Tag Archives: stone

A Hand-Built Stone Sphere Just Landed in Rural Portugal

Posted on by

There’s something profoundly strange about seeing a perfect sphere sitting in the middle of nowhere. It doesn’t belong there in the way a building or a bridge would, yet somehow it looks like it’s been there forever. That’s the magic of Ninho Globo, a monumental stone installation by Paris-based studio Atelier Yokyok that just landed in the windswept landscape of eastern Portugal.

Picture this: you’re standing on a rocky plateau in Salvaterra do Extremo, a small border town where Portugal meets Spain. The terrain is rough, dotted with old dry stone walls and scrubby vegetation. And right there, perched on what used to be a farm, sits this five-meter sphere made entirely of local black schist, a rock that splits into beautiful flat layers. Against the sky, it looks like something that either fell from space or grew from the earth itself. Maybe both.

Designer: Atelier Yokyok

Atelier Yokyok, a four-person team founded by architects Samson Lacoste and Luc Pinsard (later joined by Laure Qaremy and Pauline Lazareff), built this sphere by hand with the local community. This wasn’t a case of a design team parachuting in with prefab materials and machines. They used the schist that’s native to this region, honoring the geological identity of the place while creating something that feels both ancient and futuristic.

What really gets you is how the piece plays with your sense of scale. From far away, Ninho Globo looks planetary, like a dark moon that’s settled into the landscape. The name itself means “Global Nest” in Portuguese, and that double meaning is intentional. Is it a celestial body? A giant nest? A seed pod waiting to crack open? It refuses to be just one thing, and that ambiguity is part of its power.

Then you get closer and notice the fissure. There’s a deliberate crack called the “Canyon” that cuts through the sphere, inviting you inside. Step through, and suddenly you’re in a hollowed-out chamber where the scale flips completely. Now you’re not looking at something massive. You’re inside it, cradled by layers of stacked stone, experiencing the weight and texture of the schist up close. The space is cool and shadowy, a shelter carved from geometry. It makes you think about what it means to inhabit a space, to be protected by it.

This kind of visceral, physical experience is what Atelier Yokyok does best. The studio has spent years exploring how our bodies interact with space, often using lightweight materials like textiles in their earlier work. But with Ninho Globo, they’ve shifted toward mineral permanence, something that will weather and age with the landscape rather than disappear. It’s a move that speaks to bigger questions about what we build, why we build it, and what we leave behind.

The project was part of Landscape Together, a program co-funded by the European Union’s Creative Europe initiative that brings artists, institutions, and local communities together to breathe new life into rural areas. Ninho Globo is now part of the permanent collection at Museu Experimenta Paisagem, an open-air museum dedicated to site-specific art. The work embodies something we’re seeing more of in contemporary art and architecture right now: a turn toward low-tech, community-driven projects rooted in place. In an era obsessed with speed and novelty, building something slowly, collectively, and with local materials feels almost radical.

There’s also something to be said about the location. This is a border territory, a place that exists in the margins between two countries. It’s not a tourist destination. It’s remote, rugged, and deeply connected to the rhythms of the land. Water is scarce here, and the hollowed interior of Ninho Globo speaks to that absence, turning it into a meditative space where geological memory becomes tangible.

What Atelier Yokyok has created isn’t just a sculpture. It’s a conversation starter about habitat, shared resources, and how we relate to the places we live. It’s about time, both geological and human. And it’s a reminder that sometimes the simplest shape, a sphere, can hold the most complex meanings.

The post A Hand-Built Stone Sphere Just Landed in Rural Portugal first appeared on Yanko Design.

This Headphone Stand Looks Like a Sculpture Even Without Headphones

Posted on by

Headphones usually end up draped over monitors, balanced on stacks of books, or left in a tangle on the desk. They are often the nicest piece of audio gear in the room, but rarely have a home that matches their presence. Most stands are plastic hooks or generic metal frames that disappear under the headband, doing their job but adding nothing to the space. Arco is a response to that gap, a stand that treats headphones like something worth giving a proper place.

Arco is a headphone stand designed to feel like a finished object, whether or not there is a pair of headphones resting on it. Carved from a single block of wood or stone, it has a smooth arc that gives the headband a gentle resting point and a solid base that reads more like a small piece of furniture than an accessory. When empty, it still looks complete, adding subtle presence to a shelf or desk.

