Tag Archives: phones

PITAKA Turned a Berlin Bunker Into a Wheat Field For Their New Aramid Case Collection at IFA 2026

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There is a long gold tapestry cascading down a concrete bunker wall in Berlin right now, and it feels nothing like what it is actually made of. Run your hand across it and your brain says silk. Your eyes say wheat field caught mid gust. Neither answer is correct. What you are actually touching is aramid fiber, the same aerospace grade material that shows up in body armor and fighter jets, rated at up to five times the strength of steel by weight. PITAKA spent 10,000 plus hours figuring out how to make something this tough feel this soft, and the payoff is standing right there on the wall.

This was the setting for Signals in the Wind, PITAKA’s first ever solo brand event, held during IFA week at The Feuerle Collection. The whole night revolved around one new case collection called Wind Over Wheat, and honestly, once you have felt the tapestry, the name stops sounding like marketing copy and starts making a lot more sense.

Designer: Pitaka

The venue choice alone deserves its own article.. Feuerle is a converted WWII telecommunications bunker with two meter thick walls, the kind of building that was engineered to survive things silk never has to think about. PITAKA filled that stripped back concrete shell with almost nothing except the tapestry, a handful of case displays mounted on slim black stands, and a soundscape by Berlin based composer Temple Rat, built from field recordings of wind moving through wheat. The cases themselves stood at uneven heights along the walk, which sounds like a small styling choice until you realize it is doing exactly what real wheat does in a field, growing unevenly, catching light differently depending on how the wind hit it that day.

Wind Over Wheat comes in three finishes, each named like a tiny poem. Golden Drift is wheat under full sun. Surging Awn is younger wheat still gathering strength. Berlin Nocturne is the same field fading into night, a nod to the city hosting the whole thing. All three are built using Trace Form, PITAKA’s new technique that intentionally lets certain fibers stray from their programmed path, so the texture ends up looking a little different every single time. Less assembly line, more happy accident.

Then the night ended in the best possible place. Guests moved up from the bunker’s underground galleries to Feuerle’s terrace, which turned out to have its own patch of tall, wheat like grasses growing right there in the open air. It is the kind of detail you cannot plan around unless you got extremely lucky with venue selection, and it closed the loop on the whole theme in a way no projector or soundscape could. Standing on a rooftop with real grass swaying next to a case built to mimic that exact motion is a pretty satisfying way to end an event about materials and perception.

Wind Over Wheat’s limited Trace Form Edition launches September 17, with pre-orders opening September 9th. If you are at IFA Berlin this week, PITAKA’s main booth is in Hall 5.2, Booth 209.

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TCL’s P80 Pro and Ultra Are the Phones That Replaced Your Kindle Too

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TCL’s P80 Ultra and P80 Pro prove a phone screen doesn’t have to pick one personality and stick with it. Unveiled at IFA 2026 in Berlin, both handsets fold a vivid AMOLED panel and TCL’s paper-like NXTPAPER technology into the same sheet of glass, letting the display shift moods with a flick of a switch instead of forcing a trade-off between color and comfort.

Run a finger along the frame, and you’ll find a thin slider, a small physical detail that carries plenty of weight in daily use. Slide it, and the 6.83-inch panel drops its saturation, taking on a warmer, textured look that mimics a printed page. A commuter buried in a novel or someone proofreading a document late at night gets a screen that behaves like paper, without losing the sharpness underneath.

Designer: TCL

Push that same slider one notch further, and the screen drops color entirely for Max Ink Mode, a stripped layout that silences notifications except for calls and texts. It reads like a design decision as much as a software one, TCL betting people want to quiet their phone rather than mute it completely. The payoff is a battery that can stretch across roughly a week of steady reading.

That reading-first mindset carries into the software too. Both phones can convert e-books into audiobooks or podcast-style narration using on-device AI, giving Max Ink Mode a voice to lean on when eyes need a break instead of ears. It is a small addition, but it treats the slower, paper-like mode as a genuine feature rather than a bolted-on gimmick for a keynote slide.

