Tag Archives: sculpture

Mesmerizing 3D printed lamp has a maze-like design that is never repeated

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3D printing is a truly revolutionary technology that blasted open the floodgates of creativity and design. It gave almost everyone a powerful tool to realize their dreams and experiment with their ideas. These machines also made it easier to have more flexibility in the execution of designs, like adding an element of randomness to each output. That’s the kind of uniqueness that each of these Maze Lamps brings to your room, catching your attention with its unique lines and snaking paths, creating a play of light and shadow even when the lamp is turned off.

Designer: Stijn van Aardenne

Most people probably think of 3D printers as extras large boxes that sit on desks, applying layer upon layer of melted plastic to complete a small shape. In reality, there are different kinds of 3D printers and different types of printing, and while the most popular machines are designed for use by individuals or small businesses, it didn’t take long for industrial-grade ones to pop up. This kind of printer offers a bit more flexibility in terms of movement and can cover a wider area as well.

The Maze Lamp design takes advantage of this capability by having an industrial 3D printer lay out the lines over a rotating axis. Normally, what you’d get is a cylindrical shape that looks like it was made from a spindle of extra-large spaghetti as the plastic material coils around and around the slowly spinning base. But if you move the nozzle forward, backward, and sideways while it spins, you can create more interesting patterns that look like the lines of a maze. Stack those lines on top of each other and you get a three-dimensional maze on a cylinder.

What makes this process even more special is that the pattern of these lines is random. No two Maze Lamps will ever have the same design, making each piece a one-of-a-kind item. For programmers and designers, this kind of procedurally generated pattern adds a unique characteristic to every iteration. As a bonus, the material used by the 3D printer is made from plastic shredded from discarded refrigerator doors, giving our own waste a beautiful new lease on life.

Thanks to the three dimensional patterns printed around the core, the Maze Lamp entices viewers whether the light is on or not. The light shining from the casts an eerie glow, almost like some otherworldly artifact found hidden in some ancient Aztec temple. On its own, the lamp becomes a sculptural art piece, not unlike a totem that represents the aesthetics and the technology of civilization that made it.

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Sculptural chair design pays homage to a century-old wooden classic

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Designs come and go, but some manage to become icons in their field. There are quite a few such designs in the larger furniture market, especially in the categories of tables and chairs. More than a century ago, a particular wooden design shattered expectations and became the precursor of mass-produced chairs for years, even decades, to come. It has since then inspired many product designers not only to follow in this chair’s footsteps but also to improve on it or even reimagine it with modern techniques and sensibilities. One such ode turns what was primarily a utilitarian design into an art object, exaggerating the structure and form that gave the No. 14 Chair its identity.

Designer: Jiri Krejcirik

Wooden chairs have, of course, been around for centuries, but most of them were often made with elaborate hand-carved designs that didn’t scale well for mass production. In 1859, the Thonet company revolutionized the furniture industry with the No. 14 Chair, or simply the Chair 14, which could indeed be put through a pipeline but still looked elegant in its simplicity. Its most characteristic design was the steam-bent wooden rods that formed the chair’s back, legs, and support.

More than 160 years after its birth, a new design breathes new life into that classic chair and dials it up to eleven. But rather than modernizing the original design, “Ode to Chair 14” reinterprets it from a different angle, one that puts form and aesthetics on a pedestal. While the original No. 14 adopted bent wood to give a mass-produced design more style and elegance, this particular rendition turns that design element into an art form, transforming the chair from a piece of furniture into an art object.

The Ode to Chair 14’s base is similar to the original, with a circular seat supported by four curved legs joined by a ring midway down their length. Where it differs, however, is the backrest, where what would have been a simple arching curve almost spirals out of control and loops repeatedly until it forms a row of intersecting rings. It gives the chair a character that is both eccentric and regal at the same time.

Despite its glossy blue hue, the chair is still made from bentwood beech wood just like the original design. In a way, it demonstrates how production processes have advanced to the point of making even such complex shapes possible. At the same time, however, it retains the same structural simplicity as the first Chair 14, a vision that paved the way for a new breed of chairs for decades to come.

