Tag Archives: accessories

Most Keyboards Pick Typing or Gaming, This One Swaps Its Physical Feel

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The mechanical keyboard market has quietly split into two distinct camps. On one side, you’ve got premium enthusiast boards built around sound profiles, gasket mounts, and typing feel. On the other, gaming keyboards chasing faster actuation and competitive response. The trouble is that most people don’t belong exclusively to one camp, and keyboards that try to serve both rarely pull off either particularly well.

GlowHint designed the KT75 around exactly that frustration. It’s a 75% Hall Effect magnetic keyboard with 84 keys, built on the premise that you shouldn’t have to choose between a board that feels great on your desk and one that keeps up in a competitive game. That premise goes beyond marketing language; it’s woven into the keyboard’s physical structure.

Designer: GLowHint

Click Here to Buy Now: $299 $610 (55% off). Hurry, only 88/100 left!

Traditional mechanical switches use metal contacts that only register two states: pressed or not. Hall Effect switches work differently, using magnetic sensors to continuously track a key stem’s exact position throughout its entire travel. The keyboard always knows how far each key has moved, and that continuous awareness is what enables adjustable actuation, a 0.01mm rapid trigger, and a more responsive experience overall.

Where the KT75 gets physically interesting is the Dual Mount Structure. With the gaskets installed, keystrokes feel more supple and forgiving, with a deeper sound character that suits long typing sessions well. Remove those gaskets and the whole feel sharpens, trading comfort for the firmer, more direct response that competitive gaming demands. It’s a physical configuration, not a menu setting.

That design care carries through the rest of the construction. The KT75 uses a CNC aluminum alloy chassis with an FR4 plate and a six-layer acoustic dampening structure that includes PORON foam, a PET sound pad, and bottom dampening. The switches actuate at just 30gf and bottom out at 50gf, keeping effort light without the mushy feel that lighter switches sometimes produce.

On the gaming side, the KT75 scans every key 16,000 times per second and communicates with the computer at 8,000Hz over a wired connection. Rapid Trigger removes the fixed reset point, so movements as small as 0.01mm register as fresh inputs, and Snap Tap handles conflicting directional inputs by prioritizing the most recent one. Both are especially noticeable in fast-paced shooters where every fraction of a second counts.

For everyday use, the compact 84-key layout trims hand travel without dropping essential keys, and the macro system lets you assign complex commands to a single keystroke. The more interesting layer is depth-based behavior, where a lighter press and a full press can each trigger different actions. It’s a quietly useful feature that makes the keyboard feel more thoughtful than its key count suggests.

GlowHint built a 1.47-inch OLED smart display into the board, capable of showing status information or custom content including GIFs, pixel art, and logos uploaded through the companion software. All of that, along with per-key RGB across 16.8 million colors, key remapping, switch tuning, and macro configuration, is handled through GlowHint Hub. The switches are also hot-swappable, so the board can grow with your preferences.

The KT75 supports three connection modes: 2.4 GHz wireless, Bluetooth, and USB-C wired. The wired connection unlocks the full 8,000Hz polling rate, while 2.4 GHz handles gaming without Bluetooth latency concerns. The dual 4,000mAh batteries are rated up to 95 hours wirelessly, though that drops to around 13 hours with default RGB on, which is the more realistic figure for most sessions.

The through line across all these choices is consistency. GlowHint didn’t try to make the KT75 do everything at once; each decision, from the swappable gasket layers to the magnetic switch technology to the configurable display, adds a specific kind of flexibility that serves a different part of the same day. It ends up as a keyboard that earns its complexity without making you feel it.

Click Here to Buy Now: $299 $610 (55% off). Hurry, only 88/100 left!

The post Most Keyboards Pick Typing or Gaming, This One Swaps Its Physical Feel first appeared on Yanko Design.

This Mod Made a Steam Machine Faceplate Charge Your Steam Controller

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The Steam Machine has swappable faceplates, which is a genuinely good idea that Valve doesn’t appear to have fully exploited. The concept is essentially that the front panel of the console is a blank cosmetic slate, open to third parties and hobbyists to design around. So far, most of what’s been proposed has leaned on that word: cosmetic. Different textures, different graphics, different visual personalities for what is otherwise a matte black gaming cube.

This faceplate mod takes a different approach by asking what the panel could actually do. The result is a replacement front cover that integrates a charging cradle for the Steam Controller directly into the face of the console, turning what would normally be dead real estate into a functional docking station. Set the controller down, it charges. Pick it up, it’s ready. No separate charging puck dangling off to the side.

Designer: NefariousnessWhole25

The charging mechanism uses the Steam Controller’s own wireless puck seated inside the faceplate cradle, with a USB cable routed discreetly around the inside edge of the panel and into one of the Steam Machine’s existing USB ports. It’s a routing solution rather than a rewiring one, which keeps the electrical side simple and reversible. The puck sits in the cradle, the controller sits on the puck, and the whole arrangement slots onto the front of the machine like any other faceplate.

