Author Archives: Sarang Sheth

This Clip On Handle Turns Any Water Bottle Pack Into A Kettlebell

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Every broke gym rat has done this at some point. You run out of dumbbells, you eyeball two water jugs, you duct tape a broom handle across them, and suddenly you have a homemade kettlebell that looks like a science fair project gone wrong. It works, technically, but it also looks like something you’d hide before your date comes over. Purra just looked at that entire genre of improvised home gym equipment and decided to make it official, good looking, and branded. The result is a plastic handle that clips onto a pair of their mineral water bottles and turns them into an actual kettlebell, weight marking and all.

Designed as a marketing stunt tied to Purra’s presence at HYROX Bangkok, the handle snaps over two 1.5 liter bottles to hit exactly 3 kilograms, which is either a happy coincidence or someone in R&D did their homework. The dome is molded in the same powder blue as Purra’s label, debossed with the brand name, and shaped with the same scalloped horns you’d find on a competition kettlebell. Nothing about it screams cheap giveaway. It screams someone in the marketing department actually asked an industrial designer for help instead of ordering branded tote bags like everyone else.

Designer: Purra (Singha Corporation)

I have made my own version of this exact object during the pandemic, so I have some opinions on how well the real thing pulls it off. The horn spacing on the handle matches a proper competition kettlebell almost to the millimeter, wide enough for a two handed swing without your knuckles clipping the bottle caps. That is the detail that separates a design object from a novelty prop. A lot of branded merch gets the silhouette right and ignores the ergonomics entirely, and you end up with something that photographs well and hurts your wrist on rep three.

Two 1.5 liter bottles of water land you at 3 kilograms on the nose, and the handle stamps that number right into the plastic like it wants to be taken seriously as an actual training tool. Most branded merch settles for looking the part. This one does the arithmetic and shows its work, which is a small thing but it’s the kind of small thing that tells you someone cared past the pitch deck.

Purra is Singha’s mineral water brand, sourced from nearly 1,000 feet underground in Sing Buri, and the kind of company that already runs annual designer bottle collaborations, so a marketing play like this isn’t a stretch for them creatively. HYROX is arguably the best possible stage for it, since the format runs on eight fixed equipment stations and the kettlebell is one of them, so a water brand showing up with literal kettlebell bottles is closer to a punchline than a pitch.

Whether this thing gets mass produced or stays a one-off activation prop is unclear, and honestly that’s fine. Not every good idea needs a retail SKU to justify existing. Sometimes the point is just proving the trick works, and this one does. I won’t be surprised if we start seeing 3D builds on online platforms for people to print on their own!

The post This Clip On Handle Turns Any Water Bottle Pack Into A Kettlebell first appeared on Yanko Design.

TEKTO’s First Fixed Blade Is a Full-Tang MagnaCut Drop Point That Weighs Under 4 Ounces

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TEKTO built its entire reputation on blades that fold, flip, and fire out the front. The Maine-based brand spent nearly a decade getting serious about automatic and folding knives, quietly becoming a go-to for people who want an OTF that actually holds up. Their design playbook was consistent: lean into a tactical DNA, use premium materials that punch above their weight, and build everything with a certain rugged honesty. It was a solid formula that earned them a loyal following. So when TEKTO dropped the X1 ATLAS, their first fixed blade ever, it felt less like a new product and more like a declaration. Ten years in, they stepped out of the OTF lane entirely and planted a flag in fixed blade territory.

The ATLAS is a 7.70-inch fixed blade with a 3.30-inch drop point ground from CPM MagnaCut, the steel that has dominated knife talk for years for good reason. Its handle is skeletonized G10 on a full-tang frame, a clever move that keeps the whole knife down to a featherlight 3.88 ounces. A Kydex sheath with an adjustable belt clip comes standard, ready for vertical or horizontal carry right out of the box. TEKTO even offers custom blade engraving for ten bucks, a nice touch on a tool designed for hard use. The ATLAS is made in the USA and priced at $249.99, positioning it as the flagship of a new fixed blade line for a brand confidently stepping into a new arena.

Designer: TEKTO Knives

Click Here to Buy Now: $212.5 $249.99 (15% off, use coupon code “ATLAS”). Hurry, deal ends in 48-hours!

CPM MagnaCut, developed by metallurgist Dr. Larrin Thomas at Crucible Industries, did something the knife world had been waiting for: it solved the toughness-corrosion trade-off. Most premium steels forced a choice between the two. High corrosion resistance, think M390, meant giving up toughness. High toughness, think S35VN, meant accepting some rust risk. Thomas eliminated chromium carbides from the microstructure, freeing chromium to stay in solution and fight corrosion without touching hardness or edge retention. For a brand debuting their first fixed blade ever, choosing MagnaCut over something more conservative is a signal I like. TEKTO hardened the ATLAS blade to 60-62 HRC, the sweet spot for the steel’s properties to fully express themselves.

The ATLAS runs a drop point profile, the blade geometry that wins the “which shape do you actually want in the field” argument most of the time. The spine slopes gradually from handle to tip, creating a robust, centered point and a long useful belly that handles slicing and fine work without compromise. That shape resists tip damage under lateral loads, which matters once the ATLAS gets handed something harder than kitchen cardboard. Running steel continuously through the full 4.40-inch handle as a full tang eliminates the structural weak point at the blade-handle junction, the exact place a partial tang fails under hard chopping or batoning. The 3.30-inch blade length keeps the ATLAS legal in most carry situations while still being genuinely useful.

