Author Archives: Sarang Sheth

Your Personal Free Netflix and other Top 5 Tech you Absolutely Need in 2026

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Last year I put together a list of products everyone absolutely needed to own in 2025. It included basic stuff, AirTags, GaN chargers, and even some slightly complex gadgets like NAS devices to help you cut the cord on cloud storage subscriptions. This year’s list expands on the same philosophy from last year – make life easier, cheaper, and faster. Here are 5 pieces of tech you need to consider owning in 2026, they’re on the bleeding edge of tech now, but I assume will become mainstream in a decade. However, if you want to stay ahead of the curve, consider adopting them now!

The list is short but sweet – it includes AI recorders/notetakers, translator buds that do a way better job than the AirPods, personal AQI monitors, travel routers that make connecting to dubious airport and hotel WiFi networks much easier, and finally (my grand pick for 2026) a personal media server that helps you actually own movies instead of paying Netflix or Hulu or Paramount a monthly fee that they seem to increase every year without batting an eyelid.

1. AI Notetakers: Your Second Brain That Actually Shows Up

There is a very real advantage to having a dedicated AI notetaker that is not your phone. Phones are distraction machines; they are notifications, doomscrolling, unsolicited ads, and “sorry, I just need to reply to this Slack” all rolled into one. A device like Plaud Note, Comulytic, Mobvoi’s TicNote or a Notta‑powered recorder does one thing: it listens (and it remembers what it listens). You hit a physical button, drop it on the table, and forget about it. Later, the audio is cleaned up, transcribed, summarized, and tagged without you babysitting the process. That separation alone changes how you behave in meetings and interviews. You stop half‑typing notes while someone is talking and instead stay present, knowing you will get a clean transcript and a decent summary afterward.

The other big win is what happens after the recording. Tools like Plaud, Notta, and similar AI‑first platforms are not just dumping a raw audio file into your storage; they are turning it into something you can actually work with. Meetings become bullet‑point action lists, interviews turn into structured quotes you can drop into drafts, and keynotes morph into highlight reels and to‑do items. Compare that to your phone’s stock voice recorder, where everything is just “Recording 032.m4a” in a long, unlabeled list. No speaker separation, no smart search, no summaries, no automatic organization. Dedicated AI notetakers treat audio as input to a workflow, not a dead file. And once you have used one a few times for client calls or field interviews, going back to a generic phone app feels like going from a modern IDE back to Notepad.

2. Translator Earbuds: When You Actually Need To Talk To People

Apple adding Live Translation to AirPods is very on‑brand: take a niche idea, wrap it in a clean UI, and ship it as a feature most people will try once in a while. It is genuinely handy if you and the other person both live inside the Apple ecosystem, and you are somewhere with good connectivity. But at the end of the day, AirPods are music‑first earbuds that happen to do translation on the side. Brands like Vasco, Viaim, and Timekettle flips that completely. Timekettle products like the M3, WT2 Edge, and W4 are built as translation devices first, earbuds second. The hardware, the app, and the interaction modes are all tuned for one job: two‑way, face‑to‑face conversation that does not feel like you are dictating into Google Translate.

You see the difference the minute you try to use them in the real world. Timekettle lets both people wear an earbud and just talk, with the system handling two‑way interpretation in near real time. Even Vasco, which secured our award at CES 2025, offers incredible translation features with the added ability to clone your voice using AI. There are specific modes for sitting across a café table, walking side by side, or listening to an announcement, and you can preload offline language packs so you are not stranded the moment you lose data. That matters when you are in a noisy street market, on a factory floor, or in a client meeting where “sorry, can you repeat that for the app” gets old fast. AirPods’ live translation is clever, but it is still bolted onto a general‑purpose audio product, with limited languages and workflows that quietly assume ideal conditions. Dedicated translator earbuds are what you pack when you know you are going to be operating in another language for days at a stretch; AirPods translation is what you pull out when you are already there and hoping the feature is good enough.

3. Personal Air Monitors: The Little Box That Calls Out Bad Air

A personal air quality monitor is very different from the big purifier that sits in one corner of your living room. This is the pocketable version: a small, battery‑powered sensor that tracks things like CO₂, particulates, VOCs, temperature, and humidity, and comes with you everywhere. Think of the same mindset behind something like Goveelife or uHoo’s indoor monitors, but shrunk down into a device you can toss in a bag or park on your desk. The moment you start carrying one, patterns jump out. That “3 p.m. crash” in your home office often lines up perfectly with CO₂ quietly creeping past the point where your brain stops firing properly. The subway line that always gives you a headache is not just “crowded and stressful,” it is a mix of stale air and fine dust. Your favorite café might have great coffee and terrible ventilation, while the boring chain across the street quietly nails fresh air and lower CO₂.

Where this becomes essential is when you pair it with travel and health decisions. Instead of vaguely checking a city‑wide AQI number, you get hyper‑local readings: the actual air in your Airbnb bedroom, that underground bar, that coworking space with sealed windows. A personal monitor can be the thing that tells you “open a window now,” “today is an N95 day,” or “maybe do not work six hours straight in this meeting room.” It is not a glamorous gadget, but it quietly moves you from guessing to measuring. In a world of wildfire smoke, construction dust, packed trains, and increasingly sealed buildings, that shift feels very 2026: less “trust the vibes,” more “trust the numbers in your pocket.”

