Unveiling Kia PV5 and PV7: The Future of Electric Urban Mobility and Logistics

Kia’s unveiling of the Concept PV5 and PV7 marks a major milestone in electric vehicle development, targeting a 2025 release. These models blend modern aesthetics with practical design, catering to diverse urban transport and logistics needs. The PV5 and PV7 are designed with both scalability and versatility in mind, making them perfect for various business applications, from passenger transportation to cargo delivery.

Designer: KIA

The PV5’s exterior features sleek, aerodynamic lines and a striking two-tone color scheme that conveys a futuristic and professional look. Large, seamless windows enhance visibility and contribute to the high-tech aesthetic, while the minimalist front design with integrated LED headlights adds a touch of sophistication. The vehicle is available in three body types: Basic (Passenger), Van (Delivery), and Chassis Cab, providing flexibility for businesses that require different configurations. The Basic model prioritizes comfort and space, featuring wide double doors and a flat floor to maximize interior room. It is ideal for urban passenger transport, including taxis and ride-sharing services.

KIA Concept PV5-R

Inside, the PV5 offers a spacious and innovative environment. Ergonomic seats can be configured in multiple ways to meet various needs, and they fold flat to provide additional storage space when necessary. The minimalist dashboard has a digital display that integrates all essential functions, offering the driver a streamlined and efficient interface. Sustainable materials used throughout the interior contribute to a luxurious feel and reflect Kia’s commitment to eco-friendly design. The large touchscreen display in the center console ensures easy access to navigation, entertainment, and vehicle settings, enhancing the connected driving experience. The flat floor design of the electric platform further enhances versatility and space efficiency, making it easier for passengers with mobility issues or those carrying heavy cargo to enter and exit the vehicle.

Kia Concept PV5 Basic (Passenger)

The PV5’s Van (Delivery) model is tailored for the transportation of small and medium-sized cargo, featuring ample storage space and wide rear doors for easy access. This model is particularly suited for service industries and delivery businesses, offering a reliable and efficient solution for urban logistics. The Chassis Cab variant offers maximum flexibility, allowing businesses to customize the vehicle for specific needs, such as mobile workshops or specialized service vehicles.

The PV7, a larger sibling in Kia’s PBV lineup, extends these innovations with greater cargo space and advanced features tailored for more extensive transport needs. Both models reflect Kia’s dedication to pushing the boundaries of electric vehicle design, offering practical solutions for various commercial uses. The PV7 builds on the versatility of the PV5, providing more room and possibly additional configurations to meet diverse business demands.

Kia Concept PV5 Van Interior

Kia Concept PV7 is Kia’s second PBV and boasts the largest cargo space in the lineup.

Kia’s PV5 and PV7 concepts also hint at future advancements with the planned PV5-R model, incorporating autonomous driving technology. This innovation promises to enhance the appeal of PV5 and PV7 across various industries, offering a modern and efficient solution for urban mobility.

Kia Concept PV5 Basic (Passenger) is a perfect solution for urban passenger transportation such as taxis, ride hailing/sharing, and vehicles for people with disabilities.

Overall, Kia’s PV5 and PV7 concepts represent a significant step forward in the electric vehicle market. Their versatile designs, scalability, and focus on passenger comfort and cargo space position them to meet the diverse needs of businesses and individuals. The anticipated 2025 release marks an exciting milestone for Kia as it continues to innovate and lead in the electric vehicle sector.

Kia Concept PV7 Cargo Delivery & Multi Van

 

The post Unveiling Kia PV5 and PV7: The Future of Electric Urban Mobility and Logistics first appeared on Yanko Design.

Netflix will drop a new multiplayer game when Squid Game season 2 premieres this year

Netflix is expanding its games roster with an intriguing (and probably gruesome) new tie-in. During the company's quarterly earnings announcement, Netflix shared that it plans to launch a multiplayer game inspired by Squid Game. Its release date will be timed to coincide with the second season of the South Korean TV sensation. We have no other information about what style of game it will be, but we can guess that it will echo the children's games contestants play for survival on the series.

The program has already spawned several spinoffs for the streaming service. After season 1 became an international sensation in 2021, Netflix created a virtual reality version as well as an in-person pop-up experience in Los Angeles based on the fictional reality show. The company also teamed with a British production company to create Squid Game: The Challenge, an actual reality TV show that is fortunately a lot less lethal than its source material.