Skeletonized G10 is what makes 3.88 ounces possible on a full-tang fixed blade with this much handle real estate. G10 is a fiberglass and epoxy resin composite, laminated and cured under high pressure, producing a material that resists impact, moisture, and chemicals without adding unnecessary weight. Skeletonizing means CNC milling away material from non-load-bearing sections of the handle scales, cutting mass without compromising structural integrity. The resulting surface is textured, grippy, and stable across temperature extremes, which matters for a brand literally founded on the frustration of knives that quit in cold Maine winters. The one early reviewer on TEKTO’s site noted the handle felt grippy and surprisingly light, which is exactly the combination a full-tang fixed blade needs to pull off.

The Kydex sheath that ships with the ATLAS is purpose-molded to the knife, meaning retention is consistent from the first draw rather than requiring break-in time. Kydex is a thermoplastic material that holds its shape, shrugs off moisture and sweat, and skips the periodic conditioning that leather demands. The adjustable belt clip configures for vertical or horizontal carry, a practical detail for users whose setup changes between contexts, say a belt rig in the field versus a horizontal setup at a work site. A lanyard hole at the butt of the handle adds the option for wrist tethering or utility cord attachment. The sheath ships ready to use, no aftermarket upgrades required to make the carry system work.

The X1 ATLAS retails for $249.99 and is currently available in Black G10 directly through TEKTO’s website, with free US shipping and returns included. TEKTO backs it with a limited lifetime warranty covering defects in materials and workmanship, so if the knife ever fails because of the knife rather than the user, they will repair or replace it at no charge. Custom blade engraving is available as a $9.99 add-on at checkout. At this price, the ATLAS shares shelf space with USA-made fixed blades like the Benchmade Puukko, but the MagnaCut specification pushes it into a stronger materials conversation. For a brand making its very first fixed blade, this is an unusually confident place to start.

Click Here to Buy Now: $212.5 $249.99 (15% off, use coupon code “ATLAS”). Hurry, deal ends in 48-hours!

The post TEKTO’s First Fixed Blade Is a Full-Tang MagnaCut Drop Point That Weighs Under 4 Ounces first appeared on Yanko Design.

The Redmi K100 Pro Turns Its Glass Back Into a Glowing Sketchpad

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Photoluminescent material is not new. It is the stuff in your kid’s ceiling stars, in old wristwatch dials, in every glow stick you have ever cracked at a concert. What is new is putting that decades old chemistry on the back of a flagship smartphone and letting the owner become the artist instead of the factory. That is exactly what Redmi did with the K100 Pro, and it might be the single most fun thing to happen to phone design all year, mostly because it does not take itself too seriously.

The finish is called Glowing Firefly, and it works by hiding a luminescent layer between the phone’s glass back and its green ink coating, invisible in daylight and glowing wherever you point a flashlight or light pen after dark. Redmi launched the K100 Pro in China on August 11, pairing the party trick with a legitimately serious spec sheet that includes a 185Hz OLED, a Snapdragon 8 Elite Gen 5 V Series chip, and a 200MP camera. The phone can keep up with any flagship on paper. It just also happens to double as a doodle pad.

Designer: Xiaomi

Redmi’s own language calls the back panel a light painting canvas, and that description holds up better than most marketing copy tends to. Point a flashlight, a laser pointer, or a dedicated light pen at the glass and the material soaks up the energy along the exact path the light traveled, then releases it slowly as a glowing outline. Write your name, sketch a smiley face, sign the thing like a yearbook, and watch it fade out over the following minutes. There is no chip involved, no battery drain, nothing to charge separately. It is closer to a Lite Brite than to anything Qualcomm builds, which is honestly the charm of it.

Nothing tried something adjacent with the Phone 2a Plus Community Edition, and I still think about that phone. It used a green phosphorescent coating along the ribbon cables and camera trim, charged by ambient light and glowing softly on its own without any input from you. It was quiet, tasteful, very on brand for a company obsessed with making internals look intentional. Redmi took that same chemistry and handed the pen to the user instead of the factory. One phone glows because the designers told it to. The other glows because you told it to, and that distinction matters more than it sounds.

None of this changes what the K100 Pro is underneath the finish, a genuinely stacked gaming flagship with an 8,580mAh battery, 100W charging, and a cooling system built for long sessions. But the spec sheet was never going to be the reason anyone remembers this phone. The reason is a green slab that lets you leave a temporary signature in light, fading like sidewalk chalk, gone by morning, ready for you to draw on it again tomorrow.

The post The Redmi K100 Pro Turns Its Glass Back Into a Glowing Sketchpad first appeared on Yanko Design.

Galaxy Z Fold 8 vs Fold 8 Ultra: Why the ‘Better’ Phone is a Worse Deal

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PCMag spent real time with both new Samsung foldables and walked away calling the Galaxy Z Fold 8 Ultra the most capable foldable the company has ever shipped. Then it gave its Editors’ Choice award to the cheaper one anyway. That’s a strange thing to watch happen in real time, kind of like a judge handing the trophy to the runner who finished second because they liked her shoes better. Samsung built a $2,099.99 phone with a 200MP main camera, a 3x telephoto lens, a bigger battery, and the largest screens in the Fold lineup, and the people paid to obsess over spec sheets shrugged and picked the $1,899.99 model instead.

Forbes landed in the same spot. So did Android Police, in a review literally titled around the Ultra’s problem being the other phone. The Ultra is winning almost every line item on paper, and almost nobody who has actually used both wants to pay extra for it. Something broke in Samsung’s foldable hierarchy this year, and I don’t think $200 is where you’ll find the crack.

