UGREEN’s 45W Power Bank is Giving Peak 2000s ‘Blobject’ Energy

The blobject had its moment, and then the world decided sharp edges were more serious. Hartmut Esslinger’s organic curves gave way to chamfered aluminum rectangles, and for about fifteen years, consumer electronics collectively agreed that softness was frivolous. The pendulum is swinging back, and the evidence is showing up in the least glamorous product category imaginable: the power bank. Ugreen’s new PB610 arrives in a silver-bodied, organically rounded form that feels less like a charging accessory and more like a smooth river stone that happens to have a USB-C port. At 199 yuan (roughly $29), it is making a quiet but confident case that the blobject revival is real, and it is coming for your bag.

The PB610 is a 10,000mAh, 45W power bank with a built-in braided USB-C cable, a 1.47-inch smart display, and a design language that Ugreen is calling “Mini” in its marketing materials. The silver aluminum finish and the aggressively rounded corners give it a density that render photography cannot fully capture. The red braided cable loops through the top like a vascular element growing out of the device, functioning simultaneously as a carrying strap and the single most visually decisive design choice on the whole product. Ugreen has made charging accessories before, but the PB610 feels like the first time they have treated the object itself as the message.

Designer: Ugreen

A 1.47-inch screen sits inside a pill-shaped recess that reads as a void pressed into the form rather than a component bolted onto it, and it pulls off the trick of feeling simultaneously purposeful and playful. In its default mode it surfaces real-time data: output wattage, battery temperature, remaining charge percentage, and overall battery health. Connect the PB610 to Ugreen’s companion app via Bluetooth and you can push custom images or personal graphics to the screen instead, a minor feature in functional terms but a significant one in design terms. Letting the owner author the face of the object is a very deliberate softening of the boundary between tool and personal accessory.

The hardware underneath is genuinely solid for the price point. Two 5,000mAh cylindrical 21700 steel-shell cells handle the capacity, and an NTC temperature-control chip monitors heat levels continuously to keep charging safe at sustained wattages. The port configuration runs two USB-C outputs and one USB-A: the built-in cable and the standard port both cap at 45W, while the USB-A tops out at 22.5W. Ugreen claims the 45W output delivers a 65% charge to an iPhone 17 Pro Max in thirty minutes, with comparable numbers for current Huawei and Xiaomi flagships. Three devices can charge simultaneously, though the total 45W ceiling gets divided across active ports, so managing expectations on simultaneous high-wattage draws is fair.

At 109 x 58.5 x 25.5mm and 239 grams, the PB610 sits in a physically unremarkable footprint for its capacity class, and that is precisely the point. The design work is not trying to achieve a new size record or a new wattage record. It is trying to make a mundane carry object feel considered, even covetable. The PB610 launches in China on May 26, with global availability expected to follow given Ugreen’s established international distribution. At $29, the only real question is whether the rest of the category is paying attention.

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Slide, Spiral, Learn: Bernard Tschumi Completes a Science Centre Built on Motion

A science centre that asks students to slide between floors is either a gimmick or a statement. At Institut Le Rosey, it’s unmistakably the latter. Philo, the newly completed science and innovation centre by Bernard Tschumi Architects in Rolle, near Geneva, brings that idea to life with an architectural precision that feels entirely intentional.

The building, which took shape between 2019 and 2025, sits on the campus of one of Switzerland’s most prestigious international boarding schools, right alongside Carnal Hall, the metal-domed music venue Tschumi completed for the same institution back in 2014. Where Carnal Hall curves inward with acoustic purpose, Philo opens up — a ring-shaped structure five storeys tall, wrapping itself around a grand central atrium that functions less like a corridor and more like a covered public square.

Designer: Bernard Tschumi Architects

That atrium is the building’s beating heart. Three concentric walkways surround it, and vertical and horizontal circulation paths cut through the space, generating constant movement. Helical slides thread through the interior alongside the sculptural spiral staircase, turning the everyday act of moving between floors into something worth doing. It sounds playful — and it is —, but it’s also deeply considered. Tschumi has spent decades arguing that architecture only comes alive through movement and event, and Philo reads like a direct translation of that thinking into built form.