None of that would matter if the screen looked washed out the rest of the time, so TCL leaned on a 1.5K AMOLED panel that hits 3,200 nits and covers the full DCI-P3 color range. A Nano Crystal Shield coating cuts glare enough to keep the display readable under direct sun, marking TCL’s first pairing of NXTPAPER with OLED rather than the LCD panels it used before.

The frame wrapping that screen is aluminum rather than the plastic often found at this price, giving both phones a sturdier grip without piling on bulk. TCL backs that up with an IP68 rating against dust and water, plus MIL-STD-810H certification for the inevitable drop. Buyers get to pick between Sunlit Gold, Burgundy, and Midnight Blue, three finishes that lean more toward jewelry-box color choices than typical slab-of-glass smartphone palettes.

Where the two models part ways is around the back. The P80 Ultra carries a 50-megapixel main camera next to a 50-megapixel periscope lens for 3x optical zoom, tucked into a housing shaped to avoid throwing off the phone’s balance. The P80 Pro drops the periscope for a simpler dual-camera arrangement, trading reach for a slimmer build that still shares the same main sensor and 8-megapixel ultrawide.

TCL is rolling both phones out across Europe first, with the P80 Ultra priced from €549 (around $635) and the P80 Pro starting at €429 (around $500), before a Latin American launch follows in October. A wider release is expected to reach additional regions afterward. In a category full of identical glass rectangles, these two phones actually behave differently depending on what someone needs from them that day.

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TECNO and Tonino Lamborghini Prove You Can’t Fake a Real Collab

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Slapping a famous badge on a phone’s back panel is the easy version of a brand partnership. TECNO and Tonino Lamborghini clearly wanted the harder version instead. The POVA 8 Pro 5G Tonino Lamborghini Limited Edition builds its entire identity around a black-and-red palette and a hexagon pattern lifted straight from Lamborghini’s mechanical heritage, then carries that language past the glass and into the software running underneath.

The rear panel does the heaviest visual lifting. A dual-layer stacking process gives it a reflective quality built from countless internal mirror structures that refract and redirect light, so red accents seem to surface and sink back into shadow as the phone tilts in your hand. A physical height difference between the two layers adds genuine spatial depth, echoing the layered geometry found in actual mechanical engineering rather than faking it with a printed graphic.

Designer: TECNO x Tonino Lamborghini

That commitment doesn’t stop at the hardware. A bespoke interface theme reworks dozens of icons in matching black-and-red tones with glass-like material effects, while a custom boot animation and ringtone carry the same mechanical energy into everyday use. Opening the phone in the morning feels less like waking up a generic Android device and more like starting an engine built around a specific mood.

Underneath the styling sits a dual-chipset setup pairing a MediaTek Dimensity 7400 Ultimate platform with a TECNO-built P1 Graphic Chip, backed by a vapor chamber cooling system spanning over 22,000mm² of dissipation area. That combination pushes supported titles as high as 144FPS, turning a commute or a lunch break into legitimate gaming time instead of a compromise. A dedicated one-tap button on the side keeps favorite apps and gaming shortcuts one press away.

Photography leans on a Sony-engineered LYTIA 700C sensor with a larger light-sensitive area, giving low-light shots and handheld video noticeably steadier results thanks to built-in optical stabilization. A 50MP high-pixel mode and 2x lossless zoom cover the detail-obsessed shots, while an 8MP ultra-wide lens handles group photos and landscapes without anyone needing to step backward to fit everyone in frame.

The 6.78-inch AMOLED display pushes brightness to 4,500 nits and refreshes at 144Hz, numbers that matter most outdoors under direct sun or during fast-paced gaming sessions where lag ruins the moment. A touch layer rated for wet and oily fingers keeps the screen responsive through rain, sweat, or sunscreen-covered hands, useful for anyone who refuses to put their phone down just because the weather did.

