Author Archives: Sarang Sheth

Two ESR Accessories That Fix the iPad’s Most Frustrating Problems

Posted on by

The iPad has a funny relationship with its own potential. Apple builds these devices with silicon that outpaces many laptops, pairs them with displays that creative professionals genuinely covet, sandwiches everything into one impossibly sleek slab of glass and aluminum… and then just announces them without obsessively planning the broader ecosystem. The Magic Keyboard, while capable, is expensive, as is the Pencil. One confines you to a laptop-style of using, the other to a conventional tablet. This, I believe, is Apple building a symbiotic relationship with third-party accessory makers who, more often than not, do a better job than Apple at really planning an ecosystem around powerful devices like the iPad Pro… and at a much lower price point.

ESR has made a habit of knowing how to harness the iPad’s hybrid potential correctly. The Shift Keyboard Case (Detachable) and the Geo Digital Pencil read like two products designed by people who use an iPad seriously and got tired of being held back. One brings detachable keyboard flexibility and a generous trackpad to a category Apple makes expensive and rigid. The other brings Find My tracking and Bluetooth shortcuts to stylus use, features that make you wonder why they were ever considered optional. Together, they close the loop on what a well-designed iPad workflow actually needs.

ESR Shift Keyboard Case: Designed Around How People Actually Use an iPad

The biggest issue with turning an iPad into a laptop has always been the finality of it. Most keyboard cases, including Apple’s own, lock the device into a landscape, clamshell-style format that feels clumsy the moment you want to use it as a tablet again. The Shift Keyboard Case is built around a strong magnetic connection that sidesteps this entire problem. The keyboard half simply lifts away from the stand and case, leaving the protected iPad behind. This design treats the keyboard as a powerful, dedicated tool you bring in for serious typing, not as a permanent attachment you have to constantly wrestle with. It’s a simple mechanical solution to a complicated user experience problem, and it fundamentally changes how you approach the device.

When the keyboard is attached, the setup feels remarkably committed to a proper laptop workflow. ESR put a large, click-anywhere trackpad at the center of the design, which is the correct choice now that iPadOS has such robust cursor support. It lets you navigate, select text, and use gestures without your hands ever leaving the typing area. The keys themselves are backlit, with enough travel to feel responsive for long-form writing rather than just firing off a quick email. This combination of a full-featured keyboard and a genuinely usable trackpad is what separates a serious work setup from a temporary compromise, and it’s clear which side of that line ESR was aiming for.

Once you detach the keyboard, the other half of the product’s intelligence becomes apparent. The remaining case and stand function independently, offering multiple viewing angles in both landscape and, crucially, portrait orientation. This is a detail that many competitors miss entirely. Being able to set the iPad up vertically for reading documents, coding, or taking video calls respects the fact that not all work happens in a 16:9 window. The stand mechanism is sturdy enough to support the iPad securely on a desk, making it a useful tool for media viewing or as a secondary display, all without the keyboard taking up space.

Putting it all together, the Shift case presents a complete, two-part system that adapts to the task at hand. The protective shell keeps the iPad safe, while the keyboard and stand components offer a level of functional flexibility that feels genuinely thoughtful. It’s a design that acknowledges the iPad is not a laptop, nor is it just a tablet; it’s a hybrid device that thrives when its accessories allow it to switch between roles effortlessly. The entire package is less about forcing the iPad into a new shape and more about giving its existing, versatile shape the tools it needs to be useful in more situations.

Why We Recommend It

At $89.99, the Shift Keyboard Case costs roughly a fifth of what Apple charges for the Magic Keyboard, and that price gap alone would almost be enough. What makes the recommendation easy, though, is that the Shift Case actually offers something the Magic Keyboard doesn’t: the ability to leave the keyboard behind entirely. Apple’s solution commits you to a permanent clamshell, while the Shift Case treats that keyboard as a deployable tool with a specific job to do. For anyone who uses their iPad across genuinely different contexts, a desk in the morning, a couch in the evening, a bag in between, that modularity has real, daily value. The backlit keys and click-anywhere trackpad raise the floor on what a $90 keyboard case is supposed to feel like, making it difficult to justify spending more for fewer options.

Click Here to Buy Now: $89.99 | Amazon Link Here.

ESR Geo Digital Pencil: A Stylus That’s Actually Hard to Lose

The most intelligent feature in the Geo Digital Pencil has nothing to do with drawing. It’s the integration of Apple’s Find My network, a decision so logical it feels like an oversight on Apple’s part. Not only can you locate the stylus using Apple’s Find My, you can even ping it through the app, causing the stylus to emit an audio alert for helping find it easily. This elevates the stylus from an easily misplaced accessory into a trackable piece of hardware, just like an AirTag or a pair of AirPods. Losing a stylus between sofa cushions or leaving it behind in a cafe is a common, expensive problem. By making the Geo Pencil locatable on a map directly within the Find My app, ESR has addressed a genuine point of user anxiety with a clean, native software solution that requires no extra apps or dongles.

Standardizing on a USB-C charging port was the other correct, user-first decision. It aligns the pencil with the charging ecosystem of the iPad, the Mac, and countless other modern devices, eliminating the need to carry a separate, proprietary cable. The port is discreetly located near the top of the stylus, allowing for a full charge in just 20 minutes, which is fast enough to rescue a dead battery right before a meeting or class. This commitment to a universal standard removes a significant point of friction from the daily workflow, acknowledging that convenience is a critical feature in any tool you rely on.

For actual creative and navigational input, the pencil delivers the features that cover the majority of use cases. It has full tilt sensitivity, allowing you to vary line thickness for shading in apps like Procreate, and its palm rejection is reliable enough for you to rest your hand on the screen while writing. While it doesn’t include pressure sensitivity, a feature reserved for high-end artistic work, it adds utility elsewhere. Once paired over Bluetooth, the top button becomes a shortcut key: a single tap returns you to the home screen, and a double tap opens the multitasking view, turning the stylus into a capable system remote.

