Library Lamp puts a sleek modern spin on a classic lighting fixture

It might be a foreign concept to those born in the age of the Internet and smartphones, but libraries were once the only place where you could get voluminous amounts of correct information. Of course, these institutions still do exist, especially in schools and universities, but the image of a quiet room with shelf after shelf of books might seem odd and even eerie to some. There are aspects of this imagery that have almost become iconic over the decades, such as the archetypal metal-encased lamp used not just in libraries but even in banks. Those lamps would naturally look antiquated on modern desks, so this design reinterprets that classic concept into something that pays homage to the past while also embracing the aesthetics of the present.

Designers: Ben Kicic, Emilio Halperin

The Library Lamp or Banker’s Lamp had a singular purpose: to illuminate the reading material or papers in front of the user without disturbing or distracting others nearby. As such, it often has a softer, less glaring glow than most desk lamps would have today, while still offering enough brightness, especially at night. Of course, these lamps reflected the design trends of that period, which were often more ornate than practical. It would make for a good decorative desk piece, but would still look out of place in today’s workplaces.

This redesign takes the spirit of the library lamp and inserts it in a form that embodies more modern industrial aesthetics, particularly the use of simple shapes and curves as well as unpainted milled aluminum. Instead of a single elaborate stand, the trapezoidal lamp shade is held aloft by two slim arms that also serve to hide the lamp’s internal wiring from plain sight. These parts stand on a horizontal block of metal that has a subtly concave surface that serves not only to diffuse the light but also to hold small objects like keys, pens, and other knickknacks.

In addition to its sleek modern appearance, the Library Lamp also incorporates modern technological conveniences. In particular, the base, arms, and even the lampshade itself are touch-sensitive, providing physical controls without the need for disruptive buttons and switches. Just like its forebear, the lamp gets the job done with minimal fuss and confusion. It also looks quite striking as a representative of the dominant design trend of its period, adding a touch of beautiful minimalism and industrial design to any desk, workspace, or shelf.

The post Library Lamp puts a sleek modern spin on a classic lighting fixture first appeared on Yanko Design.

Library Lamp puts a sleek modern spin on a classic lighting fixture

It might be a foreign concept to those born in the age of the Internet and smartphones, but libraries were once the only place where you could get voluminous amounts of correct information. Of course, these institutions still do exist, especially in schools and universities, but the image of a quiet room with shelf after shelf of books might seem odd and even eerie to some. There are aspects of this imagery that have almost become iconic over the decades, such as the archetypal metal-encased lamp used not just in libraries but even in banks. Those lamps would naturally look antiquated on modern desks, so this design reinterprets that classic concept into something that pays homage to the past while also embracing the aesthetics of the present.

Designers: Ben Kicic, Emilio Halperin

The Library Lamp or Banker’s Lamp had a singular purpose: to illuminate the reading material or papers in front of the user without disturbing or distracting others nearby. As such, it often has a softer, less glaring glow than most desk lamps would have today, while still offering enough brightness, especially at night. Of course, these lamps reflected the design trends of that period, which were often more ornate than practical. It would make for a good decorative desk piece, but would still look out of place in today’s workplaces.

This redesign takes the spirit of the library lamp and inserts it in a form that embodies more modern industrial aesthetics, particularly the use of simple shapes and curves as well as unpainted milled aluminum. Instead of a single elaborate stand, the trapezoidal lamp shade is held aloft by two slim arms that also serve to hide the lamp’s internal wiring from plain sight. These parts stand on a horizontal block of metal that has a subtly concave surface that serves not only to diffuse the light but also to hold small objects like keys, pens, and other knickknacks.

In addition to its sleek modern appearance, the Library Lamp also incorporates modern technological conveniences. In particular, the base, arms, and even the lampshade itself are touch-sensitive, providing physical controls without the need for disruptive buttons and switches. Just like its forebear, the lamp gets the job done with minimal fuss and confusion. It also looks quite striking as a representative of the dominant design trend of its period, adding a touch of beautiful minimalism and industrial design to any desk, workspace, or shelf.