Designer: Samsung

Here’s the part that should embarrass the Ultra a little. Both phones run the same Snapdragon 8 Elite Gen 5, carry the same storage and RAM tiers, and charge at the same 45W wired speed. The Ultra’s real advantages are a 200MP main sensor against the standard Fold 8’s 50MP, an extra 10MP telephoto with 3x optical zoom, and a 5,000mAh battery next to the Fold 8’s 4,800mAh. That last gap is worth about one extra hour of video playback by Samsung’s own numbers, which is not nothing, but it’s also not $200 of nothing. You’re basically paying a camera tax dressed up as a flagship tax.

The engineering story underneath both phones is actually the good part, and it’s the part nobody’s arguing about. Flex Titanium tucks an alloy film thinner than a third of a human hair under the OLED panel, backed by a titanium plate for flatness, and reviewers who’ve run a finger across the open screen say the crease is basically gone. GSMArena called it more uniform and flat under direct touch. I’ll admit I didn’t expect Samsung to actually solve this after years of “reduced crease” claims that meant “still very much a crease.” This year it sounds like they meant it.

That fix cost something, and Samsung didn’t exactly advertise the trade. Flex Mode, the half-open laptop stance the Fold line has offered forever, no longer works on the standard Fold 8 because the new hinge can’t hold itself at 90 degrees. It survives on the Ultra, barely, described by reviewers as fiddly to trigger. Nobody put that on a spec sheet, and it’s a bigger design story than either phone’s camera bump.

Which brings me to the actual confusion. The Ultra name is supposed to mean “take the flagship, stack on the best of everything, charge more,” the way it works on the S series. This year the Ultra is following the Fold 7’s shape while the plain Fold 8 ships an entirely new passport-style body, different aspect ratio, different case ecosystem, zero parts compatibility. 9to5Google flat out called the Ultra the boring option this generation. Two phones share a family name and nothing else, and the one without the suffix is the one people actually want to talk about.

I’d take the regular Fold 8. Not because the Ultra is bad, it clearly isn’t, but because Samsung finally shipped a foldable shape that argues for itself instead of a spec sheet arguing for you. That’s rarer than a good camera.

The post Galaxy Z Fold 8 vs Fold 8 Ultra: Why the ‘Better’ Phone is a Worse Deal first appeared on Yanko Design.

Tecno Camon 50 Ultra 5G Review: A $420 AI Phone With Built-in Gemini, ChatGPT, DeepSeek, and Grok

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PROS:


  • EllaClaw is one of the most impressive phone AI experiences available right now

  • Multi-model AI support, including Gemini, ChatGPT, Grok, DeepSeek, Meta AI, and Ella

  • Strong 2-day battery life from the 6500mAh cell

  • Competitive value in the mid-range segment

CONS:


  • Single speaker setup sounds tinny and lacks bass

  • Curved waterfall display is prone to accidental palm touches

  • No wireless charging or Qi2 (MagSafe)

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The Camon 50 Ultra 5G feels like Tecno looked at the current AI phone race, skipped the walled garden nonsense, and built the first assistant experience that actually shows you why you’d want to use it in the first place.

Apple has Apple Intelligence. Google Pixel has Gemini. Samsung has Galaxy AI. Tecno has everything else. Packed into its EllaClaw agent is the ability to use Gemini, ChatGPT, Grok, and DeepSeek, because a walled garden never benefited anyone. Tecno’s Camon 50 Ultra 5G is a great phone, but what makes it worth doing a double take for is EllaClaw, an agentic AI built into the phone that offers a phone AI experience I have yet to see on any smartphone so far. EllaClaw is currently an invite-only closed Beta feature limited to just this phone, but seeing it in action gave me everything I needed to understand where other phones are going wrong with their on-board AI, and where they can learn from Tecno.

The wild part is how approachable it all feels. EllaClaw does not sit around waiting for you to guess the perfect command like some moody genie. It actively shows you what it can do, which makes the whole experience feel far less intimidating than Gemini or Apple Intelligence currently do. Within minutes, I was jumping between message summaries, creative tools, settings help, and different AI models without feeling like I needed a tutorial or a prayer.

Aesthetics

The moment I unboxed the Camon 50 Ultra 5G, I was hit with a serious case of déjà vu. The green variant has a gorgeous satin finish that gives it a silky, metallic glow under the light, and it immediately sent me down a memory lane trip to my old OnePlus 8 Pro which I faithfully used from 2020 to 2024. The color, the texture, even the way the camera module is arranged, it all felt so familiar and, frankly, so premium. Tecno absolutely nailed the flagship-esque feel here. The back is smooth to the touch, resists fingerprints reasonably well, and has a subtle elegance that a lot of phones in this bracket just do not bother with.

The front is where the design language gets a little more complicated, at least for me. Tecno went with a waterfall display, which means the screen curves dramatically around the sides. It looks stunning when the phone is off or when you are watching a video, creating an immersive, almost bezel-free experience. But I have always had a love-hate relationship with these displays. They are beautiful, no doubt, but they can be a magnet for accidental palm touches. While the software does its best to ignore them, I still found myself occasionally tapping something I did not mean to. It is a classic case of striking aesthetics meeting the messy reality of how we hold our phones. I do have to say that Tecno’s Liquid Glass homage does look much better on a waterfall display than on a bezel-ridden iPhone.

Ergonomics

That waterfall display has a big effect on how the phone feels in your hand. The curved edges melt away into the frame, making the Camon 50 Ultra 5G incredibly comfortable to hold. There are no sharp, flat corners digging into your palm, which is great for long sessions of scrolling or gaming. The trade-off, of course, is that the phone can feel a little slippery if you are not paying attention. It has that smooth, polished-stone feel that is lovely to touch but always feels one careless gesture away from a gravity experiment. It is a phone that practically begs to be put in a case, even if it feels like a shame to cover up the design.