Another insight from the quarterly report is how much advertisements have grown in importance for Netflix. The ad-supported tier is responsible for 45 percent of new sign-ups in markets where the subscription option is available. The plan has only been available for about 18 months, and its audience has already grown 34 percent sequentially in the second quarter of 2024. Part of that shift is happening because the basic plan option is being phased out; it left Canada and the UK already, and the US and France are next up.

This article originally appeared on Engadget at https://www.engadget.com/netflix-will-drop-a-new-multiplayer-game-when-squid-game-season-2-premieres-this-year-220338938.html?src=rss

Fandango co-founder J. Michael Cline dead at 64

One of the founders of the movie ticketing service Fandango has died following an apparent suicide in New York City.

J. Michael Cline, the co-founder of the movie ticket website and service Fandango, died Tuesday after falling from the balcony of a Manhattan hotel in what the medical examiner’s office ruled as a suicide, according to The New York Times.

Cline co-founded Fandango in 2000 with former chief operating officer Art Levitt during the dot-com boom and became one of the biggest online retailers. Fandango launched with seven movie theater chains, according to Variety.

Fandango found success by completely changing the way people went to the movies. Moviegoers didn’t have to wait in long ticket lines only to find out that the 6 PM showing of Battlefield Earth was already sold out. They could purchase their tickets before they even left home and still have time to buy an overpriced box of Milk Duds and a watered down Shasta.

The company’s flashy orange “F” logo also made it one of the most recognizable online brands in the industry. Cline described his company's whimsical sounding name to Variety as “fast and fun” and a “perfect match to a service designed to make going to the movies easier and more enjoyable than ever before.”

Five years after its launch, online movie ticket sites like Fandango and its competitor Movietickets.com sold tickets worth over $30 million in one year. Comcast bought the Fandango brand in 2007 for an undisclosed sum. Fandango also bought some of the Internet’s hottest movie properties such as the aggregated movie review website Rotten Tomatoes in 2017. The movie ticket brand went through subsequent parent sales until it landed with its current owners NBCUniveral and Warner Bros., which expanded the Fandango brand to a streaming service called Fandango at Home as a replacement for Vudu.

Fandango continues to thrive as an online ticket retailer even at a time when movie theaters are seeing a huge slump in sales. During the Barbenheimer craze last summer, Fandango sold 3.5 million tickets alone just to the Oscar nominated and winning films Barbie and Oppenheimer.

Cline left Fandango in 2011 and went on to become the executive chairman of the tech investment firm Juxtapose that helped launch health and wellness companies like Care/of and Corduroy, according to the firm’s website.

Levitt described his former business partner to the New York Times as a formidable entrepreneur who was “a bit of an adventurer” and someone who “saw an opportunity in the market” with Fandango.

In the US, the National Suicide Prevention Lifeline is 1-800-273-8255 or you can simply dial 988. Crisis Text Line can be reached by texting HOME to 741741 (US), 686868 (Canada), or 85258 (UK). Wikipedia maintains a list of crisis lines for people outside of those countries.

This article originally appeared on Engadget at https://www.engadget.com/fandango-co-founder-j-michael-cline-dead-at-64-214725046.html?src=rss

Blizzard reveals gameplay for the new Diablo IV class, Spiritborn

After a teaser at last year's BlizzCon, Blizzard today revealed more details about the new character class that will be coming to Diablo IV this fall. The Spiritborn looks like a fun, powerful mix of several characters from past Diablo entries. Imagine the martial arts combat of the Diablo 3 Monk paired with the animal abilities of the same game’s Witch Doctor plus the aesthetics of the Amazon in Diablo 2. This sounds like a pretty darn tasty recipe to me.

The Spiritborn is a dexterity-driven class with four Spirit Guardians whose powers you can draw on in combat. The jaguar grants fire damage and the eagle offers lightning damage abilities. With the gorilla, players get defensive power and survivability. And the centipede provides poison and fear skills for damage over time and crowd control. During the livestream, Class Designer Bjorn Mikkelson said the Spiritborn is "probably our fastest, most aggressive class." Think leaping into groups of enemies to deliver big burst damage with glaives, quarterstaffs, and polearms.

