Rainbow Six Mobile will finally be available in February after years of testing

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The long-awaited Rainbow Six Mobile comes out on February 23 for iOS and Android devices. This is a global release and follows years of testing and some significant delays.

This is basically a smartphone version of the popular tactical shooter Rainbow Six Siege. It was "developed exclusively" for mobile devices and features a trio of 5v5 multiplayer modes. There's a team deathmatch, of course, and a pair of bomb-defusing games that are riffs on a pre-existing mode from Siege.

Rainbow Six Mobile offers access to a bunch of maps, including some that will be familiar to fans of the franchise. There are more than 20 operators to choose from and Ubisoft promises it'll be adding more content with each new season.

The company is rolling the game out early in some parts of the world. It's already playable in Poland, France, Canada and parts of Latin America. Everyone else has to wait until February.

This article originally appeared on Engadget at https://www.engadget.com/gaming/rainbow-six-mobile-will-finally-be-available-in-february-after-years-of-testing-174001081.html?src=rss

This Wicker Collection Looks Like the Forest Came Indoors

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There’s something magical about watching an ancient craft transform into something that feels utterly contemporary. That’s exactly what happens when you encounter Whispers of the Wildwood, a new collection from Hyderabad-based design studio The Wicker Story. Designer Priyanka Narula has taken the humble art of wicker weaving and turned it into something that feels like poetry you can touch.

Wicker has been having a moment lately. You’ve probably noticed it creeping back into the design world, showing up in Instagram-worthy cafes and carefully curated living rooms. But here’s the thing: most wicker pieces still carry that nostalgic grandma’s-porch vibe, charming but predictable. Narula decided to throw that playbook out the window.

Designer: Priyanka Narula for The Wicker Story

Instead of sticking to traditional furniture forms, she looked to the forest itself for inspiration. The collection draws from the organic chaos of nature, from meandering rivers that never quite go straight to forest canopies that filter light in a thousand different ways. There’s the gentle sway of wild grasses caught in the breeze, the textured warmth of tree bark, the unpredictable curves of branches reaching toward the sun. Each piece in the collection becomes a memory of these natural moments, frozen in woven form.

What makes this collection so compelling is how it pushes wicker beyond what we think it can do. These aren’t just chairs and tables with a nature-inspired twist. They’re sculptural pieces that happen to be functional, blurring that increasingly fuzzy line between art and design. The textures are incredibly fine, elevated through contemporary silhouettes and details so subtle you might miss them at first glance.

Take the Pagdandi wall unit, for example. The name itself evokes narrow forest paths, those meandering trails worn by countless footsteps over time. The piece captures that same sense of organic movement, of following where nature leads rather than imposing rigid geometry. It’s the kind of design that makes you stop and look twice, wondering how something woven could feel so fluid.

The earthy tones throughout the collection feel deliberate but never forced. Instead of reaching for trendy neutrals, Narula stays true to the materials themselves, letting the natural warmth of wicker shine through. It’s a celebration of what the material can do when you really understand it, when you’ve spent years researching and experimenting with traditional weaving techniques and then finding ways to push them forward.

This approach makes sense when you learn more about The Wicker Story itself. Founded by Narula in 2018, the studio has built its reputation on research-driven design that respects Indian weaving craft while refusing to let it remain static. It’s not about preservation for preservation’s sake. It’s about honoring the skill and knowledge of traditional artisans while asking what else is possible, what new forms and expressions might emerge when you give craft room to evolve.

The timing feels right for a collection like this. We’re living in an era where people are craving authenticity and connection to natural materials, but nobody wants their space to feel like a museum or a rustic cabin. We want pieces that acknowledge our contemporary lives while bringing in warmth and texture and that ineffable quality of something made by human hands. Whispers of the Wildwood hits that sweet spot perfectly.

What Narula has created isn’t just furniture. It’s a reminder that the best design often comes from deep observation of the world around us. The forest doesn’t use straight lines or perfect symmetry, yet it creates compositions that feel balanced and beautiful. By channeling those organic rhythms into woven forms, this collection brings a piece of that wildwood serenity into our built environments.

