The tech world is abuzz with anticipation over OpenAI’s upcoming AI model, codenamed Orion. As industry insiders and publications eagerly discuss its potential early release, the AI community is poised for what could be a significant leap forward in artificial intelligence capabilities. Orion’s debut is expected to have far-reaching implications for the industry, potentially reshaping […]
The post How OpenAI’s Orion GPT-5 Model Could Transform AI Applications appeared first on Geeky Gadgets.
In today’s fast-paced world of startups, finding that golden idea can feel like searching for a needle in a haystack. But what if you could tap into the collective wisdom of millions of internet users to uncover hidden gems? Enter Gummy Search, a clever tool that dives into the bustling conversations on Reddit to unearth […]
The post Reddit and AI : The Ultimate Startup Idea Generator appeared first on Geeky Gadgets.
BLUETTI’s Handsfree 2 Backpack might seem like an unexpected twist for a company best known for portable power stations, but it’s actually a clever next step for those who want their gear to match their sense of adventure. The company’s tagline sums it up: “Don’t just explore nature—take control of it with Bluetti’s backpack solar generators.” And honestly, that’s exactly what this thing is built to do. It’s a combination of a high-capacity power station and a rugged 60-liter backpack, designed to keep your gear charged without having to slow down.
Think of those times when you’re out in the backcountry, and every device is crucial. Your drone captures stunning aerial shots, your GPS app guides you through new trails, and your camera’s memory card fills up with breathtaking landscapes. But then, you see that low battery alert on your screen, and suddenly, your ability to capture those moments is at risk. That’s where the Handsfree 2 steps in, with a built-in 512Wh power station and a 700W inverter that keeps everything from your camera to your laptop powered up for days. And since it’s integrated directly into the backpack, it’s one less thing to juggle when you’re already navigating rough terrain.
Designer: BLUETTI
Click Here to Buy Now: Handsfree 1+PV120S solar panel $499 $629 ($130 off). | Handsfree 2+PV120S solar panel $599 $799 ($200 off). Hurry, deal ends in 48 hours!
This setup comes with five output ports—AC, USB-C, USB-A—so you can recharge multiple devices at the same time. No more carrying an extra bag just for batteries or stopping to dig through your pack for a charger. Instead, you can plug in on the go, thanks to the side-access charging port. This kind of design is all about making the outdoors easier to navigate, keeping your focus on the scenery instead of on cables and discharged batteries.
The Handsfree 2 isn’t just a power solution; it’s a capable pack in its own right. The 60-liter capacity means you can load up everything you need for a multi-day trek, and with water-resistant materials, you don’t have to stress about a little rain or mud. BLUETTI has also thought about comfort: the backpack features an ergonomic design that distributes weight evenly across your shoulders and back, making those longer hikes feel a little less grueling. Plus, the MOLLE straps and compartments mean you can customize the layout to fit your style, whether that’s packing extra clothes, camera gear, or a favorite snack stash.
If you’re a true off-grid enthusiast, the solar compatibility of the Handsfree 2 really comes into play. Pairing it with BLUETTI’s PV120S solar panel, an optional 120W foldable accessory, means you’re no longer limited by access to a wall outlet. The panel is compact and designed to work seamlessly with the Handsfree 2, making it easy to recharge the 512Wh power station directly from the sun’s energy. Just unfold the PV120 during a break, let it soak up the rays, and you’re back in business—perfect for those multi-day treks where you’re far from traditional power sources. The efficient solar charging setup helps extend your adventure without interruption, keeping essential devices like cameras, GPS units, or even your laptop powered. When you’re done, the panel folds down to a quarter of its original size, and is designed to fit right into the backpack, occupying the space of a laptop.
When you do get back to having a traditional power supply around, the Handsfree 2’s power station recharges quickly using its turbocharging capability—about 45 minutes to reach 80% from a wall outlet. That means you can get back out there faster, instead of waiting around for hours. It’s details like this that show how BLUETTI has thought through the needs of anyone using their gear, whether that’s a serious hiker, a photographer, or just someone who likes their freedom with a side of connectivity.
