B&O Just Launched a $5,000+ Soundbar That Costs More Than Your First Car

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Bang & Olufsen’s Beosound Premiere lands like a spaceship in a room full of toasters. That’s not an exaggeration; it’s just what happens when a company known for treating speakers like sculpture decides to rethink the soundbar. This thing doesn’t just sit under your TV. It commands the room, a slab of pearl-blasted aluminum that looks like it was milled from a single ingot of the future. And yes, it costs £3,900, which is about as much as most people pay for rent, but let’s be real, if you’re the kind of person who buys a soundbar as a statement, you’re not exactly shopping for Black Friday deals.

The Premiere’s design is what happens when industrial designers are given free rein and a budget that doesn’t flinch. The up-firing tweeter sits center stage like a jewel, surrounded by 1,925 precision-machined perforations, a nod to Bang & Olufsen’s 1925 founding year, because of course it is. The aluminum chassis isn’t just for show; it houses ten custom drivers, including four racetrack woofers and a tweeter that looks like it belongs in a museum. The side-firing and up-firing drivers are part of the visual language, a reminder that this isn’t a black plastic slab pretending to be invisible. Then there’s the lighting: 90 LEDs that pulse and shift with your adjustments, because why should your soundbar be any less extra than the rest of your smart home?

Designer: Bang & Olufsen

You’d think all this design flair would come at the cost of actual performance, but the specs tell a different story. Ten amplifiers push 70 watts to the woofers and 50 watts to the rest, delivering a frequency range of 32 Hz to 23 kHz. The Dolby Atmos 7.1.4 decoding is paired with Bang & Olufsen’s proprietary True Image algorithm, which supposedly creates a soundstage wider than the unit itself. The company calls it Wide Stage Technology, and while I haven’t heard it yet, the idea of a soundbar that can convincingly fake a surround setup without extra speakers is intriguing. The max output of 102 dB at 1 meter means this thing can get loud, but the real test will be how it handles the subtleties: dialogue clarity, spatial separation, that kind of thing.

The connectivity suite is what you’d expect from a flagship product in 2025, but with a few Bang & Olufsen twists. HDMI eARC with 8K passthrough is table stakes at this point, but the inclusion of an Ethernet switch with three 1Gbit ports is a nice touch for anyone tired of juggling network cables. Bluetooth 5.4 and AirPlay 2 are here, obviously, but the real party trick is Beolink Surround, which lets you wire up additional B&O speakers for a true multi-channel setup. The fact that you can still use analog audio via USB-C (with an adapter) feels like a nod to the audiophiles who refuse to let go of their turntables. And yes, there’s a voice assistant option, but it requires an external Google device, because Bang & Olufsen would rather you use their app than bark commands at a microphone.

Now, the elephant in the room. £3,900 is a lot for a soundbar, but let’s put it in context. The Premiere isn’t competing with Sony or Sonos; it’s competing with high-end AV receivers and speaker setups that cost twice as much. The Haute Edition, limited to 25 pieces and priced at £11,000, is another story entirely. That’s not a soundbar; that’s a flex. Each one is hand-milled with a pattern that takes 17 hours to carve, because why not? It comes with a numbered certificate and a wooden box for the remote, because at that price, you’re not just buying audio equipment; you’re buying a piece of design history. Or at least, that’s the pitch.

The real question is whether the Premiere can justify its existence beyond being a conversation piece. Bang & Olufsen has a reputation for building products that sound as good as they look, but the soundbar market is crowded with solid performers at a fraction of the cost. The Premiere’s trick will be convincing people that its spatial audio and design justify the premium. For now, it’s hard to deny that this is one of the most interesting pieces of audio gear to come out in years. Whether it’s worth the price of a used car is another matter entirely. But if you’re the kind of person who sees a soundbar as an extension of your aesthetic, the Premiere might just be the centerpiece you’ve been waiting for.

The post B&O Just Launched a $5,000+ Soundbar That Costs More Than Your First Car first appeared on Yanko Design.

DAZN is available through Amazon Prime Video in the US and UK

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DAZN, a sports streaming service that covers everything from MMA to golf, is now available as an add-on subscription through Amazon Prime Video in the US and UK. The streaming service was previously available in France, Germany, Spain, Italy, Japan and Canada.