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Algae-based material and traditional Korean braiding turn into striking lights, vases

The world is filled with many things that have the potential to become materials for creating products, and yet we still prefer typical materials like plastics, metal, or wood. Not all of these are sustainable, and those that are sustainable aren’t always easily renewable or require a lot of energy to process or recycle. Admittedly, looking for alternative sources of materials isn’t an easy task, but once in a while, we come across a promising solution both in terms of sustainability and beauty. This rope light and Ikebana vase, for example, are already quite striking in their unique shapes, but they are made even more significant by the fact that they are made using a biodegradable material based on one of the most common and simplest kind of plant on the planet: algae.

Designer: Su Yang Choi

One of the problems with supposedly more sustainable or recyclable materials is that the process of making or treating them isn’t always sustainable, requiring more energy and water than usual. In contrast, this algae-based material isn’t treated with harmful chemicals, has reduced energy consumption during manufacturing, and can easily be shaped using heat. Even better, leftover scraps from the production process can be collected and recycled to reduce material waste at every step.

While the material itself is quite impressive, putting it to good use is the real test. For this purpose, a pair of everyday objects were made not just to demonstrate the usability of this algae-based material but also to show off the complicated designs that can be made with it. And nothing can perhaps be more complicated than knots, especially the beautiful traditional Korean knots known as Maedeup.

This knotting is best exemplified in this Ikebana vase that loops around itself a couple of times in an almost random fashion, symbolizing the unpredictability and cyclical nature of life. In addition to this rather intriguing structure, the biodegradable material used here is mixed with coffee grounds, another sustainable material, to give it that earthy brown color.

On the opposite end of the color spectrum is a long string lamp that uses the algae-based material in a four-faced linear braid that wraps around a flexible LED strip. This segmented structure was inspired by Korean stone pagodas that rise in majesty and grandeur, characteristics carried by this string lamp. These two objects, part of the Slow series of artworks, embody the ingenuity and creativity that spring from combining modern material science and traditional craftsmanship to produce breathtaking designs that do no harm to the planet in return.

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Vacuum-sealed flat pack lamp unfolds into a Japanese inspired lamp

Lamps are some of the things that you either look for functionality or design. Well, you can always go for both as well but sometimes other considerations like budget, space, and aesthetics will make you choose either or. Portability is not something that you really think about when it comes to this kind of accessories but it is something that’s nice to have. And as we’ve been seeing a lot of flat pack products lately, we knew we would get something like this for lamps.

Designer: Kazuhiro Yamanaka

Tsubomi, named after the Japanese word for bud, is a vacuum-sealed flat pack that opens up and becomes a lamp. It is inspired by a couple of Japanese traditional cultural things: paper-folding and the Shoji screens that we see in doors, windows, and room dividers. It’s basically like a crumpled piece of paper put into a vacuum-packed flat rectangle package that “magically” becomes a source of light once it is unfolded.

What’s interesting about this is that even when unfolded, the paper still shows the wrinkles and creases and that is intentional. The designer actually wants this product to challenge the idea that only those items that are “perfect” in form are considered beautiful. With this lamp, the plain white or grid pattern are able to highlight the wrinkled, imperfect appearance of the lamp. If you choose the grid, you even get a tinted lighting that will illuminate the surface that is lighted by the lamp.

The material used for the lamp is actually a special plastic compound that is used in the aforementioned Shoji screens that we see in traditional Japanese establishments. So with the Tsubomi lamp, you get the best combination of traditional materials and practices but with a contemporary functionality because of its flat-packed form. And you get a portable, pretty lamp of course.

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Illuminated brick redefines what it means to be a wall lamp

As their name plainly points out, wall lamps are lights that we stick to walls, permanently or sometimes temporarily. Most wall lamps are installed indoors to infuse a space with a specific ambiance, but some are also left outdoors to give illumination at night. There is some degree of flexibility and freedom in the way these lamps can be added, removed, and moved when necessary, but it also makes them look out of place sometimes or a superficial part of the wall. Another design strategy would be to discreetly embed the lights into the wall itself, which is what these odd-looking lamps offer in what could be considered a literal interpretation of a wall lamp.