4. Travel Routers: Bring Your Own Internet, Not Just Your Own Laptop

TCL and Asus quietly made one of the most important travel gadgets last year: routers built to live in your bag instead of under your TV. On the surface they look like yet another little plastic box with antennas, but the use case is very different from the router you got from your ISP. These are “BYO infrastructure” for people who work, stream, and store their lives online. You plug them into sketchy hotel Ethernet or join them to the random café Wi‑Fi, and they spin up your own private, password‑protected network for your laptop, phone, handheld console, and whatever else you are carrying. Instead of each device logging into “Hotel_WiFi_3” separately and fighting through captive portals, everything just connects to your SSID, with your own password, your own settings, and your own rules.

The VPN side is where they really earn a place in a 2026 kit. A good travel router can automatically tunnel all your traffic through a VPN or back to your home network, so every device behind it inherits that protection without you installing clients and certificates on each one. That means you can sit on airport Wi‑Fi and still safely access your media server at home, your NAS, your work tools, or region‑locked services, all as if you were on your own couch. For digital nomads and frequent flyers, it also solves a bunch of annoying edge cases: game consoles and streaming sticks that hate captive portals, devices that do not support VPNs natively, hotel networks that limit the number of devices per room. The travel router becomes the one “client” the hotel sees, while you hang a whole personal LAN off the back of it. It is not a glamorous product, but once you have had a week where your entire setup rides on that one little box, it is hard to go back to trusting whatever router the hotel happened to bolt to the ceiling.

5. Personal Media Servers: Owning Your Movies In A World That Hates Ownership

The idea of “buying” a movie used to be straightforward. You paid for a DVD or Blu‑ray, you got a disc, and that disc was yours until it got scratched to death or you moved house and lost it. You could watch it a thousand times, lend it to a friend, rip it for convenience, whatever. The streaming era quietly rewrote that deal. You are not buying movies anymore, you are renting access. A title lives on Netflix or Max or whatever for a while, then licensing changes, mergers happen, some accountant decides to write it off, and suddenly your favorite film or show just does not exist in your catalog. You can chase it across services, stacking subscriptions like trading cards, but that gets expensive very fast, and you are still at the mercy of contracts you never see.

A personal media server is the underdog rebellion against that. If you already have a NAS, you are basically one weekend away from rolling your own “Netflix” with something like Plex, Jellyfin, or Emby sitting on top. The workflow is not rocket science: buy discs, rip them, store the files on your NAS, let the media server scrape metadata and artwork, and suddenly you have a slick, searchable library that shows up on your TV, laptop, phone, or tablet just like a streaming app. The difference is that nothing disappears because a studio changed its mind. You decide what lives there, how long it stays, what version you keep, and who gets access. You can share that library with parents or siblings across the country without running into “password sharing crackdown” nonsense, and you can watch your stuff in a cabin with terrible internet because it is all local. It is the same basic promise we had with physical media, just updated for a world where your screen is no longer tethered to a disc player.

Now, the awkward bit: yes, pirating content is illegal. That is the line, and it is worth stating clearly. At the same time, the industry has created a situation where it is technically legal to charge you repeatedly for non‑ownership, while making entire catalogs vanish, region‑locking films behind arbitrary borders, and punishing you for sharing an account with your own family. When a bidding war over something like Warner Bros Discovery means one or two mega‑streamers get even more control over what exists where and for how long, it is hard not to see why people fall back on “if buying is not owning, piracy is not stealing” as a coping mechanism. I am not here to tell you what to do with torrents, but I will say this: a personal media server built around content you actually own is one of the few sane, future‑proof ways to make sure the movies and shows you care about are still watchable ten years from now. In a landscape that keeps trending toward bigger monopolies and weaker ownership, that box in the corner of your house starts to look less like a nerd toy and more like self‑defense.

The post Your Personal Free Netflix and other Top 5 Tech you Absolutely Need in 2026 first appeared on Yanko Design.

Formula 1 ‘Closed Cockpit’ Concept shows the future of the Halo as a Safer Enclosed Canopy

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In the 2021 Italian GP, Lewis Hamilton nearly had his head crushed when Max Verstappen’s car literally climbed on top of his, with the car’s bottom grazing past his helmet and onto the protective Halo. Later on, Toto Wolff of the Mercedes team breathed a sigh of relief, also reflecting on how much he fought against the addition of the Halo to the F1 car design. This isn’t the first time a Halo has saved a life. Leclerc’s helmet showed the battle scars of Fernando Alonso’s tire from a similar incident in the Belgian GP in 2018.

The Halo has played a controversial but incredibly pivotal role in F1. Most teams hated it, but now thank its presence in the face of nearly fatal accidents. The FIA also dabbled with the idea of a closed cockpit for even safer driving, but the ideas were all shot down because a closed cockpit proved to be more harmful in the event of a bad crash. What if the driver couldn’t exit a blazing vehicle? Or get out swiftly in the middle of a race? Designer Olcay Tuncay Karabulut has a clever fix to these questions. Dubbed the ‘Canopy’, this design detail takes the Halo and gives it a set of upgrades… in a way that still makes it safe for drivers to exit vehicles.