The button layout is personally feels a little little bit tricky. On the left, you have a dedicated AI key that summons EllaClaw, a shortcut I ended up using constantly. You can remap it, but having a one-press gateway to the AI is a smart touch. The right side, however, is where my muscle memory started to complain. There is a power button and a fairly short, single-piece volume rocker. Because the rocker is slightly compact, I often found myself fumbling, unsure if my thumb was on volume up, down, or about to lock the screen. It is a small pain, but a tiny indent in the middle of the volume button would have made all the difference. The buttons themselves are slightly sharp and textured, a necessary choice for a phone with curved edges, but it does not quite solve the problem of telling them apart by feel alone.

Performance

EllaClaw is where the Camon 50 Ultra 5G earns its stripes. The dashboard (which you access by swiping towards the left – where you’d see Google Discover on most Android phones) keeps surfacing prompts, shortcuts, and suggestions, making the AI feel alive and accessible rather than buried under three layers of settings. Most phone AI treats users like they should already know what they want. EllaClaw meets you halfway, and that changes everything about how you interact with the phone.

The deeper layer, EllaClaw Pro, is genuinely impressive. It reaches into the phone’s apps and system functions in a way that feels ahead of where the conversation currently is. I asked it to summarize my text messages without opening the messages app, and it did exactly that, handling the whole thing on its own. That kind of agentic behavior is the next logical step for phone assistants, and right now, Tecno seems to be ahead of the pack. Nothing reassured me that the AI wasn’t reading my messages to enhance its database though, so the privacy conscious might have a thing or two to worry about.

Tecno’s decision to build EllaClaw as a multi-model hub is one of the smartest software calls I have seen this year. My unit offered access to DeepSeek, Gemini, ChatGPT, Grok, and Meta AI alongside Ella’s own model, all in one dashboard. Claude is conspicuously missing, but everything else is here and free to use (at least during the Beta period). Daily limits are applied on AI use which reset every 24 hours, and you can buy extra credits in case you overshoot. In all my hours of testing, I never needed to purchase extra credits, which means image generation, video generation, and sketch-to-photo tools were all available at no additional cost.

EllaClaw is still being refined, though. The dashboard lagged occasionally, and the AI sometimes took longer to load than felt comfortable. Restarting the app always sorted it out, but it is a reminder that this experience has not fully grown into its ambition yet. Users in certain regions may also need a VPN to get the full experience running, which is worth knowing upfront.

The camera system is built around a 50MP Sony LYT-700C main sensor with OIS, paired with a 50MP telephoto lens offering 3x optical zoom (70mm equivalent) and an 8MP ultrawide. That telephoto is a proper standout for a phone at this price point, and the software leans into it with confidence. You get 60x hybrid zoom, which is mostly digital exaggeration past the 3x mark, but the results between 3x and 10x are still usable in decent light. The main camera performs well across a range of scenarios, especially in good light, and night mode is aggressive without getting too soupy. The front camera is a 50MP sensor with autofocus, which makes a noticeable difference in selfie sharpness compared to the fixed-focus cameras on cheaper phones.

Tecno stuffs the camera app with modes including dual-cam, underwater mode, document scanning, super night mode, and super macro. FlashSnap is the standout, though. It watches your scene and captures the most dramatic moment automatically, so if someone is mid-jump or mid-throw, the phone clicks at exactly the right time without you having to think about it. It made me look like a considerably better photographer than I actually am. Video recording tops out at 4K at 30fps, which is fine but not particularly exciting.

Battery life is one of the phone’s most quietly satisfying qualities. The 6500mAh cell pushed comfortably through two full days of use without needing a charge, which is more than my current flagship iPhone manages. At some point I just stopped thinking about charging altogether, which is the best thing a battery can do. The phone supports 45W wired charging, which is fast enough to feel civilized without being record-breaking.

The display is a 6.78-inch AMOLED panel with a 1.5K resolution (1208 x 2644 pixels, 429 ppi) and a 144Hz refresh rate with LTPO support for adaptive refresh. It is vibrant, sharp, and performs well in low light. The 144Hz refresh makes scrolling and gaming feel smooth, and the high PWM dimming (2160Hz) helps reduce flicker for those sensitive to it. The curved waterfall edges are a design choice I have already aired my reservations about, and this section will not relitigate that argument. It looks great. It catches accidental touches. Moving on.

Speakers are a weak spot, and a noticeable one. There is a single grille at the bottom right, so stereo is off the table, and the audio leans tinny with very little bass to speak of. For a phone this polished everywhere else, it feels like a department that got the budget cut.

Gaming held up well for everything I tried. Tecno’s dedicated gaming software manages frame rates and battery draw sensibly, and the Dimensity 7400 handled casual to moderate sessions without complaint. The 144Hz display helps make fast-paced games feel responsive, and the phone stayed well within comfortable temperature ranges throughout. Nothing I played caused any real issues, thermal throttling never became a concern, and the large battery meant I could game for extended sessions without nervously watching the percentage drop.

Sustainability

Tecno is promising 3 years of Android OS upgrades and 5 years of security patches for the Camon 50 Ultra 5G, which puts it roughly in line with brands like Motorola and slightly ahead of OnePlus, though still behind Nothing’s 6-year security support.That is a meaningful commitment for a phone at this price, especially if you are someone who plans to use the device well beyond the usual two-year upgrade cycle.