For anyone who loves design that tells a story, that carries meaning beyond pure aesthetics, this collection deserves your attention. It proves that traditional craft can speak to contemporary sensibilities, that wicker can be sculptural and sophisticated, and that sometimes the most innovative design comes from looking not to the future but to the timeless patterns of nature itself.

The post This Wicker Collection Looks Like the Forest Came Indoors first appeared on Yanko Design.

This Wicker Collection Looks Like the Forest Came Indoors

Posted on by

There’s something magical about watching an ancient craft transform into something that feels utterly contemporary. That’s exactly what happens when you encounter Whispers of the Wildwood, a new collection from Hyderabad-based design studio The Wicker Story. Designer Priyanka Narula has taken the humble art of wicker weaving and turned it into something that feels like poetry you can touch.

Wicker has been having a moment lately. You’ve probably noticed it creeping back into the design world, showing up in Instagram-worthy cafes and carefully curated living rooms. But here’s the thing: most wicker pieces still carry that nostalgic grandma’s-porch vibe, charming but predictable. Narula decided to throw that playbook out the window.

Designer: Priyanka Narula for The Wicker Story

Instead of sticking to traditional furniture forms, she looked to the forest itself for inspiration. The collection draws from the organic chaos of nature, from meandering rivers that never quite go straight to forest canopies that filter light in a thousand different ways. There’s the gentle sway of wild grasses caught in the breeze, the textured warmth of tree bark, the unpredictable curves of branches reaching toward the sun. Each piece in the collection becomes a memory of these natural moments, frozen in woven form.

What makes this collection so compelling is how it pushes wicker beyond what we think it can do. These aren’t just chairs and tables with a nature-inspired twist. They’re sculptural pieces that happen to be functional, blurring that increasingly fuzzy line between art and design. The textures are incredibly fine, elevated through contemporary silhouettes and details so subtle you might miss them at first glance.

Take the Pagdandi wall unit, for example. The name itself evokes narrow forest paths, those meandering trails worn by countless footsteps over time. The piece captures that same sense of organic movement, of following where nature leads rather than imposing rigid geometry. It’s the kind of design that makes you stop and look twice, wondering how something woven could feel so fluid.

The earthy tones throughout the collection feel deliberate but never forced. Instead of reaching for trendy neutrals, Narula stays true to the materials themselves, letting the natural warmth of wicker shine through. It’s a celebration of what the material can do when you really understand it, when you’ve spent years researching and experimenting with traditional weaving techniques and then finding ways to push them forward.

This approach makes sense when you learn more about The Wicker Story itself. Founded by Narula in 2018, the studio has built its reputation on research-driven design that respects Indian weaving craft while refusing to let it remain static. It’s not about preservation for preservation’s sake. It’s about honoring the skill and knowledge of traditional artisans while asking what else is possible, what new forms and expressions might emerge when you give craft room to evolve.

The timing feels right for a collection like this. We’re living in an era where people are craving authenticity and connection to natural materials, but nobody wants their space to feel like a museum or a rustic cabin. We want pieces that acknowledge our contemporary lives while bringing in warmth and texture and that ineffable quality of something made by human hands. Whispers of the Wildwood hits that sweet spot perfectly.

What Narula has created isn’t just furniture. It’s a reminder that the best design often comes from deep observation of the world around us. The forest doesn’t use straight lines or perfect symmetry, yet it creates compositions that feel balanced and beautiful. By channeling those organic rhythms into woven forms, this collection brings a piece of that wildwood serenity into our built environments.

For anyone who loves design that tells a story, that carries meaning beyond pure aesthetics, this collection deserves your attention. It proves that traditional craft can speak to contemporary sensibilities, that wicker can be sculptural and sophisticated, and that sometimes the most innovative design comes from looking not to the future but to the timeless patterns of nature itself.