These thoughtful features add up to a tool designed for the realities of daily use. The pencil snaps magnetically to the side of compatible iPads for easy storage, and its weight and balance feel comfortable for long note-taking sessions. It operates with pixel-perfect precision and no discernible lag, behaving exactly as you would expect a native stylus to. The Geo Digital Pencil is a clear example of a product designed to complete an experience, addressing the practical needs of organization, charging, and system navigation that make an iPad a genuinely more capable device.

Why We Recommend It

The Apple Pencil USB-C, Apple’s most affordable stylus, retails at $79 and offers no Find My support, no Bluetooth shortcuts, and no battery indicator. The Geo Digital Pencil costs $32.99 and has all three. That comparison does most of the heavy lifting, but the more interesting case for the Geo Pencil is what it means for the kind of person who carries an iPad between locations constantly, students, freelancers, people working from cafes and conference rooms. Styluses disappear. They roll off desks, get left in bags, and turn up missing at the worst possible moment. Having Find My baked in at this price point converts a frustrating accessory into a dependable one, and that reliability is worth more in practice than any spec on a sheet. The 20-minute full charge via USB-C keeps it from becoming another thing you have to carefully manage, and the tilt sensitivity and Bluetooth shortcuts round out a package that punches well above its category.

Click Here to Buy Now: $32.99 $36.99 (11% off). Hurry, deal ends in 48-hours! Amazon Link Here.

The post Two ESR Accessories That Fix the iPad’s Most Frustrating Problems first appeared on Yanko Design.

Two ESR Accessories That Fix the iPad’s Most Frustrating Problems

Posted on by

The iPad has a funny relationship with its own potential. Apple builds these devices with silicon that outpaces many laptops, pairs them with displays that creative professionals genuinely covet, sandwiches everything into one impossibly sleek slab of glass and aluminum… and then just announces them without obsessively planning the broader ecosystem. The Magic Keyboard, while capable, is expensive, as is the Pencil. One confines you to a laptop-style of using, the other to a conventional tablet. This, I believe, is Apple building a symbiotic relationship with third-party accessory makers who, more often than not, do a better job than Apple at really planning an ecosystem around powerful devices like the iPad Pro… and at a much lower price point.

ESR has made a habit of knowing how to harness the iPad’s hybrid potential correctly. The Shift Keyboard Case (Detachable) and the Geo Digital Pencil read like two products designed by people who use an iPad seriously and got tired of being held back. One brings detachable keyboard flexibility and a generous trackpad to a category Apple makes expensive and rigid. The other brings Find My tracking and Bluetooth shortcuts to stylus use, features that make you wonder why they were ever considered optional. Together, they close the loop on what a well-designed iPad workflow actually needs.

ESR Shift Keyboard Case: Designed Around How People Actually Use an iPad

The biggest issue with turning an iPad into a laptop has always been the finality of it. Most keyboard cases, including Apple’s own, lock the device into a landscape, clamshell-style format that feels clumsy the moment you want to use it as a tablet again. The Shift Keyboard Case is built around a strong magnetic connection that sidesteps this entire problem. The keyboard half simply lifts away from the stand and case, leaving the protected iPad behind. This design treats the keyboard as a powerful, dedicated tool you bring in for serious typing, not as a permanent attachment you have to constantly wrestle with. It’s a simple mechanical solution to a complicated user experience problem, and it fundamentally changes how you approach the device.

When the keyboard is attached, the setup feels remarkably committed to a proper laptop workflow. ESR put a large, click-anywhere trackpad at the center of the design, which is the correct choice now that iPadOS has such robust cursor support. It lets you navigate, select text, and use gestures without your hands ever leaving the typing area. The keys themselves are backlit, with enough travel to feel responsive for long-form writing rather than just firing off a quick email. This combination of a full-featured keyboard and a genuinely usable trackpad is what separates a serious work setup from a temporary compromise, and it’s clear which side of that line ESR was aiming for.

Once you detach the keyboard, the other half of the product’s intelligence becomes apparent. The remaining case and stand function independently, offering multiple viewing angles in both landscape and, crucially, portrait orientation. This is a detail that many competitors miss entirely. Being able to set the iPad up vertically for reading documents, coding, or taking video calls respects the fact that not all work happens in a 16:9 window. The stand mechanism is sturdy enough to support the iPad securely on a desk, making it a useful tool for media viewing or as a secondary display, all without the keyboard taking up space.

Putting it all together, the Shift case presents a complete, two-part system that adapts to the task at hand. The protective shell keeps the iPad safe, while the keyboard and stand components offer a level of functional flexibility that feels genuinely thoughtful. It’s a design that acknowledges the iPad is not a laptop, nor is it just a tablet; it’s a hybrid device that thrives when its accessories allow it to switch between roles effortlessly. The entire package is less about forcing the iPad into a new shape and more about giving its existing, versatile shape the tools it needs to be useful in more situations.

Why We Recommend It

At $89.99, the Shift Keyboard Case costs roughly a fifth of what Apple charges for the Magic Keyboard, and that price gap alone would almost be enough. What makes the recommendation easy, though, is that the Shift Case actually offers something the Magic Keyboard doesn’t: the ability to leave the keyboard behind entirely. Apple’s solution commits you to a permanent clamshell, while the Shift Case treats that keyboard as a deployable tool with a specific job to do. For anyone who uses their iPad across genuinely different contexts, a desk in the morning, a couch in the evening, a bag in between, that modularity has real, daily value. The backlit keys and click-anywhere trackpad raise the floor on what a $90 keyboard case is supposed to feel like, making it difficult to justify spending more for fewer options.

Click Here to Buy Now: $89.99 | Amazon Link Here.

ESR Geo Digital Pencil: A Stylus That’s Actually Hard to Lose

The most intelligent feature in the Geo Digital Pencil has nothing to do with drawing. It’s the integration of Apple’s Find My network, a decision so logical it feels like an oversight on Apple’s part. Not only can you locate the stylus using Apple’s Find My, you can even ping it through the app, causing the stylus to emit an audio alert for helping find it easily. This elevates the stylus from an easily misplaced accessory into a trackable piece of hardware, just like an AirTag or a pair of AirPods. Losing a stylus between sofa cushions or leaving it behind in a cafe is a common, expensive problem. By making the Geo Pencil locatable on a map directly within the Find My app, ESR has addressed a genuine point of user anxiety with a clean, native software solution that requires no extra apps or dongles.