Durability rounds out the package rather than acting as an afterthought. Corning Gorilla Glass 7i, IP69-rated water and dust resistance, and SGS 5-Star Drop certification mean the phone can survive a dropped call turning into a literal drop without ending the relationship. A 6,500mAh battery retains over 80% of its health after 2,000 charge cycles, translating to roughly six years of daily use before a real decline sets in.

TECNO and Tonino Lamborghini spent more effort here proving that a licensing deal can produce something with actual mechanical thinking behind it, rather than a badge glued onto commodity hardware. The result reads less like a co-branded accessory and more like a phone that happens to share a bloodline with the cars.

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Motorola’s Swarovski Razr Was Designed to Be Seen, Not Hidden

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Motorola built a phone that asks to be noticed before it’s even unfolded. The 2026 motorola razr with Crystals by Swarovski joins the Brilliant Collection at IFA 2026, pairing Pantone’s color expertise with Swarovski’s craftsmanship on a foldable that reads less like consumer electronics and more like a clutch bag someone forgot was also a smartphone. It’s Motorola’s clearest statement yet that a phone’s exterior deserves as much attention as its chipset.

That statement starts with PANTONE Meteorite, a deep, understated shade that never competes for attention against the crystals resting on top of it. Instead, the finish creates contrast, revealing different dimensions of light and sparkle as the phone moves, so a simple pocket check under a restaurant table catches light differently than the same motion under office fluorescents. Color, in this case, does the quiet work of making everything layered on top of it shine harder.

Designer: Motorola x Swarovski

That layering happens across a quilted, leather-inspired texture that already feels premium before a single crystal enters the picture. Set against that padded surface, 35 hand-positioned Swarovski Crystals in Silver Night catch light from nearly any angle, each one placed with enough precision that the pattern reads as intentional rather than scattered. It’s the kind of detail that rewards a second glance rather than exhausting itself after the first one.

One crystal earns special treatment. A signature 32-facet Swarovski Crystal sits directly on the hinge, catching light with every flip in a way that turns the phone’s most mechanical motion into its most theatrical one. Razr’s flip has always been a small performance, and Motorola clearly understood that placing its biggest crystal exactly where the hinge pivots would turn an everyday gesture into something worth watching happen.

Motorola ships the device with a clear protective case built to frame the design without hiding it, a detail that matters more than it initially sounds. Plenty of phone cases exist purely to protect a device at the cost of concealing whatever made it desirable in the first place. Here, the case reads more like a museum vitrine than a rubber shell, letting the crystal work stay visible through daily handling.

None of that styling comes at the expense of the hardware underneath. A 6.9-inch Extreme AMOLED display unfolds for daily use, backed by a dual 50MP main camera system and a 4800mAh battery rated for more than 36 hours on a single charge. The external 3.6-inch display still runs full apps and handles notifications without requiring an unfold, keeping the phone functional even when someone’s more focused on how it catches light in a bag.

Motorola frames the Brilliant Collection as proof that technology can be both beautiful and intelligent, and this razr backs that framing with hardware that would hold its own even without a single crystal attached. Pricing lands at $899.99 when the phone arrives on Motorola.com and Amazon on September 10, with Verizon carrying it starting September 24, putting genuine jewelry-adjacent design within reach of anyone willing to treat a phone as an actual accessory.

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Acer’s Packard Bell Crashed IFA 2026 Like a Box of Crayons

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Packard Bell spent a century teaching people that new technology doesn’t have to feel intimidating, and its 100th birthday present to itself leans hard into that idea. Under Acer’s ownership, the brand relaunched at IFA 2026 with a philosophy it calls “Tech it easy,” built around a lineup that trades beige plastic and quiet corporate design for colors loud enough to notice from across a room. Four products anchor that comeback, and each one argues that everyday tech gains something when it stops taking itself so seriously.