Tecno also claims the battery is built for durability, marketing it as a “5-Year Durability Battery” with TÜV certification and a 72-month lag-free guarantee. Whether that holds true in practice is something only time will tell, but the fact that the company is willing to stake that claim suggests they are at least thinking about longevity beyond the usual marketing fluff. The 6500mAh capacity itself helps, because the less frequently you need to charge, the slower the battery degrades. If you are getting two full days of use out of a charge right now, that headroom means the phone should still feel usable years down the line when the cell inevitably loses some of its capacity.

Value

The Tecno Camon 50 Ultra 5G is priced at $420 for the 8GB + 256GB variant (that’s based on its ₹40,000 Indian price, since the phone hasn’t officially launched in the US). For a phone with a 50MP telephoto, a 144Hz AMOLED display, and a 6500mAh battery, that positioning feels competitive in the under-40K segment, especially when you factor in the AI ambitions.

What feels less competitive is the setup experience. When I powered on the phone and began the initial configuration, India was not listed in the countries menu. Hilariously enough, Palestine was available as an option. The world’s most populated country, nowhere on the list. I eventually had to select a different region just to proceed, which immediately felt awkward for a phone launching in India. Later, I also needed a VPN to access EllaClaw, which could have been a software issue tied to my initial region selection, or it could point to broader availability constraints. Obviously this won’t be the case for everyone since mine was a review unit with the EllaClaw beta program probably tied to a certain region. Either way, it is a frustrating first impression for a feature that is supposed to be the phone’s main selling point.

As for EllaClaw Pro and its credits system, Tecno does offer a credit-based structure for premium AI features like image generation and video creation. In my testing, I never hit a paywall or needed to purchase add-on credits, which suggests the included allocation is generous enough for typical use, at least initially. How sustainable that remains over time, or whether Tecno tightens the limits later, is harder to predict. For now, though, the experience feels surprisingly open, which is a rare thing in the AI phone space.

Verdict

The Tecno Camon 50 Ultra 5G delivers a lot of value for $420. The camera is genuinely impressive, with super night mode shots and 60x zoom that feel bonkers for this price range, and the battery life makes it easy to forget about charging anxiety for days at a time. But I am not recommending this phone for its camera, or its battery, or even its design, as much as I enjoyed all of those things. I am recommending it for EllaClaw, because it is the closest I have come to using a phone AI that feels like it was built for actual humans.

EllaClaw is everything Gemini and Apple Intelligence hope to achieve, and a bit more. I did not think I would see a phone that lets me choose the LLM for its AI assistant, swapping between models depending on what I need. I definitely did not expect an AI assistant dashboard to genuinely give me so much insight and value into how I can use the AI, rather than just sitting through a keynote, nodding along to feature lists, and then forgetting half of them the moment I leave the room. Tecno has cracked something here that bigger brands are still struggling with, which is making AI feel approachable, integrated, and genuinely useful instead of intimidating or buried.

The phone has a few tiny flaws that feel manageable if you’re more driven by the AI chops. The speakers are tinny, the curved display catches palm touches, EllaClaw occasionally lags, and the setup process was a bit of a hassle given I needed a VPN to get EllaClaw to work (but that’s just my China-bound review unit). But if you are looking for a phone that shows you what AI on mobile should feel like when it grows up, the Camon 50 Ultra 5G is worth your attention. It is not perfect, but it is ambitious in all the right ways. Google, Apple, and Samsung could surely take notes.

The post Tecno Camon 50 Ultra 5G Review: A $420 AI Phone With Built-in Gemini, ChatGPT, DeepSeek, and Grok first appeared on Yanko Design.

This Retro Apple IndyCar Livery Looks Like The Perfect Next Step After The Company’s F1 Partnership

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Apple loves racing. Apple TV just became the exclusive US home of Formula 1. Apple funded a movie about Formula 1 that made more money than most actual Formula 1 teams see in a season. Apple even talked Porsche into repainting two race cars in a 46-year-old rainbow scheme this year. What Apple has not done, despite all that motorsport enthusiasm, is show up to IndyCar, which remains a genuinely weird oversight for a company that loves a good only-in-America story.

Designer Daniel Rodriguez decided to render the version Apple apparently hasn’t gotten around to yet. His concept dresses a Dallara IR-18 in the full spectrum of Apple history, from the 1977 rainbow stripes and Motter Tektura lettering down to modern Apple Pay and Apple TV+ badges sitting right next to them. It is a mashup of eras that has no business looking this good, but somehow does.

Designer: Daniel Rodriguez

The stripes themselves do something clever depending on where you look. The nose, wing endplates, and mainplane get the flat, hard-edged six-color treatment straight out of 1977, while the sidepods and engine cover run a soft, airbrushed gradient that looks like it was pulled off a modern Apple wallpaper. Seen from above, the two halves mirror each other perfectly, with rainbow spears launching off the sidepod intakes and racing back over the engine cover in a symmetry that feels distinctly Cupertino rather than distinctly IndyCar.

The words “Apple Computer” run down the nose in Motter Tektura, the quirky Austrian display face Rob Janoff picked in 1977 because its rounded letterforms echoed the curves of the apple mark itself. That typeface has been dormant on race cars for decades, and seeing it wrapped around a modern aeroscreen is a genuinely fun bit of type nerdery most viewers will feel before they can name it.

Rodriguez went really tongue-in-cheek with the sponsors. Apple Pay, Apple TV+, and Apple Podcasts logos sit shoulder to shoulder with the vintage six-color apple, like four different decades of the same company got dressed for the same race. Real IndyCar suppliers such as Bosch, BBS, Sachs, and Firestone fill out the rest of the livery, which keeps the whole thing grounded instead of drifting into pure fantasy render territory.

