Tag Archives: Audio

Noble’s $199 Osprey Earbuds Aim Straight at Sony’s XM6

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The $200 true wireless earbud market is crowded, but the brands filling it are mostly consumer electronics companies that tune for mass appeal rather than accuracy. Getting earbuds with any real audiophile pedigree under that threshold has historically meant compromising somewhere meaningful, whether on driver quality, build, or sound character. Most listeners have made their peace with that trade-off and gone with whatever Sony or Sennheiser had on the shelf.

The Noble Audio Osprey debuted at High End Vienna 2026 and starts shipping at the end of June at $199. Noble has spent years building custom in-ear monitors that sell for four figures to listeners who argue about driver counts and cable geometry. Compressing that into a sub-$200 true wireless product is a considerable stretch, and the Osprey’s choices reflect what had to be preserved and what didn’t.

Designer: Noble Audio

The Osprey uses a hybrid dual-driver configuration, pairing a 10mm dynamic driver with a custom balanced armature. The dynamic driver handles low-end weight and warmth, delivering bass that’s smooth and thick rather than just punchy, while the balanced armature supports midrange detail and treble precision. The frequency response spans 20Hz to 40kHz, wider than most consumer earbuds at this price point.

That driver combination pays off most noticeably in the soundstage, which reviewers describe as genuinely expansive, with strong depth and layering that becomes especially clear in music with complex percussion. The signature leans slightly V-shaped, with the low end its most impressive range. Mids are full and anchoring rather than recessed, and highs are crisp and extended without tipping into harshness, a balance that works across most genres.

Noble kept most of its visual identity intact. The Osprey carries the marbled acrylic faceplate aesthetic from the FoKus line, with layered blues that read as deliberate rather than generic. The aluminum charging case matches the color and keeps the premium feel without adding bulk.

On the practical side, the Osprey includes hybrid ANC, a Hearing Through mode for ambient awareness, and multipoint connectivity for switching between two devices without re-pairing. ANC handles lower frequencies well, though some higher-pitched background noise still gets through. Dual microphones with cVc noise reduction handle calls, and Bluetooth 6.0 via the Airoha 1571 chipset holds a fast, stable connection even in busier wireless environments.

Battery life sits at seven hours with ANC off and five hours with it on, in line with most competitors. Quick charging is where the Osprey pulls ahead: 10 minutes in the case delivers roughly two hours of listening, a figure that outpaces several earbuds well above this price. The 500mAh aluminum case uses USB-C, and the Noble FoKus app adds a 10-band EQ, touch remapping, and over-the-air updates.

For context, Sony’s WF-1000XM6 retails at $329.95 and the Sennheiser Momentum True Wireless 4 at $299.95, putting the Osprey around $100 to $130 below either. LDAC support separates it further from mainstream earbuds at the same price, most of which cap out at AAC. Noble Audio opened pre-orders on June 4, with units shipping by the end of June, available directly at nobleaudio.com and through select retailers.

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4 Best Wireless Audio Gadgets for Creators, Now Up to 20% Off For Prime Day

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Most creator setups get built backwards. The camera comes first, the lighting comes second, and audio ends up being whatever fits in the bag. That compromise has a cost, and anyone who has sat through a well-shot video ruined by hollow, wind-wrecked, or flat dialogue knows exactly what it sounds like. The gap between professional-grade audio and genuinely portable gear has narrowed considerably in the last two years, and a lot of that credit goes to AI noise processing that actually delivers rather than just advertises.

BOYA has put forward Prime Day options that cover nearly every recording scenario a working creator runs into, at discounts that make this a reasonable time to close that gap. The five products span a wide range, from a thumb-sized lapel that disappears on clothing to a transformable four-mode wireless system to a button-sized transmitter that scales for multi-device team shoots. One of them, BOYA Notra, breaks from the creator audio format entirely and lands in the meeting room, turning live conversations into organized transcripts, summaries, and to-do lists in over 140 languages.

BOYA mini 2: the Ultra-Compact Everyday Mic

Where the BOYA Magic is built around transformation, the BOYA mini 2 is built around invisibility. Weighing only 5 grams, the transmitter is the lightest in this roundup, designed to be a set-it-and-forget-it solution for mobile creators, vloggers, and anyone who needs clean audio without the bulk. Its thumb-sized form factor clips onto clothing without pulling or weighing down fabric, making it ideal for casual shoots, social media content, and on-the-go recording where a larger microphone would be too conspicuous. The focus here is pure portability and ease of use, delivering a significant audio upgrade over a phone’s internal microphone in a package that is small enough to live in a pocket.