Designer: Olcay Tuncay ‘Karabulut’

As much as the Halo obscures a driver’s vision, it’s also incredibly good at obscuring dangerous obstacles that could smack the driver at forces of nearly 10 Gs. There’s no way a helmet could protect against something that powerful. The advantage the Halo has had over most closed cockpits, is that the two sides make it easy for drivers to enter and exit vehicles. More components, more details, and more safety can often mean more time required to exit a car. The seatbelt, as safe as it’s claimed to be, has been responsible for multiple people being trapped in cars longer than they need to be. For the FIA (the regulating body for the Formula series), the closed cockpit has had the exact same set of problems.

Olcay’s ‘Canopy’ concept addresses this by borrowing from the closed cockpit designs of a jet. The canopy hinges at the front, opening and closing to allow the driver to enter and exit on demand. However, in the case of an emergency, multiple panels in the canopy can be pushed out to provide different points of egress. If the canopy ever breaks or fails, simply ditch any of the transparent panels on the top or the sides and the driver can easily make an exit, just the way they would through the Halo.

Olcay’s design relies on a robust canopy built using Carbon-Ti, a strong carbon-fiber, titanium, and aluminum alloy known for its ability to withstand pretty much any sort of abuse. Unlike the Halo which is Y-shaped, the Canopy is H-shaped, with panels on the front, top, and the sides. The front panel acts as a windshield, while the top and side panels can be ejected during an emergency exit.

Is the Canopy better than a Halo? Well, yes and no. Sure, a closed cockpit is way more secure than an open one. We all remember Felipe Massa getting struck by a loose spring in the 2009 Brazilian GP. A canopy would absorb that impact, shielding the driver from damage. However, that impact would also crack the glass, obscuring the driver’s vision and probably making them less safe. In the rain or in muddy conditions, drivers keep their vision clean by simply peeling away protective film from their helmet visors whenever it gets dirty. There’s really no way to peel mud or water away from a canopy, so this would be a nightmare in rainy races… provided the sheer force of wind pushes any dirt or debris away from the clear glass. We’re also completely sidestepping the potential worst-case scenario where the Canopy along with its ejectable panels fail to open, trapping the driver in a nightmare situation with really no exit until someone intervenes.

Olcay’s justification for designing the canopy is to protect the driver from any form of tiny debris that the Halo would miss. Sure, the Halo keeps the driver safe the way a car’s roll cage keeps drivers safe in regular vehicles. But the Halo would do nothing to stop shrapnel from the car in front of you flying towards your face or body. The enclosed design of the Canopy provides 360° cover, although yes, it needs to be sufficiently tested.

The Canopy tech was conceptualized for the year 2030, with 4 more years to test out the system. Current cars still use the Halo, and F1’s changes more or less revolve around the car’s power-train, moving from mainly fuel-based to an equal use of fuel and electric systems. Will we see something akin to this in future F1 cars? Well, Olcay’s work is entirely conceptual, but it bases itself in a stark reality that F1 still has ways to go when it comes to driver safety. After all, the Halo wouldn’t be able to stop what happened to Felipe Massa in 2009. Only a Canopy would.

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One Cable, Five Ports, 960GB SSD: The CASA Hub S Turns Your iPad or MacBook into a Powerful Desktop

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The modern office is wherever you can find a Wi-Fi signal and a flat surface. This freedom to work from anywhere, however, comes with its own set of challenges. Your laptop’s limited ports become a bottleneck when you need to connect a monitor, mouse, and charge your device simultaneously. At the same time, you need immediate access to large project files, and relying on slow coffee shop internet to pull them from the cloud is a recipe for missed deadlines. This constant juggle between connectivity and data access is the primary source of friction for today’s mobile professional.

The CASA Hub S is engineered specifically to eliminate that friction. It acts as a single, reliable bridge between your portable setup and a full-featured workstation. With its integrated SSD, your essential assets are stored locally, ready at speeds that cloud storage can’t match, while its collection of ports handles everything from 4K video output to peripherals and power delivery. It’s a device that understands the demands of a flexible work life, providing both the expanded digital real estate and the high-speed local storage needed to be productive, whether you’re at your home desk or miles away from it.

Designer: ADAM elements

Click Here to Buy Now: $69.30 $99 (30% off, use coupon code “30YANKOHBSN”). Hurry, deal ends in 48-hours!

ADAM elements has been quietly building a reputation for accessories that actually think through the problem instead of just checking feature boxes. The CASA Hub S is probably their clearest example of this philosophy. You get 240GB, 480GB, or 960GB of NVMe SSD storage built directly into what would otherwise be a standard USB-C hub. The read speeds hit 520 MBps and writes clock in at 456 MBps, which puts it squarely in the territory of “actually usable as a working drive” rather than just backup storage. I’ve used plenty of external SSDs that claim similar numbers but choke when you’re actively editing 4K footage or working with massive Photoshop files. The performance here is consistent enough that the 480GB model is specifically recommended for Time Machine backups, which tells you they’re confident it won’t become a bottleneck.

The port selection feels well considered too. You get a USB-A 3.1 Gen 1 port running at 5 Gbps, a USB-C port with 60W Power Delivery passthrough, 4K HDMI output at 30Hz, and a 3.5mm audio jack. That HDMI port supports HDCP 2.2, which matters more than you’d think because it means you can actually stream Netflix in 4K without the annoying “this content is protected” error that cheaper hubs trigger. The audio jack outputs at 48kHz, 16-bit, which is perfectly adequate for most headphones and won’t introduce the weird ground loop hum that some hubs seem to love creating.

