing in. The three-dimensional horse head on the camera surround takes this further with actual relief work, meaning it’s sculpted metal rather than flat etching.
The case adds 2mm of thickness total, keeping the iPhone 17 Pro Max’s profile relatively intact while delivering that Kevlar rigidity. MagSafe compatibility maintains 1,200g of magnetic holding force, so wireless charging and accessory attachment work identically to Apple’s official cases. The camera surround raises 1.5mm above the lens surfaces for flat-surface protection. Button cutouts use individual rose gold aluminum inserts instead of silicone pass-throughs, preserving tactile feedback. Benks includes a one-year warranty, which suggests this limited run uses the same construction standards as their permanent lineup rather than cost-cutting for a seasonal release.
The Knight ArmorAir Year of the Horse edition runs $39.99 through Benks’ site and Amazon. That positions it between bargain-bin TPU options and the luxury leather folios that somehow cost more than AppleCare itself. For a limited edition with this level of material engineering and cultural design work, the pricing feels appropriate rather than opportunistic. Whether the horse motif resonates with you culturally or just aesthetically, the case delivers functional protection that doesn’t expire when the zodiac calendar turns over in twelve months.
The post Benks’ $40 Kevlar Case for iPhone 17 Pro Max Features Hand-Woven Horse Patterns for Lunar New Year first appeared on Yanko Design.
The pool doesn’t sit beside the house. It doesn’t occupy the backyard. It runs straight through the middle of the living space, dark-tiled and creek-like, with stepping stones crossing it at the entry. This is the organizing principle of Holocene House: water as hallway, water as climate control, water as the thing everything else revolves around.
Above this central watercourse, a canopy of floating planters and geometric panels creates its own microclimate. Timber beams intersect with structural steel. Translucent jade FRP panels catch and scatter light. Plants spill from concrete boxes suspended in the grid. The whole structure has this disorienting quality, like multiple dimensions of garden folded into the same space. It’s both hyper-technical and completely organic, which makes sense for a home that’s carbon positive while feeling more like a living ecosystem than a building.
Designer: CplusC Architects + Builders
CplusC Architects + Builders designed this thing, and honestly, they went harder than they needed to. The brief could have been “nice sustainable house with pool,” but instead they built something that reorganizes how residential architecture relates to water and vegetation. The swimming pool measures roughly 12 meters long and runs parallel to the main living spaces. Dark tiles give it the appearance of a natural creek bed, which sounds precious in theory but actually works because the water is moving and filtering constantly through reed beds, polishing ponds, charcoal, and pebbles. No chlorine. The system mimics what happens in actual wetlands.
The canopy overhead is immersive and disorienting in the best way possible. Structural steel beams intersect with timber framing at multiple angles, supporting concrete planters that float at different heights. Between them, translucent jade-colored FRP (fiber-reinforced plastic) panels fill gaps in the grid. The whole assembly casts this dappled, constantly shifting light that changes character throughout the day. It’s functional shading that drops the temperature on the deck by several degrees, but it also creates this spatial ambiguity where you lose track of what’s ceiling, what’s wall, what’s garden. Very Escher. Very disorienting if you stare at it too long.
This is Australia’s first certified carbon-positive home under the Active House Alliance, which means it produces more energy than it consumes over a year. Solar panels handle the energy generation. Rainwater and greywater systems irrigate the productive garden, which includes fruit trees, vegetables, herbs, and even chickens. The spotted gum cladding on the exterior got the Shou Sugi Ban treatment, that Japanese charring technique that makes timber more resilient and gives it a charcoal finish. Low embodied energy material that will age well in the coastal climate near Shelly Beach.
Inside, a 9.2-meter recycled hardwood island stretches through the kitchen and doubles as the dining table. That’s over 30 feet of continuous timber. The cabinetry uses Paperock, a composite material made from recycled paper and resin, formed into panels with these small perforations that create textured shadows. Floor-to-ceiling storage hides appliances and maintains clean sightlines. A built-in daybed sits in the kitchen area with views straight through to the pool and back garden. The whole spatial layout keeps pulling your attention back to that central water feature, which becomes the thing every other design decision orbits around.
What makes this work is that it’s rigorous about the systems. The natural pool filtration, the greywater recycling, the solar array, the thermal mass of the concrete, the cross-ventilation through operable walls. These aren’t aesthetic gestures. They’re load-bearing infrastructure that allows the house to function as a net positive contributor rather than just a less-bad consumer. And somehow that rigor produces spaces that feel loose and organic rather than over-engineered. You can see the thinking, but it doesn’t announce itself.