None of this happens in a vacuum, either. Apple actually had a rainbow racing moment already, back in 1980, when it sponsored a Porsche 935 K3 run by Dick Barbour Racing and driven by Bobby Rahal, Allan Moffat, and Bob Garretson. That car ran a short, unglamorous IMSA season, blew a piston at Le Mans, and wore a tail sticker that read “Don’t upset the Apple Car.” Porsche revived that exact livery this past May at Laguna Seca to mark 75 years of Porsche Motorsport and Apple’s 50th birthday, which is clearly the spark behind this whole concept.

The bigger question the render quietly asks is why IndyCar is still waiting. Apple has spent nine figures on Formula 1 rights and greenlit a Porsche throwback livery for a sports car series most Americans do not watch on Sunday afternoons. IndyCar runs ovals, street courses, and an actual American underdog story every single season, and it is about to roll out a lighter, faster Dallara IR-28 in 2028. If Apple wants a paddock that already looks this good in rainbow stripes, the invitation is right here.

The post This Retro Apple IndyCar Livery Looks Like The Perfect Next Step After The Company’s F1 Partnership first appeared on Yanko Design.

Weber Is Shutting Off the June Oven’s AI Camera, and a $90 Air Fryer Already Does The Same Thing

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Somewhere in a warehouse in Illinois, someone at Weber is about to flip a switch that turns a $999 oven back into a very expensive toaster. On September 22, the June Oven loses its cloud, its app, and the camera trick that made it famous in the first place. You can still push the manual buttons. You just lose the part where the oven looks at your chicken thighs and quietly figures out what to do with them.

Here’s the kicker. That exact party trick, the camera that scans your food and picks a cook program for you, now lives inside air fryers that cost less than a nice dinner out. June invented food recognition cooking in 2015 for fifteen hundred bucks. A decade later you can buy the same basic idea for under a hundred dollars on Amazon. The technology didn’t get worse. It just stopped being special enough to protect.

Daewoo Actuate

Weber hasn’t put out a press release about any of this, which tells you plenty on its own. Owners found out by email. Meanwhile the company has been actively expanding Weber Connect, the smart grilling platform June’s own engineers helped build, across its charcoal and gas lineup. So the message, whether Weber meant to send it or not, is that connected cooking tech is worth investing in when it’s attached to a grill, and worth quietly switching off when it’s attached to a toaster oven nobody’s manufacturing anymore.

Daewoo’s Actuate is the cheapest, dumbest version of June’s original idea, and I mean dumbest as a compliment. An internal camera peeks at whatever’s in the basket, matches it against twelve presets like chips, sausages, and chicken, and sets the time and temperature without asking you to tap through a menu. It runs about ninety to a hundred dollars depending on the retailer and the day. No app, no account, no subscription. It just watches your dinner and gets on with it.

Culinix 8.5QT AI air fryer

Here’s where it gets fun. Culinix sells an 8.5 quart fryer in the US with an AI camera that recognizes twelve foods, and the list reads like it was lifted straight off Daewoo’s spec sheet. Chicken goujon. Fish finger. Beef joint. Chick pea. That is oddly specific British supermarket vocabulary to land on two unrelated product pages by coincidence. My guess is neither brand invented this camera module, they just bought the same one off a factory shelf and slapped their own logo on the box, the same way every USB charger secretly comes from three factories in Shenzhen.

Emerson skipped the camera entirely and gave its SmartVoice fryers ears instead. Say “cook pork chops” and it just does it, no app, no wifi, all the processing happening locally on the device. It’s not glamorous, but it solves a real problem for people who find touchscreens fiddly, whether that’s arthritis, low vision, or just being elbow deep in raw chicken and unable to tap anything. I’d argue this is the most quietly useful of the three schools, even though it’ll never trend on a gadget blog.

Dreo ChefMaker

Xiaomi and Dreo took the opposite bet and gave up on guessing entirely. Xiaomi’s Mijia Pro adds a water tank so it can steam and sous vide alongside the usual hot air, which actually changes the physics of what comes out the other end. Dreo’s ChefMaker goes further and sticks a probe straight into the meat, measuring real internal temperature instead of inferring anything from a camera. It’s the only method here that isn’t a guess.

Which brings us back to June. Anova’s newer oven has the same food recognition camera, except the feature only works if you’re actively paying a subscription. So the actual choice in 2026 isn’t camera versus voice versus probe. It’s whether you own the smarts in your kitchen outright, or you’re just renting them from a company that can turn them off the second it stops making sense on a spreadsheet.

The post Weber Is Shutting Off the June Oven’s AI Camera, and a $90 Air Fryer Already Does The Same Thing first appeared on Yanko Design.

This LEGO Phoenix’s Talons Actually Grip the Perch, and It’s Weirdly Convincing

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LEGO’s official phoenix, the 597-piece Fawkes from the Harry Potter line, does one trick. You turn a crank at the back and the wings flap up and down, forever, in the same arc, like a very committed but slightly limited stage performer. It’s a lovely little set and it looks great on a shelf, but the bird has exactly one thing it can do, and it will do that one thing until the end of time or until you stop turning the handle, whichever comes first.

Swas has taken a different approach on LEGO Ideas. His Blazing Phoenix doesn’t animate, it poses, which turns out to be the better idea for a creature this dramatic. Photograph it upright and it’s regal. Sweep the wings forward and drop the head and it’s about to ruin someone’s afternoon.