Looking at the physical design you realize how ADAM elements clearly designed this with iPad Pro users in mind. That 16cm cable length seems arbitrary until you realize it’s the exact sweet spot that lets the hub lay flat on a desk instead of dangling awkwardly off the side of your tablet. It’s a small detail, but it’s the kind of thing that separates products designed by people who actually use them from products designed by people staring at CAD files. The whole thing weighs 70 grams and comes with a flannel carrying pouch, which again, small detail, but it shows someone thought about how this thing actually travels.

The aluminum chassis is a perfect blend of sleek, lightweight, and heat-dissipating, that makes it an ideal pick for something as portable and productivity-boosting as this hub. ADAM elements went with a Space Gray finish that matches the MacBook aesthetic without being obnoxiously matchy-matchy. The device is plug and play across macOS, iOS 13 and later, iPadOS, Windows 8/10, and Chrome OS. No driver installation, no proprietary software, no account creation. You plug it in and it works, which in 2026 somehow still feels like a minor miracle.

The pricing structure spans three capacities, with the 240GB model landing at $69.30, the 480GB at $132.30, and the 960GB at $209.30 through the end of February using code 30YANKOHUBS. That puts the middle option at roughly the combined cost of a decent standalone SSD and a quality hub bought separately, which makes the value proposition pretty straightforward for anyone who was planning to grab both anyway. The real win here is eliminating one device from your bag and one cable from your setup, which for mobile workers translates to actual daily convenience rather than just saving a few dollars. ADAM elements backs it with a three-year warranty, and the hub is available now directly from their site, which means you skip the Amazon reseller lottery and get support directly from people who actually designed the thing.

Click Here to Buy Now: $69.30 $99 (30% off, use coupon code “30YANKOHBSN”). Hurry, deal ends in 48-hours!

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This Tactical Outdoor Pocket Watch Can Start a Fire – And That’s Just the Beginning

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Funnily enough, this isn’t a fairly new product. Dakota Watch Company’s sort of pioneered this category of outdoor-ready carabiner pocket-watches… with the Flint being just one of multiple in the set. However, each individual watch has its own unique selling point – and for the Flint (as its name rightfully suggests), it’s the waterproof flint-rod that’s integrated into the watch’s body. Unscrew it when you want to start a fire, scrape on the rod using a pocket knife, and sparks immediately shoot off, igniting any form of tinder, creating a tiny fire that can then be harnessed to light a campfire, an old-fashioned torch, or an emergency signal in a time of distress.

Before we talk about the watch itself, Dakota Watch Company used this particular elevated-carabiner format to pack even more tools, making the pocket watch something that goes beyond just keeping you punctual. A built-in bottle opener lets you crack open a brew when you’re in the great outdoors, and it could be used to pry open lids too (not to be mistaken with a can opener). A slight serrated corner above the bottle opener doesn’t outline a specific purpose, but it looks sharp enough to cut through rope with a little vigorous action. You could use it to scrape against the flint-rod too, lighting that campfire to go perfectly with the chilled beer you just cracked to get the evening started.

Build almost exclusively for the outdoors, the Flint Clip Carabiner Watch also packs a discreet red LED microlight, used for illuminating the way in stealth scenarios where bright lights could give away your position. The red light (activated using a button at the 2 o’clock position) provides the right amount of visibility without necessarily blowing your cover or obscuring your low-light vision in the dark. This means you can see with the light, but continue to do so even after the light’s shut (unlike most flashlights that leave you blinded in the pitch dark once the light’s turned off).

The watch itself is as outdoor-ready as it gets. The body is crafted from stainless steel (carabiner included), with a mineral glass cover on the top. Numbers on the dial are thick and easy to read without straining your eyes, and luminous coatings on both the numbers as well as the hands means reading the time flawlessly in the dark. The watches are built to be water-resistant up to 100 feet, which means you could go boating or wading through a stream with the Flint attached to you and you’d have nothing to worry about.

The Flint Clip Carabiner comes in 3 distinct colors – a silver, with a light-colored watch-face to match, a black, with a dark watch-face, and perhaps my favorite, an eye-catching orange that also sports the same dark-colored watch face. All three watches have a Japanese Quartz movement on the inside, which isn’t anything to write home about if you’re a watch aficionado, but the movement, like every other part of the watch, screams reliability, so you know you’ve got an EDC you can trust, whether it’s to tell you the time, or be your ultimate outdoor adventure sidekick.

Click Here to Buy Now

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Cessna 172 (The Most Manufactured Plane in History) Just Got Immortalized in 2,000 LEGO Bricks

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The Cessna 172 has logged more flight hours than any other powered aircraft in history. Since its debut in 1956, it has carried student pilots over Kansas wheat fields, bush flyers above the Canadian tundra, and island-hoppers between Greek archipelagos. It is the plane that taught the world to fly.

Now, LEGO Ideas builder Mike_the_Brickanic has translated that enduring icon into approximately 2,000 bricks, capturing the 172’s distinctive high-wing silhouette, its trademark strut-braced wings, and a cockpit detailed down to the dual yokes and instrument panel. The result is a faithful tribute to one of aviation’s most beloved machines, rendered in a striking dark blue and curry yellow livery that feels every bit as purposeful as the real thing.

