The Google Pixel Watch 5 Stephen Curry Edition is a special variant of the standard Pixel Watch 5, designed with unique elements that appeal to fans of the basketball star. Chase the Summit highlights details such as the satin pyrite finish and a custom silicone band with a Velcro-style closure, which prioritize comfort and functionality […]
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Apple is reportedly preparing to mark the iPhone’s 20th anniversary in 2027 with the release of the iPhone 20 Pro and iPhone 20 Pro Max. These highly anticipated devices are rumored to feature new advancements in design, display, and battery technology. If the leaks are accurate, these models could redefine what flagship smartphones offer, setting […]
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Meta has officially unveiled its VR glasses at Connect 2026, introducing a modular design that separates the lightweight glasses from a compact “Compute Puck.” Weighing just 100 grams, the glasses prioritize comfort while the puck, equipped with a Snapdragon Reality Elite chip, handles the heavy processing. According to TechAvid, this setup allows for advanced features […]
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Samsung is still months away from officially unveiling its next-generation Galaxy S flagship, but leaks surrounding the Samsung Galaxy S27 Ultra are already beginning to paint an interesting picture of what could be one of the company’s biggest upgrades in years. Expected to arrive in early 2027, the Galaxy S27 Ultra is rumored to bring […]
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StratoBuilds has designed and built a pocket-sized, AI-driven aquarium that merges retro aesthetics with practical functionality. Drawing inspiration from Tamagotchis and After Dark screensavers, the project employs a lightweight AI model to replicate realistic fish behavior. The system operates entirely offline using a Wave Share ESP32S3 development board, constrained by just 8MB of RAM and […]
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Voice assistants have become essential tools in the digital age, with Samsung’s Bixby and Apple’s Siri leading the charge. Both use advancements in Artificial Intelligence (AI) and Natural Language Processing (NLP) to deliver smarter, more intuitive user experiences. However, their performance varies across different functionalities, making it crucial to evaluate their strengths, limitations and […]
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Athletes who used to buy a separate walkie-talkie, action camera, and wind meter for different pursuits are looking at a much lighter hardware bill these days. Motion Rivalry’s REACH folds all three into one modular sports GPS computer, snapping on whichever accessory a session calls for instead of stocking a shelf of standalone gadgets. The same unit adapts across cycling, rowing, kayaking, canoeing, and paragliding, with hardware you reconfigure instead of replace as training shifts from one discipline to the next.
The mechanism behind that swap is a single open-source connector at the top of the unit, accepting hardware modules in seconds rather than minutes of fumbling with tools. Instead of buying a new device for each need or sport, REACH treats its body as a base you keep building on, sport after sport. It’s less a finished gadget, more a foundation designed to grow alongside whatever discipline has your attention this season.
Designer: Motion Rivalry
Click Here to Buy Now: $359 $599 (40% off). Hurry, only a few left! Raised over $122,000.
Two of the four available modules handle situational awareness. The Walkie-Talkie module lets a coach on the riverbank stay in contact mid-session, working across 0.6 to 1.2 miles (1 to 2 kilometers) of line-of-sight range with multiple channels. The Radar module covers what’s coming around you, using 24GHz mmWave sensing to detect objects between 16 and 98 feet away across a 100-degree field of view.
The other two lean into documentation and conditions. A Camera module records 1080p video at 60 frames per second from a rotatable, splash-resistant housing mounted where the head unit already sits, skipping a separate action-camera bracket. A Wind Meter module adds live wind speed readings down to 0.1 meters per second, along with humidity and temperature, numbers that matter more than they sound once you’re airborne.
Rowing, kayaking, and canoeing put REACH’s fastest sensors to work. A 10Hz multi-constellation GNSS (most sports GPS units run 1 to 5Hz) locks position ten times a second, catching velocity changes within a single stroke rather than average splits over a lap. A 200Hz 9-axis IMU tracks heading drift, turning a wandering line into a number a coach can correct. REACH folds both into a Stroke Quality score, and Legacy Mode keeps it comparable to existing benchmarks.