Designer: Omar Gandhi Architects, Filo Timo, Aaline

It would definitely be a magical experience to touch a brick on a wall and suddenly have it light up with a warm glow. While doing that for every brick is impractical and expensive, having a few select spots turn into lamps can definitely level up the ambiance of a space with very little effort. Yes, you could just dig a hole into the wall to install some regular old lights, but the OG Brick makes the lighting look like an integral part of the wall rather than an afterthought.

Technically, they are part of the wall, as these are supposed to be layered alongside other bricks while the masonry wall is being set up. They’re also designed to blend in with the rest of the wall during the day when the lights are off, though they probably won’t match every wall color you can come up with. Variations include stainless steel, black powder-coated, and electroplated brown to cover the majority of brick wall hues.

The bricks aren’t made from clay or cement, of course, but have a hard metal frame to withstand the weight of the real bricks above it. A color-matching mesh covers the actual light element and makes the OG Brick “disappear” into its surroundings in the daytime. Since they are designed to be used in masonry walls, the lamps can be used both indoors as well as outdoors.

The visual effect these illuminated bricks give is both subtle yet also endearing, especially thanks to the warm glow of the lights. Despite blending with its surroundings, the OG Brick creates a pleasing juxtaposition between the rough simplicity of regular bricks and the fine craftsmanship of metalwork. Whether outdoors or indoors, the end result is a charming composition on a wall where a few bricks light up like magic.

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Floating lamp illusion brings an air of mystery to your living space

Lamps come in all shapes and sizes, but the one thing they have in common is that most of them come in a single piece and are anchored to the ceiling, wall, or even the floor. While there’s definitely nothing wrong with that, there’s also room for improvement when it comes to simplifying not only the design but also their installation and maintenance. Many lamps involve complicated wiring or installing fixtures in places that can clutter the space, physically and visually. This intriguing lamp design solves that in a peculiar way that ends up making the lamp look like it’s floating in midair, creating an atmosphere of magic and mystery in any space it’s in.

Designer: Paul Cocksedge

The most critical part of a lamp is, of course, the light source, but many lamps also need a way to direct or diffuse the light to make it less blinding. While most designs have these pieces in a single form, there’s no rule they have to be on a single body. Shade, whose name might not reflect its mesmerizing appearance, deconstructs and separates the design of a lamp into its two most basic parts, creating what is probably the most minimalist lamp design of all.

When lit up, Shade looks like a white conical lampshade eerily floating in the air, almost like a stereotypical ghost. Of course, it’s not literally floating but suspended by “capillary-thin” wires that are practically invisible unless you see them up close. But that’s only half the magic because the lampshade itself doesn’t have a light source. Instead, that comes from a small, can-shaped directional spotlight shining upward into the lampshade, creating the illusion of a floating lamp.

In essence, Shade separates the lamp into the shade and the actual light source, and neither is physically connected to the other. More than just creating this bewildering sight, this design also simplifies the installation of the lamp. No need for complicated wiring since the lamp can be set anywhere on the floor where the shade can be hung. You can also place the lamp anywhere as well, though you might want to put it somewhere safe and hidden, just to heighten the sense of mystery.

The construction of Shade itself is pretty simple, with the lampshade made of soft yet durably Japanese paper. This material not only gives the shade an almost pure white surface but also gently diffuses the light to a soft glow. The crumpled paper also gives it a unique visual texture that creates a subtle play of light and shadows, enhancing the lamp’s distinctive appeal even when the lights are off.

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An Interactive Lamp Series That Brings The Cosmic Moments Into Interiors

Space, with its vastness and complexity, has always captivated the human imagination. Our solar system, a celestial ballet of planets and stars, has inspired various aspects of human life and design, from ancient sundials to modern-day innovations. The COSMOOVAL lamp series is a testament to this inspiration, drawing on the phenomenal interconnectivity of our solar system to create a collection of lamps that not only illuminate spaces but also tell a cosmic story.