The programme inside is built around student innovation. Philo houses a Fabrication Lab, a Start-up Incubator Space, and a Pitch Room — a flexible rectangular space that can be reconfigured for presentations or performances. Classrooms and laboratories fill the remaining floors, all oriented around the central void. The result is a building that doesn’t separate learning from making, or thinking from doing. Every space feels connected, both literally and conceptually.

Externally, the ring form gives Philo a strong presence on campus without overpowering it. The circular geometry creates a clear dialogue with Carnal Hall’s dome, establishing a coherent architectural language across two very different building types. Aerial photography by Iwan Baan captures just how deliberately the two structures have been positioned — companions on a campus that now has a genuine architectural identity.

Philo isn’t trying to reinvent education. What it does, with impressive restraint, is create the conditions for a different kind of learning — one built on movement, collision, and chance encounter. For a studio whose founder once wrote that there is no architecture without events, it’s a building that lives up to the theory.

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A Maker Just Gave the Fortune Cookie a $10 Hardware Glow-Up

I don’t know who decided that wisdom should come wrapped in a brittle shell and a strip of paper, but I’ve always found the fortune cookie oddly charming. Not because of the fortunes themselves, which range from “a smile is your best accessory” to something you’d find stitched on a decorative pillow, but because of what they represent: a tiny, physical moment of pause. A ritual. A reason to crack something open and pay attention to what falls out. In a culture addicted to scrolling, that single sentence on a slip of paper still manages to land.

So when I came across gokux’s eFortune Cookie on Hackaday, I felt a very specific kind of joy. The kind you feel when someone takes a beloved, low-tech ritual and gives it exactly the upgrade it deserves, without ruining what made it special in the first place.

Designer: gokux

The concept is beautifully simple. gokux built a tiny, 3D-printed gadget in the shape and spirit of a fortune cookie, fitted with a Seeed Xiao ESP32-S3 Plus and a 1.54-inch e-paper display. To get your fortune, you shake it. That’s it. Shake it, and a random fortune appears on the little screen. No apps to download. No Wi-Fi required. No subscription tier. The device stores over 3,000 fortunes entirely offline, which makes it more dependable than half the smart gadgets currently collecting dust on people’s kitchen counters.

The commitment to the gesture is actually the most underrated part of this build. gokux chose to activate the fortune with a shake, not a tap or a button press, and that single decision changes everything about how the object feels to use. A shake carries energy, intention, a little theatrical flair. It mirrors what you’d do with a Magic 8-Ball or a set of dice. It makes the act of asking feel deliberate, even playful. That kind of interaction design is easy to overlook, but it’s often the difference between something you use once and something you keep picking up off the desk.

The eFortune Cookie is not a one-trick gadget, either. Side buttons let you toggle between three modes: fortune telling, dice rolling, and coin flipping, each one activated the same way. Just shake. The MPU-6050 accelerometer inside detects the motion and responds accordingly. For a small indie maker project, the level of thoughtfulness packed into something this compact is genuinely impressive. The e-paper display is a smart material choice, too. It’s low power, easy to read in any lighting, and gives the whole thing a slightly analog, slightly mysterious quality that feels exactly right for a device meant to dispense tiny slices of fate.

I’ll be transparent about what the eFortune Cookie is not. It is not artificially intelligent. It is not learning your patterns or curating insights based on your mood. The fortunes are pre-loaded, the shake is random, and the outcome is whatever it is. Some people might see that as a limitation. I see it as the point. We live in an era where every gadget wants to personalize, predict, and optimize us. A device that just shakes out a fortune and doesn’t know a single thing about you feels almost radical by comparison.

The sample fortune visible in gokux’s build photos reads: “Your next firmware update will both solve and create problems.” It’s clearly written for makers, but it captures something universally true. Most things in life both solve and create problems. That’s not pessimism. That’s just the loop we’re all in, firmware or otherwise.

What gokux made here is a small, physical object that does something the internet cannot reliably do: it makes you stop for two seconds and read a single sentence. No notification badge to clear. No thread to fall into. Just a little e-paper screen, a fortune, and whatever you decide to do with it. That’s not nothing. For a weekend project built around a $10 microcontroller and a handful of components, it’s actually quite a lot. Sometimes the simplest ideas make the most enduring objects.