What makes it more than a wall mount with ambition is the kickstand built into the rear of the panel. It folds out from the back of the faceplate, propping the cradle up at an angle, turning the entire assembly into a standalone desk dock that works independently from the Steam Machine. Take the faceplate off the console and prop it up on a table, and it functions as a charging stand on its own terms.

The inspiration came partly from Valve’s own demonstration of an e-ink faceplate, which showed that the panel slot was capable of doing more than holding a decorative cover in place. That demonstration didn’t ship as a product, but it established the idea that the faceplate system had functional potential beyond aesthetics. This mod picks up that thread and takes it somewhere more immediately useful for anyone who has both pieces of Valve’s current hardware sitting on the same desk.

Design files haven’t been released yet, and there are no confirmed plans to sell finished units. The prototype is out, it works, and it raises a question worth asking about Valve’s approach to the faceplate ecosystem: if a single modder can turn the front panel into a functioning charging dock over a weekend, what would a dedicated accessory program actually look like at scale?

The post This Mod Made a Steam Machine Faceplate Charge Your Steam Controller first appeared on Yanko Design.

This Umbrella Is Actually a 500-Year-Old Korean Hat in Disguise

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Anyone who has seen K-Pop Demon Hunters or an episode of a Korean historical drama is familiar with what a gat is. Even if you don’t know what it’s actually called, it’s pretty recognizable: the black hat with its cylindrical crown and wide, dramatic brim that sometimes hides the eyes or even the entire face. It was traditionally worn by men of high social standing during the Joseon era, serving as a marker of Confucian values, refinement, and status. It’s rarely worn now unless someone is shooting a drama or attending some sort of costume party, though the gat did have a major pop culture moment thanks to Netflix’s Kingdom, where it became instantly iconic worldwide.

The National Museum of Korea called for designers to reimagine the gat for a modern setting. Design studio TOSO created the winning entry, the Gat Umbrella, which is exactly what it sounds like. This is part of the MU (the official merchandise brand of the National Museum Foundation of Korea) competition that invites designers to reinterpret historical objects into something that can actually be used in modern times. It’s a brilliant initiative that bridges Korea’s rich cultural heritage with contemporary everyday life.

Designer: TOSO

The Gat Umbrella looks like a regular umbrella when folded, but when opened, it looks like you’re standing under a huge gat, with the added bonus of an actual canopy to keep you dry. It’s around 33 inches long and has a width of 1,050 millimeters when opened. The canopy is made from PVC with a fiberglass-reinforced frame, its tip from polypropylene, and the handle from EVA material. The deep black canopy is a direct callback to the traditional color of the gat, and the proportions of the brim have been carefully scaled to capture that wide, commanding silhouette. When held up against a grey sky, you can almost picture the Joseon-era scholar it was inspired by.

Aside from being a status symbol, the original gat was also used to protect its wearer from the sun, rain, and wind, which makes this reimagining feel even more intentional. Anyone who has watched enough K-dramas knows those dramatic scenes where characters brave storms with a gat firmly in place, rain streaming off its wide brim. So this transformation of the headwear is still a clever nod to its origins. It’s just more modern looking and has the added protection of a proper canopy, since the elements now tend to be a lot more mercurial.

What makes the Gat Umbrella especially appealing is how it straddles the line between functional product and cultural artifact. It’s not just a novelty item you display on a shelf. It’s something you actually take out on a rainy Tuesday and suddenly feel like the most stylish person on the street. There’s something deeply satisfying about a design that takes centuries of history and makes it wearable (or in this case, holdable) in the most practical way possible. And given the global reach of Korean culture right now, something tells us this won’t stay a niche item for long.

It also arrives at a moment when the global appetite for Korean culture is at an all-time high. From K-dramas to K-pop to Korean food, the world is paying attention, and the Gat Umbrella is exactly the kind of conversation starter that lets people engage with that culture in a tangible, everyday way. It’s not just merchandise; it’s a story you carry with you. The kind of thing that makes strangers stop you in the street and ask where you got it.

Whether you’re a K-culture enthusiast, a design collector, or simply someone who appreciates carrying a piece of history through a rainstorm, this is the kind of purchase that feels both indulgent and meaningful. It’s proof that heritage doesn’t have to stay locked behind glass. Sometimes, the best way to honor the past is to take it out into the rain.

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The $33 Box That Locks Your Phone and Judges You for Opening It Early

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Screen time management has spawned an entire industry of apps, built-in focus modes, notification filters, and weekly usage reports that most people glance at and promptly ignore. The fundamental problem with all of them is that they live on the same device you’re trying to avoid, which keeps willpower in charge of the whole arrangement. And willpower, predictably, tends to lose that particular argument somewhere around the third notification.

The Sonic Digitox The Routine sidesteps that problem entirely by making your phone physically unreachable for as long as you decide. It’s a timed lock case with no app to disable, no passcode to talk yourself into entering, and no settings menu to rationalize your way through. You put the phone in, set the lock, and that’s the end of your access until the timer says otherwise.

Designer: Sonic

Two lock modes handle different approaches to the problem. Routine Lock works on a schedule, letting you define repeating daily windows during which the case locks automatically and signals each transition with light and sound. If 11 PM to 7 AM is meant to be phone-free, the case enforces that without asking for your cooperation every night, which is precisely the point.