The DotBook carries the heaviest expectations as the collection’s flagship, a 14.5-inch laptop finished in a red-orange shell bright enough to spot on a crowded coffee shop table. Weighing under 1.3 kg and measuring just 17.9mm thin, it’s built for browsing, streaming, and everyday work rather than chasing benchmark scores, backed by up to 512GB of storage and 16GB of memory running quietly under Windows 11. It’s a laptop designed to disappear into a bag, not a spec sheet debate.

Designer: Acer

Where the DotBook plays it relatively straight, the DotLoop commits fully to spectacle. Housed inside an actual briefcase shell with a 1970s silhouette, the turntable pops open to reveal a working tonearm flanked by RGB-lit speaker grilles that glow while a record spins. Two built-in 3W speakers handle sound on their own, though Bluetooth and RCA outputs let the DotLoop hand audio off to a proper stereo system whenever the moment calls for something louder.

That willingness to have fun with format extends into the DotLine, a feature phone built for anyone tired of feeding a smartphone’s constant appetite for attention. A 2.8-inch display and physical keypad keep the experience deliberately simple, while an 1800mAh battery stretches across roughly two weeks between charges, a number that sounds almost mythical next to a modern flagship’s overnight anxiety. Four color options keep it from feeling like a consolation prize.

Rounding out the focus lineup, the DotCombo bundles a keyboard and mouse into a single color-matched purchase, eliminating the usual mismatched beige-on-black desk setup that so many peripherals default to. Both pieces run on rechargeable batteries good for hundreds of charge cycles, connecting over Bluetooth or a 2.4GHz receiver without a single AA battery required. Round keycaps borrowed from typewriter design give the whole thing a tactile, almost toy-like presence on a desk.

Beyond these four, Packard Bell rounds out its centennial collection with a portable speaker (DotTune), audio glasses (DotLook), a ring light for creators (DotShine), matching headphones (DotBass), and even a countertop food steamer (Steasy), all sharing the same saturated color palette and straightforward pricing. None of them ask for much attention individually, but together they paint a lineup unwilling to blend into a beige office shelf.

Pricing stays approachable across the board, with the DotBook starting around €499 (around $578), the DotLoop at €149 (around $173), the DotLine at €69 (around $80), and the DotCombo at just €39 (around $45). Packard Bell’s return proves that a century-old brand can still find something new to say, mostly by refusing to whisper it.

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Razer Finally Solved the Bulky Controller Problem at Credit Card Size

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Mobile controllers have always faced the same awkward tradeoff: carry something bulky enough to feel like a real gamepad, or leave it at home and settle for touchscreen buttons. The Razer Prio picks neither option. It folds down to roughly the size of a credit card at 107mm x 67mm x 23mm, then twists open in one motion into a controller with a complete, full-sized button layout.

That twist-to-unlock mechanism is doing more work than it looks like on paper. Rather than hinging flat like a wallet or telescoping outward like most phone-bridge controllers, the Prio rotates its two halves apart, expanding from a dense 101-gram puck into something that spans phones up to 7 inches, including devices as large as the iPhone 17 Pro Max. The motion itself becomes the reveal.

Designer: Razer

Once open, the control surface doesn’t feel like it compromised anything to get small. A tactile 4-way D-pad, full face buttons, bumpers, and triggers all made it into the layout, alongside thumbsticks built on capacitive sensing rather than the usual mechanical potentiometers. Removing physical contact points means there’s nothing inside to wear down over time, which addresses stick drift at the source instead of patching around it later.

Picture a delayed train platform or the ten minutes between classes that usually gets wasted scrolling through a phone. The Prio exists specifically for that kind of narrow window, slipping out of a pocket, twisting open, and plugging directly into a phone’s USB-C port without any pairing screen or Bluetooth handshake standing between the moment and actually playing something worth playing.