On a bike, REACH estimates cadence and power without external sensors. It tracks linear and angular acceleration from the pedaling motion, then fuses and normalizes those readings to amplify the unique signal of your stroke while filtering out road noise. The result is a stable cadence reading without the need for extra hardware, precise to about 4 inches (10 centimeters) of elevation change.
The 3.5-inch display lays out speed, gradient, distance, and training stress score in a format built for glancing down mid-ride. Power estimates follow that same sensor-fusion approach, translating the normalized motion signals into a wattage figure without ever needing a crank sensor or power pedal bolted to the frame, one less accessory to charge, pair, or lose track of before a ride.
The same unit that tracked stroke rate on a river can be strapped to a flight harness by afternoon. In paragliding mode, REACH runs a dedicated vario for climb and sink rates, layers terrain maps adjusted for wind, and predicts landing zones from live wind direction and speed. Every reading here works toward one goal, keeping a pilot ahead of conditions that shift by the minute.
Catching a thermal updraft mid-flight is one thing; marking it for next time is another. A single press on REACH saves that exact location to the map, ready for your next pass, future flights, or anyone else in the flying community using the same site. Fly the same ridge enough times, and what used to be guesswork turns into a precision heat map built entirely by pilots who’ve actually flown it.
That Legacy Mode feature earns its own mention outside of rowing, too. Coaches who’ve spent seasons building benchmarks around specific equipment don’t want new hardware that outputs numbers in an unfamiliar format, no matter how good those numbers are. By matching its readings to formats already in use, REACH slots into existing programs instead of asking a team to relearn how it measures progress.
That data doesn’t stay trapped on the screen. The dedicated companion app on iOS and Android pairs over Bluetooth LE for route planning, reviewing a session, and Over-the-Air firmware updates once you’re back on solid ground. Sessions export as .FIT, .GPX, or .CSV and sync directly to Strava, so switching to REACH doesn’t mean abandoning platforms already in use. With 24GB of onboard storage, five sports’ worth of sessions won’t fill it.
Every one of those features lives inside a 5.5-ounce (156-gram) shell wrapped around a 3.5-inch display that stays legible in direct sunlight. An IPX7 rating handles rain, spray, and cold, while a 2,900mAh battery delivers up to 26 hours per charge. A programmable RGB strip along the base, assignable to stroke rate, split, or heart rate, glows green when you’re in the zone and a different color when you drift out, proof that REACH treats hardware as just another surface for good design.
Click Here to Buy Now: $359 $599 (40% off). Hurry, only a few left! Raised over $122,000.
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Watch a small metal ball drop through a tube, and normally that’s it; blink, and it’s over. But drop it through MetMo Eddy, and something strange happens: the fall stretches out, like gravity took a breath. This palm-sized copper cylinder is a precision-machined desk toy that turns a real electromagnetic effect into something you can hold, flip, and watch happen right in front of your eyes, no batteries required.
That slow-motion trick isn’t new; it’s just never looked this good on a desk. Back in 1855, physicist Léon Foucault noticed that moving a magnet near a conductive disc created currents that pushed back against the motion. He called them eddy currents, and engineers have used the same principle in brakes and sensors ever since. MetMo just gave it a much better home.
Designers: Sean Sykes & James Whitfield
Here’s the simple version: as the magnet drops through the copper tube, it stirs up little loops of electrical current in the metal around it. Those currents create their own magnetic field, one that opposes the fall. Gravity is still very much in charge; it’s just arguing with physics on the way down. No motors, no gears, no hidden switches, just two materials doing what they’ve always done.
Copper does more than look good here, though it certainly does that too. It happens to be one of the most conductive non-magnetic metals around, which means it generates a stronger eddy current response than most alternatives could manage. That translates to a more pronounced, more watchable slowdown. It also happens to give Eddy that warm, rose-toned glow that looks better on a desk than aluminum or steel could.
Every tube starts as a solid block of lead-free, ultra-high-purity copper before it’s CNC-machined to tolerances tight enough to bring the inner wall almost, but not quite, into contact with the magnetic sphere. That tiny gap matters: the closer the copper sits to the magnet, the stronger the eddy current effect, and the smoother the drop looks. Designed and finished by hand in the UK, the machining is the point.