The post This Wicker Collection Looks Like the Forest Came Indoors first appeared on Yanko Design.

What happened to iRobot can happen to anyone

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The company which popularized robot vacuum cleaners around the world has filed for Chapter 11 bankruptcy. iRobot, makers of the Roomba, has been synonymous with the category since its inception, but its star had dulled in recent years. The company plans to sell its assets to its primary supplier, China’s Picea Robotics, in the hope of maintaining its business.

Everyone’s got a strident opinion as to why iRobot fell from grace. The rugged individualists blame limp regulators on both sides of the pond (and their hatred for big tech) for blocking Amazon’s attempted purchase in 2023. Those on the hardware side of the fence say iRobot’s refusal to embrace LiDAR for navigation until this year left it behind rivals.

Then there’s the geopolitical experts, who can point at China’s industrial policy, subsidies and favorable regulatory environment compared to the US approach. After all, iRobot’s US gear is made in Vietnam, which is now subject to a 46 percent import levy. As BBC News reported, that added around $23 million to iRobot’s costs and increased the price of its hardware.

The real answer is that iRobot’s demise was caused by a perfect storm of all these factors piling on to the company. More importantly, iRobot’s situation isn’t any way unique, and should serve as a warning to every major American technology brand. It’s also a lesson in why companies need to deal with existential threats when they have the time and cash to do so. 

For instance, once iRobot perfected the concept for the Roomba, it wasn’t long before the first copies burst onto the scene. iRobot had the brand and the know-how, but that only goes so far against well-motivated copycats. Think about the first Samsung Android handsets, and how quickly they went from iPhone imitations to class-defining devices of their own — and how hard Apple fought in court to prevent it.

Even before this year’s tariffs, iRobot struggled to compete on price in a manner we’ve seen in other fields. Remember Fitbit before Google purchased it, happily selling $80 fitness trackers for years until Xiaomi swiped the low-end part of its business for itself. Even if the early MiBands weren’t very good, you could buy three for the price of a single Fitbit Charge. Yes, the argument around quality and reliability is important, but it’s often not as loud or compelling as a competing product sold for a fraction of the price.

iRobot should have either made more of an effort to offer a dirt-cheap model to undercut its rivals, or more likely pull out of the low end altogether. Earlier today, I checked out local retail listings for Roombas and its nearest competitors. Next to one another were the Roomba 405 Combo with Dock and the Roborock Q7 L5+ — both capable of vacuuming and mopping your floor. The former is currently on sale for $400 direct from iRobot, while the latter is currently selling for $220. I’m sure plenty of buyers would have seen the price difference and opted for the cheaper model.

I’m not going to throw too many Told You So’s over iRobot’s fence for not embracing LiDAR sooner. Its omission was a mistake, but you could see why it was shy about abandoning its existing setup. But the company had forgotten one key mantra about the tech world, Andy Grove’s maxim that “only the paranoid survive.” Even the fanciest, highest-end Roombas of the last five years felt a generation behind rival products.

And, at the risk of sounding like a marketing guru, it was never clear what iRobot, or Roomba, stood for. When companies flooded the market with cheaper models, iRobot needed to make it clear what it meant when you bought a Roomba over a generic model. What did, and could, it offer beyond the name and history that made it stand out against cheaper competitors? Companies like Apple and Dyson command a premium, but you almost always know what you’re getting for your money.

All I can say is that it’s good that there isn’t another American company presently in a similar position. I certainly can’t think of a controversial US company that builds things with wheels that has historically rejected LiDAR for its autonomous services. One that has a brand that doesn’t stand for much, or has its identity tied too closely to the identity of its CEO. One that is staring down the barrel at a raft of better equipped and often cheaper Chinese alternatives. Because that company could surely be looking at a similar fate a decade or so down the road.