That direct USB-C connection matters beyond convenience. Skipping wireless pairing removes the input lag that makes touchscreen controls and some Bluetooth gamepads feel disconnected from what’s happening onscreen, which becomes especially noticeable in anything reaction-based. It also means never worrying about a dead controller battery separate from the phone it’s attached to, since the phone itself is supplying the power.

The Prio’s reach extends past native mobile games as well. It works across Xbox Cloud Gaming, PlayStation Remote Play, Steam Link, and Razer’s own PC remote play service, turning a phone into a display for console and PC libraries rather than limiting the controller to whatever’s built specifically for touchscreens. A pocket-sized accessory suddenly covers a genuinely wide range of what someone might want to play.

At $99.99, the Prio positions itself as the opening entry in what Razer describes as a broader line of ultra-portable controllers still to come. What it gets right immediately is treating portability as a mechanical problem worth solving properly, not just a matter of making something smaller and hoping the compromises go unnoticed once it’s actually in someone’s hands.

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We just reinvented Phablets: Huawei’s Wide-body Pura X View feels oddly nostalgic to the touch

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Seventy percent of Samsung’s record 1.44 million Galaxy Z8 series pre-orders went to the wide 4:3 model over the traditional tall one, a number that makes product planners cancel their afternoon meetings. Huawei saw it coming. The Pura X View, launched in China on August 20, is a slab phone with a 16:9.5 screen, no hinge, 6.68mm of thickness, and a 7,000mAh battery packed into 201 grams. Run the panel geometry and the body lands near 144 by 86mm, which is essentially the 2011 Galaxy Note’s 146.9 by 83mm with fifteen years of thinning applied on top. The first phablet just came back, and it skipped the hinge entirely.

Huawei shipped its first 16:10 phone in March 2025, roughly seventeen months before Samsung’s wide Fold 8 and eighteen before Apple’s expected iPhone Ultra. That head start counts for plenty editorially and almost nothing commercially, because the Pura X View runs HarmonyOS 7 without Google services and has no confirmed launch outside China. The width also brings a problem nobody involved has solved yet. Fold 8 reviewers keep flagging that one-handed typing on a wide cover screen demands a thumb stretch most people just do not have. Huawei is asking you to live inside that stretch full time, with no fold to escape into.

Designer: Huawei

I keep coming back to the battery number because it should not work the way it does. Cramming 7,000mAh into a 6.68mm body usually means a phone that feels like a coaster, but Huawei leaned on the extra width instead of stacking cells vertically, and the reported silicon-carbon anode chemistry lets the pack sit flatter than lithium-ion ever could. The screen-to-body math backs it up too, a claimed 96.1 percent with bezels measured at a uniform 1.05mm on all four sides, which is tighter framing than most flagships bother chasing. Around back, Huawei kept the pill-shaped camera bar and striped texture from the Pura X Max, so this reads as a family member rather than a one-off experiment.

The historical parallel only gets stranger the closer you look at it. Samsung built the Galaxy Note on a 16:10 panel in 2011 specifically because it read and wrote better than 16:9, and that logic held until the LG G6 and Galaxy S8 dragged the entire industry toward 18:9 in 2017. At the start of that year, over 95 percent of phones sold still ran 16:9. Within about eighteen months it had nearly vanished, replaced by taller and taller screens that eventually made “phablet” sound like a word from a dead language. At 1.68:1, the Pura X View is actually squatter than any of those old 16:9 phones, closer in spirit to the doomed Dell Streak than to the Note it resembles in the hand.

None of this makes the Pura X View an easy recommendation, and I would rather say that upfront than let the nostalgia do all the talking. Pricing remains unconfirmed, early Chinese estimates swing wildly between 4,499 and 7,500 yuan, and Huawei has a recent history of catching real backlash over Pura pricing. There is also no path to a Google-services version, which locks most of the world out regardless of cost. What the Pura X View does prove is that the tall screen was never physics, just a decade of consensus that Samsung and Apple are now both quietly abandoning. We covered the Pura X Max when it doubled down on this same wide logic inside a folding body, and the View feels like Huawei betting the shape works even better without the crease.