Designer: latr.

Reaching for headphones becomes a small, deliberate gesture instead of fishing them out from under papers. When you are done listening, they go back to the same place, the arc catching the headband and lifting the earcups off the surface. Over time, that simple habit keeps the desk clearer and the headphones in better shape, protected from pressure points or deforming pads that come from stacking other things on top.

The wood versions, oak and walnut, bring warmth and visible grain to a shelf or sideboard. The stone versions, Portuguese limestone for subtlety and Guatemala marble for a stronger character, feel more like small monoliths anchoring a corner of the room. In each case, the material is chosen to sit comfortably among books, speakers, and other objects without shouting for attention or feeling like obvious “tech gear.”

Both wood and stone Arcos are CNC-machined from a single solid block, then finished entirely by hand to refine surfaces and edges while letting the natural character of the material remain visible. The arc and outer volume went through many sketches and prototypes until the proportions felt natural and there was nothing left that looked unresolved, which is why the form feels calm rather than generic or rushed.

Latr is a young design brand focused on lifestyle pieces with character for a more relaxed way of living. Arco fits that ethos by turning a purely functional object into something that quietly adds presence to a room, giving headphones a place in the open instead of hiding them away. It is easygoing and optimistic in its own way, inviting you to enjoy the small pleasure of a tidy, intentional audio corner.

Arco is not trying to reinvent storage; it is simply making one everyday object feel more considered. By giving headphones a stand that looks complete on its own, it turns a bit of visual noise into a small architectural moment. In rooms where so many accessories feel disposable or provisional, a single block of wood or stone that earns its place on the desk every day is a quiet kind of luxury.

The post This Headphone Stand Looks Like a Sculpture Even Without Headphones first appeared on Yanko Design.

Tom Black Carves Travertine Tables That Look Like They’re Floating

Posted on by

Stone coffee tables often default to simple slabs or blocks, heavy objects that sit on the floor and announce their weight. More interesting pieces treat stone as something to carve and balance, not just to drop into a room. Coffee Table 01 and Side Table 01 by Tom Black lean into that second approach, using one curved gesture to make Italian travertine feel lighter, paired with a contrasting metal inlay that turns solid into void.

Coffee Table 01 is an exploration of form with a classic Italian materiality, carved from travertine with a soft curvature to the underside that gives a sense of floating and elevation. The top is not a flat slab, but a long trough lined with brushed metal, and this inverse layering of a metal finish into stone sets up a contrast in both finish and form, cool against warm, reflective against matte.

Designer: Tom Black

The underside curve lifts the edges off the floor so the table reads as a solid volume that barely touches the ground. The concave channel on top mirrors that curve, turning the center into a controlled void rather than a flat surface. The metal inlay sharpens that void, catching light differently from the travertine and making the negative space feel as intentional as the stone around it, a second reading of the same carved gesture.

Side Table 01 is designed as the partner to Coffee Table 01 that can also stand alone. It shares the same exploration of form and material but takes a different approach to curvature. Instead of resting directly on the floor, the curved upper element sits on a rectangular base, and that base is what highlights the juxtaposition between curve and block, between the flowing top and the grounded plinth beneath.

The side table effectively rotates the coffee table’s gesture into a more vertical, totem-like object. The travertine trough becomes shorter and more upright, while the rectangular base grounds it. The relationship between the two parts, curved top and rectilinear plinth, makes the piece read as a small monument, echoing the coffee table’s floating mass but with a different emphasis in the room, more punctuation than sprawl.

The choice of Italian travertine brings a sense of permanence and architecture, with its horizontal veining and warm tone playing against the cool, brushed metal inlay. The stone offers classic materiality, while the metal introduces a precise, almost industrial note. Together, they feel less like a decorative veneer and more like a small section cut from a larger, imagined building, where structure and surface are the same thing.

Coffee Table 01 and Side Table 01 operate as a family. The coffee table stretches low and horizontal between seating, the side table stands as a vertical accent beside a sofa or chair, and both share the same carved gesture and material palette. For anyone who likes furniture that behaves like small pieces of architecture, these two feel like a quiet study in how far one curve can go when you pair it with the right material and the right inlay to make the mass feel like it might lift off the floor.