This article originally appeared on Engadget at https://www.engadget.com/home/what-happened-to-irobot-can-happen-to-anyone-164500625.html?src=rss

Dead Island 3 is in development and will reportedly come out in 2028

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The zombie-decapitating sim Dead Island 3 is still being developed, according to financial documents from Dambuster Studios that were published on X and reported on by Video Games Chronicle. These documents suggest a 2028 release date, so that's something to look forward to.

The paperwork says the development is "moving at pace" and that "parts of the game are now in early production." These parts reportedly include feature design, world design, narrative and character design.

We already knew this game was in development, as Dambuster posted on Steam earlier this year that "the outbreak is far from over." The idea of Dead Island 3 makes a whole lot of sense, given the success of the second one. The company has sold over 4 million copies of the game since 2023.

It's also worth noting that a 2028 release date would put five years between the two sequels. That's a long time for something like Assassin's Creed, but nothing for the Dead Island franchise. Dead Island 2 was first announced in 2014, so development took nearly a decade.

This article originally appeared on Engadget at https://www.engadget.com/gaming/dead-island-3-is-in-development-and-will-reportedly-come-out-in-2028-162522680.html?src=rss

Hexagon Board Game Trays Make Perfect Magnetic Desk Organizers

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Most of us end up using whatever is at hand as a catch-all: coffee cups, candle lids, random bowls, and that works until you actually need to find a specific SD card or binder clip. A lot of the best small organizers are hiding in other categories, and these magnetic hexagon token trays, sold as board game accessories, are really just well-designed hexagonal dishes with magnets and dividers.

Each tray is a hexagon with magnets hidden in its edges so it snaps to its neighbors in a honeycomb. You can build a cluster that fits the corner of a monitor stand or the space in front of a keyboard, then peel one off and move it closer when you need it. The magnets keep the layout coherent instead of letting dishes drift apart over time, which is a small but meaningful improvement over loose containers.

Designer: BoardGeekFox

Each unit is a two-part organizer, a black magnetic base, and a colored insert that drops in. The insert ships with two dividers, a straight one that splits the tray into two sections and a Y-shaped one that splits it into three. You can run it as one big bin, two equal compartments, or three wedges, depending on whether you are holding paper clips, sticky-note flags, or three different pen nibs.

The color options for the inserts let you treat the trays as a visual system. You can assign colors to categories, blue for tech bits, yellow for writing tools, red for things that need attention, or just build a small rainbow that makes the corner of your desk feel more like a layout than a pile. The black bases keep everything grounded, so the color reads as an accent, not chaos.

The trays are 3D-printed in PLA with embedded magnets, which keep them light but give them a satisfying snap when they connect. On a smooth desk, that matters, a cluster of loose bowls tends to slide and separate, while a magnetic cluster holds its shape when you nudge things around. The slight texture of printed PLA also keeps small items from skittering around inside each compartment, especially paper clips and staples.

The modularity plays nicely with shifting work modes. On a heavy project day, you can build a larger honeycomb and park it next to your main work area, each tray handling a different set of parts. On quieter days, you can break the set into smaller clusters and spread them across a shelf, a secondary desk, or a nightstand. The hexagon footprint is compact enough that a single tray works as a bedside catch-all for rings and earbuds.

These trays sit in a sweet spot between rigid drawer inserts and random containers, structured enough to keep things sorted but flexible enough to reconfigure when your habits change. For anyone who likes their desk to feel a little more like a considered layout and a little less like a junk drawer, a handful of magnetic hexagons with dividers is a surprisingly simple way to give every small object a place to land, while keeping the option to rebuild the whole composition whenever the mood or the project shifts.

The post Hexagon Board Game Trays Make Perfect Magnetic Desk Organizers first appeared on Yanko Design.

Hexagon Board Game Trays Make Perfect Magnetic Desk Organizers

Posted on by

Most of us end up using whatever is at hand as a catch-all: coffee cups, candle lids, random bowls, and that works until you actually need to find a specific SD card or binder clip. A lot of the best small organizers are hiding in other categories, and these magnetic hexagon token trays, sold as board game accessories, are really just well-designed hexagonal dishes with magnets and dividers.