Despite its size, the mini 2 shares much of the same audio DNA as its larger counterparts. It features the same 48 kHz / 24-bit audio resolution and AI noise cancellation, with a “Strong” mode for loud environments and a “Light” mode to preserve natural room tone. The companion BOYA Central app allows for quick adjustments to volume, EQ, and noise cancellation levels directly from a smartphone. With a 30-hour battery life via its charging case and a robust 328-foot wireless range, the mini 2 is a surprisingly capable microphone that prioritizes convenience and discretion above all else.

Click Here To Buy Now: $47.99 with Coupon Code YD22

BOYA Magic: the 4-in-1 Transformable Creator Mic

BOYA Magic directly addresses the problem of carrying multiple microphones for different shooting styles. Instead of asking creators to choose between a lavalier, a handheld, a desktop, or an on-camera mic, it combines all four into one compact kit. The core of the system is a 7-gram transmitter that can be used as a discreet clip-on, but it also docks into a handheld grip for street interviews, mounts on a desktop stand for podcasts, and slides into a cold shoe adapter for on-camera use. This transformable design makes it the most physically versatile option in the lineup, built for creators who move between formats and do not want their gear to dictate their workflow.

The technical specifications are strong enough to support that flexibility. The system captures 48 kHz / 24-bit audio and uses AI noise cancellation to reduce ambient sound by up to 40 dB, which is more than enough to clean up dialogue in busy environments. It also includes thoughtful professional features like a smart limiter and a safety track to prevent audio clipping, an 80 dB signal-to-noise ratio, and up to 30 hours of total recording time with the charging case. For a creator who wants one kit that adapts to nearly any situation, from a desk recording to a field interview, the Magic is engineered to be a clever, all-in-one solution.

Click Here To Buy Now: $73.5 with Coupon Code YD24

BOYALINK 3: the Scalable Multi-Device Mic System

While mics like the mini 2 and Air SE are perfect for solo creators, the BOYALINK 3 is designed for more complex productions. This is the system for small teams, interviewers, and creators who need to feed audio to multiple devices at once. Its key feature is a 2TX-4RX expansion capability, which allows the system to scale up to support eight devices recording simultaneously. This makes it possible to run a two-person interview while sending clean audio to two different cameras and a backup recorder, all from one compact kit. It is a button-sized system that brings a level of workflow flexibility usually found in much larger, more expensive setups.

The BOYALINK 3 reinforces its professional credentials with a higher 85 dB signal-to-noise ratio for cleaner recordings and includes essential tools like automatic gain control, a limiter, and a safety track to protect against distortion. Each transmitter weighs just 9 grams and features a dustproof grille, making it durable enough for field use. With EQ tuning, real-time monitoring, and up to 30 hours of total battery life, the Link 3 is positioned as the upgrade for creators who are moving beyond basic setups and need a reliable, scalable audio hub for more demanding shoots.

Click Here To Buy Now: $77.2 with Coupon Code YD23

BOYA Notra: the AI Note Taker for Total Recall

The final product in the lineup takes the AI audio technology seen in the microphones and applies it to a completely different problem: remembering conversations. The BOYA Notra is not a creator tool, it is a dedicated AI note-taking device designed for professionals, students, and anyone who needs to capture meetings, lectures, or calls without losing focus. It records conversations from three sources, ambient room audio, phone calls, and Bluetooth earbuds, and then turns the raw audio into structured, usable information. This is a device built for productivity and memory relief, not for content production.

The Notra’s intelligence lies in its post-recording processing. It transcribes speech in over 140 languages, automatically identifies different speakers, and generates summaries, to-do lists, and mind maps from the conversation. All recordings are stored on its 64 GB of local storage with a private cloud backup. With up to 24 hours of continuous recording and a slim, magnetic design, the Notra is a powerful tool for anyone who has ever wished they had a perfect record of a conversation. It turns every discussion into organized, searchable knowledge, ensuring that no key details are ever missed.

Click Here To Buy Now: $119 with Coupon Code YD21

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Bowers & Wilkins Spent 60 Years on These Speakers. It Shows.

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Most brands celebrate a 60th anniversary with a retrospective book or a limited-edition colorway. Bowers & Wilkins celebrated theirs by unveiling what may genuinely be the most advanced loudspeaker range they have ever made. The 800 Series Diamond D5 arrived with that kind of quiet confidence that doesn’t need fanfare to make its point, even if it was announced to considerable fanfare.

I’ve always believed that truly great audio equipment occupies a strange place between technology and sculpture. The 800 Series has lived in that space for decades. It’s the kind of speaker you find in professional recording studios around the world, at Skywalker Ranch where teams have mixed and mastered legendary film soundtracks, and also in the living room of the person who just needs the room to sound exactly right. That dual citizenship, professional and deeply personal, tells you everything about what Bowers & Wilkins has been building toward.

Designer: Bowers & Wilkins

The D5 is the fifth generation of the Diamond series, and the tagline “60 years in the making” isn’t marketing hyperbole. It’s a mission statement rooted in John Bowers’ original True Sound philosophy: nothing added, nothing taken away. Every generation of 800 Series starts from the same question: what stands in the way of the music? The answers keep evolving. The ambition stays constant.