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Hisense Just Made an E Ink Phone With a Color Screen That Snaps Off

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Every smartphone screen is a compromise, built to do everything reasonably well and nothing perfectly. The Hisense A10 Ultra rejects that premise outright. Instead of one panel stretched thin across every task, it pairs a 6.13-inch E Ink display with a 4.96-inch color touchscreen that clips onto the back magnetically, then walks away again the moment you don’t need it.

The E Ink layer is the phone’s permanent identity, a 300 PPI Carta 1300 panel that renders text with the same paper-like calm as a dedicated e-reader. A 36-level front light shifts between warm and cool tones without flickering, so a page read at noon and one read at midnight both stay comfortable on the eyes. Nothing about this half of the phone asks for your attention beyond what you came to read.

Designer: Hisense

Snap the color module onto the back, held by magnetic pogo pins, and the same device suddenly handles video, maps, and camera framing without fighting the E Ink panel’s slower refresh. A dedicated T2000 controller chip in the main display keeps scrolling responsive, but color and motion still belong to the LCD module. The two screens divide labor instead of splitting attention, which is a distinction worth sitting with.

Imagine spending a long commute finishing a chapter on the E Ink side, then arriving at a destination and needing turn-by-turn directions or a quick selfie. Rather than tolerating a grayscale map or waiting through refresh lag, the color module goes on for exactly as long as the task requires. Afterward, it comes right back off, and the phone returns to its lighter, quieter default state around 190g.

That detachability is the real design statement here. Most phone makers treat a second screen as permanent architecture, bolted in and powered whether you use it or not. Hisense instead treats it as optional equipment, closer to a lens you’d attach to a camera than a component soldered into a chassis. The color panel exists for exactly the moments that call for it, then disappears when it doesn’t.

An “Ink Smart Button” on the side backs this up practically, letting you switch modes, wake an assistant, or force a full refresh without digging through menus. Paired with a Qualcomm QCM6690 processor, up to 12GB of RAM, and a 4,000 mAh battery, the hardware underneath doesn’t feel like an afterthought bolted onto a gimmick. It reads more like a phone that happens to know when to get out of its own way.

There’s something clarifying about a device willing to admit that no single screen does everything well. The A10 Ultra doesn’t try to hide that tension behind clever software or a single do-it-all panel. It just hands you the two halves separately and lets you decide, task by task, which one earns a place on your phone that day.

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The Galaxy S26 FE Beats Samsung’s Own Flagships to One UI 9 at $700

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The “Fan Edition” label has historically meant a Samsung phone that trades some flagship firepower for a more accessible price. The Galaxy S26 FE keeps that tradition mostly intact at $699.99, but it comes with something the Galaxy S26 Ultra, S26+, and S26 don’t have yet: One UI 9 running on Android 17 out of the box. The FE getting there first is a small reversal of the usual order.

That software distinction matters because One UI 9 is where most of the new things actually happen. The hardware story is relatively familiar: a 6.7-inch FHD+ Dynamic AMOLED 2X display at 120Hz with 1,900 nits peak brightness, an Exynos 2500 chipset on a 3nm process, 8GB of RAM, and a 4,900mAh battery. The Exynos 2500 is a step up from the Exynos 2400 in the S25 FE, with a beefed-up AMD RDNA 3-based GPU and a more capable NPU.

Designer: Samsung

One of the new One UI 9 features making its debut here is My FanCam, which automatically tracks a person in a video by zooming in and keeping them centered in frame. It works with videos already in your gallery, not just footage shot in a special mode. Record someone’s performance or activity, pull it up afterward, and My FanCam can isolate the subject for a clean, social-ready clip without any manual editing.

Horizon Lock addresses a different problem: shaky handheld footage. It keeps video level even if the phone rotates up to 360° during recording, which is useful for any situation where you’re moving while shooting and can’t stop to stabilize the frame. Add that to Photo Assist’s AI editing tools, and you have a camera experience that does more of the grunt work automatically than any previous FE has offered.