A typical rotation will see players using those short cooldown skills infused with an element of a spirit's power. But the real payoff with Spiritborn is the ultimate ability, which brings one of the Spirit Guardians to fight by the player's side. "Summoning the god into battle is the power fantasy for this class," said Diablo IV's Game Designer Brent Gibson.

Part of what has always made Diablo games compelling is the ability to personalize and specialize your playstyle within the broad character concept. And some of the other Diablo 4 class designs encourage players to specialize in a single ability tree, such as picking one elemental power to use for a Sorcerer. With the Spiritborn, players will have the flexibility to specialize in a single Spirit Guardian's skill tree if they want, or to mix and match at will without any loss of stats. Things will get even more personalized with the Spirit Hall class mechanic and a whole new set of legendary and ancient gear for the Spiritborn to further fine-tune your preferred playstyle for demon-smashing.

Today’s livestream also had some good nuggets for the lore nerds, and hardcore fans will likely find it worth rewatching the video to see all the details about the worldbuilding that the Blizzard teams put into developing this character. Diablo IV's Vessel of Hatred expansion, aka 'Neyrelle and the Terrible, Horrible, No Good, Very Bad Day,' will launch on October 8 and the standard edition will cost $40.

This article originally appeared on Engadget at https://www.engadget.com/blizzard-reveals-gameplay-for-the-new-diablo-iv-class-spiritborn-205945475.html?src=rss

Dyson OnTrac Headphones: A Comeback After Dyson Zone’s Air Purifier Headphone Flop?

When Dyson Zone headphones with a visor for beaming fresh air into your nose were released a couple of years ago, we were taken aback by the idea. Although the prospective buyers didn’t show much affinity towards the unconventional ANC cans costing $1,000, we knew Dyson was working under wraps to reclaim lost glory in the headphones segment. They were poised to take the heat to Sony 1000XM5, Bose QuietComfort Ultra, Apple AirPods Max, Bowers & Wilkins PX7, and Sennheiser Momentum 4 Wireless.

This time the UK-based consumer tech giant has come up with a more conventional pair of headphones that are ultra-customizable. Meet the Dyson OnTrac headphones that tout class-leading ANC performance akin to the QuietComfort Ultra and AirPods Max. Audio quality is also the USP just like B&W PX7 or Momentum 4 Wireless. Priced at the upper end of the consumer tech segment, the cans have enough meat to pack a punch.

Designer: Dyson

The color customization of the headphones makes them stand out from the crowd with more than 2,000 possible combinations of the interchangeable outer cap covers and ear cushions made out of ultra-soft microfiber material. This is on top of the 4 basic color options in different material choices including CNC Copper, CNC Aluminium and CNC Black Nickel. OnTrac will also come in a special Ceramic Cinnabar version draped in a painted finish with a ceramic feel.

The headphones have an eight-microphone system capable of 40 decibels of reduction in unwanted sound courtesy of the 384,000 sound sampling per second. Good sound quality is a priority for the creators of the headphones, hence, the OnTracs feature 40mm drivers to reproduce the frequencies as intended by the artist. The frequency range of 6Hz to 21,000Hz makes you feel the rumble of sub-bass without muffling things and the highs are crystal clear. The Bluetooth codecs supported include SBC, AAC and the newer LHDC version.

The superior performance of the ANC doesn’t take a toll on the battery as Dyson promises 55 hours of impressive backup with Active Noise Canceling turned on. A charge of half an hour will juice them up for around 9 hours of playback. The controls for toggling volume levels, track change and ANC on/off are done with a tactile joystick button on the outside of either cup. Comfort is also important so the multi-pivot gimbal arms ensure the right amount of clamping force to prevent any pressure on the ears.

The post Dyson OnTrac Headphones: A Comeback After Dyson Zone’s Air Purifier Headphone Flop? first appeared on Yanko Design.

FiiO reboots the old-school portable CD player, minus the AA batteries

CD players are back, baby. As Gen Z absorbs the ‘90s it never experienced through retro nostalgia like Nirvana, Tamagotchi and wired headphones, audiophile brand FiiO is here to capitalize. The company’s new portable CD player, the DM13, builds on the blueprint of icons like the Discman. But it adds modern touches like high-fidelity wireless and a built-in battery, so Gen Zers are spared the pain of lugging around a small arsenal of AA cells to change at the top of every hour.