The Handsfree 2 with the PV120S solar panel is priced at $599 for early adopters, while the smaller Handsfree 1 + PV120S solar panel bundle is available at $499, offering a more compact solution for those with lighter power needs. Both models feature BLUETTI’s robust LiFePO4 battery technology, known for its long-lasting durability and safety. With over 4,000 charging cycles, these batteries are built to endure years of regular use without significant capacity loss, making them ideal for extended outdoor adventures. They perform reliably across a wide temperature range, ensuring that you won’t have to worry about power drops in extreme conditions.
LiFePO4 is also safer than other battery types, with a lower risk of overheating, which is a crucial consideration when exploring remote areas. To further back up their durability, BLUETTI includes a 5-year warranty on the backpack itself, adding an extra layer of assurance. This combination of a high-performance battery and a reliable build makes the Handsfree 2 a compelling option for those looking to stay powered through all their off-grid explorations.
Ultimately, BLUETTI’s shift into the backpack space isn’t as random as it might seem. They’ve taken their expertise in portable power and applied it to the way people actually live and explore life – creating a functional wearable portable power solution with 60 liters of storage, rather than a beer-cooler-shaped power station that you have to lug around with you while tailgating or camping. The result is a backpack that keeps you connected without tying you down. And that means more time to focus on the trail, the view, and the stories you’ll take home.
Click Here to Buy Now: Handsfree 1+PV120S solar panel $499 $629 ($130 off). | Handsfree 2+PV120S solar panel $599 $799 ($200 off). Hurry, deal ends in 48 hours!
The post BLUETTI’s Backpack with a built-in Solar Generator could power your entire Outdoor Adventure Trip first appeared on Yanko Design.
In an AMA this weekend, Instagram head Adam Mosseri shared some insight into why some videos on the platform appear reduced in quality well after they’re posted, and it all boils down to performance. Responding to a question about old stories looking “blurry” in highlights, Mosseri said, “In general, we want to show the highest-quality video we can. But if something isn’t watched for a long time — because the vast majority of views are in the beginning — we will move to a lower quality video.” If the video later spikes in popularity again, “then we will re-render the higher quality video,” he said in the response, which was reposted by a Threads user (spotted by The Verge).
Further elaborating in a follow-up reply, though, Mosseri added, “We bias to higher quality (more CPU intensive encoding and more expensive storage for bigger files) for creators who drive more views.” The comment has sparked concern from small creators in the replies who say it puts them at a disadvantage competing with others who have larger platforms. Meta has previously said it uses “different encoding configurations to process videos based on their popularity” as part of how it manages its computing resources.
The performance system “works at an aggregate level,” Mosseri said, “not an individual viewer level… It’s not a binary theshhold [sic], but rather a sliding scale.” In response to one user who questioned its fairness for smaller creators, Mosseri said the quality shift “doesn’t seem to matter much” in practice as it “isn’t huge” and viewers appear to care more about video content over quality. “Quality seems to be much more important to the original creator, who is more likely to delete the video if it looks poor, than to their viewers,” he said. Understandably, not everyone seems convinced.
This article originally appeared on Engadget at https://www.engadget.com/social-media/mosseri-confirms-instagram-reduces-video-quality-for-posts-that-arent-raking-in-views-233033536.html?src=rssIn an AMA this weekend, Instagram head Adam Mosseri shared some insight into why some videos on the platform appear reduced in quality well after they’re posted, and it all boils down to performance. Responding to a question about old stories looking “blurry” in highlights, Mosseri said, “In general, we want to show the highest-quality video we can. But if something isn’t watched for a long time — because the vast majority of views are in the beginning — we will move to a lower quality video.” If the video later spikes in popularity again, “then we will re-render the higher quality video,” he said in the response, which was reposted by a Threads user (spotted by The Verge).
Further elaborating in a follow-up reply, though, Mosseri added, “We bias to higher quality (more CPU intensive encoding and more expensive storage for bigger files) for creators who drive more views.” The comment has sparked concern from small creators in the replies who say it puts them at a disadvantage competing with others who have larger platforms. Meta has previously said it uses “different encoding configurations to process videos based on their popularity” as part of how it manages its computing resources.