Standardizing on a USB-C charging port was the other correct, user-first decision. It aligns the pencil with the charging ecosystem of the iPad, the Mac, and countless other modern devices, eliminating the need to carry a separate, proprietary cable. The port is discreetly located near the top of the stylus, allowing for a full charge in just 20 minutes, which is fast enough to rescue a dead battery right before a meeting or class. This commitment to a universal standard removes a significant point of friction from the daily workflow, acknowledging that convenience is a critical feature in any tool you rely on.

For actual creative and navigational input, the pencil delivers the features that cover the majority of use cases. It has full tilt sensitivity, allowing you to vary line thickness for shading in apps like Procreate, and its palm rejection is reliable enough for you to rest your hand on the screen while writing. While it doesn’t include pressure sensitivity, a feature reserved for high-end artistic work, it adds utility elsewhere. Once paired over Bluetooth, the top button becomes a shortcut key: a single tap returns you to the home screen, and a double tap opens the multitasking view, turning the stylus into a capable system remote.

These thoughtful features add up to a tool designed for the realities of daily use. The pencil snaps magnetically to the side of compatible iPads for easy storage, and its weight and balance feel comfortable for long note-taking sessions. It operates with pixel-perfect precision and no discernible lag, behaving exactly as you would expect a native stylus to. The Geo Digital Pencil is a clear example of a product designed to complete an experience, addressing the practical needs of organization, charging, and system navigation that make an iPad a genuinely more capable device.

Why We Recommend It

The Apple Pencil USB-C, Apple’s most affordable stylus, retails at $79 and offers no Find My support, no Bluetooth shortcuts, and no battery indicator. The Geo Digital Pencil costs $32.99 and has all three. That comparison does most of the heavy lifting, but the more interesting case for the Geo Pencil is what it means for the kind of person who carries an iPad between locations constantly, students, freelancers, people working from cafes and conference rooms. Styluses disappear. They roll off desks, get left in bags, and turn up missing at the worst possible moment. Having Find My baked in at this price point converts a frustrating accessory into a dependable one, and that reliability is worth more in practice than any spec on a sheet. The 20-minute full charge via USB-C keeps it from becoming another thing you have to carefully manage, and the tilt sensitivity and Bluetooth shortcuts round out a package that punches well above its category.

Click Here to Buy Now: $32.99 $36.99 (11% off). Hurry, deal ends in 48-hours! Amazon Link Here.

The post Two ESR Accessories That Fix the iPad’s Most Frustrating Problems first appeared on Yanko Design.

Two ESR Accessories That Fix the iPad’s Most Frustrating Problems

Posted on by

The iPad has a funny relationship with its own potential. Apple builds these devices with silicon that outpaces many laptops, pairs them with displays that creative professionals genuinely covet, sandwiches everything into one impossibly sleek slab of glass and aluminum… and then just announces them without obsessively planning the broader ecosystem. The Magic Keyboard, while capable, is expensive, as is the Pencil. One confines you to a laptop-style of using, the other to a conventional tablet. This, I believe, is Apple building a symbiotic relationship with third-party accessory makers who, more often than not, do a better job than Apple at really planning an ecosystem around powerful devices like the iPad Pro… and at a much lower price point.

ESR has made a habit of knowing how to harness the iPad’s hybrid potential correctly. The Shift Keyboard Case (Detachable) and the Geo Digital Pencil read like two products designed by people who use an iPad seriously and got tired of being held back. One brings detachable keyboard flexibility and a generous trackpad to a category Apple makes expensive and rigid. The other brings Find My tracking and Bluetooth shortcuts to stylus use, features that make you wonder why they were ever considered optional. Together, they close the loop on what a well-designed iPad workflow actually needs.

ESR Shift Keyboard Case: Designed Around How People Actually Use an iPad

The biggest issue with turning an iPad into a laptop has always been the finality of it. Most keyboard cases, including Apple’s own, lock the device into a landscape, clamshell-style format that feels clumsy the moment you want to use it as a tablet again. The Shift Keyboard Case is built around a strong magnetic connection that sidesteps this entire problem. The keyboard half simply lifts away from the stand and case, leaving the protected iPad behind. This design treats the keyboard as a powerful, dedicated tool you bring in for serious typing, not as a permanent attachment you have to constantly wrestle with. It’s a simple mechanical solution to a complicated user experience problem, and it fundamentally changes how you approach the device.

When the keyboard is attached, the setup feels remarkably committed to a proper laptop workflow. ESR put a large, click-anywhere trackpad at the center of the design, which is the correct choice now that iPadOS has such robust cursor support. It lets you navigate, select text, and use gestures without your hands ever leaving the typing area. The keys themselves are backlit, with enough travel to feel responsive for long-form writing rather than just firing off a quick email. This combination of a full-featured keyboard and a genuinely usable trackpad is what separates a serious work setup from a temporary compromise, and it’s clear which side of that line ESR was aiming for.

Once you detach the keyboard, the other half of the product’s intelligence becomes apparent. The remaining case and stand function independently, offering multiple viewing angles in both landscape and, crucially, portrait orientation. This is a detail that many competitors miss entirely. Being able to set the iPad up vertically for reading documents, coding, or taking video calls respects the fact that not all work happens in a 16:9 window. The stand mechanism is sturdy enough to support the iPad securely on a desk, making it a useful tool for media viewing or as a secondary display, all without the keyboard taking up space.

Putting it all together, the Shift case presents a complete, two-part system that adapts to the task at hand. The protective shell keeps the iPad safe, while the keyboard and stand components offer a level of functional flexibility that feels genuinely thoughtful. It’s a design that acknowledges the iPad is not a laptop, nor is it just a tablet; it’s a hybrid device that thrives when its accessories allow it to switch between roles effortlessly. The entire package is less about forcing the iPad into a new shape and more about giving its existing, versatile shape the tools it needs to be useful in more situations.