The FiiO DM13 follows the company’s retro reboots of the vinyl turntable and (for unfathomable reasons) the cassette player. The upcoming CD player has a sleek design with a digital display across its front, making for a much sharper-looking modern aesthetic than the trash we Gen X old farts used when jamming out to timeless musical legends like Candlebox, Right Said Fred and the Squirrel Nut Zippers.

Product marketing image of the FiiO DM13 portable CD player. It sits closed against a waveform background.
FiiO / Starscream Communications

The DM13 supports 3.5mm single-ended 4.4mm balanced outputs for analog line-out listening. For those who prefer wireless, it supports high-quality aptX HD and is compatible with many Android phones and portable media players. (Apple uses its lower-bitrate AAC codec, so iPhone owners get less impressive wireless audio without an adapter.)

FiiO says the DM13 supports eight hours of playback per charge. It also has a USB output and a dedicated desktop mode that bypasses the battery and uses its main power at home.

The bad news for ‘90s retrophiles is the DM13 isn’t available just yet. After its official unveiling at this weekend’s CanJam event in London, the CD Player will go on sale in September for $179 (£179 in the UK). It begins shipping only in a silver finish, but FiiO says red, blue, titanium and black variants will arrive later in the year.

This article originally appeared on Engadget at https://www.engadget.com/fiio-reboots-the-old-school-portable-cd-player-minus-the-aa-batteries-202334462.html?src=rss

The final trailer for Alien: Romulus looks tense, bloody and awesome

The last couple of Alien movies have been good for the most part but it feels like they’ve been missing the raw, skin-shredding tension of the first few films. The latest trailer for Alien: Romulus looks like the series is headed back to its dark, claustrophobic roots.

Alien: Romulus features a whole new crew of doomed space-trekking souls who encounter the deadly Xenomorph on a derelict spacecraft. This time, it’s a crew of space colonizers who are scavenging for resources from abandoned ships and stations.

This Alien film was co-written and directed by Fede Alvarez, the filmmaker behind cult horror flicks such as the two Don’t Breathe movies and the Evil Dead remake. So, yes, Alien: Romulus is gonna be very tense and very, very bloody. Where the original Alien merely strapped a parasitoid xenomorph to a crew member's face, the trailer for Romulus is willing to show a facehugger penetrating some poor guy's head. Yikes.

Alien: Romulus hits theaters on Friday, Aug. 16.

This article originally appeared on Engadget at https://www.engadget.com/the-final-trailer-for-alien-romulus-looks-tense-bloody-and-awesome-191908758.html?src=rss

This Absurdly Sculptural Piano was designed to be the Centerpiece of a Billionaire’s Living Room

London-based design studio Based Upon is renowned for its out-of-the-box work and their latest creation is marvel on its own. Upgrading the classic piano design to a level that’s worthy of a grand art exhibition, is the Twist/D. A radical piano that breaks all norms for a creative twist.

Previously the studio has collaborated with names like Rolls-Royce and Tiffany & Co. to create collectible pieces which adorn the spaces of the rich and the famous. Building on the success of The Baby edition of five baby grands, this exclusive piece brings the grand expanse of the universe to your living room musical symphony.

Designer: Based Upon

According to Ian Abell, the essence of every piece crafted at the studio focuses on the right balance between functionality and artwork. Ian emphasis that the piano as a subject for them has “always been to create a credible piece of art while preserving the integrity of the instrument.” Twist/D tends to heighten the experience of the player as well as the listener. To everyone’s surprise, the autonomous piano is an amalgam of sculpture and technical features that delivers the touch, feel and sound of an exquisite concert grand.

The musical instrument has a spiralling shape that embodies dynamism of a dancer’s motion. The minimal silhouette of the piano is inspired by the proportions of the Golden Spiral. For the auditory brilliance, there are 12 computer modelled Steinways and Bechsteins from different eras for a vivid tonal qualities. Just like the form of this piano, the sync between strings, cabinet resonance and pedal mechanism of the symphonies is emulated perfectly for a rich sound. So has the integration of Isle of Skye site-specific audio samples that employs impulse response reverb techniques to create signatures of the island subterranean landscape.