Timer Lock handles the more immediate situation where you need to focus right now, without a preset schedule. You set a countdown of up to 99 hours and 59 minutes, and the phone stays sealed until it runs out. For a study session, a focused work morning, or a dinner where nobody at the table needs to be somewhere else digitally, it removes the option before the habit has a chance to argue back.

Neither mode traps you completely. An emergency reset function exists for genuine urgency, but it isn’t quiet about it. Triggering it sounds a one-minute alarm and leaves a RESET mark displayed on the case for 24 hours afterward. The friction is deliberate, designed to make the difference between an actual emergency and a momentary craving feel tangible rather than theoretical.

Two additional modes round out the four-mode system for lighter use. Time Display shows the time without any lock, while a Timer mode runs a count-up or countdown without physically securing the phone. The case also includes a goal sticker and a smartphone contract form, a pairing that makes it a practical tool for parent-child agreements around device time, where putting terms in writing and then sealing the phone inside creates a layer of accountability that app-based controls don’t quite replicate.

The body is ABS plastic with a polycarbonate lid, running on three AAA batteries, and the whole thing measures approximately 190mm x 70mm x 170 mm. It comes in white, blue, and pink, and was recognized with a category award at the 2026 Japanese Stationery Awards, which is about as specific an endorsement as a phone lock case can hope for.

There’s a refreshing bluntness to what the Digitox offers. Most products in the digital wellness space treat phone overuse as a behavioral settings problem, one more toggle away from being solved. This one treats it as a custody problem, and the solution is handing custody over to a box that doesn’t negotiate. At roughly $33, it costs less than a single month of most productivity apps and requires no subscription to keep working.

The post The $33 Box That Locks Your Phone and Judges You for Opening It Early first appeared on Yanko Design.

The Sunglasses Built for When You’re Actually in the Water

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Every summer, I do the same thing. I bring my sunglasses to the beach, spend twenty minutes deciding where to put them once I get in the water, and end up burying them in the sand next to my towel. Sometimes they’re there when I get back. Sometimes they’ve migrated. Sometimes I sit on them. It’s not a good system, and I’ve never really stopped to ask whether the problem is me or the design.

That’s why the Water Glasses project by Tbilisi-based XYZ Integrated Architecture stopped me mid-scroll. Not because it’s flashy or over-designed, but because it addresses something so obvious I can’t believe it’s taken this long. Most sunglasses are built for everything except the exact moments when you most need sun protection: poolside, at the beach, wading through a river. The second the water comes into the picture, the glasses come off, the case comes out (if you remembered to bring one), and suddenly your supposedly practical accessory becomes a liability.

Designer: XYZ Integrated Architecture

Water Glasses rethink the object from the ground up. The design strips everything back to two elements: lenses and a paracord. No frames, no hinges, no temples. The lenses are threaded onto the cord so they sit on the face when worn, drop below the chin when you don’t need them, and hang around the neck like a necklace the rest of the time. No case, no pocket, no towel burial. They stay with you.

It sounds almost too simple, and I think that’s the point. The studio, which typically operates in the realm of architecture, has been developing this project since 2019, and the refinement shows. The restraint feels deliberate rather than minimal for minimalism’s sake. They’ve essentially asked: what would sunglasses look like if they were designed specifically for the one environment where the existing design completely fails? The answer turns out to be lenses and a cord. That’s either obvious in retrospect or quietly radical, depending on how you look at it.

The collection comes in three configurations, with one, two, or three pairs of lenses strung along the cord. The multi-lens versions are where the project gets genuinely interesting. Worn as a necklace or draped across the body, they stop being sunglasses altogether and shift into the territory of wearable sculpture. The photography, shot at Tbilisi Olympic Pool, leans fully into this reading, and it works. The lenses come in vivid colors and irregular shapes, some softly circular, some almost organic with wavy, knotted edges, all of them laced with paracord in contrasting hues. They look like something you’d find at a contemporary jewellery fair as much as at an eyewear launch.

The lenses themselves are produced by Divel Italia, a specialty optics manufacturer, which grounds the project technically even when the visuals feel more like art than product. This matters because a design this stripped back lives or dies on the quality of its components. There’s no frame to absorb any imprecision.

I keep thinking about how much of what we own is really designed to be managed rather than used. A sunglass case is a perfect example of an object that exists purely to protect another object. We accept it as necessary without really questioning why. Water Glasses quietly make the case that a well-designed thing shouldn’t require its own support infrastructure. The cord is the case. The wearing is the storage.

The studio calls it a reexamination of the typology, which is accurate but slightly undersells how pleasantly disruptive the result feels. Conceptual eyewear projects come and go, and most stay safely in the realm of theory. These feel like they could actually sit on your face at a rooftop pool in July, which is the whole point.

Whether or not they move into full production, Water Glasses do what good design projects are supposed to do: they make you look at a familiar object and wonder why it was ever done any other way. That’s a harder thing to pull off than it looks.

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