The post Tom Black Carves Travertine Tables That Look Like They’re Floating first appeared on Yanko Design.

Concrete Church in Spain Named World’s Best Building of 2025

Posted on by

Picture a building so raw and honest that it looks like it grew straight from the ground. That’s exactly what Fernando Menis pulled off with the Holy Redeemer Church and Community Centre of Las Chumberas in Tenerife, and the architecture world just named it the 2025 World Building of the Year at the World Architecture Festival.

Located on the outskirts of La Laguna, Spain, this isn’t your typical church. The project sits in a neighborhood that had been pretty much forgotten by urban development, and Menis saw an opportunity to create something meaningful for the community. This is architecture with a purpose beyond looking good in magazines. It’s about giving people a place to gather, connect, and feel like they belong somewhere.

Designer: Fernando Menis

What makes this project so special is the story behind its construction. The entire building was funded through small donations from local parishioners. Think about that for a second. No giant corporate sponsor, no massive government grant. Just regular people contributing what they could, when they could. That stop and start flow of money directly shaped how the building came to life, creating an irregular development timeline that actually influenced the final design.

The result? Four independent volumes built in phases, each standing as its own sculptural element while working together as a cohesive whole. The church itself is joined by a community center and a public square, creating this multi functional space that serves the neighborhood in different ways throughout the day and week.

Let’s talk about the aesthetics because they’re striking. Menis went full minimalist with exposed concrete that feels almost primal. The texture is rugged and unpolished, which gives it this organic quality that you don’t often see in contemporary religious architecture. There’s no fancy facade trying to impress you. Instead, the material itself becomes the statement. The concrete isn’t just slapped on either. Look closely and you’ll notice how light plays across those surfaces throughout the day, creating constantly shifting shadows and highlights. It’s architecture that changes with time, never looking exactly the same twice. That kind of intentional simplicity takes serious skill to execute well.

Inside, the space maintains that same honest approach. Natural light filters through carefully placed openings, creating moments of quiet contemplation without getting too theatrical about it. The interiors feel grounded and peaceful, exactly what you’d want from a spiritual space while still feeling contemporary and accessible. Fernando Menis clearly understands that great architecture isn’t about showing off technical prowess or following trends. It’s about responding to real needs with thoughtful solutions. This project could have been generic, but instead it became something that speaks to its specific place and community.

The judges at the World Architecture Festival recognized all of this, which is why it beat out hundreds of other projects from around the globe. Winning this award puts the Holy Redeemer Church in the same league as previous winners that have redefined what modern architecture can be. What’s refreshing about this project is how it challenges our assumptions about what award winning design should look like. There are no flashy curves, no high tech materials, no Instagram ready color palettes. Just concrete, light, and thoughtful spatial planning. In an era where architecture can sometimes feel like it’s trying too hard to go viral, this building succeeds by being authentic.

The community focused approach also sets an important precedent. At a time when many architectural projects serve wealthy clients or corporate interests, here’s a building that literally exists because a community pooled its resources to create something for everyone. That grassroots funding model resulted in a building that truly reflects the people it serves.

For anyone interested in how design intersects with social impact, this project offers a masterclass. It proves that constraints like limited budgets and irregular funding can actually spark more creative and meaningful solutions than unlimited resources might. The Holy Redeemer Church and Community Centre of Las Chumberas shows us that the best buildings don’t necessarily shout the loudest. Sometimes they just need to be honest about what they are and who they’re for. And sometimes, that’s more than enough to change the world.

The post Concrete Church in Spain Named World’s Best Building of 2025 first appeared on Yanko Design.

FreePower turns your beautiful stone countertop into a wireless charger

Posted on by

Wireless charging is finally becoming more common but despite the freedom from tangling cables that the technology offers, wireless chargers still have a few inconveniences, especially when it comes to aesthetics. Only a few of these products can be considered pleasing to look at, especially when mixed with the rest of your room decor. And they still have at least one cable snaking out of their bodies, which might be difficult to hide depending on where you place the chargers. In an ideal future, almost any flat surface can become a wireless charger, immediately juicing up your phone or device the moment you put it down, anywhere you put it down. Part of that future seems to already be here, with a creative wireless technology that can hide that wireless charging space inside stone countertops, seamlessly blending with your choice of interior design.