Why We Recommend It

At $89.99, the Shift Keyboard Case costs roughly a fifth of what Apple charges for the Magic Keyboard, and that price gap alone would almost be enough. What makes the recommendation easy, though, is that the Shift Case actually offers something the Magic Keyboard doesn’t: the ability to leave the keyboard behind entirely. Apple’s solution commits you to a permanent clamshell, while the Shift Case treats that keyboard as a deployable tool with a specific job to do. For anyone who uses their iPad across genuinely different contexts, a desk in the morning, a couch in the evening, a bag in between, that modularity has real, daily value. The backlit keys and click-anywhere trackpad raise the floor on what a $90 keyboard case is supposed to feel like, making it difficult to justify spending more for fewer options.

Click Here to Buy Now: $89.99 | Amazon Link Here.

ESR Geo Digital Pencil: A Stylus That’s Actually Hard to Lose

The most intelligent feature in the Geo Digital Pencil has nothing to do with drawing. It’s the integration of Apple’s Find My network, a decision so logical it feels like an oversight on Apple’s part. Not only can you locate the stylus using Apple’s Find My, you can even ping it through the app, causing the stylus to emit an audio alert for helping find it easily. This elevates the stylus from an easily misplaced accessory into a trackable piece of hardware, just like an AirTag or a pair of AirPods. Losing a stylus between sofa cushions or leaving it behind in a cafe is a common, expensive problem. By making the Geo Pencil locatable on a map directly within the Find My app, ESR has addressed a genuine point of user anxiety with a clean, native software solution that requires no extra apps or dongles.

Standardizing on a USB-C charging port was the other correct, user-first decision. It aligns the pencil with the charging ecosystem of the iPad, the Mac, and countless other modern devices, eliminating the need to carry a separate, proprietary cable. The port is discreetly located near the top of the stylus, allowing for a full charge in just 20 minutes, which is fast enough to rescue a dead battery right before a meeting or class. This commitment to a universal standard removes a significant point of friction from the daily workflow, acknowledging that convenience is a critical feature in any tool you rely on.

For actual creative and navigational input, the pencil delivers the features that cover the majority of use cases. It has full tilt sensitivity, allowing you to vary line thickness for shading in apps like Procreate, and its palm rejection is reliable enough for you to rest your hand on the screen while writing. While it doesn’t include pressure sensitivity, a feature reserved for high-end artistic work, it adds utility elsewhere. Once paired over Bluetooth, the top button becomes a shortcut key: a single tap returns you to the home screen, and a double tap opens the multitasking view, turning the stylus into a capable system remote.

These thoughtful features add up to a tool designed for the realities of daily use. The pencil snaps magnetically to the side of compatible iPads for easy storage, and its weight and balance feel comfortable for long note-taking sessions. It operates with pixel-perfect precision and no discernible lag, behaving exactly as you would expect a native stylus to. The Geo Digital Pencil is a clear example of a product designed to complete an experience, addressing the practical needs of organization, charging, and system navigation that make an iPad a genuinely more capable device.

Why We Recommend It

The Apple Pencil USB-C, Apple’s most affordable stylus, retails at $79 and offers no Find My support, no Bluetooth shortcuts, and no battery indicator. The Geo Digital Pencil costs $32.99 and has all three. That comparison does most of the heavy lifting, but the more interesting case for the Geo Pencil is what it means for the kind of person who carries an iPad between locations constantly, students, freelancers, people working from cafes and conference rooms. Styluses disappear. They roll off desks, get left in bags, and turn up missing at the worst possible moment. Having Find My baked in at this price point converts a frustrating accessory into a dependable one, and that reliability is worth more in practice than any spec on a sheet. The 20-minute full charge via USB-C keeps it from becoming another thing you have to carefully manage, and the tilt sensitivity and Bluetooth shortcuts round out a package that punches well above its category.

Click Here to Buy Now: $32.99 $36.99 (11% off). Hurry, deal ends in 48-hours! Amazon Link Here.

The post Two ESR Accessories That Fix the iPad’s Most Frustrating Problems first appeared on Yanko Design.

A Laptop With a Solar Panel Lid Just Showed Up at MWC 2026: Hands-on with Oukitel RG14-P

Posted on by

Solar charging on a laptop lid has been a niche curiosity since Samsung tried it with the NC215S netbook in 2011, a machine that needed two full hours of midday sun to buy you a single hour of runtime. Rough trade. The idea largely disappeared after that, surfacing occasionally in concept form, most recently with Lenovo’s Yoga Solar PC at MWC 2025, which packed 84 solar cells into an ultraslim lid at a reported 24.3% conversion efficiency. Lenovo’s version was sleek, consumer-friendly, and still a concept. Oukitel’s RG14-P, shown at MWC 2026 in Barcelona, skips the concept stage entirely and ships the thing.

The RG14-P pulls 10W from its photovoltaic lid panel, enough to get the 95Wh dual-battery system to 50% in roughly six hours under optimal sunlight. That number sounds modest until you frame it correctly: this laptop is aimed at field engineers, utility inspectors, and emergency responders working in places where “finding a charging point” genuinely isn’t an option. For those people, six hours to half capacity under open sky is pretty meaningful. The dual-battery architecture pairs a 3,000mAh internal unit with a 5,200mAh hot-swappable external battery, meaning you can pull the secondary and slot in a fresh one without shutting the machine down. That feature gets requested loudly on job sites and almost never shows up.

Designer: Oukitel

Under the lid, the RG14-P runs a 14th Gen Intel Core i7, 16GB of RAM, and 512GB of expandable storage, which puts it well past basic field terminal territory and into legitimate workstation range. The 14.1-inch touchscreen hits 1,000 nits, which matters enormously when your display is reflecting blue sky back at you. There’s also a 180-degree rotating magnetic camera, dual 5W speakers for noisy industrial environments, 65W fast charging as a backup, and IP68/IP69K certification currently in testing. IP69K specifically covers high-pressure, high-temperature jet spray, the kind of thing that happens near industrial cleaning equipment. The machine weighs 3.7kg, which is heavy, but rugged laptops have always made that tradeoff and nobody who needs one complains about it.