The range includes seven models, from the compact 805 D5 stand-mount to the flagship 801 D5 with its twin 10-inch bass drivers. The iconic Turbine Head, that distinctive aluminum sphere housing the midrange driver in complete acoustic isolation from the bass section, remains one of the most recognizable silhouettes in audio design. It was bold when it debuted, and it’s still striking today. It’s been refined here, not rethought, and I think that’s the right call. Some shapes earn the right to stay.

What’s new in D5 runs much deeper than the surface. The Space Frame Bracing system introduces parallel aluminum rails bolted directly to the rear Matrix cabinet bracing, making the enclosure significantly stiffer and mechanically quieter than its predecessor. A revised aluminum top plate, with thicker ribbing and updated decoupling mounts, better supports the Turbine Head and Solid-Body-Tweeter assemblies. The crossover components have been moved entirely outside the cabinet, mounted on aluminum rails at the rear, which eliminates internal air pressure fluctuations from affecting crossover behavior. As an added benefit, natural convection keeps those components running cooler during extended listening.

The Diamond Dome tweeter gets a new grille mesh, first developed for the acclaimed 801 D4 Signature, that’s more acoustically transparent while still protecting the dome. The result is better off-axis performance and noticeably improved resolution. Every midrange and bass driver across the range has also been upgraded with lower-distortion motor systems derived from Signature-grade components. That’s not a minor tune-up; that’s serious trickle-down engineering from the very top of the catalog.

Aesthetically, the D5 introduces four new finishes: Stealth Black, Warm White, Light Walnut, and Dark Walnut. The paint has been upgraded for greater depth and durability, and the design detailing across every surface, from the spine to the plinth to the drive unit pods, has been refined. These are speakers handcrafted in Worthing, UK, and they carry that provenance visibly. Luxurious isn’t too generous a word.

Where I land on all of this is that the 800 Series Diamond D5 represents something genuinely uncommon in a market crowded with premium pricing and thin justification: a product that earns its position through accumulated expertise and genuine craft. There’s real, demonstrable engineering here, the kind that takes decades to develop, and Bowers & Wilkins isn’t shy about showing their work. The D5 range is scheduled to ship in fall 2026, and the anticipation feels entirely warranted.

Sixty years of obsessive refinement, applied to a speaker that takes the living room as seriously as a professional studio, will do that. When the engineering is this thorough and the design this considered, the only question left is how loud you want to play it.

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This $399 Tablet Has 9 JBL Speakers and Works as a Bluetooth Speaker

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Entertainment tablets have always been a bit of a compromise. They’re large enough to make video look good, but the speakers are almost universally disappointing, and most people end up propping them against a pillow or a water bottle to get a decent viewing angle. The hardware has gotten better over the years, but the experience still feels like it’s designed around the screen and nothing else.

Lenovo’s Tab Plus Gen 2 is built around a different set of priorities. It leads with audio in a way that most Android tablets don’t, pairs that with a display that can actually do the sound justice, and backs both up with a mechanical kickstand that rotates 360 degrees so the tablet can sit, stand, lean, or hang in whatever configuration makes the most sense for the moment.

Designer: Lenovo

The 12.1-inch 2.5K LCD display carries Dolby Vision and HDR10 support, a 120Hz refresh rate, and up to 800 nits in High Brightness Mode for watching in brighter environments. At 249ppi, the pixel density stays sharp at this screen size, which matters when you’re switching between films, reading articles, or navigating something that would look noticeably soft on a lower-resolution panel.

The JBL 9-unit Pro speaker system is tuned with Dolby Atmos and includes dedicated bass units that give the sound a physical weight most tablet audio simply doesn’t have. Dialogue stays clear, bass doesn’t disappear, and the whole thing scales with the content. Dolby Audio processing lets you switch between Dynamic, Movie, and Music modes depending on what you’re watching or listening to.

There’s also a built-in Bluetooth speaker mode that turns the Tab Plus Gen 2 into a standalone speaker you can control from your phone. That means you can set the tablet up in the kitchen, hit play on a playlist from across the room, and use it the same way you’d use a Bluetooth speaker, without needing a separate device sitting on the counter.

The 360-degree rotating kickstand handles four distinct positions: lean, theater, stand, and hanging mode. That covers everything from reclining on a couch to hooking onto a cabinet door in the kitchen, across both portrait and landscape orientations. When the tablet isn’t being actively used, a standby mode turns it into a digital picture frame, which gives it a purpose even when nobody’s watching anything.

AI Live Transcript handles real-time translation across more than 40 languages, which makes foreign-language content far more approachable without having to hunt for subtitles. AI Notes with Lenovo Notepad handles notetaking, and Smarter Reader makes navigating longer articles less of a chore. The 10,200mAh battery is rated for up to 15 hours of YouTube streaming, backed by 45W fast charging.