Designer: Swas

The wings are where the engineering flexes hardest. Each one runs off a Technic spine with visible pin and axle connections at the root and mid-span, and that hidden skeleton is what lets the whole assembly hold a pose instead of flopping. Four or five overlapping feather ranks are shingled per wing, small scalloped coverts near the shoulder giving way to long individually mounted primaries at the tips that actually fan and separate rather than sitting as one flat slab. Bright yellow stripes run along the length of each feather like flame traveling outward from the body, which is a genuinely smart color call and does more storytelling than the shape alone ever could.

The tail gets the same individual-feather treatment, a long fan of striped blades that either gathers low behind the perch or spreads wide depending on the pose you land on. Every feather looks independently mounted, so the tail reads as one more articulating surface rather than a fixed decorative wedge bolted on as an afterthought.

The head is where the personality lives, and also where my favorite detail is hiding. The beak transitions from bright orange into yellow with a nicely hooked profile, and above the eye Swas has used a small red feathered wing piece as a stand-in eyebrow. That’s the kind of part repurpose that separates builders who are just following a shape from builders who understand how a face actually reads.

Down at the perch, the legs are jointed at hip, knee, and ankle, bending the correct backward-bird way, ending in curved nougat talons that genuinely wrap around the rail instead of resting near it. Swas says the claws grasp, and looking at the renders, that’s not a marketing line, the grip looks load-bearing.

Swas has said the phoenix stuck with him since his teenage years, when the fantasy novels he was reading collided with the mythological stories his grandmother used to tell, and the message that every end is a new beginning is one he still carries around. That’s a nice thing to build a thousand-plus bricks around.

The Blazing Phoenix just crossed 1,000 supporters and is now working toward the 5,000 mark, with 591 days left on the clock. If a poseable, fully articulated phoenix sounds better to you than one that only knows a single flap, head over to LEGO Ideas and give it your vote.

The post This LEGO Phoenix’s Talons Actually Grip the Perch, and It’s Weirdly Convincing first appeared on Yanko Design.

This Brutalism-inspired ceramic brewer makes pour-over coffee and gongfu tea in the same set

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Some brewing setups look like they belong in a kitchen. Purestone looks like it escaped from an architect’s desk. With its faceted black ceramic body, square tasting cups, and upside-down pyramid filter, the whole set feels closer to a tiny Brutalist sculpture than a teapot and pour-over kit. The proportions are tight, stackable, and clearly considered. That visual sharpness is what grabs you first, especially in a category full of soft curves, glass cones, and familiar café gear.

Then it starts showing off. The same compact set handles gongfu tea and pour-over coffee through a single reusable alumina mineral filter, eliminating paper entirely. Gongfu brewing means steeping leaves directly in the pot and straining through the filter, a practice rooted in Chinese tea culture that prioritizes short steeps and full leaf expression. That means fewer throwaway parts, more of the drink’s natural aromatic oils, and a ritual that feels tidier and more intentional. If your countertop has ever looked like a coffee shop and a tea house got into an argument, this thing clearly came to restore peace.

Designer: Purestone

Click Here to Buy Now: $69 $146 (47% off) Hurry! Only 4 days left.

The angular geometry is a stark difference from anything you’d otherwise find at .your local barista Purestone’s brutalist trapezoid pitcher body trades rounded contours for deliberately sharp edges that create natural grip points and double as thermal insulation from the heat inside. The square tasting cups, compact at 50ml, are built to stack cleanly. The drip tray, cast from the same raw mineral clay as the pitcher, uses a slanted three-dimensional wave contour tested repeatedly to lock the brewer snugly in place. It is a set designed from the geometry outward, not decorated after the fact.

Shaped like an inverted pyramid and sintered into a microporous structure, the alumina ore filter intercepts coffee grounds and tea particles while water flows through mineral-rich ceramic. Purestone claims this softens the water and reduces bitterness, an approach aligned with ceramic filtration science that Japanese makers like Kyuemon pioneered back in 1986. The non-porous outer layer handles physical sediment blocking; the inner microporous alumina does the mineral work. It is fully reusable, resets with a rinse, and preserves the aromatic oils that paper filters tend to quietly absorb. No paper waste, no metallic aftertaste from mesh screens.

Black Lubao ceramic clay goes into every piece, fired at 1,000 degrees in a kiln that vitrifies the material and bonds the matte frosted glaze to the surface. The process delivers stain resistance, thermal shock resilience, and a fingerprint-proof charcoal finish. The glaze is applied by hand before firing. Every component is then molded separately and hand-polished by artisans, with each bevel manually smoothed to remove what industrial casting leaves behind. The result is geometric in intent but warm in feel, and that contrast is what makes it work as a table object rather than just a shelf piece.

The pitcher’s handle is raised and widened into a three-dimensional form that creates an air gap between your hand and the hot ceramic body, keeping it cool without any insulating sleeve. The spout is hand-shaped into what Purestone calls an eagle beak cavity, which builds steady internal pressure and lets you dial the pour from a heavy stream to a fine trickle. Most ceramic spouts scatter and drip on the return. This one is designed to cut off cleanly. The tray completes the ergonomic picture, with a wave-contoured groove that holds the brewer steady and catches any drips that land off-target.

Zero electronic components, zero plastic parts, and zero rubber seals mean nothing in this set degrades or needs replacing after a couple of years. The reusable alumina filter eliminates the running cost of paper filters altogether. The primary materials are natural clay and mineral-based aluminum oxide, with no chemical coatings, no plastics, and no heavy metals anywhere in the mix. The custom EVA carry case in the Ultimate Package serves as permanent storage rather than packaging you toss on unboxing. It travels, stacks, and cleans with water.