The connectivity stack is old-school in the best way: RS232, RJ45, HDMI, NFC, and fingerprint authentication. RS232 is serial protocol territory, the kind of interface still running on factory floor equipment and field measurement tools that haven’t been updated in a decade. Its presence signals that Oukitel actually mapped out real industrial workflows before finalizing the port selection, rather than building around a mood board. Compare that to where Lenovo has been spending its MWC energy lately: a rollable laptop at CES 2026 and a modular AI laptop concept at MWC 2026 that repositions the ThinkBook as an upgradeable platform. Both are interesting industrial design exercises, but neither one is solving a power access problem. The RG14-P is.

There’s also the RG14-L variant, which drops the solar lid and adds a built-in front camping light panel instead, turning the machine into a workstation and a light source simultaneously for night operations. Carrying less gear into a remote deployment is always a win, and building the light into the device rather than handing you a separate torch is exactly the decision you make when you’ve actually talked to the people using it. Pricing and availability are still unconfirmed post-Barcelona, and the IP68/IP69K certification is still in testing, so the most important durability claims haven’t been independently validated yet. Those are real open questions worth watching. But as a product that wraps the solar laptop concept around a genuine use case, with actual hardware specs and a shipping timeline, the RG14-P makes a far stronger argument for the idea than anything that’s come before it.

The post A Laptop With a Solar Panel Lid Just Showed Up at MWC 2026: Hands-on with Oukitel RG14-P first appeared on Yanko Design.

Meet The World’s First 28″ Tri-Fold Desktop Monitor: Hands-on with TCL CSOT Foldable Display at MWC 2026

Posted on by

The trifold idea has been tested to death on phones. Samsung, Huawei, and a handful of Chinese manufacturers have each taken their shot at folding a smartphone screen into thirds, with varying results. The Huawei Mate XT made headlines in 2024 as the world’s first mass-produced trifold phone, and then Huawei went further and stuffed a foldable display into a laptop. Lenovo tried something altogether weirder: a rollable screen that physically expands sideways, which is clever engineering built around a problem most people don’t have. TCL CSOT walked into MWC 2026 with a different angle entirely, and it landed.

The 28-inch trifold monitor collapses to a 16-inch footprint for transport, which puts it roughly in line with what fits in a standard laptop bag. That 3840×1280 resolution spread across an ultra-wide aspect ratio gives you a panel that, when unfolded, genuinely looks absurd in the best way. The color gamut is DCI-P3 99%, so this is a cinema-grade screen, not a compromised one. What TCL has understood, and what the phone trifold race missed entirely, is that the use case for three folds is far stronger on a monitor than on a handset. Your phone doesn’t need 28 inches. Your desk setup, your hotel room, or your next flight absolutely does.

Designer: TCL

At 4.48mm when unfolded, the panel is thinner than most pencils, which makes the folded thickness even more impressive given the hinge hardware packed into it. The folding radius is R1.8mm, a number that sounds unremarkable until you consider how tight that crease is across a screen this wide, and how much precision engineering goes into preventing stress fractures at that radius. TCL calls the mechanism a waterdrop hinge, borrowed from the same architecture that the better phone foldables use, now scaled up to a 28-inch form factor. The hinge handles seamless transitions between horizontal, vertical, and folded positions, and the integrated rear stand supports multi-angle suspension with stable placement for however you need to prop it. That combination of hinge flexibility and stand design is what keeps this out of the conceptual gimmick category.

Keep it partially folded and you get something that starts behaving like a curved monitor. The two outer panels angle inward, creating a passive wrap effect that a flat ultra-wide simply cannot replicate without having a physical curve manufactured into the panel itself. The 3840×1280 field of view sits noticeably wider than what most monitors deliver below 34 inches on a flat panel, and the slight inward angle adds peripheral depth that genuinely affects how immersive the experience feels. The aspect ratio alone puts you in ultra-wide territory that most desktop users spend real money chasing. It rewards close-range use, the kind of face-in-screen focus you get at a proper workstation, not a portable screen propped on a table.

The IJP OLED (inkjet-printed OLED) process behind this panel is what makes the specs achievable. Inkjet printing deposits organic materials with greater precision and less material waste than conventional vapor deposition, which is part of why TCL can hit DCI-P3 99% at 4.48mm thick without anything feeling like a compromise. Huawei’s foldable laptop used a single crease, which limits reconfigurability to open or shut. Two folds changes the logic completely: fully open for productivity, partially folded for immersion, fully folded for transit. The trifold format finally has a product category where its complexity pays off.

TCL CSOT is not the consumer electronics brand most people recognize from the TV aisle. It is the panel manufacturing subsidiary of TCL Technology, founded in 2009, and it supplies display panels to other companies rather than selling directly to end users. Lenovo already uses TCL CSOT panels in devices including the Moto Razr 60 series and its rollable laptop concept. It’s worth noting that TCL CSOT won’t directly sell this 28″ monitor… but will rather license the technology out to manufacturers who see the merit in such a product existing. Maybe Lenovo’s next laptop could have such a display, who knows… As a result, no release window or pricing has been confirmed, but the production infrastructure is being built in parallel, which is a different situation from a pure prototype with no supply chain behind it.

The post Meet The World’s First 28″ Tri-Fold Desktop Monitor: Hands-on with TCL CSOT Foldable Display at MWC 2026 first appeared on Yanko Design.

Nothing Phone (4a) Hands-on at MWC 2026: Here’s which color NOT to buy…

Posted on by

Nothing has a flair for the dramatic – their MWC setup was no exception. Instead of a stuffy booth, they dropped a mysterious shipping container in an open square. It cranked open to reveal the Phone (4a) in its four colorways, a slick bit of industrial theater that gets people talking. We’d all seen the white and pink versions on YouTube, but seeing them in person alongside the brand new black and blue models changes the calculus entirely. It immediately became clear there are two versions of this phone you should absolutely buy, and two you should probably skip. The reasons are not what you might think, and it all comes down to the subtle interplay of material, color, and finish.