The Tab Plus Gen 2 starts at $399.99 and is available in Celestial White. It works with the Lenovo Tab Pen Plus and Lenovo Wireless Keyboard, both sold separately, and comes with a Sleeve Suite that includes a carrying sleeve and a shoulder strap for getting the tablet from room to room or out the door without digging around for a bag.

The post This $399 Tablet Has 9 JBL Speakers and Works as a Bluetooth Speaker first appeared on Yanko Design.

These 5 Speakers Are So Beautiful They Could Hang in a Museum – and They Actually Sound Amazing

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For years, high-end audio meant choosing between performance and aesthetics, often leaving enthusiasts with bulky, utilitarian “black boxes” hidden in corners. Function ruled, and beauty took a backseat, even as the music demanded more from its equipment.

Today, a quiet revolution is reshaping audio, as Statement Speakers redefine both sound and design, turning the speaker into a sculptural presence. By merging electronics with artistry, these creations prove that high-fidelity sound need not remain unseen. Here’s how new-age speakers command attention, inviting the ear and the eye to experience music in perfect harmony.

1. Geometric Shapes in Audio

Modern speakers are increasingly embracing geometric shapes, moving beyond traditional rectangles to bold, sculptural silhouettes. These forms aren’t just aesthetic as they define the speaker’s character, presence, and identity in any space, making each piece a functional statement of design.

The geometry also serves an acoustic purpose. Cones, pyramids, and other angular profiles create natural chambers that distribute sound evenly, producing immersive 360-degree audio. From every viewpoint, the speaker resembles a refined sculpture in glass, metal, or other materials, merging art and technology.

The Tresound Mini is a compact desktop Bluetooth speaker that refuses to be just another black box on your desk. Its cone-shaped silhouette is sleek and architectural, merging minimalist aesthetics with purposeful form. TRETTITRE, the emerging HiFi brand behind it, bridges traditional audio quality with forward-thinking design, making the speaker feel as much like a modern sculpture as it does a high-performance audio device.

Beyond its striking profile, the Tresound Mini rethinks the desktop experience. A bamboo fiber carrying bag doubles as sustainable, protective packaging, enabling true portability without sacrificing style. Every detail, right from the geometric form to the tactile materials, reflects careful consideration of function and environment.

2. Sound Wave Design

Some of today’s most provocative speaker designs aim to make the invisible visible, transforming sound waves into tangible forms. Fluid, rippling surfaces trace the frequencies of audio, giving physical shape to what is usually only heard. These designs turn the act of listening into a visual experience, inviting the eye to follow the rhythm of music in real time.

By capturing the motion of sound in materials like polished resin or aluminum, these pieces become sculptural embodiments of the music they produce. The result is hardware that’s as lively and expressive as the music, combining art with high-quality sound.

Loopen, a sculptural speaker concept from Design by Joffey, reimagines how sound can look and be experienced. Its bold cobalt-blue form features concentric circular loops radiating from a central speaker driver, creating a visual echo of sound waves in motion. These loops are not merely decorative as they form the structural framework, supporting the speaker while emphasising its sculptural identity. A minimalist oval base and two slim uprights keep the design light, while simple, flush-mounted controls preserve the clean lines. Every element is functional, from the geometric layout to the tactile finish, making the product immediately understandable without explanation.

Compact and thoughtfully proportioned, Loopen is designed for personal spaces like desks or bedside tables, offering both visual and acoustic engagement. By turning audio into a tangible form, the speaker bridges technology and design, giving users an object that delivers clear sound, structural integrity, and aesthetic impact.

3. Slim Décor

Ultra-thin speakers are redefining the idea of “hidden” audio. No longer tucked into corners or walls, these sleek panels are designed to be seen as much as heard, blending effortlessly with minimalist interiors. Inspired by modern wall art, they turn speakers into visual statements.

Disguised as slim frames or textured canvases, they use advanced vibration technology to deliver powerful sound from profiles barely an inch thick. Perfect for “less is more” interiors, these speakers combine gallery-worthy aesthetics with exceptional audio performance, showing that elegance and sound quality can coexist seamlessly.

The DIYR speaker includes an ultra-thin, flat-panel design that transforms the entire surface into a vibrating diaphragm, producing immersive sound while appearing more like a decorative panel than a traditional speaker. At first glance, it’s easy to forget it’s even an audio device. This approach allows the speaker to blend seamlessly into interiors, be propped against walls, or act as a space divider, while delivering rich, evenly distributed sound that fills the room rather than projecting from a single point.