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Stone light sculptures use shadow play to create a more dramatic effect

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Lamps are designed to bring light to a space, but that doesn’t mean they need to be dazzling or blinding. In fact, some lamps emit more subdued and diffused illumination to create a specific atmosphere and enhance the ambiance of an area. Some lighting fixtures even go beyond just the light they shine, putting just as much emphasis on the form they come in or, in some cases, the effects they have on the environment around them. This collection of light sculptures, for example, are more pieces of art than just lamps, but the way it casts shadows inside and around it delivers more impact that, in turn, further enhances the effect that the warm light produces.

Designer: Alex and Henri (Frero)

It’s almost too easy to take for granted the effect that shadows have on our surroundings. Given their dark nature, they’re often regarded as “bad” or even “ugly” elements, especially when they do obscure other more important objects in a composition. That said, shadows actually create a more impactful composition, especially when they contrast with light and create interesting forms thanks to the shapes that stand between the light source and the surface the shadows are projected on.

Fuca

Fuca

Suma

Suma

The Tala Asa collection of light sculptures embraces this kind of shadow play, putting equal importance on both light and darkness to generate a more striking overall visual. Just like in art, negative space provides not only breathing room but a canvas for these contrasting elements to draw on, casting shadows inside holes while also shining light through them. The earthen aesthetic of sculptures provides additional contrast to the unearthly glow of the light shining from inside.

Coco

Coco

Anta

Anta

Each of the five sculptures has a story to tell through their different forms. Fuca’s simple frame pays homage to the beauty of square elements you might find around you, while the arching Suma is inspired by the geological wonder that is the Ring of Fire. Two squares on top of each other make Coco represent balance and equilibrium, while the interplay of Anta’s three stripes embodies both unity and individuality. Lastly, Sunda’s more complicated pairing is meant to convey the intricate structures and complex relationships of tectonic plates, cutting a powerful and imposing figure in any space it stands on.

Sunda

Sunda

Regardless of their design or inspiration, all five sculptures draw from the earth in more ways than one. They’re available in natural tone finishes, including bone, sienna, terra, olive, and lava, but they’re also made from reclaimed stone and minerals bound with resin and coated with natural plaster paint. And just like how the sun and the earth create an interesting play of light and shadow, the Tala Asa light sculptures bring that interesting dynamic to a smaller degree in your home, office, or any space that needs just a little bit of natural inspiration to bring it to life.

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The ‘Gentle Geometry’ Of Wood Reflecting Cultures Through Sculptures By Aleph Geddis

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If you are inclined to woodworking, sculpture, or an appreciation for abstract geometric forms, the creations of sculptor Aleph Geddis are sure to captivate your imagination. Geddis’ work is a harmonious blend of traditional craftsmanship, modernist aesthetics, and a deep-rooted fascination with the fundamental structures of our world.

Designer: Aleph Geddis

Aleph Geddis’ artistic roots can be traced back to his upbringing on Orcas Island in the Pacific Northwest. Immersed in a creative environment shaped by his stepfather’s expertise in sculpture, carving, and boat building, Geddis found inspiration in the stylized naturalism of Northwest Coast Native carvings. His early works reflected this influence, evolving over time to incorporate diverse cultural experiences, such as a transformative family trip to Japan.

His sculptures beautifully straddle the intersection of different cultures and artistic traditions. Drawing upon the rich traditions of wood carving and totems from the indigenous people of the Pacific Northwest, as well as the intricate woodwork of Bali, Geddis merges these influences with the familial impact of his stepfather’s similar craft. The result is a collection of hand-carved pieces that resonate with a global and timeless aesthetic.

As Geddis’ artistic journey unfolds, a consistent theme emerges—exploring the simple elegance inherent in natural forms. His recent works delve into the integral shapes of Platonic solids, conveying a sense of truth beyond human subjectivity. For the sculptor, these forms possess a magical existence that predates and will outlast humanity, offering viewers the pleasure of interacting with something timeless and profound. His Orcas Island studio serves as the birthplace of each meticulously handcrafted piece, connecting the artist’s work to the landscapes that have shaped him.

The sculptor acknowledges the profound impact of a trip to Japan on his artistic exploration. Exposed to the country’s rich woodworking tradition, he integrates Japanese craftsmanship elements into his sculptural endeavors. This influence adds depth and diversity to his work, contributing to a body of art that seamlessly weaves together figurative, abstract, and even architectural elements.