Subscribing to DAZN requires an additional $30 a month subscription on top of what users already pay for Prime Video ($9 a month for a standalone plan or the cost of an Amazon Prime subscription). The service includes access to a mixture of live sports coverage including "more than 185 fight nights per year" and "over 300 live soccer games from Italy's Lega Series A," according to Amazon. 

While it costs extra, the service makes for a nice complement to the sports content that's already available through Prime Video for no additional fee, like Thursday Night Football, select NBA games, the NASCAR Cup Series and the Masters golf tournament in 2026.

Access to live games is increasingly the defining feature of most video streaming platforms. Amazon has its carveouts, YouTube TV has NFL Sunday Ticket and Apple continues to hold down MLS and now, F1 racing.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/dazn-is-available-through-amazon-prime-video-in-the-us-and-uk-195348836.html?src=rss

Shazam for iOS just got a Liquid Glass makeover

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Apple just launched a redesign of the popular song-identifying app Shazam, which was spotted by 9to5Mac. This update takes full advantage of the company's recently-launched Liquid Glass visual language.

The company promises a "sleek" new look, but that's not the only change. This visual redesign should make it much easier to quickly glance at recent songs you've identified via the Home tab. They now appear directly on the home screen.

There's also a revamped toolbar that lets you quickly swap between different tabs, including one that lists nearby concerts. The search icon is now separated into its own button on the bottom of the app.

Just make sure that your device is running iOS 26 to check it out. The update is available right now, which should please millions upon millions of Shazam users. It's still the quickest and best way to identify a random song. As for Liquid Glass, the company recently introduced the ability to add a frostier, more opaque appearance.

This article originally appeared on Engadget at https://www.engadget.com/apps/shazam-for-ios-just-got-a-liquid-glass-makeover-194954181.html?src=rss

Fitbit Black Friday deals are here early and one of our favorite fitness trackers is on sale for $100

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Fitbit is holding an early Black Friday and there are plenty of noteworthy deals. The Charge 6 fitness tracker is on sale for $100, which is a nice discount of $60 and 38 percent off. The deal applies to multiple colorways.

The Charge 6 topped our list of the best fitness trackers, and for good reason. It features built-in GPS, which means it doesn't have to be tethered to a phone when doing some cardio. The heart rate monitor is much more accurate when compared to the Charge 5 and the battery lasts a full week before requiring a trip to the outlet.

All told, it tracks 20 exercise types, in addition to sleep. The Charge 6 features a full-color AMOLED display that's easy on the eyes and a relatively thin design. This makes it feel fairly premium, especially when compared to rival devices.

On the downside, there's no real integration with Apple Health. This could be a dealbreaker for some. Also, some health data is hidden behind a Fitbit Premium paywall. That service costs $10 each month.

This isn't the only Fitbit product on sale right now. The Inspire 3 fitness tracker is available for $70, which is a discount of 30 percent.

This article originally appeared on Engadget at https://www.engadget.com/deals/fitbit-black-friday-deals-are-here-early-and-one-of-our-favorite-fitness-trackers-is-on-sale-for-100-185704387.html?src=rss

The IRS’ free tax-filing tool reportedly won’t be offered in 2026

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Direct File, the free, government-provided alternative to services like TurboTax, won't be available for the 2026 tax season, Bloomberg Tax reports. That's based on a letter sent from the Internal Revenue Service to participating states that says that "no launch date has been set for the future."

A Biden administration project, Direct File was designed to be an easy way for eligible taxpayers to file taxes online, without having to pay for a service like TurboTax or H&R Block to do it on their behalf. The IRS began piloting Direct File for the 2024 tax season, and opted to make it a permanent option later that year. Direct File was available for the most recent 2025 tax season in 25 states in the US.

Despite the service's success, the Trump administration appears to opposed to offering Direct File in its current form. The "Big Beautiful Bill" passed in July 2025 includes funding for the IRS to research "the cost to replace any direct e-file programs run by the Internal Revenue Service" and "the cost of developing and running a free direct e-file tax return system." Whatever the results of that research, later in July, former IRS Commissioner Billy Long seemed to suggest the e-filing option had been eliminated. "You've heard of Direct File, that's gone," Long said at a tax professional summit. "Big beautiful Billy wiped that out."