Beyond its striking appearance, the DIYR speaker combines intuitive assembly with high-quality engineering. Using exciters on a 4mm cardboard membrane, it creates a diffuse, ethereal sound profile powered by a 40W amplifier, 40Hz–20kHz frequency range, and a 7,200mAh rechargeable battery. Bluetooth 5.1 and aux connectivity add flexibility, while customizable surfaces let it double as functional, stylish décor.

4. Earthy Design

Some of today’s most innovative speakers are crafted from ancient, natural materials. Sand, concrete, and minerals are reimagined to create housing that is sustainable and acoustically precise. The natural density of these materials dampens unwanted vibrations, producing clear, balanced sound that preserves the integrity of the music.

Visually, these earthy, textured designs resemble artifacts from desert landscapes, adding a grounded, tactile quality to modern interiors. By combining advanced audio technology with raw, organic beauty, designers are creating speakers that feel timeless.

High-end speakers often evoke black boxes, polished wood, or minimalist Scandinavian forms, but the Econik 1851 by Anton Erbenich breaks all those conventions. This active loudspeaker is 3D-printed entirely from quartz sand, resulting in a textured, almost ancient-looking surface that doubles as a functional acoustic solution. The mineral composition dampens micro-vibrations, ensuring cleaner, more accurate sound while giving the piece a sculptural presence. Its stacked, nearly spherical forms reduce standing waves, and subtle side protrusions create an organic, pod-like aesthetic.

The suspension system is equally deliberate as steel cables hang the speakers from a curved stand, isolating them from surface vibrations and allowing them to float weightlessly in space. With integrated amplification and signal processing, setup is simple. At the same time, the understated sand tones and elegant forms make the Econik 1851 a statement of sophisticated design that is bold and understated.

5. Retro Speaker

For the vinyl-loving audiophile, retro-inspired speakers blend mid-century charm with modern technology. Warm wood grains, tactile brass knobs, and vintage grill cloths recall the elegance of 1970s hi-fi systems, evoking nostalgia without compromising style. These pieces act as functional décor while celebrating the tactile pleasure of classic design.

Beneath their “old-school” exterior, they pack high-resolution Bluetooth connectivity and modern audio performance. This fusion allows listeners to enjoy the sensory satisfaction of vintage hardware with the convenience and clarity of today’s digital sound.

Founded by Etsy co-founder Robert Kalin and NASA engineer William Cowan, A for Ara challenges the conventions of modern smart speakers by bringing ritual and joy back to music listening. Their retro-modern speakers combine eclectic design styles with traditional and contemporary fabrication techniques, creating pieces that feel both timeless and playful. The FS-1 and FS-2 feature two visual components: a base housing the audio drivers and acoustic cabinet, and an upper, phonograph-inspired horn that amplifies sound while evoking the organic shape of a morning glory flower.

Standing 54 inches tall, the FS-1 pairs a slender horn with a geometric base and a 13” front-firing woofer, while the FS-2 amplifies its whimsical character with a boxy, leaf-patterned cabinet and three long-throw 12” woofers. Both deliver audiophile-grade sound without LEDs or metallic detailing, offering an immersive, joyous listening experience that turns audio equipment into art.

When sound transforms into sculpture, the home becomes a gallery. Modern speakers are no longer hidden appliances but are statement pieces that merge high-fidelity performance with visual artistry.

The post These 5 Speakers Are So Beautiful They Could Hang in a Museum – and They Actually Sound Amazing first appeared on Yanko Design.

The Sculptural Speaker Concept That Sounds Good From Every Spot in the Room

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Most wireless speakers look like speakers. They announce themselves with grilles and ports and branding, and they tend to disappear into a corner or a shelf where the acoustic compromise of their placement gets quietly accepted. The room works around the speaker rather than the other way around. For a category that has grown enormously in the past decade, the design ambition behind most of what’s on the market hasn’t quite kept pace with the technology inside.

The Mirage Onda concept comes at that problem from two directions at once. On one side is a five-decade-old Canadian audio brand whose reputation was built on omnidirectional sound, long before the concept became a selling point for portable speakers. On the other is a design studio that has treated the speaker not as a functional box but as a sculptural object with genuine presence in a room.

Designer: Andrea Ponti (Ponti Design Studio)

The brand history matters here. Mirage introduced the world’s first bipolar speaker in 1987, and spent the following decades developing omnipolar technology, the idea that sound should radiate in all directions as it does in a live space, rather than being aimed at a single listening position. That philosophy is what the Onda is built around. The speaker delivers a true 360-degree audio experience through its acoustic architecture: four woofers at the base produce warm, rounded bass that fills the room with depth and body, while an upward-facing midrange driver with a diffuser ensures even sound distribution, and a tweeter paired with a dedicated diffuser handles crisp high frequencies.

The result is a speaker that doesn’t ask you to position yourself relative to it. A discreet backlit touch interface sits between the lower body and the upper platform, while the removable magnetic upper grille lifts away to reveal the tweeter in Mirage’s signature deep purple. That upward-firing arrangement, coupled with the diffusers above and below, is what sends sound outward into the room in all directions rather than toward a fixed sweet spot.