Designer: FreePower

Wireless chargers remove the messy cables from the charging equation, but the current state of technology requires you to still make physical contact between the device and the surface of the charger. Add to that the hard requirements on materials for the surfaces of wireless chargers and you will find yourself with a few of these products scattered around your house, often sticking out like a sore thumb. Some designs are admittedly more elegant and stylish, but they still add to the visual baggage on what would be an otherwise pristine table or countertop.

FreePower is a technology that tries to offer the best of both worlds, combining the liberating convenience of wireless charging with a clean and unblemished tabletop surface. In a nutshell, it embeds the wireless charger inside the countertop, and not just any countertop, mind you. It is compatible with different stone materials, including quartz, granite, or even marble, materials you’d never think could be used for wireless chargers. Thanks to this innovative design, you don’t need to actually put a charging mat or stand on your kitchen countertop, side table, or bedside table, because the countertop itself is the wireless charger.

Of course, only a portion of the countertop actually functions as the wireless charging zone, but you don’t have to worry about ugly and conspicuous markings that ruin the aesthetic of your beautiful stone top. A customizable LED halo glows around the area where you can place your devices, and you can even turn this light off when it’s not in use. FreePower does even better than most wireless chargers because you can place your phone or earbuds anywhere within that zone, no need to perfectly align with markers.

FreePower is the latest in a growing number of designs that aim to integrate wireless charging technology into every surface inside your home, completely freeing you from unsightly cables. Of course, such a design is also less flexible in that you have very little choice when you want to change furniture or designs. You’ll have to hope there’s also an invisible wireless charger version available for that or else you’ll have to go back to old-school wireless charging mats.

The post FreePower turns your beautiful stone countertop into a wireless charger first appeared on Yanko Design.

Stone light sculptures use shadow play to create a more dramatic effect

Posted on by

Lamps are designed to bring light to a space, but that doesn’t mean they need to be dazzling or blinding. In fact, some lamps emit more subdued and diffused illumination to create a specific atmosphere and enhance the ambiance of an area. Some lighting fixtures even go beyond just the light they shine, putting just as much emphasis on the form they come in or, in some cases, the effects they have on the environment around them. This collection of light sculptures, for example, are more pieces of art than just lamps, but the way it casts shadows inside and around it delivers more impact that, in turn, further enhances the effect that the warm light produces.

Designer: Alex and Henri (Frero)

It’s almost too easy to take for granted the effect that shadows have on our surroundings. Given their dark nature, they’re often regarded as “bad” or even “ugly” elements, especially when they do obscure other more important objects in a composition. That said, shadows actually create a more impactful composition, especially when they contrast with light and create interesting forms thanks to the shapes that stand between the light source and the surface the shadows are projected on.

Fuca

Fuca

Suma

Suma

The Tala Asa collection of light sculptures embraces this kind of shadow play, putting equal importance on both light and darkness to generate a more striking overall visual. Just like in art, negative space provides not only breathing room but a canvas for these contrasting elements to draw on, casting shadows inside holes while also shining light through them. The earthen aesthetic of sculptures provides additional contrast to the unearthly glow of the light shining from inside.

Coco

Coco

Anta

Anta

Each of the five sculptures has a story to tell through their different forms. Fuca’s simple frame pays homage to the beauty of square elements you might find around you, while the arching Suma is inspired by the geological wonder that is the Ring of Fire. Two squares on top of each other make Coco represent balance and equilibrium, while the interplay of Anta’s three stripes embodies both unity and individuality. Lastly, Sunda’s more complicated pairing is meant to convey the intricate structures and complex relationships of tectonic plates, cutting a powerful and imposing figure in any space it stands on.

Sunda

Sunda

Regardless of their design or inspiration, all five sculptures draw from the earth in more ways than one. They’re available in natural tone finishes, including bone, sienna, terra, olive, and lava, but they’re also made from reclaimed stone and minerals bound with resin and coated with natural plaster paint. And just like how the sun and the earth create an interesting play of light and shadow, the Tala Asa light sculptures bring that interesting dynamic to a smaller degree in your home, office, or any space that needs just a little bit of natural inspiration to bring it to life.

The post Stone light sculptures use shadow play to create a more dramatic effect first appeared on Yanko Design.