Designer: LFD Official – Seohyun NamNam Woo KimDoyoon Kim

The designers of Cosmooval drew inspiration from the celestial bodies in our solar system, considering the way they influence our planet and the intricate dance of light and shadow they create. The lamp series incorporates key elements such as expandability, limitation, transparency, and immateriality to bring the essence of space into our living environments.

The design process began with the creation of a mood board, reflecting the tension and spatial dynamics of the universe. Simple basic figures, inspired by solar and lunar eclipses, shooting stars, and planetary movements, were arranged to evoke the mood of the cosmos. A clay mockup emphasized stability through the use of circles and triangles, laying the foundation for the lamp series’ structural elements.

Several idea sketches were explored, with the initial focus on a triangular structure within three circles. As the design evolved, proportions, details, and interactions were refined in subsequent sketches. The final design selected a form that considered materials, structure, and user interaction, resulting in three distinct types of lamps within the Cosmooval series.

Each lamp in the series offers a unique interaction with light, adding to the overall cosmic experience. The ceiling lamp, representing expandability, spreads light by adjusting the angle of an oval disk. The table lamp, embodying limitation, controls light brightness through the movement of a red sphere, mimicking the motion of a shooting star. The floor lamp, combining transparency and immateriality, simulates orbiting planets and solar eclipses, changing light intensity as the red sphere is manipulated.

Cosmooval, derived from the fusion of “Cosmo” (space) and “Oval” (ellipse), is more than just a lighting solution; it is an artistic representation of the cosmos. The series serves as a visual metaphor for planets, satellites, and shooting stars, moving in harmony with their orbits.

The ceiling lamp symbolizes the expansiveness of space, spreading light with three ovals arranged in a stable manner. By pulling the red sphere attached to a string, users can open and close the ovals, controlling the brightness and essential light in their space.

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In the table lamp, a triangular structure controls the concentrated light source. Moving the red sphere along a diagonal line mimics the motion of a shooting star, allowing users to experience the fleeting brightness associated with celestial phenomena.

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The floor lamp embodies transparency and immateriality, recreating the orbits of planets and solar eclipses. Pushing the red sphere sideways changes the shape and intensity of light, providing a dynamic representation of the passage of time and celestial revolutions.

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The Cosmooval lamp series transcends conventional lighting, offering users an immersive experience that connects them to the wonders of our solar system. Through innovative design and thoughtful interaction, these lamps bring the cosmos into our living spaces, reminding us of the beauty and complexity of the universe that surrounds us.

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Ring light lamp concept has an interesting way of spreading its light

The young live-streaming industry has introduced a standard lighting technique to the masses, giving birth to the now popular “ring light” that’s even making its way to smartphone cameras. The literal ring of light is meant to provide more natural-looking illumination while minimizing the casting of shadows due to both its shape and its position in relation to the camera. It’s a visually interesting piece of lighting equipment, but its design is extremely focused and limited to that use case. This lamp, however, tries to take that same idea but gives it an even more interesting interpretation, generating light that doesn’t shine in just one direction but goes almost everywhere except where the lamp is facing.

Designer: João Teixeira

Although circular lamps have been around for decades, ring lights are still a bit of a novelty to those outside the professional photography world. After all, circular lamps are often mounted on ceilings and walls, but this “halo on a stick” can be placed almost anywhere it’s needed to have a well-lit shoot or stream. It also uses LEDs versus the traditional fluorescent, though it technically can be any light source as long as it can take a circular form.

“Spot” is a concept for a lamp that is inspired by the shape of these ring lights but almost does in the opposite direction. Despite a ring light’s circular shape, it still shines its light mostly forward, with some illumination scattered around it only as a side effect. In contrast, Spot’s light comes from the structure’s side, and there is actually no light from its front or even its back.

The design shares the same basic combination of a ring on a stand, but the key difference is that an LED strip runs outside along the edges of the shape. This strip is supported by an internal structure that is sandwiched between two opaque covers, making sure the light is really projected only from the sides of the lamp. Another key design element is that Spot makes it easy to take the product apart in order to replace the LED strip, making maintenance and repair trivial.