Four polished aluminum pillars connect the lower body to the upper platform in a striking suspended configuration, while the distinctive rounded-square footprint, softened edges, and monolithic silhouette give the speaker a timeless character that integrates effortlessly into modern environments. The fabric grille wraps the body in a dual-color textile that adds warmth to what could otherwise be a purely hard-edged industrial form. Three colorways are available, ranging from a warm sand tone to charcoal and all-black, each one giving the Onda a different character while keeping its proportions unchanged.

Put it in the center of a room, and it works. Put it on a side table or near a sofa, and it still works, because the sound isn’t dependent on where you happen to be sitting relative to the driver. That’s the practical promise of omnidirectional audio at the room scale, and it’s something that most mainstream speakers, regardless of price, simply don’t attempt.

Onda builds on Mirage’s legacy, blending heritage with minimalism and contemporary sophistication. The design reflects clarity, balance, and sculptural presence, which is a rare combination in an audio product that still has to justify its place in a room by actually sounding good. Both sides of that equation matter here, and the Mirage Onda takes both of them seriously.

The post The Sculptural Speaker Concept That Sounds Good From Every Spot in the Room first appeared on Yanko Design.

Fritz Hansen and Technics Found Their Color: Burgundy

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Some collaborations make perfect sense the moment you hear about them. Fritz Hansen and Technics pairing up feels like that kind of announcement, the sort that makes you stop scrolling and actually read the press release. A Danish design house with a lamp rooted in 1936 Bauhaus tradition, and a Japanese audio brand whose turntables have been part of serious listening rooms for decades. On paper, it sounds almost too considered. And yet, the result is exactly that: deeply considered.

The collaboration brings two limited-edition objects together under a shared identity: the Kaiser idell Luxus 6631-T lamp and the Technics SL-40CBT turntable, both finished in a matte deep burgundy that reads quietly elegant rather than bold. It is the kind of color that does not announce itself but still shifts the entire mood of a room the moment you place it in one. Fritz Hansen will produce 200 lamps, Technics will offer up to 300 turntables, and both launch in October 2026. Those numbers alone tell you this is not a product launch so much as an edition, something that is meant to be lived with rather than simply owned.

Designers: Fritz Hansen and Technics

The Kaiser idell 6631-T is worth talking about on its own. The lamp traces its origins back to 1936, a Bauhaus-era design reissued by Fritz Hansen, featuring a conical shade, an adjustable arm, and a brass base that develops a patina over time. It is one of those designs that feels neither vintage nor modern because it has simply always been correct. Pairing it with a contemporary turntable could have gone sideways quickly, forced nostalgia dressed up in burgundy, but the Technics SL-40CBT holds its own. It is a direct-drive turntable with Bluetooth capability, the kind of piece that respects the ritual of vinyl while being honest about the fact that convenience matters too.

What makes this collaboration genuinely interesting is not just the color match but the philosophical argument behind it. Dario Reicherl of Fritz Hansen put it well: “Sound and light both change how a space feels without touching its structure.” That sentence cuts right to the point. We talk a lot about interior design in terms of furniture and materials, but light and sound are arguably the two most powerful variables in how a room actually feels to be in. The fact that two heritage brands decided to frame a product launch around that idea rather than simply trading on each other’s prestige feels like a more honest creative decision.

The collaboration was previewed at 3 Days of Design 2026 in Copenhagen, where the two pieces were displayed on original Fritz Hansen Bauhaus-style tables pulled from the archive. That context mattered. Seeing them in a listening bar setting, as part of the Fritz Hansen Sound Club installation, gave the objects a sense of purpose rather than just aesthetic. They were not styled for a campaign. They were placed the way you would actually use them, together, in a room designed for paying attention.

Ryo Ogasawara from Technics offered a different angle on the same idea: “Music is an art of time.” He described how sound quietly imprints itself on our emotions, and how light shapes the space in which that happens. It is a poetic framing, but it is not empty. It reflects something real about the experience of listening to music at home, the way a good lamp and a record player together create a setting that invites you to slow down.

At £819 for the lamp and €999 for the turntable, this is not an impulse purchase. But then, it was never meant to be. These are objects for people who think carefully about the things they bring into their homes, who understand that a limited run of 200 or 300 units means something will eventually hold both sentimental and material value. The deep burgundy will age. The brass will develop character. The records will keep playing. And the room they exist in will be better for all of it.

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Razer Seiren V3 Pro is a studio grade plug-and-play microphone for newbies and pros

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As a newbie, how many times have you shunned the idea of owning a starter-level microphone just because of the complexities involved? Always wishing to have a simpler connecting protocol for ease of use. Razer wants to address this problem with the new Seiren V3 Pro microphone targeted towards streamers, creators, gamers, and anyone who wants a pro-level mic on the fly.