Engadget has contacted the IRS to confirm that Direct File won't be offered in 2026. We'll update this article if we hear back.

While the IRS has yet to formally announce that Direct File is going away outside of Long's comments, the tool is currently unavailable through the IRS website. Additionally, the position to lead the Direct File project inside the IRS is currently vacant under acting IRS Commissioner Scott Bessent.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/the-irs-free-tax-filing-tool-reportedly-wont-be-offered-in-2026-185430716.html?src=rss

UN emissions report: The planet is falling well short of its climate targets

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The outlook for future generations isn't looking so great. The UN released its annual Emissions Gap Report on Tuesday, and the news is mostly bad. The world’s projected climate path falls far short of the Paris Agreement targets. Although the 2025 projections are slightly better than last year's, some of that improvement is due to the report's methodological changes. The UN also notes that the upcoming US withdrawal from the Paris Agreement will basically cancel that out.

The UN measures progress based on projections of rising temperatures (relative to pre-industrial levels) by 2030. The Paris Agreement's goals are to limit that to 2 degrees Celsius (while pursuing a path to 1.5 degrees C). The current projections are well above both numbers: 2.3 to 2.5 degrees C.

Those numbers compare to 2.5 to 2.8 degrees C in last year's report, but the improvement is partially chalked up to methodological changes. The report states that the US withdrawal from the Paris Agreement in January 2026 will wipe out around 0.1 degrees C of progress.

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Getting the temperature rise down to 1.5 degrees C by 2100 is still possible, but it appears increasingly unlikely. To get there, the world would need to cut emissions by 55 percent by 2035. Meanwhile, to achieve 2 degrees C of warming by 2030, those cuts would need to reach 35 percent. As the report bleakly puts it, national pledges and the current geopolitical situation "do not provide promising signs that this will happen."

"Given the size of the cuts needed, the short time available to deliver them and a challenging political climate, a higher exceedance of 1.5 degrees C will happen, very likely within the next decade," the UN says. The best hope for reaching the long-term goals now lies in reversing that change after the fact. However, that carries the risk of crossing "irreversible climate tipping points," such as the collapse of the West Antarctic ice sheet.

Of course, rising temperatures alone aren't the only things to worry about. Cascading effects would include crop losses (and food insecurity), water scarcity, wildfires, coastal flooding and coral reef collapse. You also can't ignore the geopolitical implications, as desperate migrants flee uninhabitable regions, crowding the more livable ones.

A small silver lining is that solar and wind energy development has exceeded expectations, making their expansion easier and cheaper. The UN notes that CO2 removal tech could eventually help supplement policy changes, but that approach is "uncertain, risky and costly."

This article originally appeared on Engadget at https://www.engadget.com/science/un-emissions-report-the-planet-is-falling-well-short-of-its-climate-targets-184255639.html?src=rss

Toyota Walk Me: The Robot Chair That Climbs Stairs and Folds Into Your Trunk

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Stairs have long been the nemesis of wheelchair users, turning simple errands into logistical nightmares and limiting access to countless spaces. Toyota’s answer to this mobility challenge doesn’t roll on wheels at all. Instead, the Walk Me concept, unveiled at the Japan Mobility Show 2025, walks on four robotic legs that can climb stairs, navigate uneven terrain, and fold themselves into carry-on luggage when not in use.

Designer: Toyota

A New Kind of Movement

Walk Me replaces traditional wheelchair wheels with biomimetic robotic limbs inspired by goats and crabs, animals known for their sure-footed navigation of challenging terrain. Each of the four independently motorized legs is covered in soft, pastel-colored material that hides the hardware and sensors underneath, making the technology feel approachable rather than clinical. When Walk Me encounters stairs, the front legs test the step height before pulling the chair upward while the rear legs generate thrust and support, creating a smooth climbing sequence that maintains user stability throughout the ascent.

LiDAR sensors and cameras continuously scan surroundings, allowing the chair to navigate obstacles like rug edges, scattered toys, and threshold transitions between rooms. Weight sensors ensure the user remains centered before any major movement, while collision radars stop the chair immediately if something crosses its path. Even when balance shifts unexpectedly, the system automatically widens its stance and adjusts the seat position to prevent tipping.