Lined up under glass, the quartet looked impressive. The initial reveal was just that, a visual presentation to let the press get their shots and build some hype. Nothing clearly knew which colors were their heroes; the white and pink that led their digital marketing campaign were positioned prominently. The black and blue felt like they were held back for this physical debut, and it makes sense why. In the controlled lighting of the display, they all looked sharp. But a phone isn’t a museum piece, it’s an object you hold and interact with in countless environments, and that’s where the story took a sharp turn later that evening.

Designer: Nothing

Later that night, the glass came off. At Nothing’s party, they had operational units for everyone to actually handle. First impressions… The device feels solid, and the overall form is a refinement of their established language. As I wrote last week, this is easily Nothing’s most confident design yet; it feels less like a startup experiment and more like a statement from a company that knows exactly what it’s doing. We cycled through the Glyph lights, pairing them with the classic and new generative ringtones, and the effect is still as cool as ever. But my focus was on how the materials felt, and how the colors held up in the real world.

Let’s get right to it: avoid the black. I know it’s the default safe choice for many, but it betrays the entire Nothing ethos. The earlier grey versions of their phones created a beautiful contrast, letting you peer in and appreciate the texture and layout of the components underneath. This new black is just pitch black. In low light, it becomes an amorphous blob, and under direct light, the glass back turns into a smudgy mirror, catching chaotic reflections that obscure any sense of depth. It loses all the nuance and visual intrigue that makes these phones special. You’re left with a simple black rectangle, and frankly, you can get that from anyone.

The blue is a more complicated story, and a more disappointing one. The shade of blue itself is fantastic, a vibrant choice that really stands out. The frame is the culprit here. Nothing uses plastic for its frames, which is fine, but the finish on the blue model makes it look and feel overtly like plastic. It has a certain sheen that reads as “budget-ish,” undermining the otherwise premium and considered design of the phone. While the frames on the white and black models have a finish that elevates them, the blue’s just doesn’t stick the landing. It’s a small detail that makes a huge difference in desirability. Thankfully, it’s a problem that can be solved with a good metal bumper case, if you’re truly set on the color.

This is why the white and pink versions are the ones to get. The white is the quintessential Nothing look; clean, architectural, and it showcases the internal components and Glyph system perfectly. The frame’s finish looks gorgeous and intentional. The pink is the surprise winner. It’s a fantastic, almost salmon-like shade that is both playful and sophisticated, and the finish on its frame works in harmony with the color. It feels fun without feeling cheap. Both of these colors feel like they were the primary focus of the design team, where the material choices and color selection are in perfect sync to create a cohesive and desirable object.

Of course, the phone is more than its colorway. The camera is genuinely impressive for this bracket. I took a few shots in the less-than-ideal lighting of the party, and while the processing takes a beat longer than you’d expect, the results are worth it. I was seriously impressed by the quality coming from the 3.5x lens; it’s sharp and holds detail well. The software felt snappy, and the screen is bright and responsive. It’s a proper smartphone experience, wrapped in a design that still turns heads and starts conversations, which has always been Nothing’s core strength.

This MWC party was just the appetizer for the main course. Nothing is holding another event on March 5th, where the full, official launch will happen. That’s when we’ll get the final specs, pricing, and availability. There is also a persistent rumor that the company will use that event to debut a more powerful Phone (4a) Pro model. Given the confidence on display in Barcelona, Nothing is clearly holding a few cards back for the big reveal. They got our attention with the hardware, now we wait to see the full strategy.

The post Nothing Phone (4a) Hands-on at MWC 2026: Here’s which color NOT to buy… first appeared on Yanko Design.

iPhone 17e Gets MagSafe but No Dynamic Island or Gemini Apple Intelligence… Is It Worth Buying?

Posted on by

Apple has a habit of making its budget phones more interesting than they have any right to be. The iPhone 17e packs the same A19 chip found in the standard iPhone 17 into a $599 body, with a 6-core CPU built on 3-nanometer architecture, a 4-core GPU with Neural Accelerators, and a 16-core Neural Engine optimized for large generative models. Live Translation, Call Screening, Visual Intelligence, and Hold Assist all run natively on a phone that costs $200 less than the base iPhone 17. That’s the real headline, even if Apple hasn’t framed it quite that directly.

The A19 here is a binned variant with a 4-core GPU versus the 5-core in the standard iPhone 17, but graphics performance is still around 30% faster than the A18 in the 16e. The Neural Accelerators embedded in each GPU core are new to this tier and allow Apple Intelligence to run efficiently on-device rather than leaning on cloud processing. For everyday tasks, the performance gap between the 17e and the standard iPhone 17 will be essentially invisible.

Designer: Apple

MagSafe finally arrives on the “e” lineup, and it’s one of the more consequential additions Apple has made to this tier in years. The 16e’s absence from the MagSafe ecosystem was a genuine frustration, and the 17e corrects it with 15W wireless charging, double the 7.5W of its predecessor. The full ecosystem of snap-on chargers, car mounts, battery packs, and wallet accessories now works as intended. Storage starts at 256GB, double the 16e’s entry point at the exact same $599 price. On a phone shooting 48MP stills and 4K Dolby Vision video natively, that extra headroom is genuinely appreciated.

The C1X modem delivers up to twice the 5G speeds of the C1 in the 16e while consuming 30% less energy, matching the connectivity of the more expensive iPhone Air. The single 48MP Fusion camera pulls double duty with an optical-quality 2x telephoto mode, next-generation portraits with adjustable post-capture depth, and improved low-light processing through the A19’s image pipeline. Ceramic Shield 2 brings 3x better scratch resistance than the previous generation, and a new antireflective coating makes the display noticeably more usable outdoors. Battery life sits at 26 hours of rated video playback, with a 50% charge in 30 minutes using a 20W adapter.

The honest part: the notch is still here in 2026, and the 60Hz display is increasingly hard to defend. The Gemini-integrated Apple Intelligence features remain locked to higher-end models for now, so the 17e gets the core AI suite but not the full picture of where Apple Intelligence is heading. For anyone on an iPhone 11 through 13, this is a clear, confident upgrade. For 16e owners, MagSafe and doubled storage are real improvements but may not justify a full cycle. At $599, the 17e is the most accessible entry point into Apple’s AI era, and that counts for more than the notch counts against it.