The microphone comes with support for USB-C, which simplifies things beyond comprehension for amateur content creators. Topping the cake is the XLR connectivity mode, which lets advanced users use the microphone with their existing equipment. Razer has demonstrated its eagerness to address the burning issues of the gaming and content creation communities, and this new release is no different.

Designer: Razer

Staying firmly in the XLR microphone space, even though it is targeted at amateur users, the microphone is ultra-utilitarian with its versatile hybrid connectivity options. The device aids users in beginning their content creation journey with a basic USB-C setup and then eventually upgrading to pro-level equipment like audio mixers and interfaces without any barriers. Another perk of the latest Razer offering is the $250 price, which can be otherwise be another major hurdle if even a respectable high-grade piece of equipment has to be acquired at the start of your creative journey. As per Razer’s global head of its lifestyle division, Addie Tan, “With the Seiren V3 Pro, we wanted to give creators a single mic that grows with them.”

V3 Pro solves a very basic problem with pro mics having the XLR analog connector, like their previous version – they have to run via an audio mixer or interface before being routed to a computer. For that very reason newbies, choose basic level USB-C mics for their arsenal. Razer gets the best of both worlds with this release, and there’s more to it. Another pressing reason to buy the Seiren V3 Pro is the built-in DSP, which works with both modes to deliver great output. This is important because high-quality microphones often require a lot of fine-tuning to get the desired results.

At the software level, the microphone has an AI noise remover and baked-in options that eliminate much of the tweaking needed. The device has a compressor, limiter and expander to make possible the smart tuning on the fly. At the hardware level, the mic has a pop filter and a built-in shock absorber for further clearing up the final output. The zinc unibody housing of the unit has a gain knob and mute button for ease of use. For the tech-savvy, this microphone has a 30mm dynamic range capsule and a cardioid polar pattern. The frequency range covered on this one is from 50Hz to 16kHz. The 32-bit float recording mode is also useful as it prevents clipping in audio, especially during high peak gains or sudden podcast reactions.

Content creators who look for minimalist gadgets without sacrificing functionality will love the small gain control at the bottom and the tap-to-mute sensor button, which comes in useful during live podcasts. The inclusion of a 3.5mm headphone jack lets the user hear the final output for performing any fine-tuning if required. To finish it off, the toned-down RGB lighting ring (compared to the predecessor) shows the real-time visual feedback about the gain, mute, and peak status. This can also be tweaked using the Razer Synapse app for complete control.

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This Brutalist Vinyl Turntable Hides the Tonearm So Well It Feels Like a Massive CD Deck

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For something built to play vinyl, the PP-1 barely behaves like a turntable at all. There’s no tonearm visually staking its claim across the platter, no exposed hardware reminding you this is an analog ritual machine. Instead, it looks like someone took the clean, self-contained logic of a CD player, scaled it up to 12-inch proportions, and cut a perfect circle into a block of aluminum. The result feels less like retro audio gear and more like a playback object from a timeline where physical media never split into “old” and “new.”

That is what makes the PP-1 so compelling from a design standpoint. Most modern record players still rely on nostalgia, warm wood finishes, visible mechanics, and a kind of ceremonial analog theater. This one strips all of that away and replaces it with something colder, flatter, and far more architectural. The record becomes the only familiar visual cue, while the machine itself recedes into a monolithic slab that feels closer to a giant CD deck than a classic turntable. Instead of celebrating vinyl as a vintage artifact, the PP-1 imagines what the format might have looked like if it had evolved with the same minimalist confidence as the best consumer electronics.

Designer: Waiting For Ideas

The record goes in upside down, and from there the PP-1 takes over entirely. A reading mechanism built into the platter operates from beneath the vinyl surface rather than above it, which is how the tonearm vanishes without taking the music with it. A built-in sensor automatically detects whether the record spins at 33 or 45 RPM and adjusts accordingly, eliminating the last manual decision from the process. An integrated phono preamp and headphone amplifier live inside the body, so headphone listening requires nothing additional. The interaction reduces to its absolute minimum: place the record, press one of two small buttons on the face, and listen.

The body itself is milled from a solid block of aluminum, not pressed or assembled from parts, which gives the PP-1 a physical density that conventionally built decks cannot replicate. That mass serves a genuine acoustic purpose, as solid aluminum controls resonance and vibration more effectively than the hollowed wood plinths that most turntables rely on. The PP-1 can also stand and play upright, the record spinning horizontally against a vertical body, and Waiting For Ideas leans into this configuration in their product photography for obvious reasons. In that orientation, the turntable sheds the last visual connection to hi-fi equipment. It looks like a wall piece, a square of brushed metal with a circle cut into it.