The triple rear camera system uses a 50MP main sensor with OIS, a 12MP ultrawide at 123°, and an 8MP telephoto with 3x optical zoom and up to 30x digital zoom, all with OIS. The 12MP front camera handles video calls and selfies with a wide 85° field of view. The camera design itself has been updated to align more closely with the rest of the S26 series, which gives the FE a less immediately distinct look from the higher-end models.

Charging is 45W wired, which gets the 4,900mAh battery to 69% in approximately 30 minutes. Wireless charging tops out at 15W, and Wireless PowerShare is included. The build uses Gorilla Glass Victus+ on both the front and back, an aluminum frame, and IP68 water resistance. Connectivity covers Wi-Fi 7, Bluetooth 5.4, and 5G, along with an in-display fingerprint sensor.

Seven years of OS updates and security patches are promised, which extends the phone’s useful life considerably. In Pistachio, Blueberry, and Graphite, it goes on sale September 4, with select carriers beginning a day earlier. It’s the FE format doing what it’s always done, just this time with a software stack the rest of the lineup hasn’t caught up to yet.

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MagSafe Wallets Leave Your Cards Exposed but This $24 One Closes

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The TUCCH PU Leather Mag Wallet does something most MagSafe wallets don’t bother with: it folds closed. Rather than leaving your cards exposed in an open slot on the back of your iPhone, this one shuts like a traditional bi-fold and stays that way thanks to internal magnets. At $23.99, it holds six cards, blocks RFID signals, and includes a clear window for your ID.

The problem with most MagSafe wallets is that they’re really just an open pocket attached to your phone. Your cards sit loose, there’s nothing stopping them from sliding out when you dig into your bag, and pulling the wallet off doesn’t make it any more secure. If you’ve ever watched a card quietly escape an open MagSafe slot mid-commute, you already understand why a wallet that actually closes is a more useful object.

Designer: TUCCH

The folding design here means the same magnets doing the MagSafe work also keep the wallet shut when it’s off the phone. Pop it off your iPhone before going through airport security, tuck it into your jacket pocket, and your cards stay in place rather than fanning out freely. It’s a small shift in how the accessory behaves, but it makes the difference between something that feels like a wallet and something that just holds cards.

Six slots is more than most MagSafe wallets offer, and the layout is more thoughtful than a generic card stack. One slot is a dedicated clear window for your ID or driver’s license, something the category almost universally skips. Two of the remaining slots have cutout openings for the cards you grab most, so you’re not pulling out a chunk of plastic to find your transit card or gym membership every time.

RFID blocking is built into the PU leather shell, which is worth having without having to think about it. Contactless card skimming isn’t something most people worry about until it happens, and having that protection passive rather than optional means one less thing to consider. The wallet handles it quietly, in the same way that the best security features tend to stay out of your way entirely.

Magnetic strength is strong enough to hold through a firm shake of the phone, which is about what you’d expect from a well-built MagSafe wallet at this price point. Compatibility extends beyond TUCCH’s own cases as well. Any MagSafe-compatible case from another brand works just as well, which matters if you’re already committed to a case you like and don’t want to switch just to add a wallet.

The wallet stays flat even when all six card slots are filled, which isn’t guaranteed with wallet accessories in general. A lot of them start to bow under a full card load, adding enough thickness to make a slim phone feel bulky. At approximately 0.4 inches thick fully loaded, the TUCCH keeps things compact enough that adding it doesn’t noticeably change how the phone sits in your hand or your pocket.

Compatibility covers the iPhone 12 series through the current lineup, excluding Mini models and cases without MagSafe support. The $23.99 price puts it well below what most leather MagSafe wallets ask without trimming the features that make this one worth buying. A MagSafe wallet that closes, organizes, and works as a standalone is simply a more complete object than the category norm.

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