Pre-orders open March 4, units ship March 11, starting at $599 for 256GB.

The post iPhone 17e Gets MagSafe but No Dynamic Island or Gemini Apple Intelligence… Is It Worth Buying? first appeared on Yanko Design.

If F1 Engineers Designed A Foldable Smartphone: HONOR Magic V6 Hands-On at MWC 2026

Posted on by

Inside the engine of a high-performance car, components endure thousands of violent explosions per minute, resisting incredible friction and wear. The materials chosen for this environment are selected for one reason: absolute, uncompromising durability. One of the most resilient of these materials is silicon nitride, a ceramic used where extreme toughness is the only acceptable standard. It is a substance born from one of the harshest mechanical environments imaginable.

Honor has taken that same material and applied it to the screen of the Magic V6. This decision to borrow from the world of motorsport engineering is a telling one, and it is a philosophy that extends throughout the device. The hinge is benchmarked against the A-pillar of a modern EV, and the battery’s chemistry is pushed to new limits of silicon content. The 2026 F1 season starts in a few days, but apparently we are seeing F1-level engineering in the smartphone world already.

Designer: Honor

Certain objects feel like they should be impossible. A foldable phone that, when closed, is as thin as a conventional flagship, yet contains a battery that is larger than any of its thicker rivals, presents a genuine design paradox. The physics of space and energy density suggest that one of these goals must aggressively compromise the other. You can have a thin device, or you can have a big battery, but the laws of thermodynamics are usually quite firm about not letting you have both.

The Honor Magic V6 manages to exist in this paradoxical space. It resolves the contradiction by treating the inside of the phone like a three-dimensional puzzle, where core components were redesigned and relocated to accommodate its massive power source. This internal architecture is then wrapped in a shell of exotic materials, including that screen coating developed for racing engines and a hinge with the structural integrity of an automotive safety pillar.

The battery itself is the real story here, the anchor for the entire design. To fit a 6660mAh silicon-carbon cell into this chassis, Honor had to completely re-engineer the phone’s internal layout. They customized and moved key components, including the speaker, the NFC module, and even the USB-C port, all to carve out precious fractions of a millimeter around the battery. The result is a cell with 25% silicon content, giving it the highest capacity ever seen in a foldable. This is the kind of obsessive internal space management that you see in high-end watchmaking or, well, motorsport, where every single component is fighting for its place.

Then you learn about the version they are keeping for the Chinese market, and the engineering goes from impressive to just plain absurd. This model gets the next-generation Silicon-carbon Blade Battery, pushing the silicon content to 32% and the capacity to over 7000mAh. It uses a unique stacking technology, with each power-generating layer measuring a mind-numbing 0.15mm thick. This might be the thinnest, most energy-dense battery ever put into a consumer device. It is a quiet technological flex, a statement that Honor is not just competing, but is capable of producing battery technology that feels a generation ahead of what we see elsewhere.

That philosophy of extreme durability extends to the hinge, the component that carries all the mechanical stress of a foldable. The device opens and closes with a satisfying, confident action, backed by a rating for half a million cycles, which is a frankly absurd number. At their keynote experience zone, Honor even had a V6 operating completely underwater, its hinge cycling open and closed without a single issue. This is an interesting, if slightly dramatic, way to communicate long-term reliability. We have all seen foldables that delicately dance around IP ratings and overall durability claims, but this is a clear statement of intent to build something that feels solid and dependable from the first time you open it.

Fitting a 64MP periscope camera into a device this ridiculously thin is another piece of that engineering puzzle. People who own the V5 might not see a massive day-to-day difference in thickness, but in the grander scheme, the ability to shave off millimeters while adding complex optical hardware is where the real magic lies. This focus on miniaturization and strength is not isolated to the V6. We saw the same DNA in their Robot Phone concept, where this hinge technology allowed them to shrink the necessary micromotors by a staggering 70% to achieve its tiny, folding camera design. This is a company obsessed with pushing the boundaries of mechanical engineering.

This hardware obsession serves a very specific software strategy. The team seems to have built the V6 with the assumption that its ideal customer already owns a Mac, an Apple Watch, and AirPods. They have leaned into this, building in one-tap file transfer to macOS, full support for the iWork suite, and even iCloud integration. It’s a bold move, positioning an Android device as the ultimate companion for the Apple ecosystem, all accomplished using open interfaces. It’s safe to say that not only did Honor build a highly-engineered design-forward foldable that’s thinner than any other Android device, they ended up making a foldable phone that Apple users can buy and use LONG before the foldable iPhone comes out!

The post If F1 Engineers Designed A Foldable Smartphone: HONOR Magic V6 Hands-On at MWC 2026 first appeared on Yanko Design.

Nintendo’s Game Boy Jukebox Plays Pokémon Music on 45 Swappable Cartridges

Posted on by

 

Thirty years after Pokémon Red and Blue launched in Japan, Nintendo is celebrating the anniversary with something that looks almost exactly like a Game Boy — except it will never, ever play a game. The Pokémon Red & Pokémon Blue Game Music Collection: Game Boy Jukebox is a miniature sound toy that slots mini cartridges to play the original games’ iconic 8-bit soundtrack, and it’s already selling out across regions.

The device is a faithful shrunken replica of the original Game Boy, complete with the grey shell, D-pad, A/B buttons, and a screen. None of those controls do anything. All the action happens through the cartridges: pop one in, and the player outputs the corresponding track, whether that’s the hauntingly spare Lavender Town Theme, the adrenaline-spiked Gym Leader Battle music, or the quietly triumphant Pallet Town Theme. All 45 tracks from the original games are represented, covering everything from the Title Screen to the Ending Theme, with Jigglypuff’s Song and the Pokémon Center jingle tucked in between.

Designer: Nintendo

Junichi Masuda, composer of the original soundtrack, was involved in tuning the product. “We took particular care to make the audio sound just like Game Boy,” he said, which goes a long way toward explaining why the format (one cartridge, one song) makes a certain kind of sense. It’s tactile, deliberate, and forces you to actually choose what you want to hear rather than shuffling through a playlist.