Most of the vinyl revival has traded on nostalgia, warm wood finishes, visible cartridges, and retro typography that signals the ritual of analog listening as much as the listening itself. The PP-1 belongs to a different tradition entirely, closer to the restrained, function-forward product language of Dieter Rams at Braun and Bang & Olufsen at its mid-century peak, where the object earns its presence through formal clarity rather than decorative signaling. It launches at €5,800 (roughly $6,050), made to order, placing it in genuine high-end turntable territory alongside decks from Rega, Pro-Ject, and Clearaudio, all of which look considerably more conventional by comparison. Whether audiophiles make peace with the tonearm-free setup is a legitimate debate. The design argument the PP-1 makes is considerably harder to dismiss.

The post This Brutalist Vinyl Turntable Hides the Tonearm So Well It Feels Like a Massive CD Deck first appeared on Yanko Design.

After 6 Years, Google Finally Remembered To Launch A New Smart Speaker, This Time with Gemini Built-in

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The Nest Audio came out in September 2020. If you bought one that fall, you were probably still navigating pandemic grocery runs and wondering when offices would reopen. Nearly six years later, Google has finally shipped something new to put on your kitchen counter. The Google Home Speaker, now landing in June 2026 after a “Spring 2026” promise that tested the meaning of the word spring, is the company’s first new standalone smart speaker in half a decade. Six years is a long time in consumer electronics. Apple refreshed AirPods three times. Sonos launched and then partially broke its app and still found time to make new speakers. Google, meanwhile, treated the entire category like a parked car, leaving the Nest Audio to quietly collect dust while the company sprinted elsewhere.

Where was Google sprinting? Toward Gemini, mostly. The AI model has been grafted onto Search, Maps, Workspace, Android, Chrome, YouTube, and practically every other product in the portfolio with enough surface area to carry a chatbot. Google even announced the Googlebook at I/O 2026, a new category of premium Android laptops billed as the successor to the Chromebook and the Pixelbook, built, predictably, around Gemini Intelligence. When Google finally announced the new Home Speaker at its Made by Google event in October 2025, the device was framed almost entirely around its role as a Gemini endpoint. The speaker came back because Gemini needed somewhere new to live, and the kitchen seemed underserved.

Designer: Google

There was a time when the company’s smart home pitch felt like a real platform strategy, ambient computing, voice everywhere, helpful devices fading into the background. The original Google Home arrived in 2016 with a sense of ambition. It was a bet that Google could own the center of the connected home by making voice control feel natural, useful, and quietly omnipresent. Then came the Mini, the Max, the Hub, the Nest rebrand, and eventually the Nest Audio. After that, the energy drained out of the room. The category was never formally abandoned, but it entered that peculiarly Google state where a product remains alive enough to avoid a funeral and neglected enough to make users wonder whether anyone still remembers where the light switches are.

The new speaker itself looks perfectly pleasant. It is small, rounded, soft, and available in the sort of colors Google hardware teams always seem to get right, the kind that make every room look slightly more curated than it probably is. Google says it has 360 degree audio, faster processing for more fluid conversations, and a new light ring that signals when Gemini is listening, thinking, or responding. Fine. Great, even. The problem is that none of this arrives in a vacuum. Google has trained people to see its hardware launches through a second lens, one that asks a less flattering question: for how long is this category going to matter to the company?

That question hangs over almost every Google device that is not a Pixel phone. The company loves a fresh start, a new naming scheme, a reset button disguised as a vision statement. It also has a long history of treating hardware categories like experiments that can be deprioritized the minute a more interesting internal narrative comes along. Smart speakers spent years as a central piece of Google’s ambient computing story. Then Gemini became the story, full stop. Once that happened, every product had to justify itself in AI terms. Phones became Gemini phones. Search became Gemini search. The smart home became Gemini for Home. Laptops became Googlebooks. And now, after years of silence, the speaker has returned as a vessel for the new corporate religion.

There is a certain irony in that. Smart speakers were already one of the clearest examples of what AI in the home was supposed to feel like: conversational, contextual, present without demanding attention. Google had the hardware footprint. It had the installed base. It had a brand that, for a while, was practically synonymous with talking to your house. If the company had kept iterating steadily, this new moment could have felt like a natural evolution. Instead, it feels like a rediscovery. Google wandered away from the category long enough that its return carries a faint air of surprise, as if someone opened a closet at Mountain View headquarters and found an entire product line under a sheet.

Maybe the Google Home Speaker will be excellent. Maybe Gemini will finally make the smart speaker feel smarter than a kitchen timer with good branding. But this launch still lands as a reminder of how erratic Google’s hardware attention span can be. The company did not so much nurture this category back to health as remember it was still on the org chart. After nearly six years, Google has a new smart speaker, and the most Google part of that sentence is that it only happened once the device could be recast as AI infrastructure. The speaker is back on the counter. Whether Google stays in the room this time is the harder question.

Image Credits: 9to5Google

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