Designer: Mike_the_Brickanic

The real Cessna 172 Skyhawk sits at about 8.28 meters long with a wingspan of 11 meters, cruises at 226 km/h, and has a service ceiling of 4,300 meters. It weighs just 767 kg empty. That power-to-weight ratio combined with forgiving low-speed handling is why flight schools worldwide still default to it after nearly 70 years. Over 44,000 units have been produced. When Mike_the_Brickanic chose this as his subject, he picked something with real cultural weight, not just a recognizable shape, but a machine with a documented, measurable legacy in aviation history.

Building aircraft in LEGO is genuinely hard. Appliances have flat surfaces, buildings have right angles, but planes demand curves that flow into each other without telegraphing the underlying geometry. The 172’s fuselage is particularly tricky because it tapers toward the tail while simultaneously curving downward, and the wing root blends into the cabin in a way that feels almost organic. Mike solved this with a combination of curved slopes, ball joints at the wing sides, and clip connections at the cabin top, which is clever because it distributes structural load while preserving that smooth visual transition from windscreen to wing.

The ailerons, elevator, and rudder all move. The flaps extend to 40 degrees, which is accurate to the real 172’s full-flap configuration used during short-field landings. The propeller spins, the wheels roll and steer, and the nose gear is mounted on Technic axles for structural integrity. Those aren’t decoration, they’re engineering decisions that required real thought about how LEGO geometry intersects with aeronautical geometry. The “Remove Before Flight” tags on the pitot cover and control locks are a nerdy touch that actual pilots will absolutely clock.

Open the door and the interior holds up. Two adjustable front seats rendered in medium brown, a rear bench, tinted rear windows, and a cockpit panel dense enough with sticker detail that you can actually identify individual instruments. The dual yokes are there. The throttle quadrant is there. This is the kind of interior work that separates builders who understand their subject from builders who are approximating it. The 172’s cockpit is famously approachable and uncluttered, and the model reflects that without oversimplifying.

The color choice is just *chef’s kiss*. Dark blue over dark yellow (curry) with white accents is not a scheme you see constantly in LEGO aviation MOCs, which tend toward red-white or military grey. It gives the model a particular visual weight, something that reads as contemporary but grounded. The way the curry stripe flows along the fuselage and up into the tail mirrors how real-world livery designers think about visual continuity across an airframe. Whether intentional or instinctive, it works.

LEGO Ideas is the official platform where fan-designed sets get a shot at becoming real retail products. Submissions need 10,000 supporters to trigger an official LEGO review, after which the company decides whether to produce it commercially. Mike’s Cessna 172 is currently sitting at just over 1,000 supporters with 598 days left on the clock, which means there is runway to work with. If you have any appreciation for aviation, precision building, or just want to see more interesting things on toy store shelves, head to the LEGO Ideas page and give it a vote.

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Roland’s $299 Pocket-Sized Audio Interface Was Designed Specifically For TikTok and Instagram Music Creators

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The bedroom studio era changed everything. A generation of musicians learned to record, mix, and release music without ever setting foot in a professional facility, and the results reshaped the entire industry. Now, that same creative energy has migrated to the livestream, where a single performance on TikTok Live or Instagram can reach more people than a record label could have dreamed of a decade ago. The bar for audio quality has quietly but decisively risen.

Roland’s GO:MIXER STUDIO arrives at exactly this inflection point. The company has been iterating on this product family since 2017, and with each generation you could feel them getting closer to something that actually made sense for serious creators. At $299, this latest version brings 24-bit/192kHz recording, onboard EQ, compression, and reverb modeled after Roland’s own studio processors, all into a chassis that weighs roughly as much as a large coffee mug. Whether that combination of specs and portability holds up in the real world, where cables get tangled and livestreams go sideways, is a more interesting question than the spec sheet alone can answer.

Designer: ROLAND

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At 156 x 110 x 65mm and 440 grams, it sits comfortably on a mic stand next to a performer mid-set, which is a specific and deliberate choice. The color LCD showing per-channel EQ, compression, and reverb status is genuinely useful during a live session when reaching for your phone means losing eye contact with your audience. Three chunky knobs handle channel levels, and the whole thing can be powered by a USB battery pack, which means no wall outlet required and no excuses for bad audio in a green room, a hotel room, or the back of a van. The matte black chassis reads professional without being precious about it, the kind of gear that does not mind getting thrown into a backpack.

Twelve input channels is pretty great value for money. Two XLR mic inputs with 48V phantom power, a dedicated high-impedance guitar and bass input, stereo quarter-inch line inputs for keyboards or drum machines, a 3.5mm aux with TRRS support for mobile devices, and MIDI via 3.5mm TRS. That last one matters more than it might seem, because it means you can sync external hardware, run a click track, or trigger backing tracks without adding another piece of gear to your table. The 32-bit float internal processing handles the heavy lifting before anything gets committed to your recording at 24-bit depth, giving you real headroom for fixing gain mistakes in post.

The GO:MIXER Cam app for iOS records genuine multitrack audio alongside your video, which opens up post-production options that creators on competing setups simply do not have. Standard camera apps give you a single stereo mix from whatever mic is closest, and that is the entire ceiling of what they can do. Roland also ships a desktop editor for macOS and Windows with full remote control of the mixer, and the 16 scene memory slots mean a creator with a regular weekly setup can recall their entire configuration instantly. That kind of workflow thinking is genuinely rare in gear aimed at the creator market, where the assumption is usually that you will rebuild everything from scratch each time.