Each tray is a hexagon with magnets hidden in its edges so it snaps to its neighbors in a honeycomb. You can build a cluster that fits the corner of a monitor stand or the space in front of a keyboard, then peel one off and move it closer when you need it. The magnets keep the layout coherent instead of letting dishes drift apart over time, which is a small but meaningful improvement over loose containers.

Designer: BoardGeekFox

Each unit is a two-part organizer, a black magnetic base, and a colored insert that drops in. The insert ships with two dividers, a straight one that splits the tray into two sections and a Y-shaped one that splits it into three. You can run it as one big bin, two equal compartments, or three wedges, depending on whether you are holding paper clips, sticky-note flags, or three different pen nibs.

The color options for the inserts let you treat the trays as a visual system. You can assign colors to categories, blue for tech bits, yellow for writing tools, red for things that need attention, or just build a small rainbow that makes the corner of your desk feel more like a layout than a pile. The black bases keep everything grounded, so the color reads as an accent, not chaos.

The trays are 3D-printed in PLA with embedded magnets, which keep them light but give them a satisfying snap when they connect. On a smooth desk, that matters, a cluster of loose bowls tends to slide and separate, while a magnetic cluster holds its shape when you nudge things around. The slight texture of printed PLA also keeps small items from skittering around inside each compartment, especially paper clips and staples.

The modularity plays nicely with shifting work modes. On a heavy project day, you can build a larger honeycomb and park it next to your main work area, each tray handling a different set of parts. On quieter days, you can break the set into smaller clusters and spread them across a shelf, a secondary desk, or a nightstand. The hexagon footprint is compact enough that a single tray works as a bedside catch-all for rings and earbuds.

These trays sit in a sweet spot between rigid drawer inserts and random containers, structured enough to keep things sorted but flexible enough to reconfigure when your habits change. For anyone who likes their desk to feel a little more like a considered layout and a little less like a junk drawer, a handful of magnetic hexagons with dividers is a surprisingly simple way to give every small object a place to land, while keeping the option to rebuild the whole composition whenever the mood or the project shifts.

The post Hexagon Board Game Trays Make Perfect Magnetic Desk Organizers first appeared on Yanko Design.

Instagram launches a Fire TV app for Reels

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Have you ever just wished you could watch Instagram Reels right on a TV? Maybe? Well, if so, you're in luck. Meta has launched an Instagram app exclusively on Fire TV. It will be solely for "short-form video content," so Reels. TikTok launched an app on Fire TV in 2020 before rolling it out to other platforms. 

Instagram and Fire TV users can download the former through Amazon's App Store. It can either link to an existing account or have a separate account just for TV. The app can hold up to five different Instagram accounts — and time spent factors into any limits on teen accounts. 

"Our mission is to get you to the world’s best content fast, and we’re thrilled to welcome Instagram to Fire TV," Fire TV vice president, Aidan Marcuss, said in a statement. "We’re committed to keep pushing the boundaries of entertainment on customers' biggest screens — the Instagram team has built an awesome experience, and we’re excited to be the first place to offer it. We can’t wait to see what customers think."

For now, Reels are separated into different channels, such as sports highlights or hidden travel gems. Reels also play automatically, so you don't have to swipe between content on the screen. According to Meta, the app is still being tested, so these formats might change in the future. 

Instagram users in the US can now get the TV app on Amazon's Fire TV Stick HD, 4K Plus and 4K Max (first and second generation). It's also available on the Fire RV 2-Series, 4-Series, and Omni QLED Series. However, Meta says that the Instagram App for TV should be available on more devices and in other countries after this initial testing round.

This article originally appeared on Engadget at https://www.engadget.com/social-media/instagram-launches-a-fire-tv-app-for-reels-160003710.html?src=rss

Amazon is set to lay off 370 workers at its European HQ

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Amazon is set to fire 370 people at its European headquarters in Luxembourg in the coming weeks, as Bloomberg reports. That accounts for about 8.5 percent of the workforce. Amazon initially planned to reduce its headcount there by 470, but under European Union law, companies have to negotiate layoffs with employee reps and, in some cases, governments.