Geddis’ sculptures cross the rational realm of mathematics and Platonic solids while embracing a spiritually inspired curiosity about sacred geometry. Some of his vertical pieces evoke a softer interpretation of Brutalist forms, while others conjure visions of wondrous alien audio speakers reminiscent of Arcosanti. Each creation invites viewers to contemplate the intersection of the tangible and the transcendent, encouraging a deeper exploration of the mystical dimensions embedded in his wooden sculptures. Each of his pieces is an artwork that makes you think, learn, and build conversations. And trust me, the longer you look at them, the more there is to keep.

Aleph Geddis’ sculptures are more than mere artistic expressions; they are gateways to a world where tradition, culture, and the inherent beauty of natural forms converge. Each piece from the Pacific Northwest to Japan reflects the artist’s journey, inviting viewers to join him on a visual and conceptual exploration of warm geometries sculpted from wood—a testament to the enduring magic found within the simplicity of shapes and the richness of cultural intersections.

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Love Hultén brick-inspired sound sculpture uses a bonsai tree to create sounds

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With the prevalence of electronic devices like smartphones and smart speakers, you might think that sound and music can only come from these objects. Of course, they are more medium than source, and there are plenty of things that generate audible audio waves even without the help of man-made contraptions. Nature, for example, has plenty of mystifying sounds that almost border on being musical, but there are also hidden ways that natural objects can produce sounds with a little help from technology. Using biological data and a bit of scientific creativity, one can even hear the “music” that plants make, such as this rather unique “sound sculpture” that makes a small bonsai tree sing its heart out in alien-like tones.

Designer: Love Hultén

To be clear, plants don’t make music, no matter how enchanting that concept might be. What artists, musicians, and designers are doing is to gather the subtle electrical signals generated by chemical changes in plants and interpret them as a series of tones generated by a MIDI (Musical Instrument Digital Interface) device that hardly resembles a pleasing harmony. That said, even that straightforward process is enough to capture one’s curiosity and inspire a sense of wonder, even if it won’t win any music awards.

Tegel is one such artistic exploration in the translation of biological signals into audible sounds utilizing the popular bonsai tree. The choice of plant is almost poetic, given how this family of diminutive plants is often associated with meditation, calmness, and Zen. Ironically, the tones and beeps that are produced by this sound sculpture are hardly relaxing and are more like EDM for parties.

The small tree is housed inside a tall glass dome and is connected to an audio synthesizer via wires clipped onto its leaves. The plant acts more like a series of resistors rather than an actual sound source, and the sound sculpture incorporates dials to fine-tune the sound that comes out of it. There’s even a MIDI keyboard so that the user can add their own input to the mix.

What makes Tegel really special isn’t the process but the form that it comes in. Love Hultén has created quite a few of these contraptions that transform biodata into sound, but those really look the part of machines. In contrast, this sound sculpture is as much art as it is technology, inspired by the brick creations of Danish sculptor Per Kirkeby. It makes the bonsai tree a part of a miniaturized brick garden, creating a visual contrast of organic life and man-made structures working together to produce something akin to a miracle, that of pulling music out of a silent tree.

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Enjoy sheets of water through your fingers in sculpture-like faucet from Kohler

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There are some things that you use every day that serve a certain function and you don’t really care about what it looks like or how it’s made, as long as it does what it’s supposed to do. One of these things is the water faucet which you most likely use more than once a day (unless you’re stuck in bed and can’t get up). What if this simple piece of your life “exists beyond conventional expectations” and still does its job?

Designer: Samuel Ross for Kohler

The Formation 01 Faucet is a creation from Samuel Ross’ design studio SR_A for luxury bathroom and kitchen manufacturer Kohler. It doesn’t really look like your ordinary or even high end faucets look like. Rather, it was designed as a functional piece of sculpture that is still able to give you the water that you need when you want to use a faucet. The way it was designed is to give you a continuous sheet of water, whether you’re using it for cleaning or cooling down.

The faucet is made from an advanced composite material called Neolast, which is the proprietary material from Kohler. They were able to form it into that kind of shape since the material is able to offer “boundless form, unexpected texture, and rich, saturated colors”. It sports the color orange since it is the designer’s signature shade. Underneath the fauce is an embossed cast iron escutcheon plate to celebrate the collaboration between the brand and the designer.

The Formation 01 Faucet does look extraordinary and innovative, from the color to the seemingly-abstract shape. But what I really enjoy, at least from the product renders, is how the water comes out in a sheet, which looks and hopefully feels pretty cool (maybe literally even).

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