The performance system “works at an aggregate level,” Mosseri said, “not an individual viewer level… It’s not a binary theshhold [sic], but rather a sliding scale.” In response to one user who questioned its fairness for smaller creators, Mosseri said the quality shift “doesn’t seem to matter much” in practice as it “isn’t huge” and viewers appear to care more about video content over quality. “Quality seems to be much more important to the original creator, who is more likely to delete the video if it looks poor, than to their viewers,” he said. Understandably, not everyone seems convinced.
This article originally appeared on Engadget at https://www.engadget.com/social-media/mosseri-confirms-instagram-reduces-video-quality-for-posts-that-arent-raking-in-views-233033536.html?src=rssTiny homes are meant to be tiny, and we’ve seen a whole bunch of truly compact homes over the years, but we’ve finally come across the ‘world’s smallest tiny home’. Designed by Levi Kelly, this super tiny home occupies around 19.4 sq ft. It is based on a single-axle trailer that was picked up from a truck. It is equipped with jacks for support and stability when not on the move. The home is extraordinarily compact and displays a pretty clever space-saving design. The tiny home is made up of a stick frame structure, and a painted cedar exterior, topped with roof shingles.
Designer: Levi Kelly
The interior of the home includes one room, and it is quite snug and comfortable. The entrance leads you to a bench seating area that can hold three people. It is equipped with integrated storage and an air-conditioning heating and cooling unit. The kitchen is quite simple with water tanks for freshwater and greywater, a filter and a pump system, as well as a water heater. It also includes a mini-fridge for drinks or food items. An electric cooktop is accommodated in a drawer when not in use. The sink features a folding tap, and a cutting board insert covers it when not in use. These little details make for excellent space-saving solutions in such a compact home.
The bedroom comprises a fold-down bed which is a bit uncomfortable to access. It is equipped with hooks to hold it up in the ceiling, but the resident will need to step on the kitchen countertop and climb onto the bed, which isn’t the most comfortable feat. The bathroom is divided into two sections – the front-facing wall near the entrance contains the outdoor shower, while the back wall features a storage box with a small camping-style toilet. The box could be taken into the home if privacy was needed.
The world’s smallest tiny home is powered by two roof-based solar panels that are connected to a battery to provide juice through the night. The budget for this tiny home was US$5,000, making it pretty economical. The designer owned the trailer, and did all the work himself, ensuring costs were kept low.
The post The World’s Smallest Tiny Home Packs A Punch With A Clever Space-Saving Design first appeared on Yanko Design.
Ever imagined sitting on a typeface? Or better yet, a single letter? It may sound surreal, but the ORMA Chair turns this whimsical thought into a reality. Inspired by the lowercase letter “a” from the AH Forma typeface, the ORMA Chair merges the worlds of typography and furniture design into a modern and functional masterpiece. Designed for Design Week Mexico 2024, this piece transforms a familiar character into a sculptural and practical form of seating.
Designer: Andrés Higueros and (ro)drigo méndez sosa
The ORMA Chair showcases how the shapes and proportions of a type family can serve as a base for much more than just text. The AH Forma typeface, known for its versatile use across various contexts, becomes the backbone of this innovative design, transforming the flat, two-dimensional letter into a three-dimensional piece of furniture. This bold experimentation with type reminds us how far design can stretch when creative boundaries are pushed.
The chair’s design uses the rounded portion of the letter “a” as its seat. Depending on how it’s positioned, there are two different ways to experience the chair. In one form, the rounded seat offers comfort, while the terminal of the letter serves as a handrest. Alternatively, when reversed, the terminal transforms into a backrest, providing ergonomic support. It’s fascinating to imagine the comfort it offers, although one might wonder how long one could remain seated given its unconventional structure, making it more of an art piece than a prolonged seating solution.
The ORMA Chair comes in two distinct models: the “Light” and “Regular” versions, each reflecting the characteristics of their respective typeface styles. The “Light” version, known as ORMA Chair Light Condensed, interprets the lightness and elegance of the AH Forma Light style into a sleek dining chair. This version uses the terminal as a backrest and the rounded parts as legs, resembling the minimalist structure of early bicycles. The “Regular” version, aptly named ORMA Chair Regular, translates the balanced and sturdier style of the Regular typeface into a comfortable armchair. The design variation between these two chairs reflects how typography can be adapted to suit different environments while maintaining a shared aesthetic foundation.