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Apple’s Crease-Free iPhone Ultra Fold Arrives Later This Year

Apple’s Crease-Free iPhone Ultra Fold Arrives Later This Year iPhone Ultra Fold

Apple is preparing to make a significant impact on the foldable smartphone market with the anticipated launch of the iPhone Fold Ultra. Expected to debut in late 2026, this device is poised to address long-standing challenges in the foldable segment, such as visible creases on displays, while introducing advanced features that could elevate the premium […]

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Google’s $40 Billion Bet on Anthropic’s Secret Mythos AI Model

Google’s $40 Billion Bet on Anthropic’s Secret Mythos AI Model Cybersecurity dashboard highlighting the Mythos model's threat detection capabilities.

Google’s recent $40 billion commitment to Anthropic marks a pivotal moment in the competitive AI landscape. This investment, which includes $10 billion upfront and $30 billion tied to performance milestones, grants Google access to Anthropic’s advanced AI models and infrastructure. AI Master highlights how Anthropic’s flagship product, Claude Code, has already captured a 54% share […]

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This House in Rural India Is Actually a Bridge — and It’s Covered in Scales

Most architects would see a seven-metre-deep gorge cutting through a site and call it a problem. Vinu Daniel and his studio, Wallmakers, looked at it and saw the house. The Bridge House in Karjat, Maharashtra, is exactly what its name promises — a weekend home that spans a 30-metre-wide spillway, with enough clearance below for diggers to pass through. Completed in 2025, the 4,500-square-foot structure sits across two parcels of land separated by two streams, and it does so with a quiet, almost organic confidence.

The structural logic is deceptively simple. Four hyperbolic parabolas form the spine of the suspension bridge, held together by minimal steel pipe and tendons working in tension. Over that skeleton, a grid of steel cables was laid out in a twisting hyperbolic paraboloid surface, then coated in a layer of mud — the same material Wallmakers has long treated as a primary architectural medium. The mud isn’t decorative. It provides the compressive strength that stabilises the entire bridge and acts as a barrier against the pests that typically undermine thatched construction.

Designer: Wallmakers

And then there’s the skin. The outer layer is local grass thatch, applied in overlapping scales that give the structure a texture closer to a living creature than a building. The resemblance to a pangolin is intentional. “Thatched roof construction, even though sustainable and thermally efficient, has been on the decline due to problems like pest invasion, lack of skilled labour, deforestation, and the hassle of constant reapplication,” Daniel noted. The mud-thatch composite here attempts to address exactly those failures — rethinking the material from the inside out rather than simply reviving a tradition.

Getting materials to the site was its own challenge. The remote location in Karjat pushed the team toward using what was available locally, which ultimately shaped the entire material palette. The result is a building that feels pulled from the landscape rather than dropped into it. Translucent screens and raw mud surfaces define the interiors, keeping the atmosphere spare and tactile. The design team — Preksha Shah and Ramika Gupta — worked within tight constraints that only tightened the design thinking.

Bridge House is the kind of project that makes the site’s difficulties readable in the finished form. The gorge isn’t hidden; it’s the reason the house exists at all. That honesty — structural, material, spatial — is what makes Wallmakers’ work consistently worth paying attention to.

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Before You Upgrade: 3 Features Missing from the Galaxy Z Fold 8 Lineup

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Samsung’s Galaxy Z Fold 8 and Z Fold 8 WIDE represent the latest evolution in foldable smartphones, offering a blend of innovation and refinement. While these devices introduce several noteworthy upgrades, the absence of three anticipated features, privacy screen, S Pen support, and substantial improvements to the display crease, has sparked debate. Despite these omissions, […]

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Why Google’s New AI Search Will Change Your Browsing Habits

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Google has introduced a new update to its search platform, incorporating advanced AI-powered features designed to enhance how users interact with information online. One of the most notable additions is the conversational search mode, which allows for a natural, dialogue-like interaction with search queries. Instead of starting over with each new question, you can refine […]

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