Purestone is available now, with the standard set (brewer pot, two tasting cups, drip tray, and alumina ore filter) at a discounted $69. The Ultimate Package adds wooden pallets, the EVA carry case, and a 2-in-1 tea strainer and coffee spoon, priced at a discounted $129. No warranty period is specified in the available product details, but the all-ceramic, all-mineral construction makes longevity a materials argument rather than a mechanical one. Objects built from sintered clay fired at 1,000 degrees tend to outlast any guarantee. Global shipping begins November 2026.

Click Here to Buy Now: $69 $146 (47% off) Hurry! Only 4 days left.

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Beni Is What Sony Aibo Grew Up to Be – A $549 Camera Robot That Captures Life While You Live It

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Every camera product ever made has one thing in common: it needs you to operate it. A gimbal needs a hand to hold it. A drone needs a pilot with eyes on a controller. An action cam mounts somewhere on your body, which means it films from your body, not at it. Even the smartest AI tracking stand on the market still requires you to set it up, point it at where you’ll roughly be, and go do something interesting within its field of view. All of this adds up to a life spent maneuvering cameras instead of being in front of them, and the shots that matter most, the ones where you’re actually doing the thing, are consistently the ones you’re missing from.

Beni, from Palo Alto startup Mondo Robotics, is the robot that plays camera crew. It rides on four wheels, films in 4K HDR with 3-axis stabilization, hits 17.9 mph, and clears 10-inch obstacles mid-chase, getting itself back upright after a fall without any help from you. The team includes engineers from DJI and Tesla’s Optimus program, which explains how a 3.86-pound consumer robot ends up with hardware like that. It also has color-changing expressive eyes, a swappable hat, a name, and a personality that comes through in little nods and head shakes. That design language places Beni in a tradition Sony’s Aibo started in 1999, building robots people actually want to be around. The engineering is serious, the warmth is deliberate, and the combination puts Beni in territory most robotics products actively avoid.

Designer: Mondo Robotics

Click here to Buy Now: $549 $799 (31% off). Hurry, only 39/230 left! Raised over $2.8 million.

The choice to give a camera robot a face, a name, and a wardrobe is a design statement, not a marketing gimmick. Beni’s eyes change color and express emotions, it nods and shakes its head, and the whole body is customizable through swappable hats, ear attachments, and protection plates, in whatever combination suits you. The character design sits somewhere between a cartoon character and a precision instrument, which sounds like a contradiction and somehow isn’t. Mondo Robotics understood that emotional connection determines how often a device actually leaves the house. A robot you find charming is one you take outside. One that reads like a spec sheet stays in the drawer.

Beni measures 8.5 by 7.1 by 7.1 inches and weighs 3.86 pounds, light enough to throw in a bag. It hits 17.9 mph (28.8 kph) to keep pace with skateboarders and runners, clears up to 10-inch obstacles to handle curbs and stairs, dodges obstacles with onboard sensing, and self-rights when it tips over. The self-recovery system sounds like a footnote until you actually send Beni across gravel and watch it eat dirt, bounce back up, and continue tracking without a second of interruption. A creator who ran it through grass, gravel, trails, and concrete stairs for a full week reported footage that never stopped rolling. That kind of reliability is what separates a robot from a gadget.

The camera shoots 4K with HDR coloring that handles extreme lighting without manual adjustment. HybridFlow Stabilization combines four-axis mechanical and electronic stabilization, which keeps footage smooth even when Beni is clattering across rough terrain at full speed. Storage is 32GB internally with a microSD slot for expansion. Everything core, tracking, filming, obstacle avoidance, runs entirely on-device, and your footage stays on the robot’s local storage. The only cloud connection Beni ever makes is for the optional AI auto-editing feature, and only when you explicitly give permission. For a camera product in 2026, that’s a privacy setup worth paying attention to.

Tail tracking, side tracking, front tracking, and circle tracking give Beni four distinct cinematic modes, each producing footage that most solo filmers never actually get to see. Tail mode keeps Beni behind you at pace, a proper chase-cam shot without anyone chasing. Side mode locks it right beside you, framing you against the rushing landscape the way a Hollywood tracking rig would. Front mode has Beni reversing ahead while filming your face, which turns out to be unusually good for capturing effort and expression mid-activity. Circle mode sends it into a continuous 360-degree orbit for sweeping hero shots. The magnetic Motion Tracker, worn on your wrist or clipped to your bag, keeps Beni locked on even when you briefly move out of frame, and doubles as a manual controller for directing movement without touching your phone.

Beni’s auto-editing feature builds highlights from your raw footage using AI models that Mondo Robotics has customized, so you’re not manually scrubbing through hours of clips for ten good seconds. The company is clear that this is the only opt-in cloud feature; every other function runs locally. Pilot Mode sits at the other end of the control spectrum, letting you drive Beni manually from your phone for footage from its low-slung ground-level perspective. The vantage point is genuinely unlike anything a handheld camera can produce, just by virtue of where the lens sits relative to the ground.

Battery life runs 1.5 hours per charge, with a swappable design that stretches to 4.5 hours across three batteries. The Standard Combo, including Beni, Motion Tracker, hat, chest protection plate, and one battery, is available at $549 (discounted from the $799 retail price). The Explore Combo adds three batteries, a charging hub, and off-road wheels for $699. Individual add-ons, including extra batteries at $59, off-road wheel pairs at $9, ears and hats packs at $9, and protection plates at $9, are available separately. Every unit comes with a 12-month limited warranty from the date of activation, and global customer support is available at mondorobotics.com. Shipping covers the US, Canada, UK, Germany, France, Spain, Italy, Australia, and New Zealand, with customs fees included on a flat $10 shipping fee.

Click here to Buy Now: $549 $799 (31% off). Hurry, only 39/230 left! Raised over $2.8 million.

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