Based Upon has managed to craft a musical instrument from advanced material and techniques to create a deep connection with the natural world. Twist/D has a lightweight frame made out of a composite material that makes possible the unconventional shape without compromising the structural integrity. Those keys are made from sustainable ebony and ivory alternatives for an environmentally friendly design. The price of $194,600 is meant to adorn the living rooms of music composers who value the good things in life.

The post This Absurdly Sculptural Piano was designed to be the Centerpiece of a Billionaire’s Living Room first appeared on Yanko Design.

Google just confirmed the Pixel 9 Pro’s outrageous camera bump

Google has officially confirmed the existence of the Pixel 9 Pro smartphone ahead of August’s Made By Google livestream event. This follows a leak earlier this week in which images and videos of the handset started popping up everywhere.

The company confirmed the smartphone via an announcement video, one that could have been waiting for August 13. The video isn’t big on details, but there is some footage of the phone in action that confirms one major suspicion about the Pixel 9 Pro. The absolutely gigantic camera bump is real and is ready to make obvious indentations in pockets everywhere.

Just look at that glorious thing. The bump looks like a 3D approximation of Bender from Futurama’s head. One thing is for sure. If you buy the Pixel 9 Pro later this year, be sure to also buy a newly-designed case. There’s no way previous cases will fit around that monstrosity.

Beyond the camera bump, Google’s video teases heavy integration with the company’s Gemini family of AI models. Affiliated marketing copy simply states “oh hi, AI” and the video shows a chatbot answering a query. This emphasis on AI should surprise absolutely nobody. It’s 2024.

You can sign up for information about the phone directly from Google. While we don’t have any actual specs, it’s likely that ginormous bump exists for a reason (a really good camera system.)

There have been other leaks ahead of next month’s event, though this is the only one proven to be real. These leaks do indicate, however, that the Pixel Pro 9 will be joined by the garden variety Pixel 9, the Pixel 9 Pro XL and a foldable called the Pixel 9 Pro Fold. As always, we’ll be on the scene August 13 to report on whatever Google announces.

This article originally appeared on Engadget at https://www.engadget.com/google-just-confirmed-the-pixel-9-pros-outrageous-camera-bump-185301609.html?src=rss

Ubisoft delays its Rainbow Six and Division mobile games until at least April 2025

Ubisoft has released its latest earnings report and while there wasn't a ton of major news, there's a disappointing update for those who have been waiting on mobile versions of the Rainbow Six and The Division franchises. The company says that the Rainbow Six Mobile and The Division Resurgence development teams need more time to "deliver on expectations" amid "a demanding yet very large market."

As such, both titles are no longer expected to debut in the publisher's current fiscal year, which ends on March 31, 2025. That means yet another delay for Rainbow Six Mobile, which was initially supposed to arrive in 2022. The Division Resurgence had been expected to debut last year.

On an earnings call with investors, Ubisoft noted that "it's very difficult to define a set date" when asked why it was delaying the games now, with over eight months of the fiscal year to go. Executives said that Ubisoft wants the two titles to last forever and that the developers are "putting in the necessary work to make sure the games are perfect when they launch."

Elsewhere, Ubisoft said its free-to-play competitive shooter XDefiant "is off to an encouraging start," having roped in 10 million players in its first two weeks after debuting in May. Aside from updates for live-service games such as Rainbow Six Siege, The Crew Motorfest and Skull and Bones (all of which the company says are performing well), Ubisoft has a couple of exciting projects lined up for the rest of the year in Star Wars Outlaws and Assassin’s Creed Shadows.

Meanwhile, on its earnings call, Ubisift was asked about the status of bringing Call of Duty games to cloud gaming services. The publisher holds the cloud gaming rights to Activision Blizzard games. Microsoft sold those rights to help appease competition regulators and get its Activision Blizzard merger over the line.

You can expect Call of Duty titles to start hitting Ubisoft+ by the end of this year. That lines up with Microsoft's plan to release Call of Duty: Black Ops 6 via (the now-more-expensive) Game Pass in October and to bring other CoD titles to that service.

This article originally appeared on Engadget at https://www.engadget.com/ubisoft-delays-its-rainbow-six-and-division-mobile-games-until-at-least-april-2025-174035060.html?src=rss