That said, the jukebox comes with some genuine limitations. There’s no headphone jack, meaning the music plays out loud only, which caps its utility as background listening. The three required LR44 button cell batteries are included for demonstration but not for ongoing use. And at $69.99 (£59.99 in the UK, 489 yuan in China), it’s priced squarely as a collectible rather than an everyday gadget.

Nintendo is selling the jukebox exclusively through PokémonCenter.com in North America with a one-per-customer limit. The UK has already sold out. Fans in mainland China can enter a lottery-based purchase system starting March 6. Gotta catch ’em all, right?!

The post Nintendo’s Game Boy Jukebox Plays Pokémon Music on 45 Swappable Cartridges first appeared on Yanko Design.

A 113-Year-Old Patent Just Became the Most Creative EDC Pocket Multi-Tool of 2026

Posted on by

MetMo has a very particular way of working. The Leeds-based engineering team finds a mechanical concept from history that was ahead of its time, studies it carefully, then rebuilds it with the materials and precision manufacturing the original inventor could never have accessed. The MetMo Pen went back to an 1892 dual-thread screw. The Fractal Vise revived a gripping technology too complex for most workshops. Both became substantial hits, and if you follow our work, you know we covered them. Their next one follows the same formula, and it might be the most satisfying yet.

Patent no. 1,070,656, filed by J. Anderson in 1912 and granted in 1913, described a double-ended parallel wrench that never quite found its moment. MetMo took that silhouette and used it as a chassis, assigning a specific function to every surface: a hex drive zone at the centre, adaptive parallel jaws drawing directly from their Fractal Vise technology, plier teeth, a V-groove for square drive tools, and an edge nipping point. It’s five tools in one slim body, after a 113-year wait for the right team to come along and finally build it properly.

Designers: Sean Sykes & James Whitfield

Click Here to Buy Now: $134 $167 (20% off). Hurry, only 4/600 left! Raised over $438,000.

The original Anderson patent was a ghost, a clever idea that lacked the context to thrive. You can picture it being made from rough-cast metal with loose tolerances, a tool that worked in theory but was probably clunky in practice. What MetMo does is take that core mechanical logic and run it through a modern filter of CNC machining and advanced metallurgy. The result is a tool that fulfills the original’s promise in a way Anderson himself likely couldn’t have imagined. It’s the same double-ended, central-pivot concept, but executed with a precision that makes it feel entirely new. Coupled with tiny tools and details stuffed into every empty spot MetMo could find.

What’s really clever is how they packed in so much function without making it a brick. A typical multi-tool suffers from compromise, with each function feeling a bit clumsy to accommodate the others. The Pocket Grip avoids this by making existing geometry do double duty. The central pivot, a structural necessity in the 1913 design, is now a perfectly machined 1/4-inch hex drive for standard bits. The jaws aren’t just serrated; they’re divided into a ‘chomping zone’ for aggressive grip, dedicated points for round or flat objects, and even an edge nipping point. Every surface has a purpose, a level of design efficiency that makes the final object feel intentional and integrated.

That’s especially true of the adaptive parallel jaw, which is a direct technological inheritance from their own Fractal Vise. We wrote about that vise when it came out, admiring how its interlocking jaws could conform to almost any irregular shape. MetMo has miniaturized that same logic and engineered it into the Pocket Grip. One jaw remains fixed while the other adjusts, staying perfectly parallel up to a 20mm opening distance. This gives you a clamping stability that a simple pair of pliers could never match. It’s proof that MetMo isn’t just reviving old ideas; they’re building a cohesive design language and iterating on their own innovations.

All of this engineering is packed into a form that is genuinely pocket-friendly. The tool measures just 95.5mm long by 45.5mm wide, and a remarkably slim 10mm thick. The aerospace-grade aluminum version weighs a scant 83.6 grams. These numbers are key to its success as an everyday carry item. But the specs only tell half the story. The other half is the tactile experience, the so-called ‘desk toy’ factor. The smooth action of the TR6x2 drive screw, the satisfying resistance of the knurled brass adjuster, and the balanced weight in your hand make it something you instinctively want to pick up and fiddle with.

The jaws on all versions are machined from 17-4 PH hardened stainless steel, heat-treated to a Rockwell C hardness of 45, with an ultimate tensile strength of 1448 MPa. In simple terms, they are incredibly tough and designed to retain their edge. The body itself comes in three flavors: hard-anodized 7075-T651 aluminum for lightweight durability, Grade 5 titanium for the ultimate strength-to-weight ratio, or a solid stainless steel build for those who prefer a bit of heft. This isn’t a disposable product; the jaws are removable and serviceable, a direct counter-statement to the throwaway culture common in tool manufacturing.

In practice, the Pocket Grip finds its place everywhere. For a model maker or miniatures painter, it’s a precise third hand, clamping onto a base to hold a project steady. For a cyclist, it’s a compact wrench and driver for quick adjustments on the go. Around the house, it’s the tool you grab for that one awkward fitting that nothing else can quite get a handle on. The V-groove is a subtle but brilliant touch, perfect for holding 3-6mm square drive tools like taps and drill bits, adding another layer of utility for detailed work. With the ability to apply over 21kg of clamping force with just finger pressure, it has more than enough power for most daily tasks.

The Pocket Grip is available in three primary configurations based on the body material. The lightweight choice is the hard-anodized aluminum at 83.6g. For those wanting a balance of weight and extreme durability, the titanium version comes in at 103.6g. Finally, the stainless steel model offers the most substantial feel at 141g and includes an upgraded ‘Snip Grip’ with hardened cutting jaws. Pricing starts at £99, positioning it as a premium, investment-grade tool. And MetMo backs that up with what they call a 200-year guarantee, a confident statement that this is a tool built not just for you, but for the person who finds it in your workshop generations from now.

Click Here to Buy Now: $134 $167 (20% off). Hurry, only 4/600 left! Raised over $438,000.

The post A 113-Year-Old Patent Just Became the Most Creative EDC Pocket Multi-Tool of 2026 first appeared on Yanko Design.