No Android support is a real omission in 2026, full stop. SD card recording is also absent, meaning you are always dependent on a connected device and truly standalone operation is off the table. At 192kHz via USB, the channel count drops from 12 inputs to 8, a constraint worth knowing before planning a complex live setup around it. The Zoom LiveTrak L-8 and the Rode RodeCaster Pro II occupy overlapping territory, though both trade the GO:MIXER STUDIO’s portability for more features, and neither fits as naturally into a one-person mobile setup. Roland has made a very acceptable set of mild tradeoffs here, and at $299 the value case is solid for almost everyone that’s already tied into the Apple ecosystem.

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iGarden’s Hyper-portable Swim Jet Turns any Backyard Pool Into a Lap Pool for $699

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Here’s a question: what if your backyard pool could moonlight as a personal aquatic gym, wave pool, and lazy river – all without any permanent installation? That’s the pitch behind iGarden’s new Swim Jet X Series, a battery-powered contraption that clamps onto your pool edge and fires water at speeds that can actually challenge competitive swimmers.

The whole setup is refreshingly simple. Mount the jet unit to your pool’s edge using the included clamps – no drilling, no plumbing, no construction crew required. The separate power box sits poolside, connected via a safety tether. Then you’re off, swimming against an artificial current that ranges from gentle lazy-river vibes to serious resistance training. It’s like having a treadmill, but for swimming.

Designer: iGarden

Click Here to Buy Now: $699 $2599 ($1900 off if you pay $50 deposit now). Hurry, deal ends in 48-hours!

The beauty lies in the fact that the Swim Jet X isn’t a permanent pool fixture. You place it when you need, take it off when you don’t. The power box comes with suitcase-style wheels and a handle, so you can wheel it around like luggage. iGarden claims you can set up or pack away the entire system in minutes, which addresses one of the main complaints about traditional swim jets – they’re permanent additions that require professional installation and cost upwards of $20,000. This? Starts at $699, comes with wheels, and can be carried to a nearby Airbnb with a pool too, just in case you want to swim while on a staycation.

The AI branding feels a bit more grounded once you look at what iGarden is actually doing under the hood. The Swim Jet X Series uses an AI Inverter control system to dynamically optimize motor RPM, aiming to keep the current ultra-stable and laminar even when you crank resistance to the top end. Underneath that control layer is a next-gen PMSM (Permanent Magnet Synchronous Motor), chosen for higher power density and efficiency than traditional induction motors, with the flagship X35 model reaching a 1000W peak output. Pair that with iGarden’s hydrodynamic “Straight-line Runway Flow” structure, and the promise is less about flashy buzzwords and more about efficiently shaping water into a cleaner, steadier stream, pushing flow speeds up to 3.5 m/s. Training-wise, the system also leans into adaptive programming via a Flow Level Test Sequence (P1 to P4), scaling from “Easy Aerobic” to “Endurance Challenge” using real-time feedback, and syncing with heart rate and fat-burning metrics so the current can track the workout, not just the other way around.

iGarden is launching three models with escalating power levels. The entry-level X20-P10 runs on 300W, delivers flow speeds of 660 gallons per minute at 150 meters per hour (about 1.24 mph or 2 km/h), and provides roughly 0.8 to 1.5 hours of runtime depending on intensity. It’s designed for light training and casual family fun. The mid-tier X30-P30 bumps things up to 500W with 880 GPM flow at 200 meters per hour (approximately 1.55 mph or 2.5 km/h) and extends runtime to 1.5 to 5 hours. This is the Goldilocks option for most recreational swimmers and fitness enthusiasts.

Then there’s the flagship X35-P60, which is where things get serious. This model pushes 1000W of power, generates 1000 GPM flow, and hits speeds of 250 meters per hour (around 2.17 mph or 3.5 km/h). That might not sound dramatic until you realize it’s enough resistance to challenge advanced swimmers and triathletes. The X35-P60 also boasts up to 10 hours of continuous runtime, which means you could theoretically run full-day pool parties or extended training sessions without needing a recharge. That longevity pairs nicely with a new 2-in-1 versatility angle: the same unit can switch between Surface Mode and Underwater Mode, depending on what you’re trying to do. Surface Mode is geared toward casual family fun and splashing, while Underwater Mode is hydrodynamically optimized for more professional-grade stationary swim training.

All three models use high-density lithium-ion battery packs with IP65 waterproof ratings and are rated for over 600 charge cycles, which translates to roughly 3 to 5 years of regular use. Charging times range from 3.5 hours for the X20-P10 to 7 hours for the X35-P60. They’re compatible with pools larger than 2 meters by 4 meters, which covers most residential installations. The universal clamp system works with various pool edge styles, and the jet angle is adjustable so you can direct the flow exactly where you want it.

The safety features are thorough: instant power cut-off if the box tips over, leak-proof construction with no exposed outlets or loose cables, a kid-safe grille design that protects curious hands, and low-voltage operation that eliminates shock risks. There’s also an emergency cutoff button directly on the power box, because nobody wants to fumble with an app during a pool crisis.

Now, is this thing actually AI? Well, not really. The “Smart Flow Technology” they mention is essentially a brushless PRISM motor with an inverter controller that adjusts output based on your app settings. That’s automation, not artificial intelligence. But let’s not get hung up on marketing speak – what matters is whether it works, and the specs suggest it should deliver on the core promise of creating adjustable resistance in your existing pool.