Comfort, Control, and Autonomy

Walk Me’s seat is designed to adjust to the user’s shape. The curved backrest supports the spine, while small side handles allow for manual steering. Users can twist the handles to turn or press integrated buttons for direction control.

For hands-free operation, voice commands like “kitchen” or “faster” enable the onboard computer to map a path or adjust stride speed. A small display on the armrest shows battery level and distance traveled, keeping essential information at a glance. The system uses smart algorithms and balance control to ensure smooth movement across complex surfaces.

The entire chair operates on a compact battery hidden behind the seat, which provides enough power for a full day of activity. Charging is as simple as plugging it into a wall outlet overnight. Built-in sensors monitor every joint, and if overheating occurs, the chair automatically shuts down and notifies the user.

Compact Design for Daily Life

Perhaps Walk Me’s most striking capability is its folding mechanism. With a single button press, the legs retract telescopically, the knees bend, and the chair compacts itself into carry-on size within thirty seconds. This makes it convenient to store in a car trunk or beside furniture, and when reactivated, the legs extend again while the balance system recalibrates automatically.

The chair’s adaptability extends to vehicle transfers and traditional Japanese living spaces. Walk Me can lift users into vehicles by raising itself on tiptoes, aligning with car doors, and tilting forward to facilitate seamless transfers without assistance or transfer boards. On tatami mats, the legs squat down to lower the seat to mat level, accommodating the floor-sitting culture common in Japanese homes.

Toyota designed Walk Me for practical, real-world use, from Japan’s elevated homes and narrow hallways to outdoor garden paths. The concept addresses the everyday challenges faced by people with reduced mobility, whether climbing stairs, moving over uneven ground, or transitioning into vehicles. By merging robotics, AI, and human-centered design with biomimicry principles, Walk Me represents an approach to assistive technology that prioritizes independence across diverse environments.

Beyond Prototype Status

Walk Me remains a prototype with no announced production timeline. Yet its debut at the Japan Mobility Show 2025 suggests a future where assistive devices are not limited by terrain, architecture, or even wheels. By replacing traditional mobility solutions with intelligent, lifelike motion, Toyota’s Walk Me challenges existing designs fundamentally and offers not just movement, but freedom.

The post Toyota Walk Me: The Robot Chair That Climbs Stairs and Folds Into Your Trunk first appeared on Yanko Design.

Mid-Century Clock and Watch Tell Time With Shapes, Not Numbers

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Most clocks and watches fade into the background, quietly marking the hours without much personality or visual presence on your desk or wrist throughout the day. But what if timekeeping could be playful, sculptural, and as expressive as the rest of your space or personal style choices? What if checking the time felt less like a utilitarian glance and more like appreciating a piece of functional art?

The FC-30 Desk Clock and FW-50 Wrist Watch concepts flip the script on conventional timekeeping, using bold geometry, vibrant color, and tactile design to turn telling time into a daily ritual worth savoring. Inspired by mid-century modern design principles from the 1950s and 60s, both pieces are as much about art as they are about function, bringing sculptural presence to everyday moments throughout your routine.

Designer: Sidhant Patnaik

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Both pieces are built around the frustum, a geometric form with an angled face that creates visual interest and dynamic readability throughout the day. The FC-30 uses a 30-degree incline for the minute indication, while the FW-50 adapts the idea to a 50-degree angle optimized for wrist wear and comfort. The hour is shown by a colored disc housed inside the frustum, while the sloped edge indicates minutes.

The result is a visual experience that feels fresh and interactive, inviting you to engage with the object every time you check the hour rather than passively glancing at digits. The unconventional layout is intuitive once you spend a moment with it, turning time-telling into something more tactile and memorable than reading digital numbers or traditional clock hands that blend into the background of modern life.

Inspired by mid-century modern classics from the golden age of product design, both the clock and watch feature a palette of bold blues, yellows, greens, and oranges, set against matte white or gray cases with clean edges and visible fasteners. The color blocking and clean lines make each piece stand out visually, whether positioned on a desk, mounted on a wall, or worn on the wrist.

The FC-30’s sculptural form with its angled frustum is as much a statement piece as a practical timekeeper for workspace organization and visual interest. The FW-50’s playful colorways, ranging from sage green to vibrant orange, and tactile crown turn a daily accessory into a personal expression of style and taste. Both designs celebrate the visual language of functional design from classic mid-century product eras.