Amazon reportedly told employees at the European HQ in a memo the layoffs are "adjustments that reflect business needs and local strategies." The company claims to be going "well beyond industry benchmarks" in Luxembourg with regards to the severance packages it's offering.

An Amazon employee said it would be difficult for hundreds of people who are all going into the job market at the same time to find employment elsewhere in the country. Affected employees who moved from other countries to work for Amazon will have to leave if they don't land another job in Luxembourg within three months. After the layoffs, Amazon is still expected to be the fifth-largest employer in Luxembourg, which has a population of 680,000. 

One employee told Bloomberg that the cuts would primarily affect software developers amid a push in the tech industry for AI to take on more coding tasks. Amazon said in October it would cut 14,000 jobs from its global workforce amid its deepening embrace of AI. It was reported that same month that the company's plans to ramp up its robotics operations could put around half a million jobs in the US at risk.


This article originally appeared on Engadget at https://www.engadget.com/big-tech/amazon-is-set-to-lay-off-370-workers-at-its-european-hq-154037845.html?src=rss

Oakywood Desk Shelf Pro Holds 100kg and Hides Clutter in Wood Drawers

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Desks fill up fast. A nice monitor and laptop sit on a surface that slowly accumulates cables, notebooks, charging docks, and random accessories. The usual fixes are cheap monitor risers, plastic drawer units, and cable trays that solve one problem but add visual noise. The Oakywood Desk Shelf Pro tries to handle ergonomics and organization without making the desk look busier, treating the riser as solid-wood furniture instead of an accessory.

Desk Shelf Pro is an all-in-one desk shelf that lifts your monitor, hides clutter, and adds a second functional level to the workspace. It combines a long, rounded wooden platform with powder-coated steel legs, integrated drawers, and a felt-lined open shelf. It is built from solid oak or walnut, not MDF with a plastic skin, so it feels like part of the desk rather than something perched on top.

Designer: Oakywood

The shelf spans the width of the desk, raising a monitor to a more natural eye level while leaving space underneath for a keyboard or laptop. Steel legs sit at each end, creating a floating effect and a central bay that becomes a home for devices. The shelf holds up to 100 kg, so it can handle large displays, desktop machines, and accessories without flexing, even when you lean on it.

Storage splits between one or two solid-wood drawers built into the leg modules and an open shelf running between them. The drawers swallow stationery, notebooks, and small tech, keeping the desktop clear. The open shelf is lined with merino wool felt, which protects tablets, trackpads, or a closed laptop from scratches and adds a soft, tactile layer that contrasts with the wood and steel.

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Oakywood contrasts solid wood against plastic laminate, highlighting warm, unique grain versus uniform texture, durability that improves with age versus chipping and peeling, and the ability to refresh the surface with natural oils instead of replacing it. The felt is OEKO-TEX-certified merino wool, and the legs are powder-coated steel, so every major component is designed to last and age gracefully instead of ending up replaced after a few years.

The shelf comes in oak for a lighter Scandinavian look, walnut for a richer studio vibe, or black-stained oak for a more dramatic setup. You can choose single or dual drawers depending on how much you like to hide, and black or white legs to match your hardware. It works equally well on a sit-stand desk or a fixed one, anchoring everything from a minimalist Mac setup to a more eclectic creative workstation.

Desk Shelf Pro changes the feeling of sitting down to work. Instead of a scatter of objects, you get a clear plane of wood with a monitor, a few intentional items, and everything else tucked away but within reach. For people who spend all day at a desk, the combination of solid materials, hidden storage, and quiet ergonomics makes a case for treating a monitor riser as real furniture, something worth keeping for years instead of replacing when the next cheap organizer trend arrives.

The post Oakywood Desk Shelf Pro Holds 100kg and Hides Clutter in Wood Drawers first appeared on Yanko Design.