Pick it up and the size makes sense immediately: just under 3 inches tall, less than an inch wide, and just 3 ounces, enough heft to feel substantial without weighing down a pocket. Knurled caps on both ends give your fingers something to grip, while the smooth, brushed middle section contrasts nicely against them. It’s the kind of detail that separates a toy from an object somebody actually designed.
A passivated surface finish keeps the copper looking freshly machined for longer, slowing down the natural oxidation that usually dulls exposed metal within weeks. Eddy will still age the way copper ages, gradually and with character, but it won’t need constant polishing to stay presentable on a desk. It’s a small, easy-to-miss detail, but it’s the sort of thing that tells you somebody thought this through past the prototype stage.
Maybe the most underrated part is that it makes zero noise. No click, no rattle, no thud when the magnet reaches the bottom, just silence. Flip it over, and the drop starts again, and before long that one-handed flip becomes a habit your fingers pick up between emails or during a call. It’s less a fidget toy and more a five-second reset button that happens to double as desk decor.
An elongated window cut into the tube lets you watch the magnet fall instead of guessing what’s happening inside, and that visibility is what makes the whole effect land. Unscrew either end cap, and there are a few different ways to drop and catch the ball. For a longer drop, a small coupling piece threads two tubes together end to end, without changing anything about how the effect works.
Some desk objects need explaining before anyone appreciates them. Eddy doesn’t. Hand it to someone, let them drop the magnet once, and watch their eyebrows go up when it takes way longer to fall than it should. That reaction doesn’t really wear off with repetition either, which says something about how good the underlying idea is, dressed up in copper and finished by hand.
The post MetMo Eddy Makes Gravity Look Like It Changed Its Mind first appeared on Yanko Design.
At 556 feet, The Butterfly doesn’t just rise above Vancouver — it redefines what a skyscraper is allowed to feel like. Completed by Revery Architecture and developed by Westbank, the 57-story tower now stands as the third-tallest structure in the city, but its ambition runs deeper than height. Four interconnected cylindrical volumes, fused at a central elevator core, give the building its unmistakable silhouette — part sculpture, part organism, entirely its own thing.
The name earns its keep. Inspired by the ephemeral quality of clouds, the tower’s form was conceived to dissolve the rigid grammar of conventional high-rise architecture. Its façade — a tightly composed assembly of insulated prefabricated panels and white precast concrete fins — wraps around each cylinder with an undulating rhythm that shifts depending on where you’re standing. From a distance, it reads as one continuous gesture. Up close, it fragments into something far more intricate.
Designer: Revery Architecture
What sets The Butterfly apart isn’t just form — it’s the intent buried within it. Revery director Amirali Javidan described the project as an attempt to solve a genuine urban problem: social isolation in a city growing faster than its residents can connect. The tower’s open-air corridors, carved into the recesses between its cylindrical volumes, are oriented to capture Vancouver’s gentle coastal breezes and are lined with plant life. These aren’t just circulation spaces — they’re designed as pause points, places where neighbors might actually stop and talk.
The building’s relationship to its surroundings is equally considered. The Butterfly sits adjacent to First Baptist Church, a 1911 stone structure that anchors the gateway to Vancouver’s West End. Rather than overshadowing it, the tower responds to it. One of the building’s canopies hovers directly above the church, deliberately matching the height of the historic bell tower — a quiet act of architectural deference. The complex integrates the church’s programming, funding upgrades that allow it to continue offering meals, emergency care, and shelter for those in need.
Sustainability is woven into the bones of the project. Designed to LEED Gold standards and powered by an on-site low-carbon district energy plant, The Butterfly exceeds local benchmarks across energy, water, mobility, and waste. A glass-enclosed lap pool crowns the podium, framed by riblike precast concrete arches that feel closer to a natatorium than a rooftop amenity.
Sky gardens open through large glazed walls at the crown. Inside the suites, reflective surfaces and unbroken views are used deliberately — to create a sense of spatial continuity that encourages a feeling of unboundedness. Much like the building itself.
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