The absence of numerals and reliance on form and color encourage users to interact with the pieces differently from conventional timepieces. The disc hour and sloped minute readout are learnable at a glance, but different enough to spark curiosity and conversation with visitors or colleagues. Both designs can be oriented or worn in multiple ways for varied visual effects, depending on mood.

The FC-30 and FW-50 concepts bring a little more art into daily routines and personal environments for those who appreciate design. For anyone curating a workspace or searching for a unique statement piece, these timepieces offer a compelling vision where timekeeping becomes an opportunity for visual and tactile delight rather than just a practical necessity.

The post Mid-Century Clock and Watch Tell Time With Shapes, Not Numbers first appeared on Yanko Design.

Pac-Man and other Namco games are coming to Atari 50 as part of a paid expansion on November 13

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Atari 50: The Anniversary Celebration is a fascinating journey through the history of Atari, but that timeline couldn't be truly rounded without the inclusion of some Namco classics like Pac-Man and Galaga. To remedy that, Atari and developer Digital Eclipse are releasing another paid expansion for the retro collection. It’s called The Namco Legendary Pack and it will be available on November 13 on PS4, PS5, Xbox One, Xbox Series X/S, Nintendo Switch and Steam for $8.

The DLC adds a new interactive timeline that will take you through the history of Namco games on Atari systems, with the help of video interviews with developers and archival materials including photos and other documents. The expansion features versions of Pac-Man for Atari 2600, Atari 5200 and Atari 8-bit. Pac-Man was the best-selling game on Atari 2600, but it's safe to say that version doesn't exactly hold up. 

The Namco Legendary Pack also includes the US arcade versions of Dig Dug and Xevius. In addition, you’ll get home console versions of those two games, Galaga and Galaxian.

The DLC will make Atari 50 even more of a comprehensive overview of the company's history. An expansion that arrived last November charted the rivalry between Atari and Intellivision, aka the first console war. Atari finally brought that to a decisive end when it bought the Intellivision brand last year.


This article originally appeared on Engadget at https://www.engadget.com/gaming/pac-man-and-other-namco-games-are-coming-to-atari-50-as-part-of-a-paid-expansion-on-november-13-175131686.html?src=rss

The MPA tells Meta to stop using PG-13 to describe teen accounts

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The Motion Picture Association doesn’t share Meta’s view that the content people under the age of 18 might encounter on an Instagram Teen Account is comparable to what you might find in a PG-13 movie. The MPA has reportedly hit Mark Zuckerberg’s company with a cease-and-desist letter that objects to Meta’s use of the term "PG-13."

To rewind, Meta revamped its teen-specific accounts — which were first introduced last year — last month, claiming that going forward the account content would be guided by PG-13 movie ratings. In a blog post explaining the change, it said: "Just like you might see some suggestive content or hear some strong language in a PG-13 movie, teens may occasionally see something like that on Instagram — but we’re going to keep doing all we can to keep those instances as rare as possible."

As Engadget’s Karissa Bell pointed out at the time, while Meta openly acknowledged that no system is without its flaws, the analogy is a bit vague and confusing, especially as the company has tightened up some of its rules so that teens are no longer supposed to see any "sexually suggestive" content on the app. This is despite content of that nature often being present in a PG-13 movie.

In the cease-and-desist letter that The Wall Street Journal claims to have seen, the MPA has called Meta’s use of its ratings system in describing how the new teen account restrictions work "literally false and highly misleading." It said that the established movie-ratings system is not comparable to Meta’s system, which it added appears to "rely heavily on artificial intelligence." It also warned that potential issues with Meta’s classification metrics would "inevitably cause the public to question the integrity of the MPA’s rating system."

Meta did also directly reference the PG-13 ratings system in its blog post when discussing its AI experiences, where it said that teens interacting with chatbots would not receive "age-inappropriate responses that would feel out of place in a PG-13 movie." Meta told the WSJ that the changes were intended to make it easier for parents to understand its content policies by measuring them against something familiar, and that it was aware that "social media isn’t the same as movies." Responding to the cease-and-desist letter, it said that it never tried to claim or imply any official PG-13 certification from the MPA.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/the-mpa-tells-meta-to-stop-using-pg-13-to-describe-teen-accounts-174251843.html?src=rss