Because of the way it illuminates from the sides rather than in a single direction, Spot functions more as a decorative lighting fixture or a night lamp at best. The contrast of the dark body and the lighting shining around it creates an almost eerie appearance, one that will easily grab attention and serve as a conversation starter, despite its seemingly simple design.

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Odd wooden design object is a table, stool, lamp, or sculpture in one

When we choose furniture, we probably do so for their primary purpose, like a chair for sitting, a table for placing things on, a bed for sleeping, etc. But we also see some pieces that can serve more than one purpose and this is particularly useful for those that either have a small space or need something that’s portable and multi-purpose at the same time. It’s also an added bonus if the piece is well designed enough that it can also have a decorative purpose.

Designer: Kosmos Architects

You can say that this latest creation from Zurich-based Kosmos Architects fits all those categories. They were inspired by the idea of the different numbers and dots on the dice and this became the core aspect of the design. The Dice as they called it, looks nothing like the square piece but is instead a four-in-one piece of portable furniture. It’s a stool, coffee table, leg bench, and a lamp in one. How it turns into each of these four furniture typologies depends on how you turn it, hence the dice inspiration.

When you put the flat surface on top, whether it’s the round or square surface, it becomes a small coffee table that can hold your drinks, books, or any objects that can fit onto it. The flat surfaces can also serve as the seat if you wish to use it as a chair. The two legs serve as the support so you don’t topple over or the items you placed on the table don’t fall because it’s wobbly. The other part of The Dice is the lamp which has a hollow inside and a frosted glass for protection.

This weirdly shaped piece of furniture is light enough that you can hang it if you just want to use it as a lamp. It can even fit into a huge tote bag if you need to carry it around. It uses oak wood as its main material and its 3D-shape was made through KUKA robotics technology. If you don’t want to use any of its functional properties, you can just place it in your space and it would look like a piece of wooden sculpture.

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Bag-like portable lamp concept takes a page from traditional Korean lanterns

Lamps are a normal part of everyday life, giving light and creating moods anywhere, anytime, even during the day. Conventional lamp designs involve fixtures placed on walls, hanging from ceilings, or even standing up from floors and desks, all of them permanent or semi-permanent. Of course, some lamps can be carried, and there was a time when these were the only kind of lamps that lit up houses and paths as what we now call “lanterns.” Most portable lamps these days take a more practical and space-efficient shapes like cylinders and boxes, but this design concept throws convention out the window with a lamp design that looks like a cross between a traditional paper lantern and a modern bag.

Designer: Hyejin Cho

Once upon a time, all sources of light were pretty much fire hazards. Metal lanterns used combustible kerosene and paper lanterns enclosed candles in, well, paper. The latter was a common design in Asia, like the Korean Chorong which used white cloth covering a wooden frame to protect the candle inside from blowing winds. Of course, we have electricity and LEDs today to make all of that safer, but there’s also a certain charm to the sight of a lantern’s fabric billowing gently in the wind.

This portable lamp design concept brings that past aesthetic to the present but with a few modern twists. The lamp, named after that same Chorong lantern, tries to capture the unique visual of the fabric-covered lighting but uses 3D-printed transparent PLA to achieve the same effect. Rather than going for a straightforward box, the shape of the container twists and bends, almost like how the cloth would have behaved in the past.

The light source itself is a white sphere with a dozen or so LEDs inside providing illumination. The lamp’s steel base not only serves as a stable foundation but also as a compartment to hide the electronics, including a rechargeable battery. This modern Chorong also deviates from the traditional design by using a handle that uses anodized aluminum and stands only on two sides of the “lantern,” namely, the front and the back. This gives the lamp an unusual appearance and experience of carrying a bag instead of a lamp.

Chorong wouldn’t be the first to try to recreate a traditional lantern design with modern materials, but it is one that isn’t too concerned about staying faithful to the original. It tries to capture the spirit of the design, one that not only illuminates but also inspires with its organic beauty, and reinterprets it in a way that shows off modern materials and techniques. That said, this design concept is more for show and might be impractical to actually use outdoors unless you’re just bringing it out to the backyard to enjoy a calm night under the stars.

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