The real question is durability. Battery-powered pool equipment lives a tough life: constant moisture exposure, temperature swings, UV bombardment, and the occasional collision with a pool noodle or overly enthusiastic golden retriever. iGarden offers a 2-year extended warranty for VIP backers, which suggests they’re at least somewhat confident in the build quality. The unit also comes with a storage bag free for early backers, which is a thoughtful touch for off-season storage or transport between pools.

Pricing starts at $699 for the X20-P10, with multiple discounts that can combine depending on how you buy in. VIP backers get an extra $200 off the Super Early Bird price, and iGarden says the total discount can reach up to $1,900 off MSRP depending on the model and tier. The VIP reservation requires a $50 deposit that’s fully refundable before launch and holds your spot for the lowest price window. During the campaign, iGarden lists the X30-P30 at $1,699 versus a $2,999 retail price, while the X35-P60 is $2,399 compared to its $4,299 future price. Shipping is a flat $50 in the US, with customs duties covered for backers in the US, EU, Australia, Canada, and the UK, and deliveries are scheduled to begin in May 2026.

Is this a revolution in backyard fitness? Probably not. But it’s a clever rethink of swim jets that removes the installation barrier and dramatically cuts the price point. For anyone who’s ever wished their pool could do more than just… be a pool, this is worth watching. The Kickstarter campaign launches in March 2026. Until then, you can reserve your spot with a $50 deposit at iGarden’s site.

Click Here to Buy Now: $699 $2599 ($1900 off if you pay $50 deposit now). Hurry, deal ends in 48-hours!

The post iGarden’s Hyper-portable Swim Jet Turns any Backyard Pool Into a Lap Pool for $699 first appeared on Yanko Design.

Could a Nintendo “Switch 2 Lite” Be Closer Than We Think? The Rumors Hint At A 2027 Date

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The Switch 2 barely celebrated its first birthday and yet here we are already whispering about what comes next. That’s the “Nintendo Effect”, really. The company trains us to speculate obsessively, and honestly, the rumor mill right now is giving us plenty of material to work with. So let’s lean into it: is a Switch 2 Pro or some kind of premium hardware revision actually on the horizon sooner than expected? The signs are quietly pointing toward yes, and it’s worth getting excited about.

The most tantalizing breadcrumb dropped just last month. A sharp-eyed Bluesky user going by the handle Dootsky.re dug through Nintendo’s Account Portal and found an unused hardware model code labeled “OSM.” For reference, the Switch 2’s own model code is “BEE,” and the original Switch used “HAC,” with “HAD” reserved for its later battery-upgraded variants. The fact that “OSM” already exists in Nintendo’s backend infrastructure, and that requesting it actually returns an image of a Switch 2, is the kind of detail that quietly screams “something is cooking.” Nintendo doesn’t register model codes for fun.

Designer: Nintendo

What could OSM stand for? Speculation has been predictably wild. One theory floating around Reddit suggests it means “Ounce Small Model,” pointing toward a Switch 2 Lite with a reduced footprint and lower price point. That theory makes a lot of sense given the Switch 2’s $450 launch price, which stung more than a few buyers and left a sizeable chunk of Nintendo’s potential audience watching from the sidelines. A leaner, cheaper variant that strips out the dock functionality but keeps the core gaming experience intact would be a very Nintendo move, and it would open up the platform to an entirely new demographic.

But another theory carries just as much electricity. Some observers are reading “OSM” as a pointer toward an OLED model, a Switch 2 that finally gives the people what the Switch 2’s launch arguably should have delivered from day one: a proper OLED display. The current Switch 2 runs a 7.9-inch LCD, which is perfectly fine but feels like a missed opportunity when you consider that the original Switch OLED was basically the definitive version of that console. An OLED-equipped Switch 2 with a refined chip process could genuinely be the “Switch 2 Pro” that players have been quietly hoping for, one that offers a noticeably upgraded portable experience without requiring an entirely new software library.

And that’s the thing: a hardware revision in the Switch family has always been more of a premium upgrade than a generational leap. Nintendo’s historical cadence backs this up beautifully. The original Switch launched in 2017. The Lite arrived in 2019. The OLED landed in 2021. Apply that roughly two-year rhythm to the Switch 2 timeline, and a revised model somewhere in 2027 sits right on schedule. But here’s where it gets interesting: the “OSM” code is already sitting in Nintendo’s systems, which suggests development is well underway. Hardware doesn’t appear in account portals by accident. If Nintendo is already assigning codes, the pipeline for a new variant is real, active, and potentially closer to announcement than anyone expected.

Meanwhile, the Switch 2’s software trajectory is also telling. Nintendo is loading up 2026 with big titles to keep the current hardware thriving, with Fire Emblem: Fortune’s Weave, Splatoon Raiders, Tomodachi Life: Living the Dream, Rhythm Heaven Groove, and a rumored new 3D Mario all either confirmed or heavily anticipated for this year. That’s a lineup designed to sustain momentum, not wrap things up. And a premium hardware revision landing in late 2027 alongside whatever monster franchise entry Nintendo saves for that window? That’s a product launch that practically writes itself.

A Switch 3, for comparison, feels genuinely far away. Nintendo doesn’t abandon a platform that’s selling at record pace, and the Switch 2 already smashed records to become the fastest-selling console of all time globally. You don’t walk away from that kind of commercial velocity. A generational successor needs years of runway, a clear technological leap, and a reason for consumers to start over. None of those conditions exist right now, and the software library is too young and too rich to justify anything close to a hardware retirement.