The project sits between a national park and million-dollar beach views, which is both an advantage and a responsibility. The landscape architect, Duncan Gibbs, designed the garden to support local bandicoot habitat while producing food for the residents. That’s a specific kind of design challenge: make it productive and beautiful and ecologically functional for native species all at once. The planting selections reinforce local ecology rather than importing exotic specimens that need constant maintenance. It’s a working garden that happens to look good, not the other way around.
Photos by Renata Dominik
The post If Sci-fi Gardening met MC Escher: Meet The Holocene House’s Floating Jungle Canopy first appeared on Yanko Design.
In Lana Launay’s Kinship series, light does more than illuminate space. It acts as a living archivist, revealing, preserving, and narrating stories embedded within inherited textiles. Through works such as Kinship I and Kinship II, the artist transforms antique doilies, lace fragments, and stockings passed down through generations into sculptural lighting forms that do not simply display history but actively project it into the present.
At a distance, the sculptures appear softly abstract, glowing with fluid patterns that seem almost atmospheric. As viewers move closer, those patterns resolve into delicate lace surfaces. The forms are constructed by stretching and wrapping textile fragments across stainless steel frameworks, which are then illuminated from within using LED elements housed in aluminum structures. This meeting of industrial material and fragile cloth establishes a compelling tension between permanence and delicacy, between manufactured precision and inherited memory.
Designer: Lana Launay
Each textile used in the works carries its own lineage. These are not fabrics chosen for decoration, but heirlooms gathered from families who preserved them across generations. Once domestic objects that quietly occupied tables, drawers, or cabinets, the doilies and fabrics are repositioned as visible ancestral surfaces. In their new form, they shift from private keepsakes to shared visual artifacts, allowing personal histories to exist within public space.
The transformation becomes most evident when light passes through the textiles. When unlit, the sculptures appear restrained, their patterns subtle and quiet. When illuminated, the surfaces come alive. Light filters through each stitch and fiber, projecting intricate webs of shadow across surrounding walls. The negative spaces within the lace become as expressive as the threads themselves, creating an interplay in which absence holds as much presence as material.
Stockings layered across the frameworks introduce an additional dimension. Their woven fibers soften and diffuse the light, allowing it to seep gently outward rather than shine directly. Overlapping fabrics create layered visual grids in which lines intersect and reconnect, resembling maps or diagrams. These networks evoke relationships and generational links, suggesting that the textiles themselves chart histories of connection, care, and continuity.
Every sculpture is assembled by hand, ensuring that each piece remains unique. The steel frame adapts to the dimensions of the textile rather than forcing the fabric into a predetermined shape. Signs of age, such as fading, discoloration, and repair, remain visible, reinforcing the idea that time is not erased but honored. The inherited material determines the structure, allowing memory to guide design.
Through the Kinship series, Launay proposes that preservation does not require stillness. Instead, history can be animated. Light becomes a tool that activates memory rather than simply revealing form. These sculptures function as living archives where ancestry is not stored away but made visible, where inherited textiles continue to participate in the present. In this way, the works suggest that memory, like light, does not disappear. It travels, expands, and quietly illuminates everything it touches.
The post These Lace-Shade Lamps Transform Family Heirlooms Into Memorable Floor Lighting first appeared on Yanko Design.
Apple continues to double down on its Formula 1 programming, following up on the box office success of its blockbuster movie by adding a dedicated channel for the racing league to the Apple TV app. This section of the streaming service hints at some of what may be coming when the F1 season begins with the kickoff event in Australia next month. The F1 channel has placeholders for practices, qualifying and the grand prix as well as a weekend warm-up show.
Although it announced the five-year deal to host F1 broadcasts in the US back in October, we still haven't heard many specifics on how Apple's presentation of the race events will work. The channel has a section labeled "Event Schedule: Sky Sports," which suggests that Apple will show the commentary from Sky rather than providing its own hosts; ESPN took that approach during its tenure with the F1 broadcast rights. In addition to the forward-looking streams, Apple TV also has some videos with highlights from the 2025 season and a recap of the rule changes for 2026.
If you're looking to follow Formula 1 in the 2026 season, some races will be available to watch for free. However, a F1 TV Premium streaming package is now part of an Apple TV subscription, so that's likely to be the preferred ticket for serious fans. F1TV grants access to all the zooming around you could want as well as to behind-the-scenes content like driver cams and live team radios.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/theres-a-dedicated-channel-for-formula-1-in-the-apple-tv-app-now-230904295.html?src=rss