The Condensed version of the ORMA Chair is ideal for more refined and contemporary spaces, perfect for dining rooms or stylish corners in elegant homes. On the other hand, the Regular version’s balanced design makes it more suitable for informal settings such as office lobbies or relaxed living spaces. Despite their differences, both chairs uphold a common theme: transforming a typographic symbol into a usable, functional object.
The post Sculptural ORMA Chair Blends Typography and Furniture Design first appeared on Yanko Design.
Apple’s rumored smart home display may look a lot like an old friend — the iMac G4 of the early 2000s. In the Power On newsletter this weekend, Mark Gurman reports that the countertop tablet will feature a square screen that’s “positioned at an angle on a small base, making it reminiscent of the circular bottom of the iMac G4.” That may be where the speakers are housed too. The device is expected to arrive sometime next year, followed later on by a higher-end version with a robotic limb that can change the position of the display.
The more affordable model, which will be released first, will have a relatively small screen, according to Gurman, being “about the size of two iPhones side by side.” It’s intended to be used for smart home controls, but will also run apps like FaceTime and Calendar, and display photos and videos. The more expensive model will boast a larger screen in addition to its robotic capabilities, according to Gurman. We likely won’t see that product until at least 2026, as he previously predicted, and it may run you almost $1,000. Both models are expected to come with Apple Intelligence.
This article originally appeared on Engadget at https://www.engadget.com/home/smart-home/apple-may-tap-into-a-beloved-retro-design-for-its-smart-home-display-210412601.html?src=rssApple’s rumored smart home display may look a lot like an old friend — the iMac G4 of the early 2000s. In the Power On newsletter this weekend, Mark Gurman reports that the countertop tablet will feature a square screen that’s “positioned at an angle on a small base, making it reminiscent of the circular bottom of the iMac G4.” That may be where the speakers are housed too. The device is expected to arrive sometime next year, followed later on by a higher-end version with a robotic limb that can change the position of the display.
The more affordable model, which will be released first, will have a relatively small screen, according to Gurman, being “about the size of two iPhones side by side.” It’s intended to be used for smart home controls, but will also run apps like FaceTime and Calendar, and display photos and videos. The more expensive model will boast a larger screen in addition to its robotic capabilities, according to Gurman. We likely won’t see that product until at least 2026, as he previously predicted, and it may run you almost $1,000. Both models are expected to come with Apple Intelligence.
This article originally appeared on Engadget at https://www.engadget.com/home/smart-home/apple-may-tap-into-a-beloved-retro-design-for-its-smart-home-display-210412601.html?src=rss
Nano mobility is all about getting from one place to the other (especially in cities) with the minimum footprint to avoid traffic congestion or maneuver your way around tight spots. The idea of personal mobility has kicked off in the last couple of years with rising strain on global city traffic.
Such personal commuters are majorly electric to be in line with the idea of lowering carbon emissions. They can be anything from an e-bike or an electric scooter to something much bigger for more than a couple of people to travel. Slotted somewhere in this domain are the highly practical foldable e-scooters that can fit easily in your car’s boot for ease of portability.
Designer: Eugenio Costa, Edoardo Graci, Nicolò Tallone and Bonshe Design
The portability of a personal commuter is the primary feature that aligns it with the user’s needs. ANT Formica is one practical last-mile travel solution tailored for city life and versatile enough for indoor spaces when not in use. In the folded configuration the e-scooter looks like a high-end CPU mod or powerful new gaming console on the horizon. The wheels, pedals, and steering column retract back into the exterior frame of the scooter, making it an ultra-compact personal vehicle for quick intercity travel.
If one looks closely at the folding mechanism, it is a mechanical treat to watch in action. The whole process takes no more than a minute – both in the opened configuration and the closed one. The ease of use is the king here which most commuters will love. The electric motor resides in the rear section of the e-scooter which can be topped with a quick dart of charge for short trips to the supermarket. The handlebar positioning is fully adjustable and the absence of a saddle means you’ll have complete freedom to scoot around in the city.
The post Foldable e-scooter for last-mile travel within city limits is a futureproof nano mobility solution first appeared on Yanko Design.