So what’s the realistic picture heading into 2027 and beyond? A Switch 2 Lite targeting the budget end sometime in late 2027 feels very probable, with an OLED or performance-focused “Pro” variant following close behind, potentially the crown jewel that finally gives the Switch 2 the premium screen it deserved at launch. The “OSM” code is just the first breadcrumb, but if Nintendo’s history has taught us anything, those breadcrumbs tend to lead somewhere worth following.

The post Could a Nintendo “Switch 2 Lite” Be Closer Than We Think? The Rumors Hint At A 2027 Date first appeared on Yanko Design.

The Most Advanced Camping Pillow of 2026 Looks Like It Grew in a Forest

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Nature has been solving the problem of lightweight, load-bearing structure for hundreds of millions of years. Chen Xu, designing for RestBase, decided to take notes. The Camp Napper is a portable camping pillow whose form is derived from two specific biological sources: the surface texture of fungal spores, which informed the pillow’s contact face, and the hollow vascular structure of plant stems, which shaped its core. The outcome is a product that performs as well as it looks.

Using Voronoi polygon modelling, the design team mapped how pressure from a sleeping head distributes across the pillow’s surface, then engineered protrusions and recesses to respond to that data. The front face features raised cellular structures that increase the contact area between pillow and skin, improving comfort while simultaneously channelling airflow to keep things cool. The back face offers four distinct tactile zones depending on orientation, giving users a degree of customisation that is rare in camping gear. Also, a little warning but: trypophobia alert.

Designer: Chen Xu

The core replicates the hollow geometry found in plant stems, achieving a structure that sheds mass without compromising its ability to hold form under repeated compression. Total weight lands at around 400 grams, and the whole pillow compresses into its storage bag at roughly the dimensions of a water cup, making it genuinely packable rather than merely marketed as such.

Memory foam was selected for its ability to conform to different sleepers while maintaining the structural geometry of the bionic surface. Anti-slip rubber particles on the base keep the pillow in place across the varied surfaces camping tends to involve, from sleeping pads to camp chairs to hotel floors. RestBase positions the Camp Napper across indoor and outdoor contexts, and the material specification backs that up without demanding a different product for each one.

The project ran from March to December 2024 in Beijing, with the team conducting pressure simulations using volunteer data before building the mathematical model that generated the bionic surface structure. Mold development required continuous adjustment of material ratios and foaming parameters to meet yield and appearance standards. The finished product carries all of that process lightly, presenting as something organic and considered rather than laboured. For a category where most innovation stops at inflation valves and stuff sacks, that is a meaningful place to arrive.

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Meta Wants to Put an AI Health Tracker on Your Wrist in 2026. What Could Go Wrong??

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Meta is building a smartwatch, and it wants to know your heart rate, your sleep patterns, your activity levels, and whatever else it can pull from a sensor pressed against your skin all day. The device is codenamed Malibu 2, it’s targeting a 2026 launch, and by most accounts it sounds like a perfectly competent health wearable. The problem isn’t the hardware. The problem is the company attached to it.

This is the same Meta that just faced congressional scrutiny over social media addiction today. The same Meta whose smart glasses are reportedly inching toward facial recognition. The same Meta that filed a patent for Project Lazarus, a system designed to generate posthumous content from deceased users, because apparently your data doesn’t stop being useful to them just because you do. Handing your most intimate biometric information to that company is a case study in one.

Designer: Meta

To be fair, the product itself has a coherent logic behind it. Meta’s Ray-Ban Display glasses have been received surprisingly well by the press, and the neural wristband that ships with them, which uses electromyography to read muscle signals and translate them into gestures, only works with those glasses. That’s a real limitation. A smartwatch that absorbs that gesture-control functionality while adding health tracking and a persistent AI assistant would close a gap that currently makes the whole setup feel incomplete. From a pure product strategy standpoint, Malibu 2 makes sense.

The hardware ambitions have also matured since Meta’s first attempt at a smartwatch, which was scrapped in 2022 after accumulating plans for detachable cameras and metaverse tie-ins that never quite added up to a coherent device. Malibu 2 is reportedly focused on health tracking and Meta AI integration, which is a much cleaner pitch. The company already has a working partnership with Garmin, visible in the Oakley Vanguard sports glasses and a neural band demo at CES 2026 inside a Garmin-powered car concept. If there’s a natural manufacturing and platform partner for this watch, Garmin is the obvious candidate.

Meta is also reportedly developing the watch to sit alongside updated Ray-Ban Display glasses, internally called Hypernova 2, with both devices likely to be unveiled at Meta Connect in September. The Phoenix mixed reality glasses, meanwhile, have been pushed to 2027 partly because Meta’s executives were concerned about releasing too many devices at once and confusing consumers. That’s a reasonable concern. It’s also a little rich coming from a company whose current product lineup already includes smart glasses with a separate neural band that only controls one device.

The wearables market is genuinely ready for a credible third competitor alongside Apple and Samsung, and Meta has the AI infrastructure and the existing glasses ecosystem to make Malibu 2 compelling from launch. But compelling and trustworthy are different things, and Meta has spent twenty years demonstrating which one it prioritizes. Your Apple Watch data sits in Apple’s ecosystem, behind a company that has made privacy a marketing pillar and a legal battleground. Your Malibu 2 data sits with a company that patented a way to keep monetizing you after you die.

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